Category: Reviews

Doctor Who in Review: Season Four, Episode #2 – Hot Prophecies

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, we’ll have our best Who-philes go through the most recent episode with a fine-tooth comb (or whatever the "sonic screwdriver" equivalent might be) and call out all of the continuity checks, names dropped and storyline hints we can find to keep in mind for future episodes. We’ll post our analysis each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before reading our review.

Missed a week? Readers can view past "Doctor Who in Review" features via the links at the end of this article.

Keep in mind, we’re going to assume readers have already watched the episode when we put fingers to keyboard and come up with our roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #2: "The Fires of Pompeii" (more…)

blue-9583352

Review: ‘Blue Pills’ by Frederik Peeters

blue-9583352Blue Pills
By Frederik Peeters; translated by Anjali Singh
Houghton Mifflin, January 2008, $18.95

This is another one of those semi-autobiographical graphic novels; I’m not going to assume that this is all “true” (whatever that means), but I will note that Peeters’s bio says that he lives with his girlfriend, her son, and their daughter — and that [[[Blue Pills]]] is the story of a man named Fred, his girlfriend, and her son. (And the main character of this book mentions that he working on a graphic novel about their lives.) So keep that in the back of your head — some proportion of this book is true, though we don’t know how much.

Fred, the narrator of Blue Pills, is a Swiss cartoonist, still in his mid-20s, who’s lived in Geneva his whole life. He remembers Cati vividly from a pool-party late in his teens, but never really knew her well. When he moves into the apartment building where she lives, though, he comes to see more and more of her and her young son (called “the little one” or “L’il Wolf,” but not named). Before long, Fred and Cati are drifting into a relationship, and Cati has to sit Fred down and tell him something difficult — both she and her son are HIV-positive.

(The “Blue Pills” of the title refer to their drug regimen to stay symptom-free, though they’re never called that in the body of the book. The fact that most Americans will immediately think of Viagra when blue pills are mentioned is unfortunate, but neither Peeters nor Houghton Mifflin seems to have taken a moment to worry about it.)

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The Comics-to-Film Review: How ‘Iron Man’ Matches Up

If you read fellow ComicMixologist Matt Raub’s review of Iron Man, you already know the new Marvel Studios movie is a relentless blast of entertainment. Even for those who’ve never picked up an [[[Iron Man]]] comic, it’s a top-rate summer film.

But there are also those of us who have picked up an issue (or a few hundred) of Iron Man over the years, and for us the movie is a different experience, as we can’t help but compare and contrast it to the comics that have come before. So, in that respect, how does the film hold up?

Tony Stark is the place to start, as he’s always been the real draw of any Iron Man tale (though the costume is plenty cool). In the comics, Stark is a calculating man both as a hero and in the business world. He enjoys his wealth at times, but is more taskmaster than playboy.

Robert Downey Jr.’s take on the character is much more like the raconteur persona that Bruce Wayne takes on, only for the movie version of Stark, it’s no act. Much like Johnny Depp in Pirates of the Caribbean, Downey Jr. offers a weird riff on his role that’s entirely new and impossible not to enjoy. Count that as a win for the film.

The film’s plot, meanwhile, is essentially an updating of the classic Iron Man origin story, and the modernization is handled quite well. There’s nothing directly lifted from the comics, and instead the comic references come in an array of winks and nods (S.H.I.E.L.D., War Machine, Nick Fury, Tony’s drinking, etc).

My main problem with the movie is a fault it shares with the comics, in how the plot tries to incorporate real-world issues without really delving into them. Comic books regularly feature stories set in vague, war-torn countries in the Middle East, and the Iron Man film follows suit with its shallow usage of terrorism and Afghanistan.

But those are forgivable defects, and Iron Man easily makes a successful transition from page to screen, thanks to a director and cast that know what elements to take from the books, and which to leave behind.

Review: ‘Bill Mauldin: A Life Up Front’

a-life-up-frontarticle-3552379In many ways, Bill Mauldin lived out the American Dream, starting out as a physically unimposing ‘desert rat’ in the southwest, then joining the army and becoming a star soldier-cartoonist, and retiring as one of the best known editorial cartoonists in the country. He died in 2003.

In his new biography, Bill Mauldin: A Life Up Front, author Todd DePastino takes that famous life and digs out all the strange truths, the contradictions, the unknown motivations. Mauldin was a deeply conflicted man, DePastino finds, alternatively successful and unhappy because of his deep drive for acceptance.

Born in 1921 to a rough and tumble family, Mauldin had little going for him as a child besides an aptitude for art. In his teens, he went to Chicago to study, but despite a prodigious output he had little success landing his cartoons.

With no other options (like many other enlistees), Mauldin signed up for the army and started cartooning for a service newsletter. From the start, his work focused on the lives of the grunts, who trudged through mud and faced the disrespect of superiors.

Using Mauldin’s writings, interviews and those cartoons, DePastino follows the young, driven man as he developed as a person and illustrator. And, soon enough, followed him over the Atlantic into the hell of World War II.

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Review: ‘A People’s History of American Empire’ by Howard Zinn

With the recent invasions of Iraq and Afghanistan, it’s no surprise that Howard Zinn has something to say. The author of A People’s History of the United States, Zinn retold America’s story through the eyes of all those who were beaten down in the country’s expansion.

Now he’s back with an updated account, albeit in a strange form. A People’s History of American Empire (Henry Holt, $30) is an illustrated version of the previous People’s History with notes on the current imperialistic efforts of the United States, as seen by Zinn. No graphic novel, it’s more of a slideshow of Zinn’s lectures. Here’s a sample put together by the publisher and narrated by Viggo Mortensen:

 

https://www.youtube.com/watch?v=Arn3lF5XSUg

For those long familiar with Zinn’s writing, there’s nothing especially new here, though he does effectively tie in his past lessons to the current mess in the Middle East. And while Mike Konopacki’s art is impressive if sheerly for the quantity (a dense 250-plus pages), it’s not worth seeking out the book just for that.

The purpose of this book, more than anything, is to take Zinn’s message to new readers in a new way. In comics form, that message becomes easily digestible, though without losing any of its intellectual punch.

The story of the dark side of American history remains an important ones for the country’s youth. Now that story comes in a book they’re more likely to enjoy.

Doctor Who in Review: Season Four, Episode #1 – New Companions, Old Feelings

The hit BBC series Doctor Who kicked off its fourth season on the Sci-Fi Channel this weekend, so there’s no better time than the present to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic here on ComicMix.

Every week, we’ll have our best Who-philes go through the most recent episode with a fine-tooth comb (or whatever the "sonic screwdriver" equivalent might be) and call out all of the continuity checks, names dropped and storyline hints we can find to keep in mind for future episodes. We’ll post our analysis the following Monday, so you have ample time to check out the episode when it airs each Saturday at 9 PM EST on Sci-Fi Channel.

Keep in mind, we’re going to assume readers have already watched the episode when we put fingers to keyboard and come up with our roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #1: "Partners in Crime" (more…)

acme1-7237097

Review: Chris Ware’s ‘ACME Novelty Library, Vol. 18’

acme1-7237097ACME Novelty Library, Vol. 18
By Chris Ware
Drawn & Quarterly, 2007, $18.95

My friend and former colleague James Nicoll once said “Whenever I find my will to live becoming too strong, I read Peter Watts.” For me, Chris Ware fills the same function – Ware’s work is almost terminally depressing, but executed with such craft and skill that it’s impossible to look away.

This edition of [[[ACME Novelty Library]]] continues Ware’s current graphic novel, “Building Stories” – at least, that’s what this has been called before; there’s no page with that or any other title in this book – with a series of interconnected short stories about an unnamed woman who lives on the top floor of that apartment building. (Parts of this volume also appeared in The New York Times Magazine in 2007 as part of their cruelly-misnamed “Funny Papers” feature – Ware might have been the most bleak thing in that comics space so far, but all of it has been serious, most of it has been dour and none of it has been funny.)

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Review: ‘Fantasy Classics’ edited by Tom Pomplun

fantasy3-7944618Fantasy Classics: Graphic Classics Vol. 15
Edited by Tom Pomplun
Eureka Productions, 2008, $11.95

The “[[[Graphic Classics]]]” series most of the time sticks to a single author per volume, but not always – they’ve had [[[Horror Classics]]], [[[Adventure Classics]]], and [[[Gothic Classics]]] already, and I wouldn’t be surprised to see more along those lines. (There’s no one chomping at the bit for a full volume of Sax Rohmer or Anne Radcliffe, for example, and it’s also a way to do more Poe or Lovecraft without doing a full-fledged “volume two.”) 

[[[Fantasy Classics]]] has two long adaptations – of Mary Shelley’s Frankenstein and of H.P. Lovecraft’s “[[[The Dream-Quest of Unknown Kadath]]]” – that each take up about a third of the book, and some shorter pieces that fill up the rest. They’re all fantasy, as advertised, but they’re very different kids of fantasy from each other – many, in fact, consider [[[Frankenstein]]] to be science fiction, indeed the ur-SF novel – and none of them are much like what’s mostly found in the “Fantasy” section of a bookstore. There are no Tolkienesque elves or post-[[[Buffy]]] vampire lover/killers here.

The book leads off with a single-page adaptation of Lord Dunsany’s “After the Fire” by Rachel Masilamani; it’s fine for what it is, but basically a vignette.

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UPDATE: Doctor Who Review: Season Four, Episode #1 – New Companions, Old Feelings

Holy time-wimey, wibbly-wobbily bits, Doctor! It looks like the BBC/Sci-Fi Channel schedules got the best of us here at ComicMix, so  in the interest of preventing any  more spoilers, we’re pulling this article off the site and re-posting it on Monday , April 28.

Thanks to ComicMix reader David and our own John Ostrander for catching the time-traveling mistake!

Be sure to check out the Season Four premiere (here in the U.S., that is) of Doctor Who on Friday, April 25, at 9 PM EST on Sci-Fi Channel, then return here the following Monday for our analysis of the episode!

 

Review: ‘The Un-Men’ and ‘Faker’

In a bit of a strange coincidence, Vertigo has two new collections out this week that both prominently feature futuristic science and genetic manipulation. The books couldn’t be more different, though, with The Un-Men ($9.99) shining a freaky spotlight on some minor Swamp Thing characters and Faker ($14.99) taking a more serious look at the intersection of intelligence of the natural and artificial varieties.

Let’s look at [[[The Un-Men]]] first, if for no other reason than it being the better of the two books. Writer John Whalen takes the largely forgotten mutated monsters and carves a perfect little niche for them – Aberrance, a town of genetic weirdos.

Without ever becoming self-serious, the story explores the rift that’s formed between those in charge of Aberrance and the lower class of freaks. When one of the protesters turns up dead, a federal agent (an albino, which makes him the normal guy) steps in to investigate. Wackiness ensues.

While the murder mystery never takes on any import, the book sludges along with constant splashes of the bizarre and disgusting, each chapter managing to out-freak the last. It’s spiced with some catchy dialogue, such as, “Rome wasn’t sacked in a day.”

The big conclusion doesn’t make a whole lot of sense and the art is a bit too ordinary for the subject matter, but The Un-Men is still one of the most entertaining and creative new series from last year.

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