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ALL PULP NEWSSTAND 2/27/11

ALL PULP NEWSSTAND
NIGHTHAWK EDITION
2/27/11
CALL FOR MUNSEY NOMINATIONS!
From Mike Chomko-
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With Spring fast approaching, it’s time to get your Munsey Award nominations to PulpFest. All members of the pulp community, whether they plan to attend PulpFest 2011 or not, are welcome to nominate a deserving person for this year’s achievement award.

Named after Frank A. Munsey, the man who published the first all-fiction pulp magazine, the Munsey is presented annually to a deserving person who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps, publishing, or through
other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy. All members of the pulp community, excepting past winners of the Munsey or Lamont awards, are eligible for this prestigious
prize.

For further details, please visit www.pulpfest.com and make your nomination.

NEW FROM NOHO NOIR!
From Katherine Tomlinson-
This week, Mark Satchwill and I bring the Noir with a tale of secrets and sex.  We hope you like it.

 

PULP ARK AWARD DESIGN ANNOUNCED
In anticipation of the approaching announcement on March 1, 2011, of the winners of the 2011 Pulp Ark Awards, the first ever given from this new convention/conference for pulp creators and fans, Tommy Hancock, Pulp Ark Coordinator announced the planned design for the ten awards to be given Saturday, May 14, 2011 at the event.
“Each award is a wooden plaque,” Hancock reported.  “8 X 10 with the outline of the state of Arkansas laser engraved into it.  Within the state’s outline will be the PULP ARK name and year and the award and the recipient’s name, also laser engraved.  I designed the award and local business owners Ron and Toy Siler of Southern Charm, a trophy and awards store in Batesville, will produce them.  Mark Herrington, a supporter of pulp creators and a local businessman in the area, is covering the costs of the awards.”
Hancock stated that the winners of the Pulp Ark awards would be announced the morning of March 1, 2011.  Voting for all qualified voters ends at 11:59 PM, February 28, 2011.

Chicago’s new mayor isn’t the fake one we actually wanted.

twit_emanuel-9226256Listen up, you mutha-cluckers… Chicago has a new boss in town. Why does this matter to you? Because I said so. Why did I say so? Because the Second City is known for a few big things: The Chicago Style Hot Dog, Deep Dish Pizza, Da ’85 Bears, and maybe just an eensy-bit of good old fashioned corruption. But now it can be known for one more big thing. Our new mayor? Former White House chief-of-staff Rahm “The R-Bomb” Emanuel. When our current boss mayor, Richard Daley announced he’d retire this year from his post… Emanuel left his job in Washington to take his home city by the horns. But it’s been a long journey to get there. He took 54% of the vote, despite having his Chicago residency being challenged. He beat out the former city chief of staff, the former city clerk, and a former U.S. Senator for the title. But if you ask me? He didn’t beat one important candidate, his psuedo-self. In a paradoxical sub-dimension high atop City Hall, in a secret greenhouse known only to our beloved Mayor Daley… and @MayorEmanuel, the dimensional doppelganger of Chicago.

What’s that you say? You’ve not heard? @MayorEmanuel is the twitterverse’s Rahm Emanuel clone. The account started shortly after the “real” Rahm declared his intention to run. And boy did things escalate from there. @MayorEmanuel’s story unfolded over the months, and became an epic yarn with a full cast of characters. It began as a string of foul-mouthery perhaps poking a jovial jab towards the obvious; Rahm is known for his temper, his drive, and his competitive nature. He raised 11 million dollars to take his campaign to the streets of Chicago. He shook hands and kissed babies. We can only assume he attended secret cabal meetings, and struck backroom deals that we kindly city-folk won’t find out until they hit the nightly news a few years after his mayoral run ends… if it ends. His twitter counterpart followed the whole ride, as only a comedic four-letter-word-dropping twitter clone could do. And as the race for mayor drew closer to the vote, so did the drama.

Twitter to many is just that little corner of the interwebs where we drop a snarky one liner, or tell people where we are at. It might be a place for celebrities to tell us how normal they are, shopping for soup and whatnot, or how not-normal they are, like other Chicago Celebutaunt Kanye West. @MayorEmanuel used twitter to create a piece of short fiction (OR IS IT!?) that was truly original. A few bloggers followed the best of the posts and relayed just how awe-inspiring they were. And important people took notice. The “real” Rahm made and attempt to bribe his twitter-sibling with a donation to charity, to “out” himself. Smartly the anonymous fingers behind the 140 character-at-a-time hasn’t shown his face. Perhaps he escaped down the aforementioned time well in his tweets.

Give a gander at the saga, and kick yourself for not living here (that is, if you don’t…) and living through this live alt-meta-super fiction happening. In the mean time, the real Rahm is prepping his mayoral suit, and perhaps, setting aside a bit of our future city tax dollars towards a special “find @MayorEmanuel and break his hands” task force. I think I’ve said too much. All Hail Rahm! All Hail Rahm!

Review: ‘Unstoppable’

unstoppable1-e1298832416257-9145206Director Tony Scott can always be counted on for visually compelling movies with razor-thin characters. His most recent offering, [[[Unstoppable]]], is now out on DVD from 20th Century Fox Home Entertainment and makes for a mindless viewing.

The film is based on a true story but was amplified beyond recognition as two train men risk their lives to stop a runaway train under full power before it could destroy lives and property with its toxic cargo. Newcomer Will Colson (Chris Pine, showing more range than his Jim Kirk) is paired with the grizzled veteran Frank Barnes (Denzel Washington, playing the same everyman he played in the remake of [[[Pelham 1-2-3]]]) as they take 1206 out to collect freight cars. At much the same time, careless workmen at a rail yard allow a freight train to get away from them and without the air brakes attached, it becomes a “half-mile long missile” heading into rural Pennsylvania.

Obviously, it’s an action movie so the tension is nicely ratcheted up with fast cuts between the two trainmen, the runaway, the operations center, and the general public. Scott handles this well so you’re deep into the movie before you realize the characters aren’t particularly deep. Colson has family ties to the business, earning him contempt from the veterans, plus is estranged from his wife and son, which preoccupies him. Barnes has seen it all before and knows more than the executive and shows off his know-how time and again, devoting everything to the task at hand despite knowing he is being forced into early retirement in a mere three weeks. Watching them come together to bond and save the day should have been a more rewarding experience.

Rosario Dawson as the train controller is the best supporting player in the film and does a good job with a thankless part.  Everyone else arrived from central casting so the higher-ups and CEO are all clichés, offering nothing diverting to the overall story.

The cookie-cutter feel to the story surfaces now and then but Scott and his editor Chris Lebenzon, keep things briskly moving.

The Blu-ray transferred nicely so looks crisp with good sound. The movie is accompanied by a dry audio commentary from Scott or you could listen to “Tracking the Story” a series of tape recorded conversations between Scott and screenwriter Mark Bomback. The latter should have been more revealing and interesting.

Then there’s “The Fastest Track: Unleashing ‘Unstoppable'”, a 29:41 featurette on the film’s complicated production. Unfortunately, by now there should have been some detail on the true events that launched this jet-fueled version but no one seems interested in reality. “Derailed: Anatomy of a Scene” (10:01) shows how the train derailment moment was prepped and filmed, proving that some things look better in real life than a CGI-generated version. Similarly, “Hanging off the Train: Stunt Work” (14:25) shows how hazardous it can be for the true action heroes. Less interesting is “On the Rails with the Director and Cast” (13:25) as Scott, Washington, Pine, and Dawson talk briefly about making the film.

Entertaining with easy-going performances, this is worth a look.

FX producing ‘Powers’ pilot

FX has ordered a pilot episode for a series based on Powers, the comic series from Brian Michael Bendis and Michael Avon Oeming.

The network’s SVP of public relations made the announcement yesterday on Twitter. Bendis himself twittered:

Powers pilot was just greenlit by FX! it’s official! your window of reading Powers while it was still cool is running out :)

The potential series is a co-production between FX Productions and Sony, and the pilot episode will be scripted by Charles Eglee, who has bonafides in both mysteries and cop shows (executive producer of The Shield and Dexter and the creator of Murder One) and comics and SF (exec producer of The Walking Dead and creator of Dark Angel).

Powers follows a pair of detectives as they investigate a number of murders in a superpowered world. The creator-owned series was launched by Image Comics in 2000, before moving over to Marvel’s Icon imprint in 2004. A television series has been rumored for years, and was known to be Eglee’s next project after leaving The Walking Dead months ago.

Bendis writes too much stuff for Marvel to list, while Oeming is known for Hammer Of The Gods with Mark Wheatley for ComicMix, as well as Mice Templar, Thor, Alpha Flight, Bluntman and Chronic,Hellboy, Catwoman, and Quixote. Congrats to both of them.

Playing with Toy Fair 2011: Recap, Part II

I wanted to show off some of the other cool Minimates that Diamond Comics Distributors had at their booth, but as is often the case with trade shows, photos were not permitted yet.

Something of note at JAKKS Pacific was a considerable line of goodies from the Dreamworks movie, “Real Steel.”

A 5″ line of figures will have interchangeable limbs and light up heads & bodies for customization. A larger 7.5″ line will have signature moves from the movie, but there’s gonna be something even more dear to the hearts of a lot of geeks – a variation (and a necessary one at that) on the childhood favorite, “Rock’em Sock’em Robots” (note to younger readers: ask your folks about this. It’s really cool. trust me).

DC Direct had some very well made busts & figures from the upcoming “Green Lantern” movie:
greenlantern1-300x208-1106127

But the thing I was most looking forward to was goodies to “Batman: Arkham City,” the video game sequel to the 2009 hit game “Batman: Arkham Asylum.” So far, only one figure had been shown off, and it’s a doozy.

Harley Quinn keeps getting nuttier and nuttier. And that’s a good thing.

Mezco Toyz showed off a 6″ Scott Pilgrim figure from the movie and fan fave graphic novel series. Hopefully more figures will be coming.

I love that “Little Big Planet” brings a lot of user-creativity into video games, and to celebrate that, Mezco showed off their second wave of “Little Big Planet” action figures.

McFarlane Toys never fails to impress, and they had a couple of great highlights including this guy
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Now Bungie may have left Microsoft, but that does not mean that “Halo” is dead. Far from it. More video games are being planned, and one can only hope that a movie might actually happen.

McFarlane Toys also had shown off figures from “The Walking Dead.” Take a look at these two guys.

Now note that “Officer Rick Grimes” doesn’t look like Andrew Lincoln, the actor who portrays him in the AMC TV series. There’s a reason for that. McFarlane Toys’ goodies for “The Walking Dead” is both for the Robert Kirkman graphic novel series as well as for the AMC TV series. This can create some issues as one of the figures in the first wave “may” actually appear in the 2nd season of the TV series (“Daryl Dixon,” everybody’s favorite crossbow-wielding hillbilly, will be in the second wave of action figures).

That’s it for now. In the third part, I’ll talk about some of the stuff I was unable to see as well as what I consider to be the coolest toy at Toy Fair 2011.

Backstage Secrets At COMMUNITY

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Since we had access to COMMUNITY stars Allison Brie and Danny Pudi, we decided to get the scoop on just what goes on behind the camersa as well as what is coming up on the show. How does the cast pass the time on the set? What about Jeff & Annie? And those pop culture references, dies everyone get them? Plus The Suicide Girls meet reality TV – ’bout time!

Don’t forget – Pop Culture never sleeps (and neither do we). Catch the latest 24/7 on The Point Radio

ALL PULP NEWSSTAND BULLDOG EDITION 2/25/11

ALL PULP NEWSSTAND
BULLDOG EDITION
2/25/11
WIN SCOTT ECKERT CROSSES OVER TO THE BOOK CAVE!

This week on the Book Cave-Win Eckert is back and we find out about Crossovers and more.
Win Scott Eckert
Home page: http://www.winscotteckert.com
Amazon: http://www.amazon.com/Win-Scott-Eckert/e/B002BM6T3W/

Crossovers: A Secret Chronology of the World 1 & 2 (Black Coat Press)
http://www.blackcoatpress.com/crossovers.htm

Tales of the Shadowmen series (Black Coat Press)
http://www.blackcoatpress.com/talesshadowmen.htm

Sherlock Holmes: The Crossovers Casebook (Moonstone Books)
Amazon: http://tinyurl.com/4uyylet

Meteor House (publisher of The Worlds of Philip José Farmer series)
http://meteorhousepress.com/books/

Moi, Tarzan
A French documentary about the origin and history of Tarzan, with three Tarzan experts. Made for French television, it was shown on the TV channel Arte in 1996 and 2007. Features Philip José Farmer discussing Tarzan as a real person. Video-on-demand: Online at http://www.documen.tv/asset/Tarzan.html – in English, for $4.99 [Full-screen on your computer. The French is subtitled in English.]
RJCroxton1@yahoo.com
Store: http://www.cafepress.com/thebookcave
PayPal: RJCroxton1@yahoo.com
Coming Attractions – http://members.cox.net/comingattractions/index.html
All Pulp –  http://allpulp.blogspot.com/

LAST WEEK ON THE BOOK CAVE-

Art and Ric are joined once again with writer Barry Reese as they talk about his current novel “The Damned Thing” along with his other books. Tommy Hancock returns this week with the All Pulp news.
Barry Reese – http://www.barryreese.net
RJCroxton1@yahoo.com
Store: http://www.cafepress.com/thebookcave
PayPal: RJCroxton1@yahoo.com
Coming Attractions – http://members.cox.net/comingattractions/index.html
All Pulp –  http://allpulp.blogspot.com/

AND STILL MORE ON THE BOOK CAVE-

Ron Fortier and Rob Davis joins Art and Ric to talk about the second annual Pulp Factory Awards coming to Windy City. My recording program stopped close to the end and muted my mic. You aren’t missing much, just Ric yelling like a crazy nut trying to tell the others that he was no longer recording. I think it was a couple of minutes before they realized I was gone.  ;-)  no All Pulp news this week, Tommy Hancock couldn’t get the nurses to let him out of his room in the nursing home. Be sure and check out the All Pulp site to see what is going on for this week.
Ron Fortier –
Airship27.com
Mr.Jigsaw
GoPulpsInfo
Airship27Hangar.com
Rob Davis –
The pdf store is: airship27hangar.com.
The Print on Demand store with the 25% discount off retail is: gopulp.info.
robmdavis@mac.com
website: http://homepage.mac.com/robmdavis/
blog: http://homepage.mac.com/robmdavis/iblog/index.2.html
RJCroxton1@yahoo.com
Store: http://www.cafepress.com/thebookcave
PayPal: RJCroxton1@yahoo.com
Coming Attractions – http://members.cox.net/comingattractions/index.html
All Pulp –  http://allpulp.blogspot.com/

NEWS FROM NOHO NOIR!!!
From Noho Noir-

noho-3108608
That’s right…This week there are two NoHo Noir stories…
Published today, “Fools Rush In,” a cautionary tale about a gambler who doesn’t know when to fold ‘em and the consequences of that.
Check it out:

Also from last week-  I think you’ll enjoy this episode.  It’s a round-up of most of the characters. 
In other news…
The webseries pilot is a go.
If you Facebook, please “like” the NoHo Noir web page.  http://www.facebook.com/home.php#!/pages/NoHo-Noir/111051172304683
It’s just been created so more functionality has to come. 
If you need more coffee cups, check out the swag Mark Satchwill created in his zazzle store: 
There are also t-shirts with some of the designs from episodes like “Cosmos” and “Blockbuster” and “Molecules.”
If you have time to sign up on the patch site, please do and comment.  The sites are now being run by Ariana Huffington and our mandate is “interaction” with the readers.  Hitting the “like” and “recommend” buttons is great; but actual comments are even better. 
As always, thanks for your support.

Review: ‘All-Star Superman’

All-Star SupermanDC Comics’ All-Star imprint was intended to bring their top talents together with their top characters to produce stories that followed the core concepts of the iconic heroes and villains so the comics would appeal to mainstream audiences. The two titles that made it out, featuring Batman and Superman utterly failed on that account and their irregular publishing schedules meant the audience the books were aimed at couldn’t get into the needed buying rhythm.

[[[All-Star Superman]]] by Grant Morrison and Frank Quitely thrilled the core audience with their retro-futuristic take on the characters and settings, winning acclaim and awards. Now, the 12 issue storyline has been neatly compressed into a 76 minute animated feature, out this week from Warner Home Video. Obviously, every bit and piece, every favorite moment, couldn’t possibly be included in Dwayne McDuffie’s script, but he does a fine job boiling the story down to its essence. In short, Lex Luthor has manipulated events from afar, forcing Superman to save a spacecraft that left him over-saturated with solar energy which has increased his amazing array of powers but is also slowly killing him.

(more…)

ALL PULP PANEL-WHY THE FIRST WAVE ENDED??

Here’s a Panel Topic everyone should sound off on. We all know that DC announced this week that its FIRST WAVE line, the one that combined Batman, Doc Savage, the Spirit, and other Golden Age pulp and comic characters into one sort of ‘timeless’ universe where dirigibles and cell phones coexisted, is being cancelled. This extremely controversial line of comics, made so by the fact that many pulp fans saw the portrayals of their favorite characters as mishandled at best, blasphemous at worse, has definitely stirred up a lot of talk. Here’s the panel topic-Was DC’s First Wave as bad as all that? If so, why? What does the cancelling of this line mean for the future of pulp centered comics, if anything? Email your panel responses to allpulp@yahoo.com and they’ll be posted here!

*****
From Teel James Glenn, writer in the pulp tradition….

Why did the First Wave fail? the art wasn’t bad and even some of the ideas were interesting, but the basic premise seemed to be that even though pulp chracters have endured in their original form for 70 years the writers at DC knew how to ‘fix’ them. Why fix what isn’t broken? I doubt any of the writers actually read any of the books they were ‘improving’ by changing basic premises and characters. It is the same problem most movie adaptations have; everyone thinks they can violate the very core of the creations they SAY they are ‘reimagining. Bullflock!

Uncreative people feed off other people’s creations and bring the level down. You have to honor the work of those who came before and then you can prehaps–prehaps- move forward with new creations that can interact with them. Always look at the ‘character/series’ bible and honor it as if it was gospel–because it is.
If DC wanted to do pulps right they should have hired pulp writers not guys who said in interviews “I never read the books”–arrogance like that deserves to be discarded…

From Barry Reese, Member of the Spectacled Seven….

Where do I start? DC mismanaged the entire line, starting with a series of interviews from creators that alienated the hardcore fans and made newer fans wonder why they should try a bunch of characters that even the main writer talked about with disdain. Then go on to the launch miniseries, which still hasn’t finished… Here’s a clue: don’t launch a new line of books with a book that’s supposed to set up the whole thing but doesn’t come out on time. Makes the entire affair look half-assed and poorly planned. Then you have a book (Doc Savage) that after a mediocre beginning slides into outright crapitude with shifting writers and artists. And don’t get me started on The Avenger stuff, which was such an insult to the original characters that I wish DC had just renamed it.

They shouldn’t have solicited the kickoff mini until it was completed. They should have hired people who not only understood the characters but who genuinely loved them — you can update the characters and still maintain their core… but you have to *want* to do that. And why include Batman in this universe if his only appearances would be in a one-shot special and the mini? They should have had a Bat-Man series set in this universe that the other books could have orbited around — the Bat guy sells, you know.

Mishandled and poor creative decisions. I’m surprised it lasted as long as it did.

*********

From Tommy Hancock, another of the Spectacled Seven

Mine will be short.   It will be short because I didn’t read anything but the first issue of the FIRST WAVE mini series and the first three issues of DOC SAVAGE.  Well, I say the first three issues, I actually only read the full first issue because I couldn’t stomach anymore of what they jokingly referred to as THE AVENGER.

I am not a purist.  I am also not a ‘we have to make changes to everything’ sort either.  I like what I like and I like companies and writers to produce things I like.  It helps when they are producing stuff I like based on other stuff I already like.  What didn’t work in this regard is DC not only didn’t produce stuff that I liked based on characters I adore, but they ignored me.  I didn’t want DC to ask me my opinion, well, maybe I wanted them to, but didn’t expect it.  But I, being a pretty big pulp fan, was simply left out of the equation when DC got their hands on these great characters.  My opinion, my interests, my desire to see these characters live again…didn’t matter at all.  The bad part for DC was that these new readers I guess they were trying to appeal to…didn’t have any buy in at all to these concepts and saw them for what they were…poorly handled editorially misdirected imitations at best, toilet paper with pictures on it at worst.  And me, my buy in…it went to Moonstone, Doc Savage reprints, and new pulp…

Just sayin’…
***********

From Derrick Ferguson, yet another of the Spectacled Seven

I read the first three issues of DOC SAVAGE (hey, there was no way I wasn’t going read it) and was unimpressed.  I have to admit that the idea of all these classic pulp characters and certain DC characters like The Blackhawks and The Spirit, who in my mind are pulp characters, appealed to me.  But the execution was, in a word, lousy.
Here’s what I can’t wrap my head around: why in the world would you hire writers who plainly have no love or liking for the characters they’re writing about?  Wouldn’t it have made more sense to hire writers who actually know, love and have a true desire to write the best possible Doc Savage or Avenger stories they possibly could?  Stories that would not only thrill and delight old time fans but make newer readers sit up and understand why these characters are cool and remain so after so many years?
And yeah, I agree with Barry: it didn’t help to have interviews with writers who I felt were giving me the digitus impudicus for loving pulp and had really snotty attitudes toward not only the work they were producing but who they were producing it for.

************
From Adam Garcia, Scribe of the Green Lama

I never read first Wave, but I think it’s fair to say it failed on execution rather than concept. While I advocate change, I don’t necessarily think you need to change everything, to make things effective. I’m more a believer that to keep things one specific way is a mistake and to open to adaptation. I’m 100% certain that First Wave would have been considered amazing if the story had been effective. Take the new Star Trek film as an example, a bottom to top reinvention that was overwhelmingly loved, or Batman: the Brave and the Bold or even the massive massive changes made to the Joker in Dark Knight. That’s what I’ve been arguing. Reinvention isn’t bad, it’s frankly the nature of pop culture, but refusing to accept it is.
You may not like the adaptation, that’s a fact of personal preference, but with licensed character adaptation is the only way the stay alive. So First Wave might have failed creatively, but I applaud the effort.