Category: News

JOHN OSTRANDER: That’s A TV Wrap, Part 2

ostrander100-8664663A couple of weeks ago I did a wrap-up of my opinions of some of the TV I watched this past season. I held back on two shows because they hadn’t yet ended their seasons or their runs and others were cut because the column was getting too blamed long. So I’m going to try to finish up and include some shows that finished their “seasons” a while back but are about to start new seasons this summer. Looking back is a way of looking forward. First, however, a quick look at two shows among my faves and that are linked.

The Daily Show/The Colbert Report. These two almost have to be discussed together. The “fake news show” and the fake news commentary show. I have to admit I watch the Daily Show more often than The Colbert Report. While I admire the latter, Colbert’s persona – a terrific send-up of right wing on air demagogues – gets a little hard for me to watch at times. It’s right on the money.

What I love about The Daily Show is there is a sense of moral outrage and while a lot of it is aimed at the Bush Administration – justifiably – a lot also goes right at the media itself. It’s a serious show that makes use of comedy and makes me laugh out loud more often than not. Jon Stewart is brilliant on a consistent basis and his gang of reporters – while not overall the best the series has had – has some truly shameless members like Samantha Bee.

Stephen Colbert was the “star reporter” for a long time on The Daily Show until they launched his spin-off show, The Colbert Report, a send-up of Bill O’Reilly and all the other right-wing, self-important blowhards doing commentary on TV and radio. I admire the show tremendously; so much of it falls on Colbert. Given the nature of the show, there isn’t a cast of “reporters” that he can fall back on. And there are truly gonzo moments that pop up, such as Colbert’s guitar showdown or the green screen challenge that featured Stephen with a lightsaber and invited viewers to finish it and submit their offerings. George Lucas himself came on the show as one of the two finalists – and lost. It’s just that some nights I’m just not in the mood. It’s me, Stephen, not you.

who-infinite-quest-7532991Doctor Who. This is no-brainer for me. I’m a long time fan and the new series brought me right in again. Christopher Eccleston did a fabulous job in Season One and now David Tennant is just as good in a different way as the latest incarnation of our time/space traveling hero. It’s not that every episode is brilliant or that every concept is the best; that was never the attraction. But for all the fact that the Doctor is a Time Lord from an alien planet, the show remains one of the most human of S/F shows and consistently celebrates humanity. I love it.

Eureka. I also love this show. The concept is that there is this small town in the Pacific Northwest which is the home for some of the most brilliant scientific minds in the country who live and work in a safe, supportive, small town environment. Rural weirdness ensues. Think The X-Files meets Mayberry RFD. The local garage mechanic also happens to be a genius-grade engineer. The new town sheriff is a regular guy, a U.S. Marshall who happened to come on the town and helped with one of their problems. The fact that he is just a normal Joe with no more scientific background than the rest of us makes him the perfect alter-ego for the audience who are also new to the place and, probably, not world class brains (I’m not). Colin Ferguson plays Sheriff Jack Carter; he has a deft comedic timing, along with being a good looking guy, that makes him not only a great lead but a solid anchor for the weirdness that goes on around him. The show combines humor, well thought out science fiction ideas, characterizations that take surprising twists and is, overall, terrifically well written. It attracted more viewers than anything other series on SciFi and the new season starts in July. (more…)

Truman Goes To The Dead

The Greatful Dead have a new website, Dead.Net, and our pal Timothy Truman is all over it!

Timbo’s been drawing the Dead’s comix adaptations for years and years now – he also did up the triple-gatefold cover to their latest album, Live At The Cow Palace – and their new site’s got just about all of ’em posted! Some of Timothy’s finest and most heartfelt artwork, to be sure.

7_1-preview-5934428And what’s Mr. Truman been up to lately, besides drawing for the Dead? Well, he’s been writing Dark Horse’s Conan series, and for the past couple months he’s been hard at work drawing the newest GrimJack graphic novel, The Manx Cat, written by fellow-GJ creator John Ostrander.

Of course, Timbo’s got his own website. Check it out.

Lyrics written by and copyright Robert Hunter.

Heroic Casting News

william_hurt-2416683For next June’s new Incredible Hulk movie, William Hurt (Lost in Space, Altered States) has been signed to play General Thaddeus “Thunderbolt” Ross.

NBC has announced that Dania Ramirez (Callisto in X-Men: The Last Stand) has been added as a regular on Heroes. Ramirez’s character is name Maya but her place in the tapestry and her powers remain unknown.  Word is that new characters to at least recur in the second season will include a young African-American mother, an Irish mobster and a hunky boyfriend for Claire.

And the DVD for Season One will be out on August 28.

ELAYNE RIGGS: The last time I saw Paris

elayne200-5571070I think many of us suspect that there’s something fundamentally wrong with the fact that just about everybody reading this knows of the recent exploits of Paris Hilton.  If you’re at all attuned to media old and new, it’s nearly impossible to escape the breathless news about her latest adventures in crime and punishment, or at least the breathless reprimands the news media give themselves over the saturation coverage — although heaven forfend most of them stoop to using the first-person plural and actually assuming responsibility!  Even otherwise sensible pundits like Keith Olbermann (whose hard-hitting “Special Reports” many consider the modern incarnation of vaunted newsman Edward R. Murrow) can’t seem to stay away from peeping in on, and drooling over, daily celebrity hijinks.

Why the obsession? Well, the simple answer is ratings.  Just as sex sells, so does fame — particularly the doings of people who are “famous for being famous.” (Presumably they’re considered “fairer game” because, when well-known people with actual proven talents get into trouble, they tend to elicit more public sympathy based on those talents?) Sometime during the Reagan era, when cable was still young, the three major US news networks were acquired by corporate owners with little to no interest in providing public service, which was formerly understood and never questioned as being the point of news.  Those corporate owners decided to make loss-leader news divisions into profit centers, gradually closed down local bureaus all over the world, and news became just another commercial product designed to grab eyeballs and ratings.  With the proliferation of 24-hour cable news networks this downward slide into banality became an avalanche.

And it’s not like there isn’t enough interesting and entertaining stuff going on in the world to fill 24-hour news days. But even more important than ratings is the fact that corporate heads don’t want to take a chance on anything unproven or too far out of their comfort zone. The US-led invasion and occupation of Iraq is one of the more egregious examples of late; any opposition to continued and compounded illegalities in that region has been seen as not only out of the mainstream and therefore not fit for TV time, but as borderline unpatriotic and possibly treasonous to consider discussing in a public forum. Ironically, the few programs that have managed to slip through and present an alternative view to mainstream media war-whoops have garnered respectable ratings from an audience obviously weary of hearing only one side of things, the side that continually asks, “Who are you going to believe, me or your lying eyes?”

Celebrity news falls deeply into these people’s comfort zone.  Not only are corporate owners all rich (and mostly straight white men, which usually goes without saying but not here), but they often socialize with other rich people, many of whom are also celebrities. They want their public to care about the lifestyles of the rich and famous because they lead those lifestyles, and like to believe the public cares about them as much as they care about themselves. (more…)

Your video of the day

Via Lisa Fortuner, a group of talented young men who put a not-so-atypical female comic shop customer on a pedestal so they can look up her dress.

One step forward, two steps back. If you have to ask why this song is indicative of (or parodying) the "just doesn’t get it" mentality, well, that’s what a comments section is for.

31513180-7418298

Courtney Love Comic Strip Launches

31513180-7418298Beginning July 9th, ToykoPop’s top-selling manga Princess Ai will be headed to many American Sunday newspapers, courtesy of Universal Newspaper Syndicate.

The co-creation of rocker, actress and idol of EMS workers Courtney Love along with Misaho Kujiradou, Yazawa Ai, and others, Princess Ai is reportedly Love’s fantasy alter-ego. Prior to becoming an American idol, Love lived and performed in Japan.

The Princess Ai newspaper strip will run for 26 weeks.

Who’s A Trekkie?

d4847d8a20f94ced9bb6fa5403815398-9823006ShatnerVision reveals the "other side" of his interview on last week’s Henry Rollins Show, as William Shatner turns the camera around and interviews the musician/commentator after the show’s taping. In this video clip, Rollins answers the question "Who’s a Trekkie" with his typical to-the-bone sincerity and discloses the moral underpinnings of his worldview.

Batman sweats

christian_bale_02-5758291The Post Chronicle has an earth-shattering news story today, reporting that Christian Bale is "dreading" the filming of Batman: The Dark Knight because it’s hot in Chicago in the summer and he has to wear the rubber suit.

Bale told the paper, "I’m not really looking forward to wearing a black rubber suit in the summertime in humid Chicago. If you see a pool of sweat through the city, follow it and you will find me."

 

Fantastic Four director looking at The Losers

The Hollywood Reporter, via Reuters, says that Tim Story, director of the new Fantastic Four film opening this weekend, will direct The Losers for Warner Bros. The series, which debuted 37 years ago in Our Fighting Forces, was recently revived for DC’s Vertigo line by Andy Diggle and Jock.

Story said, "I told my agents I didn’t want to do another comic book.  I had been in the world of fantasy and I wanted to do something very edgy, a realist action movie. I wanted to find something like a Bourne Identity or Black Hawk Down."’

You can download the first issue of the Vertigo series at http://www.dccomics.com/graphic_novels/?gn=1687

MIKE GOLD: What Makes America Great

mikegold100-4105627These are the most important words ever written:

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.

That’s the First Amendment, in its entirety. It’s elegant, isn’t it? But did you notice what word isn’t there? Look again.

The word is “except.” There’s no “except” in the First Amendment.

That’s what makes the United States of America great. It’s where we separate the wheat from the chaff. The democracies from the dictatorships. The good from the evil.

Ask around and some people will tell you that the Supreme Court ruled the First Amendment doesn’t give you the right to shout fire in a crowded theater. If the utterer is smart, that quote will be attributed to Justice Oliver Wendell Holmes. The problem is, it’s bullshit, twice-over.

Number one: in ruling on the case of Schenck v. U.S. in 1919, Justice Oliver Wendell Holmes, Jr., wrote: “The most stringent protection of free speech would not protect a man falsely shouting fire in a theater and causing a panic.” The emphasis here is mine; those critical words are usually left out of the debate. You’ve got to be lying, and you’ve got to actually cause damage. However…

Number two: Schenck v. U.S. was overturned by the Supreme Court in 1969 in the case of Brandenburg v. Ohio, which ruled that speech could only be banned when it was likely to incite imminent lawless action, such as a riot. The majority noted yelling fire outside a building to prevent people from entering is quite different from encouraging people to stampede out.

The Constitution doesn’t say “but in case somebody figures out a way to allow people to get their words heard by a whole lot of other people all at once, a federal agency is going to appoint a brilliant comedian to figure out which seven words can never, ever be uttered, no matter how inadvertently, no matter how pointedly, and no matter how necessary or how puerile they may be – and we’re going to fine the shit out of people who ever use those words.”

Last week, ComicMix’s Glenn Hauman, a First Amendment freedom fighter of the first order and with the street cred to prove it, ran a piece about how a federal appeals court ruled against the FCC in their fining broadcasters for the dissemination of inadvertent obscenity. In his article, Glenn substituted asterisks for the vowels in the dirty words. I know Glenn; that reflects his highly tuned sense of irony. Glenn’s also a very considerate guy: he doesn’t want to get you in trouble if you’re reading ComicMix at work and your boss sees the naughty stuff. I’m not quite as considerate.

It’s Glenn’s prerogative as a writer, so I didn’t fuss with his choice. The fact is, when you see “fck” you read “fuck.” When you see “sht,” you read “shit.” When somebody indulges in euphemisms, people know exactly and immediately what the bad words are. But you’re not going to get Battlestar Galactica on the air unless you say “frakkin’.” And, no doubt, pay Yosemite Sam his royalty.

It’s ridiculous. It’s hypocritical. Even if these words had any meaning or any shock value any more, there is no reason to be so judgmental. People who think ill of those who use cuss words yet drive while on their cell phone are a much bigger threat than those who are subjected to their self-righteousness.

About 20 years ago, DC Comics’ editorial honcho Dick Giordano assigned me the task of representing the company at the redraft of the much-hated (and now completely impotent) Comics Code. Yep, Dick has a fantastic sense of humor. At the meeting, one of the first things I asked for was a list of the dirty words that can’t be used. Fair is fair, I pointed out. Marvel’s rep, the much-missed Mark Gruenwald, agreed. Since we were Marvel and DC combined, we got to assign the editors from Harvey Comics and Archie Comics the task of coming up with the list. Okay, that was sophomoric, but if you knew either Mark or me, you’d get it and you probably do anyway. A week or two later, Al Harvey and Victor Gorelick came in with a great list.

They passed the list around and we debated the merits and demerits of the words, adding a few that Al and Vic missed – the very few, actually; it was an extensive list. Then we all exploded in laughter at the astonishing bullshitness of the situation. One of the editors – I won’t reveal which – said “What’s the difference? The Code censors are going to ignore all this anyway.” Which is exactly what happened. Immediately.

We censor in the name of the Children. You know, those Children who are raised in nunneries, who, if they were never exposed to television or radio or literature or people like me, would be good, pious and safe. The kids who presently live on Earth-53. We divert everything with which we are uncomfortable into the “oh, no, we’re doing it for the Children” file. That’s a lot of crap. If you raise your kids honestly with good, sound values, if you teach them right from wrong and you show them how to be strong and the ways to stand up for those values, you won’t have anything to worry about. Stop hiding behind the kids.

There’s plenty of stuff going on to worry about. Language doesn’t make the cut.

Mike Gold is editor-in-chief of ComicMix.com. Be afraid, be very afraid…