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MOONSTONE MONDAY-YOURS TRULY, CLIFFHANGER FICTION!

THIS WEEK ON MOONSTONE CLIFFHANGER FICTION-

Moonstone Books and ALL PULP are proud to present a two fisted detective pulp tale from MOONSTONE CLIFFHANGER FICTION featuring the radio icon YOURS TRULY, JOHNNY DOLLAR ! This is a pulse pounder from Pulp author Eric Fein! This tale can be found in the SEX, LIES, AND PRIVATE EYES collection available from Moonstone at http://www.moonstonebooks.com/

THE PRETTY CORPSE MATTER
by Eric Fein
When the phone rang, I was in the middle of totaling up my expenses for my most recent case, the Upjohn Matter.
“Johnny Dollar,” I said.
“Johnny, it’s Pat McCracken from the Universal Adjustment Bureau.”
“Hello, Pat.”
“I’ve got something that needs to be handled with great care,” he said.
“I’m all ears.”
“A 22-year-old woman has been murdered and her $25,000 diamond necklace, which we insured, is missing.”
            “That’s a lot of ice for a girl her age.”
“Not when she’s Alice Allard,” Pat said.
“Of Allard’s Department Store fame?”
“The one and the same,” he said. “I just got the call from her father, Stephen Allard. It happened this morning at her apartment in Manhattan. He’s there now with the police. The homicide detective in charge of the investigation is Ed Lundy of the Fifth Precinct.”
He gave me the apartment’s address. As he did, I slid my gun into its holster.
“I’m on my way.”
* * *
September 23, 1954
Expense account, submitted by special investigator Johnny Dollar. To Pat McCracken, Universal Adjustment Bureau. The following is an itemized account of expenses incurred during my investigation of the Pretty Corpse Matter. And what a case it was.
* * *
Expense account item one: $13.95, train from Hartford, Connecticut to NYC.
Expense account item two: $2.15, cab fare from train station to East 89th street.
The crime scene was a two-bedroom apartment in a luxury building. The apartment was on the fourth floor. There were a lot of people packed into it: plainclothes detectives, the coroner’s men, and crime lab technicians.
A detective stood by the couch where a young woman sat, hugging a teddy bear to her chest.
Two other men stood nearby watching. Both wore well-tailored clothes. I recognized Allard from seeing his picture in the papers on several occasions. I didn’t know the other man.
“You must be Dollar,” a man said.
I turned to face the speaker.
“That’s right,” I said. “Lundy?”
“Yes. McCracken called to tell me you were coming.”
We shook hands.
Lundy introduced me to Allard and the other man, who turned out to be Allard’s lawyer, Thomas Cotton. Allard appeared calm. Like this was a corporate board meeting and not an investigation into his daughter’s homicide. The one thing that gave away his grief was his red-rimmed eyes.
“Any leads?” I said.
“Not much to tell,” Lundy said. “The roommate, Marie Davies, says she came home after work at about 4 a.m. and found the door unlocked and Alice dead on the floor.”
“Her story check out?”
Lundy shrugged.
“So far. If she’s not telling the truth now, she will be by the time I get done with her.”
“That young lady has had an awful shock,” Allard said. “She doesn’t need your abuse.”
“And she won’t get any as long as she answers my questions,” Lundy said.
“Can I see the body?” I said.
“Is that really necessary, to trample on my daughter’s dignity?”
“Mr. Allard,” Lundy said. “With all due respect, you have been on my back since we arrived. If you were anyone else, you’d have been tossed out of here hours ago.”
“Stephen,” Cotton said. “The detective is right. Why don’t we get some air and let them do their work?”
Allard looked like he wanted to slug Lundy. But, he thought better of it. His mental defenses were starting to crumble. He hadn’t been there to protect his daughter so now he would supervise the manhunt for her killer. Only, the police didn’t want his help. It was a cold slap in the face for him.
“Yes, Thomas,” he said.
We waited until they were out of the apartment before continuing.
Lundy motioned to a technician, “Hogan, lift the sheet.”
The technician did as he was told, doing it in such away that it blocked Marie’s view of the body.
Alice Allard had been a beautiful blue-eyed blonde. That was apparent even in death’s cold grip. She wore a see-through negligee that revealed a body that would have made Bette Page jealous. There were ugly, dark purple bruises on her neck.
“That’s enough,” I said.
Hogan let the sheet fall back over the body.
“You done here?” Lundy said to him.
“Yes, sir,” he said. “The coroner can have the body.”
Lundy motioned to the coroner’s men. They set about their business.
“She was a good person,” Marie Davies said. “Why would anyone want to hurt Alice?”
We turned to her. Marie was young and beautiful. Her black hair hung down to her shoulders. Her brown eyes were almost too large for her face. It gave her a vulnerable quality.
“Maybe you can help us figure that out,” Lundy said.
“I don’t know what else I could tell you that I haven’t already told you and Detective Clancy.”
“Humor me,” Lundy said. “By the way, this is Mr. Dollar. He’s an insurance investigator. He’s looking for Alice’s diamond necklace.”
“How did you meet?” I said.
“The Grove Club. We were both hostesses there and became friends when the club put us up in this apartment.”
I exchanged a glance with Lundy. The Grove Club is a mob run joint that fronts an illegal gambling parlor and prostitution ring. They didn’t put up just anyone in a fancy apartment.
“Don’t look at me like that,” Marie said.
“Like what?” I said.
“Just because the club has a bad reputation you think that Alice and I were hip deep in trouble. Well you’re wrong, just like her father.”
“They had a falling out?” I said.
“Yes,” Marie said. “Her father threatened to disown her because she was dating, Ed Crowley, the club’s manager.”
I wanted to say that I agreed with him. Instead I just said, “Okay.”
“Alice was working there because Mr. Crowley, promised to help her become a singer,” she said. “She was good, too. She could have been a star.”
Her voice cracked, she sobbed.
“Okay, Clancy,” Lundy said. “Take her down to the precinct so she can make a formal statement.”
When Clancy led her out, she was still clinging to the bear.
“Well, I think I’ve seen all there is to see here, Lundy,” I said. “I’ll be in touch.”
* * *
Allard was waiting for me on the street. He looked almost contrite.
“I wanted you to know that you have my complete backing,” he said. “Anything you need let me know. I have friends in high places and I am not afraid to use them.”
“Do you have a picture of the necklace?” I said.
He took out a photograph from his wallet of Alice, in a stunning gown, at a party. The diamond rested between her breasts, glittering like the morning sun.
“It’s a family heirloom,” he said. “My mother gave it to her for her Sweet Sixteen.”
Expense account item three: $3.65, cab fare to the Grove Club.
* * *
It took a promise to return with the police for me to get in to see Crowley. We met in his office while he devoured a steak. He didn’t bother to look up from it when I introduced myself. I sat in the chair opposite his desk.
“Poor, Alice. It’s a tragedy,” he said. “I’m all torn up over it.”
“Yeah, I see the way you’re crying into your steak.”
“I’m a busy man, Dollar, so ask your questions.”
“How long had you been dating Alice?”
“About a year. I was even thinking of proposing to her.”
“Really?”
“Yeah. I figured marrying into her family would be a good way to boost my respectability.”
“Sure. Of course, not being a gangster and a pimp would help, too.”
“You’re a funny guy, Dollar.”
I smiled.
“I hate funny guys. You think you’re better than me just because you work with the law? You’re a snoop. You crawl through other people’s garbage to make your living.”
“And yet, you’re the one who stinks.”
When he didn’t shoot me, I continued.
“You paid for Alice’s apartment. Was she turning tricks for you?” I said.
“No. She was my girl. I’d never do that to her. Besides, she loved me. If I had asked her to, she would have. Just to make me happy.”
I wanted to shoot him in the face. Instead, I said, “What about Marie Davies?”
“Yeah. I’d have her take a customer home from time to time but only when Alice was spending the night with me.”
“You have any customers who got a little too attached to Marie or Alice.”
“There was one guy,” he said. “About a month ago, he got too rough with Marie. Gave her a black eye. I had someone talk to him.”
“You mean beat the crap out of him?” I said.
“Yeah,” Crowley said. “And it worked. He never came back.”
“Until last night,” I said. “What’s this guy’s name?”
“Frank Brody” Crowley said. “A crazy son of a bitch.”
“You have an address for him?” I said.
“Better,” Crowley said. “I have his wallet. My guy took it, thought it might come in handy one day.”
“Today’s the day,” I said.
Crowley took the wallet from the top draw of his desk and tossed it at me.
“Thanks,” I said.
“We’re done. Get out.”
 Expense account item four: $2.25, cab fare to West 57th Street and 10th Avenue.
* * *
Brody lived in a furnished studio apartment not far from the club. The lobby stank of booze and stale cigarette smoke and unwashed old men. I took the metal cage deathtrap they called the elevator up to the eighth floor. The stench from the lobby rode up with me.
Brody’s apartment was at the far end of the hall. I knocked and called his name. He responded by shooting at me through the door just missing me. I dived to the side. The door swung open and Brody charged out, into the stairwell.
I drew my gun and followed. I could hear Brody scramble down the stairs two flights below me. I took a chance and leaned over the railing. I could see him reach a landing. I took aim and shouted, “Freeze, Brody.”
He took another shot at me. He missed. I didn’t. I hit him in the foot. He screamed and crumpled to the floor. He raised his gun again and opened fire. I stepped back. When he was out of bullets, he threw the gun up at me, but it missed.
A man came out of his apartment to see what all the commotion was about. I gave him Lundy’s phone number and told him to call it.
* * *

Tune in next week for the conclusion to THE PRETTY CORPISE MATTER!  And check out http://www.moonstonebooks.com/ for this and other collections and tales!

Let ALL PULP know what you think of MOONSTONE CLIFFHANGER FICTION on the Comments Page!!!

Beware the Tides of March… err… Bill O’Reilly

So, not so long ago, the American Atheist Group decided to buy a few billboards. So their president, one David Silverman, wanted to perhaps start a national debate on religion. Good idea? Well, we’ll leave that one up to the Lord (be it Allah, Ganesha, Buddha, Yahweh, Inky the Magical Leprechaun, or Stan Lee if you prefer). Billboards go up, and guess who get his panties in a bind? The answer rhymes with Shrill O’Bile-ly. Cut quickly to the O’Reilly Factor where Silverman was interviewed. And here’s where things get spicy.

During the interview, the debate whether the word “scam” is offensive is debated. And then the big guns get fired. Once Silverman dares to call organized religion “mythical”, Billy goes on the attack. “Let’s just be two guys. Not an atheist and a catholic. Just two guys…” O’Reilly throws out. Get this folks: The Tides. “They come in, and go out. Come in, and go out.” And why? According to O’Reilly… “It just happens. You can’t explain that.” Silverman, who didn’t have his high school physics book handy, forgot to PWN Bill by explaining tides move according to the gravity pull of Earth’s moon. He attempted a sidestep by saying “it doesn’t matter” that he couldn’t explain it, because at the root of his argument… explaining anything by way of an invisible man in the sky is silly. But Bill was Bill. He’d have nothing of it.

Enter the Internet. Now it’s become its own meme-in-the-making. So, ComicMixers… let’s discuss… what is there out in PopCultureLand that also can’t be explained by anything else than the mighty G-O-D? Consider this a contest folks. Use this meme-maker and post it in the comments below. Funniest meme gets a piece of the holy cross. Or a radioactive spider. Or the mighty Mjolnir. We’re not sure yet.

The Point Radio: The Next Wonder Woman?


Meet Sarah Butler – star of the new version of I Spit On You Grave! Sarah fills us in on how the remake came about, and after talking to her, we think she is a GREAT choice for the Wonder Woman reboot!  See what you think…..

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Com or Podbean!Follow us now on and !

 

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

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It’s Official: The Movie is Called ‘The Amazing Spider-Man’

The Amazing Spider-Man is going to be the title of the next film, scheduled to come out July 3rd, 2012, and starring Andrew Garfield and Emma Stone. There’s a new web site and everything, with a picture of that costume that’s been changed just enough to justify a new round of toys…

Reviews from the 86th Floor: Barry Reese reviews The Spider # 1

THE SPIDER # 1
Moonstone Books
The Spider
Written by Martin Powell
Art by Pablo Marcos
Operator Backup
Written by Gary Phillips
Art by Roberto Castro

The Spider was never one of my favorite pulp heroes — he was simply a little too “nuts” for my taste. I preferred The Shadow, The Avenger or The Man of Bronze. But I’ve read quite a few Spider tales over the years and I have to say that this story is one of the best. A mad scientist duo are creating lobotomized zombies and plan to do the same to The Spider’s love interest. This leads to an exciting battle between The Spider and the lumbering hordes of zombies. The art is moody and evocative, perfectly capturing the mood of the story. If I had any complaint, it would be that I wished it had been longer. Great pulpy fun and one of the best Return of the Originals products so far.

There is a backup in this issue — an Operator 5 story that continues into the next issue. The art on this one is solid and the story is interesting though the character is hardly one of my favorites. Nonetheless, it’s a solid complement to the excellent Spider tale that leads off the issue. Highly recommended for pulp fans.

I give it 4 out of 5 stars!

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Kickstarter Funds The Definitive Edition of Huckleberry Finn

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Artist Denise Devine is altering E.W. Kemble’s original illustrations from the first edition of the book to remove Jim and replace him with Robot Jim.

Recently an international controversy and debate broke out when NewSouth Books decided to publish a version of the Mark Twain classic, “Huckleberry Finn,” replacing all instances of the word “nigger” with the word “slave.”  ComicMix editor Mike Gold described this as a “castrated version.”

Luckily, there is a new, soon-to-be published version of Huck Finn that addresses the offensive nature of the n-word, while maintaining (and even exceeding) the spirit of the classic Twain novel.

Neil Gaiman has described this version as, “the definitively politically correct Adventures of Huckleberry Finn.”  This project was proposed on Kickstarter.com as, Replacing the “N-word” with “Robot” in Huck Finn.  It is, “The Adventures of Huckleberry Finn: Robotic Edition.”

From the Kickstarter proposal:

We’re editing a new version of Mark Twain’s “The Adventures of Huckleberry Finn” that won’t be bogged down with what Mark Twain was trying to say about racism.

In part, thanks to Mr. Gaiman’s contribution of $80 and tweeting about it, in just two days, the project has surpassed its goal of raising six thousand dollars.  And you still have until March 10, 2011 to donate to the cause to get your own copy of the book when it’s printed.

Prince William and Kate Middleton Become Comic Book Couple

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It’s Valentine’s Day, so let’s give you a story about a good old fashioned romance comic, complete with a beautiful woman and a dashing young prince.

Cashing in on the royal wedding hoopla of Prince William and Kate Middleton, the comic Kate and William: A Very Public Love Story has been written by Bleeding Cool‘s Rich Johnston for Markosia and tells the story of the couple’s past in two parts.

The first half is told from Kate’s perspective, with a fictional diary and illustrations in the style of a 1970s girls’ comic by Mike Collins (artist on Thunderbolt and painter of the covers to my Star Trek: Starfleet Corps of Engineers stories). The second half is by the Gary Erskine and follows William from the rugby pitches of Eton to army officer training at Sandhurst before his RAF service, told by newspaper headlines and mission briefings.

Publisher Markosia calls it a “dramatic biography” with two separate stories that “come together in the middle, a fictional look at the wedding day itself, with a kiss. How could it end any other way?”

Kate and William: A Very Public Love Story is set to go on sale in stores and online on April 2 (yes, a Saturday). The wedding is planned for April 29.

One hopes it goes better for Kate in the comics than it has for Princess Diana…

HANCOCK TIPS HIS HAT TO TALES OF THE BLACK CENTIPEDE!

TIPPIN’ HANCOCK’S HAT-Pulp Reviews by Tommy Hancock
Tales of the Black Centipede
Written by Chuck Miller
Every writer of pulp and heroes I know at one point or another comes up with their very own universe, a place where history is theirs to manipulate and their characters thrive, live, die, succeed, and fail.  Sometimes these universes we creative minds come up with actually have histories similar to ours, histories that we allow our creations to influence and change even.  So we have these great concepts where our personal ideas mingle and interact with real or other fictional beings and history becomes our playground.  We all usually have these ideas and sometimes we explore them in a story or two.  Sometimes, though, there is a writer who is so involved, so an integral part of what he creates that this universe of his not only shows up in a place or two, but becomes his body of work, is the focus of all that he does, and represents not only words by the author, but what the author intends to be remembered for.  
If you haven’t yet, meet Chuck Miller.  And welcome to the world of The Black Centipede.
Describing TALES OF THE BLACK CENTIPEDE in a short paragraph is problematic as it has so much involved.  So, instead of stringing together sentences, I’ll do this.  If you’re interested in pulp style heroes, true crime, mystical serial killers, super hero ghosts, drunk optimistic former sidekicks, a conspiracy headed up by a shadowy crime figure, Sherlock Holmes, Lizzie Borden, Fredric Wertham, Professor Moriarty, famous historical personages as vampires, lots of drinking, secret lairs, machines that should never exist, homicidal maniacs that stopped aging at nine years old, and sex charged surname obsessed tulpas, then you need to wrap yourself in the disturbing cape of The Black Centipede and hang on.
Now, to get to specifics.  Before we get into this review, let me explain how TALES is set up.  For the last year or so Chuck has ran his stories on the address noted above as he finishes them.  They are of varying lengths, some short-short stories, some novel length.  I’m going to review each story individually in no particular order, then offer a review of the concept and site as a whole.
FORTY WHACKS
The Origin of The Black Centipede
Chuck’s titular character finds his beginnings in this story.   Written as if by the Centipede himself, it details the story of his move to Fall River, Massachusetts in the early 20th Century and his meeting with one of the town’s more infamous citizens, Lizzie Borden.   Although not your typical pulp tale completely, this origin fits the mold of the other stories.   The Centipede and Lizzie’s relationship is at the center of the tale, but the introduction of Bloody Mary Jane, a figure who is prominent across the Centiverse as well as the explanation behind how the Centipede took his name and had his becoming are the real jewels here.   The writing is very personal and evokes emotions from beginning to end.  Miller starts his world off with a subtle bang with this story that uncorks a whole universe of conspiracies, chaos, and cacophony.
FOUR OF FIVE TIPS OF THE HAT
WISCONSIN DEATH TRIP
This is yet another Black Centipede story.  It establishes that the Centipede, once again the narrator of the tale, enjoyed popularity when a publishing company began publishing fictionalized Centipede tales in the 1930s.  This story, set in the 1950s, has one of the Centipede’s fans send him a letter and ask for help dealing with the fan’s mother.  The Centipede goes to help the fan and supernatural and murderous events ensue.  The fan’s name…Edward Gein.   Possession, killer matriarchal spirits, and more oedipal confusion than you can shake a speare at fill this tale with lots of turns and twists and does quite a bit to give the reader a fairly concrete view of just who the Black Centipede is and establish him as a viable, even likable character to a pulp fan.  Miller’s use of such a heinous individual as Gein as a sympathetic dupe in this tale on one hand seems to be pure genius, but on the other hand is almost so disturbing it makes the story hard to stomach.   This is somewhat relieved with the way the tale ends, however.
FOUR OUT OF FIVE TIPS OF THE HAT
THE RETURN OF LITTLE PRECIOUS
This tale involves a couple of different characters from Miller’s mind.  Dr. Unknown, Junior, the child and inheritor of her father’s supernatural heroic legacy, and Jack Christian, a former super hero sidekick turned drunkard and once more reluctant hero, star in this tale, a first parter of however many parts to come.   This is a quick little one two punch tale that fully fulfills its one purpose…to explain who Little Precious is.  This character, like Bloody Mary Jane, is an evil sort that will leave all sorts of bloody prints across the Centiverse, but is extremely original in conception.  Miller’s storytelling here performs a similar task to what it did in WISCONSIN DEATH TRIP, putting just a hint of sympathy on a dark shadowy villain that should have no redemptive qualities.
FOUR OUT OF FIVE TIPS OF THE HAT
VIONNA AND THE VAMPIRES
This is a novel length tale starring as narrator Vionna Valis, yet another of Chuck’s varied cast.  Vionna is a young lady who in her youth enjoyed adventures alongside super hero types as a sort of ‘street kid hero’, popping up in the middle of derrings-do aplenty.  She now, much like Jack Christian, has become a disaffected soul who has little memory of most of her life and finds solace in a bottle.  She has, however, found Jack and companionship with the Whitechapel Vigilance Committee, five women who hold a special place in history-They were the victims of Jack the Ripper in the 19th Century who, due to a ritual to banish the Ripper’s Ghost, have returned to the modern world in brand new bodies.  The WVC is a sort of private detective outfit and this is the capacity in which Vionna and the hardest worker of the five, Mary Kelly, end up involved with the ghost of Sherlock Holmes, Professor Moriarty as a vampire, and a host of other vampiric historic celebrities.  Take that and mix it with a creepy old house, a machine of mass destruction hidden somewhere, and intrigue and triple crossing and you end up with what should be a rollicking adventure tale of blood sucking and world threatening evil.  And it is, mostly.
One major fault of this tale is a trope of Miller’s work.  He writes from the perspective of his characters, not simply with them narrating, but as if they have a real awareness that they are writing, so they will at times to refer to why they aren’t writing a certain accent a certain way or when voices change, they make a point to say that they have this person’s narrative on voice recording, so we can get their side.   This is a device that is ok and even works well in most of these stories.  In this one, however, the technique takes largely away from the flow of the story and distracts the reader with trying to keep up with who is speaking and/or why Vionna feels like she shouldn’t be writing this tale or how others might do it well.   The story has strong elements and potential in several areas, but Vionna’s voice, unsure and inconsistent, weighs it down and makes it difficult to read and follow in a flowing manner.
TWO OF FIVE TIPS OF THE HAT
THE JOURNAL OF BLOODY MARY JANE
This is exactly what it says it is, words from the mouth of one of Miller’s wildly imaginative, over the top villains, truly a vile spirit that haunts the world of the Centipede and his cohorts.  This is Bloody Mary Jane’s origin in her own words, an explanation of what she is and what leads her to encounter a strange settlement of people who live rustic lives around a bubbling pool of mud…people name Ponce De Leon and Cotton Mather.  This is probably one of the best of Miller’s works.  He captures Bloody Mary’s voice as if he is channeling her, God forbid, and the tension builds evenly and steadily to the reveal at the end.
FIVE OF FIVE TIPS OF THE HAT
CLOSE ENCOUNTERS OF THE KIND WE’D RATHER NOT THINK ABOUT
This story is yet again an adventure of The Whitechapel Vigilance Committee and is once more narrated, much more successfully than VIONNA AND THE VAMPIRES, by Vionna Valis.  Here, Miller keeps the pace going briskly, Vionna’s voice moves well and not only makes sure the story flows, but adds to the consistency and intensity of the story.  This cheating spouse case turned alien abduction conspiracy has so much in it that Miller explored and so much more he could have, it’s a story pregnant with possibilities.
FOUR OUT OF FIVE TIPS OF THE HAT
THE LAST VENUSIAN SUPER HERO
This story is not so much a stand alone tale, although it works well by itself, but more or less it’s the glue that sticks some things together.  We get Jack, Dana, Mary, Vionna, The Centipede and others in this tale, but its biggest purpose is to peek even further into the mystery of what happened to all the super heroes and to announce the return of yet another great evil…the ghost of….well, that would be telling.  For what it is, this one pops right into the mix and serves its purpose well.
THREE OUT OF FIVE TIPS OF THE HAT
THE OPTIMIST, BOOK ONE: YOU DON’T KNOW JACK
This is another novel length escapade and all the favorites end up in the mix.   This tale is told by Jack Christian and is the reunion of he and Vionna and tells the story of the return of  The Rippers’ five victims, the origin of the Whitechapel Vigilance Committee, and introduces the Centipede’s paranoid, but likely true concept of there being a ‘Moriarty’ of crime pulling criminal strings in the modern world.   This tale is full of magic, ghosts, blood, death, revealing character moments, and scenes that make your skin crawl, all Miller trademarks by this time if you weren’t aware.
This tome, however, suffers from a couple of things, one of them evident in another of Miller’s longer pieces.  The use of Jack as the narrator is fine, but Miller continually reminds the reader that Jack is writing this and has Jack comment on that fact.  This is almost breaking the fourth wall in a way and it is horribly distracting.  There are at least three significant places where this occurs that forced me to go back and start over just to be able to keep up.   The use of this as a storytelling device seems to work much better in shorter tales, but ties a weight around longer stories.
Another issue I have with this story is the use of cursing.  Now, I’m in no way a prude and other of Miller’s stories use it quite efficiently, but within THE OPTIMIST, cursing is extremely overused and even completely changes what Miller has spent so much time building up regarding one character.  The cursing goes with some characters, such as Jack, but by the middle of the story everyone is flashing expletives like gang signs in a high school.   It takes away from the story, makes everyone sound the same, and loses any effect the words might have.  One character does it as a sort of recurring joke, but even the effect of that humor is lost because everyone else is cursing.  And Miller’s allowing of the Black Centipede to be in this cursing chaos surprises me a lot and does not ring true of the Centipede Miller created via the other stories.
TWO OUT OF FIVE TIPS OF THE HAT
GASP, CHOKE, GOOD LORD!
This tale of the Black Centipede is from a period in the character’s history, in the 1950s, when he’s considered a hero in Zenith, his home city, and even has a close working relationship with the police.  A call from the Commissioner to a strange crime scene at a ball park starts off this tale that ends up with Fredric Wertham, William Gaines (of EC Comics fame), a cast of three horror hosts, Albert Fish, and enough animated corpse bits to shake your lunch at!  This story is really one wild ride that, while its throwing decapitated pitcher’s arms and wronged pedophilic cannibals at you, also does a wonderful job of not only adding layer upon layer to the character of the Centipede, but also paints all the characters, every single one of them in bright pastel colors on wonderfully conceived canvases.  This is one of the best tales in the bunch.
FIVE OUT OF FIVE TIPS OF THE HAT
THE PRESENTATION/THE SITE
As a whole TALES OF THE BLACK CENTIPEDE is obviously a labor of love, a project of intense time and research, and overall a slam bang action packed thrill ride that we’ve only really seen a corner of.  
This is no more evident anywhere than on Miller’s site.  It is chock full of images, pictures, premiums, you name it, Chuck has covered the TALES site with enough eye candy to almost convince any reader that these people really did exist.
FIVE OUT OF FIVE TIPS OF THE HAT
OVERALL RATING FOR TALES OF THE CENTIPEDE
FOUR OUT OF FIVE TIPS OF THE HAT

How Comics Inspired the Egyptian Revolution

Martin Luther King Jr. Egypt ComicJesse Singal at The Boston Globe points to the Comics Alliance blog post connecting “The Montgomery Story,” a comic book that relates Martin Luther King Jr.’s philosophy of nonviolent civil disobedience (particularly as it pertained to the Montgomery bus strike) to the recent non-violent revolution in Egypt:

Dalia Ziada, Egypt Director of the American Islamic Congress, arranged to have the comic book translated into Arabic and distributed 2,000 copies across the Middle East. In a newsletter, Ziada described what happened when she tried to get the book printed in Egypt: When, at first, we went to print the comic book, a security officer blocked publication. So we called him and demanded a meeting. He agreed, and we read through the comic book over coffee to address his concerns. At the end, he granted permission to print and then asked: “Could I have a few extra copies for my kids?”

Of course, we aren’t surprised. We’ve known for a very long time that comic books promote truth, justice and the American Way… this is just a bit more than usual.