Category: News

Barbarella taken under James Bond’s wing

forestb1-4414391The classic French science-fiction comic book character Barbarella will make her return to the big screen, according to Variety. Casino Royale writers Neal Purvis and Robert Wade have signed on to write the feature. Occassional comic book writer Jean-Marc Lofficier (Teen Titans) brokered the deal.

The creation of Jean-Claude Forest, Barbarella turned heads in this country by being one of the first “legitimately” published comics to feature nudity and sexual themes. It was serialized in the United States in the avant-garde magazine Evergreen and collected in both hard cover and trade paperback graphic novels back in the 1960s.

In 1968, Barbarella was made into a movie directed by Roger Vadim and starring his wife, Jane Fonda. She was surrounded by a stellar cast, including John Phillip Law, Anita Pallenberg, David Hemmings, and Milo O’Shea as the original Duran Duran.

JOHN OSTRANDER: Hurling stones

ostrander100-9025781I had a couple of other topics I was going to work on but then I read Mike Gold’s column this week and decided I had enough to say to on it and the subject of his column that I might as well do it in my own. Thanks, Mike, for supplying my column this week!

The question at hand was Don Imus’ racist remarks on his show, categorizing Rutgers University’s women’s basketball team (the majority of whom are black) as “nappy headed hos.” (For short, and because I don’t want to perpetuate the comment by repeating it endlessly, we’ll just reduce it to   “nhh”.)

Imus has since apologized at length, doing the mea culpa circuit that prominent white men do when they get caught putting their feet in their mouths. There have been the chorus of calls for Imus’ resignation or firing and Imus has said he was just trying to be funny and he’s really a nice guy and so on. As I write this, Imus has been suspended by CBS radio for two weeks and MSNBC has dropped the television show. After a ritual flogging on the Rev. Al Sharpton’s radio show, Imus is now scheduled to meet with the women he actually insulted and their families. Nice to know we’re all keeping our priorities straight.

Caveat: I don’t listen to Imus. If I’m listening to radio in the morning it’s generally NPR and I don’t do that very often. So I’m getting a lot of this second hand or worse. I’ve never been into the whole “shock jock” thing so you can take what I have to say with that grain of salt. Also, I’ve had my own brush with hoof in mouth disease in a script where I referred to Asian people as Orientals. As has been driven home to me, Orientals are rugs; people are Asian. So I am not within sin. I’m throwing rocks anyway.

Let’s talk about Imus first. My first reaction on hearing all this was, “What an incredibly stupid thing to say.” Imus has been in the game long enough and he knows the field. He has no internal censor that suggested to him for a half second that referring to African-American women as “nhh” just might get him into trouble? Frankly, I always had the impression that Imus was sharper than that.

And then the cynical Chicagoan side of me kicked in. Maybe Imus’ attitude at the time was “Well, remarks like this sure gets people talking about ya, doesn’t it? Good, bad – does it matter so long as they don’t forget you?” Now people might listen in to hear how contrite you are, or if you’ll do it again, or because they think you should do it again. What’s a shock jock without a controversy? Or maybe he didn’t expect people to get upset – stuff like this has been his stock in trade, right? Isn’t it why people listen? Imus says what a lot of people think – isn’t that the justification? The current brouhaha is just a matter of degree.

I wonder – what would the reaction have been if it was the Rutgers men’s basketball team that lost in the Finals (they didn’t even get that far) and Imus had called them “nh (fill in the blank).” Actually, I’m betting nothing would have happened because Imus would have realized, before he said it, that it was going too far. But these are just female jocks. Who really cares, eh? Let’s call them whores because they lost a freaking basketball game. Maybe if Imus had just stuck with being misogynistic instead of racist, he would have been okay. (more…)

Flash Gordon Conquers the Universe (Again)

fg2-8270183The Sci-Fi Channel is going dipping into the golden age of comic strips and resurrecting Alex Raymond’s Flash Gordon for a new television series.

Eric Johnson has been named as the latest actor to portray Flash in this radical reimagining of the series.  Johnson is best known to ComicMix fans as Smallville’s Whitney Fordman, quarterback and love interest for Lana Lang.

Dale Arden, Hans Zarkov and Ming the Merciless have yet to be cast with production of the 22 episodes set to begin in, where else, Vancouver on May 1.

The series will debut on the channel in August, date and time to be announced.  Rick Rosenthal, who worked with Johnson on Smallville, and has also handled Sci Fi’s The Dresden Files, will direct the first two episodes.  While the original strip featured the story of the planet Mongo threatening Earth and Flash journeying into space to save his planet, the television series will dramatically alter the premise.  Mongo will now be another dimension with Flash giving up his original polo in favor of other pursuits and being located in the pacific northwest.

The last time a live action Flash was on the small screen was in 1954 in an eight episode series starring Steve Holland, who later provided the visual look for James Bama’s Doc Savage paintings.

Flash Gordon has been previously portrayed by Larry “Buster” Crabbe in the three Universal movie serials from the 1930s and later, by Sam J. Jones, in the tongue-in-cheek Dino DeLaurentiss travesty from 1980.

Stocking up on comics

Via Lisa at Sequentially Speaking comes an article in American.com about the sure bet of investing in comics and other collectibles.  Naturally, Kevin Hassett points the exceptions to the rule in order to prove his thesis, which helps nobody.  The operative word here is "rare," people.

Plus, he supplements his databy looking things up in the Price Guide, which we all know deals more in theoretical than actual value, the latter being arbitrariily determined from day to day by whatever each buyer and seller actually feels like paying for and selling a book. 

This knowledge would seem to make the answer to Hassells question, "Why don’t sophisticated money managers and operating companies invest in comic books?" fairly obvious.

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ELAYNE RIGGS: Polly wanna press release!

elayne200-2304378When I was first offered the position as ComicMix‘s news editor, Mike Gold outlined his vision for how I was to treat press releases. Rather than parroting verbatim everything I read or was sent, I should first determine the release’s newsworthiness, then I should rewrite everything that I felt merited ComicMix‘s attention in my own words wherever possible.

I could not have been more delighted.

I think you readers probably sense how rare this is, particularly in today’s media-saturated and propaganda-laden world. To be fair, the notion of a supposedly free press on bended knee before the people and stories it covers has been spoken of in the U.S. since at least the Reagan era if not before, but the lapdog evolution seems to have accelerated exponentially under the current administration. So, now more than ever, it behooves journalists to try to shoot down that sorry legacy wherever possible.

But hey, this isn’t world-shaking events, it’s pop culture. What’s the big deal?

The big deal for me has to do with the constant conflation of providing actual news with filling the need for websites to have new content on a daily, even hourly basis for fear of losing eyeballs and facing a corresponding drop in ad revenue. And that’s a by-product of, and to be expected in, our hyper-capitalist society. But that’s presumably where the difference between quality and quantity comes to the fore.

At this point I feel I should step back and assure you that I believe press releases have their place, and I don’t blame other pop culture news sites — many of which are run by personal friends — for repeating them verbatim. That’s one reason I don’t feel the need to; so many others have already done that job. I don’t consider my standards to be necessarily higher, just different. This could be due to my ready admission that I’m an opinion writer rather than a trained journalist. (No, not all bloggers are automatically journalists, although there are any number of writers out there who are good at both.) So perhaps I approach press releases differently than someone with more journalistic experience.

For instance, when I read a press release from a big comics company whose entire point is that such-and-such a book has sold out its print run, the first question I ask myself is “What was the print run? How many actually sold?” After all, this information is readily available after the fact from a number of sources (ICV2 comes to mind), so it shouldn’t be any sort of secret. Yet of all the press releases I’ve read in the two months I’ve been at this ComicMix gig, only one has given an approximate number for the press run which sold out, and that was the item I ran because that was actual news. (more…)

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ROBERT GREENBERGER: Strip show

bobgreenberger100-9341883Johnny Hart passed away the other day and in one of the obituaries I read, it stated Creators Syndicate intended to keep his strips, B.C. and Wizard of Id, still going. It seems Hart had been receiving help from family for some time now and much of his work exists as digital files for repurposing.

Upon reading it, my first thought was, ”Why?” The strips stopped being funny some 20-25 years ago and were coasting on momentum. B.C., which Hart wrote and drew, also was delving into his religious faith with increasing frequency over the years and was far from entertaining.

All of this brings up a host of issues regarding newspaper comic strips and their future. It used to be that the comic strips were a selling point, a way for papers to distinguish themselves. After all, the news, stocks and sports score were the same so why buy the New York Daily News if you also read the New York Post? The News knew comic strips were a key and filled page after page with the best strips possible. The Sunday edition was wrapped in the comics’ section – growing up, the Sundays were started with the latest Dick Tracy on the front and Dondi on the back and in between, there were more than a dozen other features.

The first generation or two of comic strip creators were a fertile, wonderful bunch that gave us enduring figures from Little Orphan Annie to B.C. As a result, as people aged, moved out of their parents’ home and started subscribing to a hometown paper, the comic strips remained a tool to entice and retain readers.

Whenever newspapers conduct reader surveys to figure out which features to drop in favor of new ones, the old standbys still score strongly because of that ingrained habit. Locally, the comics editor at the Connecticut Post admitted that “the blue-haired old ladies” threatened to cancel their subs if beloved strips vanished. And with circulation dwindling, papers have to hold on to every last reader.

The problem, though, has become that many strips have outlived their entertainment value and continue to run only out of habit. B.C. and Peanuts and Marmaduke and many others stopped being entertaining and fresh and interesting decades ago. When the creators have retired, or died, others have continued the features, recycling the same puns, gags and stale humor.

Some of the younger, hipper, creators recognize that such recycling is a kiss of death these days. Jim Davis gave Jon Arbuckle a girl friend in Garfield and Cathy Guisewite married off her pathetic Cathy a few years back, each mining new strip possibilities. (more…)

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Ghost Rider goes to court

marvel-spotlight-05-6300116Long-time comics writer Gary Friedrich has sued Marvel Comics, Sony Pictures and their Columbia TriStar Motion Picture Group, Relativity Media, Crystal Sky Pictures, Michael De Luca Productions, Hasbro Inc. and Take-Two Interactive for copyright infringement over his version of Ghost Rider.

Filed last week in Illinois, Friedrich claims 21 separate copyright and trademark violations based upon the “production and marketing” of the recent blockbuster motion picture. He claims the copyrights used by the defendants reverted from Marvel to him in 2001.

According to Reuters, Friedrich alleges copyright infringement and accuses Marvel of waste for failing “to properly utilize and capitalize” on his character. Marvel’s attempts to do so, Friedrich claims, have only damaged the value of his work by failing to properly promote and protect the characters and by accepting inadequate royalties from co-defendants. Friedrich also claims that toymaker Hasbro and videogame firm Take-Two have improperly created merchandise based on the characters.

Even though Marvel has published this version of Ghost Rider off-and-on since 1971, it’s predecessor company, Magazine Management, failed to register the work with the Copyright Office, according to Friedrich’s complaint.  He states that, following federal law, he regained the copyrights to Ghost Rider in 2001.

As of this writing, neither Marvel nor Sony has responded to the suit. It is expected they will adopt the initial position that the complaint “bares no merit,” as if it did, the crack of the whip could severely undermine the profitability of both Marvel and DC Comics and their parent companies.

Grindhouse to amoeba?

10m-3779307Grindhouse executive producer Harvey Weinstein has been on a spree explaining why the movie  tanked last weekend. Without revealing the fact that the reviews and word-of-mouth generally noted people’s tastes running towards one of the two movies on the double bill and against the other – with little consensus on which is better – Weinstein said the three hour running time was a major deterrent to sales. Certainly, film exhibitors agree.

So he’s floating a trial balloon. He’s "thinking" about rereleasing Grindhouse as two individual movies: Robert Rodriquez’s  Planet Terror and Quentin Tarantino’s Death Proof. That should do wonders for this weekend’s box office.

But here’s Weinstein’s dirty little secret: when they made Planet Terror and Death Proof, extra footage was shot. Yeah, that’s always the case. But in the case of these two movies, a lot of extra footage was shot. Enough to add at least 20 minutes to each movie. The plan, of course, was to release "extended versions" on DVD and to seperate the movies for some overseas audiences. Now, it looks like these extra 40 minutes (give or take) is becoming Plan B.

Thus making Grindhouse ironically the longest trailer ever released.

You can listen to Matt Raub’s review on today’s ComicMix Podcast (below) or do a search for his ComicMix print review, which we ran last week.

Convention reports collected

Seek and ye shall find!  Yesterday we talked about Heidi Meeley’s efforts at consolidating links to reports about the recent Emerald City Con.  Today we find two more comprehensive ECC link posts, from Laura Gjovaag and Tom Spurgeon, Tom calling his contribution "Collective Memory" which was just what we were hoping someone would start.  We’re sure somewhere on CR Tom has gathered all his Collective Memory posts, but we can’t find them in a cursory glance at his resources page.  Then again, we couldn’t find ComicMix listed either.

Yet.

DENNIS O’NEIL: No evil lurks this week

Okay, okay, I’m sorry. I know I promised, at least implicitly, to deliver Who Knows What Evil Lurks – Part 2 this week. But that will take some time and maybe digging, to write and, honestly, I have the luxury of neither. By the time you read this, I’ll either be at or returning from Juaniata, Pennsylvania, where I’ve been invited to be the guest of Jay Hosler and maybe shoot off my mouth in public a bit. I’ve been busy doodling notes for said mouth-shooting; hence no dissertation on lurking evil.

I thought about just blowing off this whole column thing, or delaying it until I was back here in scenic Upper Nyack, and rested. But… I promised editor Mike Gold and PR goddess Martha Thomases that I would deliver a minimum of 500 words each and every week. And I made the same promise to myself. Sternly, I said to myself that I had to respect the deadline, even if the deadline in question is largely of my own making.

By the way, I don’t hate deadlines the way a lot of writers and artists seem to. Maybe that’s just because I lived with them for so long – for over 40 years, they were a constant part of my life. What can be said against them is that they can be a pain in the ass. What can be said for them is that they can impart focus to a project and they can be an impetus to stop kvetching and worrying about your ability to leave civilization breathlessly in your debt (and maybe sit on David Letterman’s couch) and just, please, get the damn thing done.

A couple of paragraphs back – I’ll wait while you check – I mentioned Jay Hosler. Doctor Hosler teaches biology at Juaniata College, is a proponent of evolution, a comics enthusiast, a writer, and a cartoonist. He’s done two graphic novels which I found educational and very entertaining. You’ll find the titles below.

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