NINE FOR THE NEW-Interview with Ken Janssens!!
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| PECULIAR ADVENTURES, Home of ‘THE CEREBUS CLAN’ |
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| FANTASY AND FEAR Home of ‘SHERRINGFORD BELL’ |

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| MASKED GUN MYSTERY Home of ‘ALOHA MCCOY’ |

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| PECULIAR ADVENTURES, Home of ‘THE CEREBUS CLAN’ |
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| FANTASY AND FEAR Home of ‘SHERRINGFORD BELL’ |

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| MASKED GUN MYSTERY Home of ‘ALOHA MCCOY’ |

Happy birthday to Stan the Man! (If you don’t know who he is, I can’t imagine why you’re even reading this website.)
Excelsior from all of us true believers! May you keep making cameos in Marvel films for decades to come…
…in fact, we have a few of them here.
[[[Salvatore Vol. 1: Transports of Love]]] By Nicolas De Crécy
NBM, 104 pages, $14.99
The French artist Nicolas De Crécy has been working in the field for some two decades and has been slowing gaining a following in the United States. His 2005 series, Salvatore, is finally translated for American readers courtesy of NBM and it is a most welcome volume. The book was released in 2005 as part of Expresso, Dupuis’ new imprint of full-color albums and here we get the first two volumes collected.
Using a sparer style than in his other works, De Crécy introduces us to Salvatore, a bear who lives in remote Savoy, high atop a mountain. An acclaimed mechanic, he is selective as to who receives his services while he indulges in rich fondue and pines for Julie, the terrier who stole his heart before departing for South America. He pines for Julie and is building the ultimate vehicle to bring him to her, stealing parts from cars as he finds them but an elusive rare part is the focus of the story.
Meantime, he interacts with Amandine, a pregnant pig, who needs her car repaired. With her exceptionally poor eyesight, the sow engages in a series of antics akin to Mister Magoo. In time, she gives birth but one of the piglets, Frank, has gone missing. She searches for her missing child before giving up, settling down and getting a job so she can raise her remaining eleven children.
Their stories intertwine, intersect, and parallel one another in comical ways in this fanciful world where humans and anthropomorphic animals coexist. The emotions displayed by our main characters are well defined and the social observations are finely crafted by the author.
We’re treated to poignant flashbacks to Salvatore’s brief romance with Julie along with comical bits as Amandine’s car goes flying off the mountain top. The mix of comedy and drama is welcome and feels truer to life than books that are one or the other. The artwork may be simplified but detailed enough to give us a strong sense of time and place. The work benefits from the color by Ruby and Walter which is subtle and aids the storytelling.
We’re left with dangling threads and one wants to know if Amandine finds Frank and if Salvatore reaches Julie and if Julie did marry someone else. With luck, this entertaining book for young adults and up will do well enough that we are given a chance to find out.
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Subterranean Press: Up the Bright River By Philip Jose Farmer
Completed at the printer! Just waiting on enough clear space in the warehouse for delivery. Subterranean Press is proud to present a new, roughly 120,000 word gathering of Philip Jose Farmer’s singular tales! This first posthumous collection of the short fiction of Philip Jose Farmer is a celebration of the impressive variety of his prodigious output, from the space adventures he published in the science fiction magazines of the 1950s through the 1970s, to his acerbic satires of religion and medicine, to his fictional biographies and memoirs, to his beloved Riverworld. Appearing for the first time in a Philip Jose Farmer collection are his last three “Riverworld” stories—featuring characters from his own family history–as well as the “memoir” of Lord Greystoke which he claimed to have merely edited. Other highlights include “Attitudes,” the first of the Father Carmody stories; “The Two-Edged Gift,” which introduces the fictional science fiction writer Leo Queequeg Tincrowdor; “Toward the Beloved City” (about which its original editor said he had never before really understood the Book of Revelations); and “Father’s in the Basement,” a little-known Gothic horror tale which is also a satire of the writing profession. Farmer created some of the most famous worlds in science fiction, but he also wrote in many worlds, and readers familiar only with his best-known classics may find a few surprises among these tales. Trade: 1500 fully cloth bound hardcover copies – $40 ISBN: 978-1-59606-329-7 Length: 336 pages |
MOONSTONE CLIFFHANGER FICTION-MORE DOMINO LADY!
Moonstone Books and ALL PULP are proud to present the next chapter in this thrilling tale from MOONSTONE CLIFFHANGER FICTION!!!!
An hour later, after a quick meal, Ellen Patrick was driving through the downtown section of Beverly Hills on her way to the home of Reginald Hanna. She and Campion had used the telephone directory in the restaurantâs lobby to locate the manâs address. Ellen told Campion to get his notes typed up and make arrangements to attend the Beverly Hills Town Council meeting the following night. She also informed him, with a mischievous smile on her face, that she would be accompanying him to that meeting.
Now, as she pulled up to Encino Drive, her thoughts were focused on the present. With that all too important civic gathering only hours away, whatever Topper Carson and his goons were planning would have to happen soon. She pulled over to the curb across the street from the house that was her target. It was a small, whitewashed Spanish bungalow, surrounded by shrubs and what appeared to be a fairly large yard to the rear of the domicile. From the glove box, Ellen took out a pair of binoculars and, sliding over to the passenger side of her sporty roadster, began her spying in earnest.
Ten minutes passed before she was rewarded with activity on the side of the house. A door opened and a small man, dressed in slacks and a cardigan sweater, emerged holding a big, fluffy, golden cat in his arms. He had thinning brown hair and wore wire-rim glasses and a polka-dot bow tie.
âWell, hello Mr. Hanna,â she said aloud, pleased with herself as she adjusted the focus on her lenses. The cat was a real beauty and wore a gaudy red silk collar. Hanna continued to rub its head as he moved around the cast iron lawn furniture. After a while, he sat down, out of sight behind the barrier of thick green shrubs.
Ellen started to sit back in her seat when something to her right caught her eye. Turning her binoculars in that direction, she spotted a very familiar Buick sedan parked down the street some fifty yards from Hannaâs home. There were no houses on that end of the street and the land was still scrub and trees. Sharpening her focus, Ellen could make out Jack Ochra sitting behind the wheel nervously looking up and down the boulevard. But where was his pal, the scar-faced Eddie Geller?
No sooner was the question formed in her mind then Fast Eddie appeared through a clump of trees and dashed to the waiting car. He had been scouting the Hanna property from the safety of the woods. Suddenly she was afraid they were actually going to try to steal the cat right now, in broad daylight. Then Eddie, opening the side door to the Buick, glanced up and a look of wariness washed over him. Ellen put down her spyglasses and turned her head to see a black and white police patrol car rolling past. As it neared the Buick, Fast Eddie dropped into the passenger seat, slammed his door shut and Ochra fired up the engine. They drove off and passed the police cruiser going in the opposite direction. Ellen sighed in relief and ducked her head as they drove by. Thank you Beverly Hills police, she thought ironically.
Still, she was convinced the two thugs were going to make a grab for Hannaâs pet. Most likely they would wait until nightfall before making their attempt. Which, as far as she was concerned, was perfect. She looked at her wristwatch. It was two oâclock. Plenty of time to execute the plan she was quickly ad-libbing.
Ellen Patrick drove away from the quiet neighborhood and headed back for Los Angeles, her destination the city animal shelter.
The facility was a gray, old building on the east side of the city. Traffic was light and she made good time. The parking lot in front of the building was nearly empty except for a few box-trucks stationed to the left side of the building where a loading dock was visible. Ellen grabbed her purse and marched into the front door. A tiny overhead bell announced her arrival as she approached the front counter. A heavy set woman smoking a cigarette was seated at a desk overflowing with folders while a thin, balding fellow commanded another desk on the other side of the room. Behind them was an open door through which the sounds of animals could be heard making a continuous ruckus.
As Ellen reached the counter, the odor of living creatures assailed her. Oh yes, this was indeed the pound.
âCan I help you, madam?â the middle-aged clerk with the hairless skull asked rising to his feet while scrutinizing her. Their enterprise did not regularly entertain well-dressed ladies like the stunning blonde before him. She had to be lost and looking for directions.
âYes,â she put the thousand dollars Constance Miller had given her on the table. âIâd like to make a donation and buy a cat.â
âI see.â The man looked neither happy nor sad. Ellen had a feeling the bored expression on his face was frozen. âWe have dozens of cats available and waiting for a good home. Would you like to step out back with me and see them?â He raised the end of the counter to allow her passage.
Ellen Patrick wrinkled her nose, imagining what awaited her. âI suppose I donât have choice, do I?â
The bored clerk blinked, confused. âExcuse me?â
âOh, nothing.â She was resigned to her fate. âLead the way.â
******
Reginald Hanna held the cup of hot tea in his left hand as he flicked on the lights in his den shortly after eight p.m. Comfortable in slippers, lounge pants, and a woolen housecoat, the fifty year old widower set about his normal evening routine. Once the dinner dishes were cleaned and put away, he would retire to the den where he would sit in his overstuffed chair, drink tea, and listen to the radio. A station in Los Angeles played classical music throughout the night and it was his favorite. Hanna turned on the big mahogany set located near the curtains that covered the French windows. Beyond them, in the moonless night, the backyard extended to the woods beyond. He adjusted the knob until the music came through the speakers loud and clear. He immediately smiled as he recognized a Tchaikovsky melody. The romantic Russian was one of his favorites.
As he made himself comfortable in the green colored chair, his longhaired Siberian cat, Alexander, stretched out lazily on the matching sofa to his left. The animal eyed the glare of the reading lamp as if to indicate its annoyance with the interruption. Alexander, like his master, also lived by a daily routine. One that included a brief nap after dinner. Hanna was amused by the animalâs uppity, annoyed look every single time he entered the darkened room and turned on the light.
âOh, please,â he said warmly. âDonât give me that look. Youâve been sleeping for almost thirty minutes. Besides, I do believe you are putting on weight, old boy.â
The catâs oval yellow eyes studied him as if it could comprehend his words. It proceeded to start licking its paws nonchalantly, letting him know what he said was inconsequential.
Hanna chuckled, took a sip of tea, and sat back in his comfy chair.
âExcuse me,â a feminine voice uttered from the shadows by the curtains. âPlease do not be alarmed.â
Despite the admonishing, the small accountant sat up straight, his tea, music, and everything else forgotten as he watched a slender silhouette materialize from the dark before him. It was a woman draped in a skin-tight gown of white, a long slit to either side permitting her long and elegant legs to move freely as she stepped forth. Hanna pushed his glasses back up his nose as the light played over his visitorâs curvaceous figure. Bare arms, a very bold dÃcolletage revealing lots of exposed pink bosom, a long neck, yellow hair that ended in curls, and a black mask surrounding two eyes that seemed to sparkle. Over her shoulders the intruder wore a black cape and in her right hand was an automatic pointed at Hanna.
âWho are you?â he finally managed to find his voice, even though it was a pitch higher than normal.
âI am the Domino Lady.â Her voice was husky.
âThe Domino Lady? Iâve heard of you. Have you come to rob me?â
âActually, Mr. Hanna, Iâve come to stop someone else from robbing you.â
As she was making no overt signs to harm him, Reginald Hanna rose out of his chair and stood to face her. âI donât understand. Who is going to rob me?â
The Domino Lady smiled and then turned back to the velvet curtains from which she had appeared. âIf youâll just give me a few minutes, I can explain everything.â
Hanna stood silently watching as the mysterious woman, whose reputation he had read about in the newspapers, set about retrieving something from off the floor. When she straightened, she appeared to be holding a wire cage. As she once again stepped into the glow of his reading lamp, he received another surprise.
In the cage was a cat; a long-haired Siberian cat exactly like Alexander. Hannaâs eyes doubled. âOh, my!â
For a cat fancier like Reginald Hanna, the vision before him was breathtaking. Not only was the notorious female criminal sexually alluring as her reputation claimed, but now she was holding a cat just as lovely as his precious Alexander. He felt his heart begin to race.
*****
âHey, donât push!â Fast Eddie Geller said just above a whisper as a branch slapped across his face and knocked off his fedora.
âSorry,â Jack Ochra apologized in the same hushed tone. âI canât see out here and my foot hit a root or something.â
âWell, try to be a little more careful, will ya,â Eddie warned as he found his hat on the ground by feeling around with his hands. It was pitch black in the woods bordering Hannaâs property at midnight.
âSo why couldnât we bring along a flashlight?â Ochra inquired, clearly upset with their progress into the thick tangle of brush.
âBecause we are still in a residential area, you moron! How soon do you think it would take one of Hannaâs neighbors to look out their back windows, see a light moving around out here and then grab a phone to buzz the coppers? We might as well light a bonfire while weâre at it.â
âAlright, alright. You donât have to get mad. But damn it, how close are we? Weâve been traipsing through this stuff for almost ten minutes now.â
Eddie Geller adjusted his wide-brim hat and peered into the gloom ahead. Through the trees he could see moonlight outlining Hannaâs bungalow. A few clouds every now and then hid the bright orb in the sky, but not enough to hamper its ample light. It was one of the reasons Eddie had opted to not use flashlights.
âItâs just up ahead. I can see it now. Come on, and keep quiet. There donât seem to be any lights on in the place, but letâs not get stupid, either.â
Moving forward, he thought about the simple plan they had agreed upon. They would gain entry via the back door. Once inside they would find the cat and then skedaddle. Hanna would never know what hit him until he woke up the next morning and found his precious kitty was gone. It would all go according to the bossâ orders. Piece of cake.
They were coming out of the tree line when Geller thought he saw a movement by the French windows. Cautiously he pulled out his .45 automatic from his shoulder rig and waved to Ochra to stop. The other man looked at him questioningly. A cloud drifted overhead and the moon bathed the entire back of the house so that they could see someone exiting stealthily. As they continued to approach, Geller couldnât believe his eyes or his good luck.
Coming out of selectman Hannaâs house, carrying a pet cage in her hands, was none other then their nemesis from the previous evening, the Domino Lady!
He waited for her to turn around and then raised his pistol at her and said, âHold it right there, sister!â
The Domino Lady froze, even her mask unable to disguise her surprise at confronting Eddie and Jack.
âItâs that dame from last night!â Ochra gasped, finally catching on. Eddie wondered at times why he even hung around with the guy.
âGood evening, gentlemen,â the Domino Lady greeted with a sigh. âSeems we find ourselves in a very familiar situation once again.â
âOh yeah,â Eddie agreed. âBut now the tables are turned, sweetheart. And weâre holding all the aces.â
âGeez, Eddie, sheâs got the cat!â
âNo fooling, Jack. Why do you think that is?â
For a second the big man pulled at his thick mustache, his mind trying to solve the riddle before him. âHey! I get it! Sheâs trying to muscle in on our racket!â
âGive the man a cigar,â Domino Lady said confirming the conclusion Eddie had reached immediately upon seeing her with the cat. âSo, what now?â
âWell, lady, as much as Iâd love to smack you around a little for what you did to us last night, this ainât the time or place for that.â
âYou would actually hit a poor defenseless woman like me?â Ellenâs voice dripped with honey as she brought her empty hand up to her long, elegant neck and slowly traced it down to the swell of her bosom. âI find that hard to believe.â
Jack Ochraâs eyes were glued to her breasts and he gulped loudly, his thoughts becoming jumbled in his head.
âJack, what are you doing? Get the damn cat and hurry it up.â Geller realized their talking might awaken Hanna, or one of the other neighbors.
Ochra went to the masked avenger and gently took the cage out of her hands. His palms were sweating as he continued to stare at her cleavage. When he returned to Gellerâs side, Fast Eddie tipped the brim of his fedora with his .45, smiled and the two of them vanished into the woods.
The Domino Lady watched them depart, folded her arms over her chest, and silently counted to ten. Then she went back to the French windows, slid them open, and reentered the house.
Reginald Hanna was standing inside the door holding his precious Alexander clearly shaken by what he had just witnessed. âYou were telling the truth,â he said. âAll of it. Those awful, awful men would have taken my Alexander.â
âIndeed, Mr. Hanna. Remember, Topper Carson does not want you to make that meeting tomorrow night.â
âThat monster! Iâve always felt there was something detestable about that man. But I never imagined he was a criminal!â
âWell, now you know. You remember what I told you to do when the ransom call comes tomorrow morning?â
Hanna was petting Alexanderâs furry head as he nodded. âOf course. Iâm to call the police and ask for a Detective Bishop. Iâm to tell him everything that has transpired here this evening and the location for the ransom pay off.â
âPerfect.â Light filtering the plate glass frosted her cold smile. âAnd tomorrow night?â
âOh, I will do exactly as you want, miss. Topper Carson is about to get the most unpleasant surprise of his life. You can count on me.â
The Domino Lady laughed, assured Reginald Hanna would do his part. For the first time in her life, Ellen Patrick was actually looking forward to a town meeting.
ã
Chapter Six
It was a warm night as the public made its way into the main hall of the Beverly Hills Municipal Building. The mayor and the selectmen climbed the three steps to the stage area where three tables have been set in an inverse U shape facing the hall. Windows had been opened to either side of the cavernous room to allow a cooling breeze from outdoors to waft through and disperse the cigarette and cigar smoke quickly accumulating. Folding chairs set in two neat rows could accommodate up to three hundred. This night they would deal with less than a hundred. Selectmen meetings were not the most entertaining of venues for the good people of Beverly Hills.
Several radio technicians were adjusting fat, clunky microphones in front of the three tables so that the elected officials, when they did begin speaking, could be heard throughout the chamber.
Most of the mingling crowd was made up of politicians, newspaper and radio reporters, accompanying photographers, and assorted concerned citizens with vested interests in one or more agendas to be discussed during the course of the meeting.
Ellen Patrick entered through the main lobby and instantly the chattering of the multitudes was silenced as all eyes turned in her direction. She was stunning in a pearl-white, conservatively cut dress that hugged her figure. Adding dramatic effect, her accessories were black, from her high heel pumps, to her gloves and a tiny leather belt with a moon-shaped silver buckle. Over her flowing, golden tresses she wore a tiny black hat with a gossamer veil that fell over her eyes and nose. Her purse was black with silver clasps and about her pink neck was a necklace of flawless silver pearls.
Maxwell Campion pushed his way through a group of fellow reporters to reach her. âGod, Ellen, I think you could stop a freight train, if you tried.â
She lifted the vale off her eyes and smiled. âThat is the general idea, lover.â
âYou look absolutely divine.â
âThank you.â
âCome, let me introduce you to some of my colleagues.â
âAlright. But first point out Topper Carson to me.â
As they walked up the aisle, Campionâs head tried to peer over and around people in front of them. Ellen, well aware of her effect on the men around her, proffered her most winning smile on them and the path before her opened like a female Moses parting the Red Sea.
âAh, thatâs him over there, in the front,â Campion pointed.
Ellen followed his gesture and saw a tall, hatless, robust man talking with several others. At his elbow was a small, bald man with glasses, clearly a secretary. She was reminded of the distinguished actor, John Barrymore as Topper Carson was a handsome man, with a chiseled profile. She guessed his age in his late forties, his wavy black hair graying stylishly along his temples. Unlike the actor, Carson was a big man, with an imposing physique that hinted at a very well-toned and muscular body. He wore an expensive, three-piece suit that could only be custom tailored. Everything about the man exuded raw power and wealth.
As if sensing he was being observed, Carson looked up and their eyes met. Like every other red-blooded man there, he too was immediately taken by her good looks. But there was something more behind his admiring glance, an air of confidence that asserted itself and was delivered to her by a very snake-like smile. This was a man use to getting what he desired. Ellen turned away, her emotions now heightened by the face off.
So this is the enemy, she thought as her friend brought her to the opposite side of the room and began showing her off to his pals. Carson Topper was no one to toy with recklessly. Ellen wondered what his reaction would be when the Domino Ladyâs scheme played itself out. The Beverly Hills selectmenâs meeting was about to become anything but routine., she thought as her friend brought her to the opposite side of the room and began showing her off to his pals. Carson Topper was no one to toy with recklessly. Ellen wondered what his reaction would be when the Domino Ladyâs scheme played itself out. The Beverly Hills selectmenâs meeting was about to become anything but routine.
A rap of the gavel signaled the proceedings were about to commence and Max ushered her to a seat in the second row to the left of the aisle, behind the photographers.
âIf you would all take your seats,â Mayor Roy Underwood requested, rapping the gavel one more time. âItâs time to get this session started.â
âHey, guys,â one of the photographers said, placing a new flash bulb in his camera. âNotice whoâs missing up there?â
Campion leaned over and replied, âUh-huh. Hannaâs not here. Now what the hell is that all about?â
When he leaned back in his chair, he saw Ellen doing a Mona Lisa impersonation as she crossed her shapely legs. âDo you know anything about this?â
âJust wait and see, lover boy. And keep your pencil sharpened.â
Following Robertâs standard Rules of Procedure, the Mayor started the meeting with a roll call and everyone was made aware of Mr. Reginald Hannaâs absence. Ellen glanced at Topper Carson and he was seated with his arms folded confidently over his chest, enjoying the moment with obvious relish.
Next came the reading of the minutes from the last meeting. Finally, with all past agendas concluded, the Mayor opened the floor to new matters. A fat little man raised his hand and said in a squeaky voice, âI propose this council reconsider the matter of the Carson proposal for land management in the northwest sector of the city.â
âHere we go,â Campion whispered, starting to jot down notes. Ellen intertwined her gloved fingers on her knee and waited. Somewhere else, she knew another related scenario was being played out. If Reginald Hanna had done his part, it would make for some exciting reading in Campionâs morning edition.
*****
Fast Eddie Geller had been chain smoking for the past half hour. Sitting on a stack of old tires in the Linden Street Junk Emporium, he fired up a new cigarette with the dying butt of another.
âWhatâs got you so rattled?â Jack Ochra asked as he sat on a cast off couch with half the padding gone holding the wire cage with Reginald Hannaâs pet feline. The repository of broken and discarded paraphernalia was located three miles from the Sunoco garage where the two had made all their previous transfers. After the mess with the Domino Lady two nights ago, they had decided to move somewhere else. Just to be on the safe side.
The junk yard was on a corner lot and surrounded by a six-foot stockade fence. There were two entrances; Linden Street running north or behind them and another that opened on to Sycamore. The small shack where the manager worked was locked up and dark and the only light, other than the waning moon above, was from the street lamp behind the fence.
Geller held up his wrist to see the dial on his watch. âItâs already quarter past seven! We told him to be here at seven!â
âSo, maybe heâs having a hard time finding the place.â
âI gave him simple enough directions. There ainât no reason whyâ¦â
A car engine was heard coming down the street. Both men rose to their feet just as the front head beams lit up the yard. The car appeared and drove through the open gates to stop a few yards from where they had parked their Buick. Watching it approach, Geller tossed his just-lit smoke into the air.
The driver switched off his lights and shut off his motor. Ochra came to stand next to Eddie. The lights from the car had blinded them momentarily and now they were both blinking to make out the driver.
âYou can get out of the car, Mr. Hanna,â Geller called out. âNice and slow.â
The door opened and a man emerged. He was wearing an overcoat and a black fedora that was pulled down low. âIâve got the money,â a timid voice said. âPlease, show me my cat.â
âItâs right here,â Geller called back. âHold it up, Jack, so he can see it.â
The squeamish figure approached them slowly as Ochra lifted the cage to shoulder height. âHere she is. All safe and comfy.â
âOh, thank God.â The figure straightened up and pushed his hat back. He was a good six feet tall. Geller remembered the boss telling him Hanna was a little guy. This fellow had something in his right hand and now it was sparkling like a⦠badge!
âPolice, boys. You two are under arrest,â Detective Barney Bishop said, his timid voice gone. âDonât make this any harder than it has to be.â
âLike hell, copper!â Geller started reaching into his jacket for his rod. âNo way Iâm going back to the slammer!â
Bishop mentally cursed and went for his own .38 Special holstered at his hip. âStop!â The last thing he wanted was a shoot-out over a kidnapped cat. Sgt. Clancy and three uniformed men were on the other side of the fence waiting for his call. Watching Geller go for his gun, he wondered if they would be in time.
All the while Fast Eddie was trying to live up to his name, Jack Ochra had made up his own mind to fight back and simply dropped the cage heâd been holding. Unfortunately he didnât realize he let it go over his own feet.
Geller had his automatic clear and was starting to fire at the same time the metal cage hit Ochraâs left foot causing him to jump in pain. The cage burst apart in several pieces.
Bishop dropped to a crouch and squeezed off a round. Both his gun and Gellerâs fired in unison. Gellerâs bullet missed the cop by a country mile. Bishopâs shot took the gangster in the right leg and he went down.
Meanwhile Ochra, dancing on one leg, had his big .45 Colt revolver free and was lining up on the young detective. He was a deadly marksman who rarely missed. Suddenly the big yellow cat, very upset at having been unceremoniously dropped to the ground, came out of the broken cage and went up his right leg as if it were an elm tree, claws digging.
Ochra gave out with a scream, dropped his weapon and tried to grab the angry feline, now on his hip and still moving up. âYeahhh! Get her off me!â
Sgt. Clancy and his men came running onto the scene, guns drawn just as the cat leaped off the yelling crook. He started to bend down to retrieve his gun when Clancy raced over and put his foot on it. âDonât be getting stupid, boyo. The jig is up now!â Ochra straightened up and put his empty hands into the air.
On the ground beside them, Eddie Geller was clutching his bleeding leg and groaning. âSomebody help me. Iâm bleeding to death!â
âRelax,â Bishop said reaching down to pick up Gellerâs automatic. âSergeant, have one of your men radio for an ambulance. We wouldnât want to lose a suspect before he can have his day in court.â
âNo, sir. That would be a crime indeed.â
As the burly veteran passed along the order to one of the younger men, Bishop began peeling off the topcoat heâd worn to disguise his appearance. He felt something bump up against his leg. It was the tabby and she was purring. He scooped her up in his arms and rubbed her head affectionately.
âYouâre a brave one, arenât you,â he said. âTaking on a gun-wielding thug like that. I think you might have saved my life.â The yellow cat looked at him and purred again.
âI hate cats,â Jack Ochra declared as Clancy put the cuffs on him.
******
Mayor Underwood took a small sip of water and cleared his throat. âOur next item of agenda is a vote on Proposition Six to determine whether or not to allow commercial development of city property listed as Lots 125 through 327 on the city map.â
The hall became quiet as everyone present realized the significance of the vote about to take place.
âThis is it,â Max Campion whispered to Ellen Patrick. âLook at Carson, heâs all but preening like a hen house rooster.â
The Mayor turned to his right and addressed the white haired selectmen seated at that end of the table. The elderly politician glanced at the assembly and then leaned closer to the microphone. âI vote yes.â
Thus the voting proceeded along the row of officials and when it came to the last selectmen, the vote was four in favor and four opposed. The last man was a shifty looking fellow with a pinched nose and a very bad toupee.
âThatâs Claremont,â Campion informed Ellen. âHeâs the one we think sold out to Carson. Last time he voted against.â
âWell,â the Mayor spoke up. âWhat is your vote, Selectmen Claremont?â
âYour honor, I vote⦠yes.â
Immediately press shutter-bugs jumped up and started snapping pictures, while a buzz of voices rippled through the crowd.
Underwood rapped his gavel hard. âPlease, please. Letâs have order here. Would the members of the press please back off until we have finished with the matter at hand. Gentlemen, please!â
Having taking the pictures they wanted, the photographers returned to their chairs and Underwood put down his gavel.
âVery well, the vote stands five for and four against.â
Just then the main door opened in the back of the hall and a voice called, âMr. Mayor, a moment please!â
Everyone in the room turned in surprise. Jogging up the center aisle, looking genuinely frazzled, was Reginald Hannah, right on cue. When the reporters recognized who it was, once again the cameras were popping flashes like machine guns.
Unlike those around her, Ellen was looking at Topper Carson for thatâs where the pay off lay. And it was a humdinger. The manâs face couldnât disguise the shock at the sight of Hanna and then it was replaced with one of unadulterated anger, his cheeks brightening to a tomato red in seconds. Ellen thought if it were possible, steam might have come belching from his nostrils, so maddened was the mighty Topper Carson. It did her heart good.
âMr. Mayor, I apologize for my tardiness,â Hanna continued as he bounded up the stairs to the tables and went to his empty chair to Underwoodâs immediate left. âAn emergency of a personal nature came up at the last minute and I simply could not get away until now.â It was all a sham. Following the Domino Ladyâs instructions, he had been hiding in the lobby waiting for the right moment to make his appearance.
He sat down and nodded to his fellow selectmen. âAm I in time for the vote?â
âAh⦠yes, of course,â Mayor Underwood said. âWhat is your vote?â
Hanna looked down at Topper Carson to be sure the man was watching, then with a very broad smile on his face, he replied, âI vote⦠no!â
And once again the photographers were ignoring the mayorâs injunctions as they rose up and started shooting more photos. This time they had two targets, Hanna and a very volatile Topper Carson. Several journalists, Campion among them, were bombarding the defeated entrepreneur with questions so that even the mayorâs renewed calls for order went unheeded.
In resignation, Mayor Roy Underwood rapped the gavel and said to his fellow selectmen, âThe vote is a tie, five for and five against. Per our city ordinances, the proposition is considered null and void. There will be no further discussions on this until the allotted time dictated by said ordinances. Now, moving on to our next item on theâ¦â
Meanwhile Topper Carson had gotten to his feet and was making a hasty retreat, his assistant chasing after him at the same time trying to put off the reporters.
âLeave me alone,â Carson blurted out. âI have nothing to say!â
Ellen, still at her seat, watched him go and smiled knowing there was one final surprise for the rankled Mr. Carson.
Once outside the building, Carson and his man hurried to a parked sedan and started to get in when the aide spotted something affixed to the windshield. He stopped and reached for it.
âWhatâs that?â growled Topper Carson, in no mood for any further annoyances this night. He was mentally envisioning what he was going to do with Geller and Ochra once he got his hands on them.
âIt seems to be a⦠black envelope,â the assistant answered, leaning over the hood of the car to hand it over.
Carson took the odd-colored stationary and quickly it opened to find a single sheet of black paper inside. On it, in white ink, was a feminine script addressed to him;
Topper Carson,
Tonight was only the beginning.
Compliments of the Domino Lady
Topper Carson crumbled the note in his hands as a new rage boiled within him. Even in the gloom of the night, his assistant shivered when he saw Carsonâs eyes. There was murder in those eyes.
FOR IMMEDIATE RELEASE-
12/27/10, Lockport Illinois-
FINAL DAYS FOR YOUR CHANCE TO BE DRAWN INTO….
Moonstone Entertainment, Inc., Runemaster Studios, Inc.,ÃÂÃÂÃÂÃÂ and Captain Action Enterprises, LLC, theÃÂÃÂÃÂÃÂ forces behind the upcoming comic series SAVAGE BEAUTY,ÃÂÃÂÃÂÃÂ remind all comic fans that the opportunity to enter theÃÂÃÂÃÂÃÂ Get Savage with the Beauties sweepstakes ends at Midnight, December 31st, 2010!!
Moonstone and the creators of SAVAGE BEAUTY,ÃÂÃÂÃÂÃÂ in an effort toÃÂÃÂÃÂÃÂ take this comic’sÃÂÃÂÃÂÃÂ strong connection to reality one step farther, are offering those who pre-order SAVAGE BEAUTY’s debut issue a chance at winning a jungle full of prizes!
ÃÂÃÂÃÂÃÂ Anyone that pre-orders a copy of SAVAGE BEAUTY #1 ÃÂÃÂÃÂÃÂ withÃÂÃÂÃÂÃÂ their local comic shop, favorite online retailer, or through the Moonstone online store is eligibleÃÂÃÂÃÂÃÂ to receive one entry into the “Get Savage with the Beauties” sweepstakes!
ÃÂÃÂÃÂÃÂ The Grand Prize winner will be drawn into Savage Beauty #3 and will receive signed copies of SAVAGE BEAUTY #1ÃÂÃÂÃÂÃÂ as well asÃÂÃÂÃÂÃÂ a signed and numbered SAVAGE BEAUTY print,ÃÂÃÂÃÂÃÂ autographed by writer and co-creator MikeÃÂÃÂÃÂÃÂ Bullock. Ten second prize winners will receive signed copies of Savage Beauty #1 and a Savage Beauty signed/numbered print, both autographed by co-creator/writer Mike Bullock.
To be eligible, entries must be either emailed toÃÂÃÂÃÂÃÂ moonstonepr@ymail.com or posted on the Savage Beauty Facebook page no later than December 31st, 2010ÃÂÃÂÃÂÃÂ at Midnight.ÃÂÃÂÃÂÃÂ Entries must include entrants name, addressÃÂÃÂÃÂÃÂ as well as the name, address, and phone number of theÃÂÃÂÃÂÃÂ comic retailer theÃÂÃÂÃÂÃÂ copyÃÂÃÂÃÂÃÂ of SAVAGE BEAUTY #1 was ordered through. One entry per pre-order, so anyone who wants to enter multiple times need only pre-order multiple copies.
Get Savage with the Beauties is open to everyone who meets the requirement of preordering the debut issue.ÃÂÃÂÃÂÃÂ Winners will be selected randomly.ÃÂÃÂÃÂÃÂ The grand prize winner must provide MoonstoneÃÂÃÂÃÂÃÂ with a high quality photograph to use for reference andÃÂÃÂÃÂÃÂ give Moonstone permission to use their likeness in the comic,ÃÂÃÂÃÂÃÂ but retaining noÃÂÃÂÃÂÃÂ legal rights to the imageÃÂÃÂÃÂÃÂ or book.
SAVAGE BEAUTY #1
Story: Mike Bullock
Art: Jose Massaroli
Colors:Bob Pedroza
AVAILABLE FROM MOONSTONE 2/2011
Place your order at http://moonstonebooks.com/shop/category.aspx?catid=122
Pre-Order form for SAVAGE BEAUTY #1 that can be completed and taken to local comic retailers
What do you get when you take one of those live action and cartoon hybrids and take out all the live action? You get Tron: Uprising.
Hot on the heels of the mild success of Tron: Legacy, screenwriters Adam Horowitz and Eddie Kitsis told Box Office Magazine they’ve written a ten-part animated miniseries for television, and they’ve got franchise star Bruce Boxleitner to lend his voice.
They’ve also secured the services of Elijah Wood, Linda Moore, Lance Henriksen, and good ol’ Pee-Wee Herman himself, Paul Reubens.
The miniseries will be set between the two movies, which should be no problem as there was a 28-year gap between the releases. Lots of little details that, sadly, niggled few if anyone, will be revealed.
Why do I get a Clone Wars vibe off of this?
While no broadcast or cable network has been announced, one assumes it will be carried by one of Disney’s many channels (ABC, ABC Family, Disney, ToonDisney; probably not ESPN El Ocho) or, if it really sucks, go direct to the Internets.
FOR IMMEDIATE RELEASE-
12/27/10, Lockport Illinois-
PULPS’ GREATEST HEROES “BATTLE FOR L.A.” IN GRAPHIC NOVEL FROM MOONSTONE!!!
Before horn-head, before the crusader with a cape, before the guy who wears a skull on his chest, before the crawler of walls, there was…THE ORIGINALS!
Moonstone Entertainment, Inc, known for breathing new life into classic characters does it once again with RETURN OF THE ORIGINALS: BATTLE FOR L.A.! This graphic novel, story by CJ Henderson and art by Mark Sparacio, relates a story based on a true historical event that has been classified…until now! A tale that brought the greatest heroes of the Pulp era together in a high action, fast paced attempt to save Los Angeles and the very world.
In Feb, 1945, an object (or objects) appeared in the night sky above Los Angeles. The US anti-aircraft artillery opened fire, and over 1000 shells were fired at this object(s), but to no avail, nothing was brought down.
What this object was remains a mystery…until now! Moonstone has unearthed the classified governmentt documents that show the real truth! Documents that reveal just what occurred over LA in 1945 and chronicles the exploits of the heroes that teamed up to eliminate this threat!
RETURN OF THE ORIGINALS: BATTLE FOR LA Graphic Novel
Story: CJ Henderson, Art: Mark Sparacio
SC, 90pgs, b/w, 7” x 10”, squarebound, $9.95(AVAILABLE NOW)
http://moonstonebooks.com/shop/item.aspx?itemid=759
or order today from your local comic shop!
Deluxe HC: 100pgs, COLOR, $33.95 (COMING SOON)
**The DELUXE HC, is in COLOR and also includes a bonus story of how The SPIDER got involved in this battle!
Moonstone Entertainment, Inc. publishes comics and illustrated fiction designed to “awaken your sense of adventure”, featuring classic and new heroes in thrilling tales of adventure, mystery, and horror. For more than a decade, Moonstone Entertainment, Inc. has created fine and distinct comic books, Graphic Novels and prose…books that are meant to be read. Awaken your sense of adventure at http://www.moonstonebooks.com/
We have a picture here:
Also known as
Bear with us while we dig out here. If you don’t see us in a few hours, send huskies. And we don’t mean UConn basketball teams.
The original [[[Wall Street]]] was a reflection of the times, showing how enticing working in the financial sector can be and how the huge sums of money involved can blind people to depths they will sink to chase it. It was a story about seduction and about family. That it came out when the markets were in the headlines gave it additional strength coupled with Michael Dogulas’ winning performance as Gordon Gecko. His “Greed is Good” was the most overused catchphrase in America until “Show me the Money.”
The sequel was almost demanded by the public because they needed some way to better grasp the enormity of the financial market meltdown that began in 2008. Director Oliver Stone was only too happy to respond. Revisiting the former lion of Wall Street in a new era would have made for a fascinating character portrait.
Unfortunately, the sequel, [[[Wall Street: Money Never Sleeps]]], doesn’t know what it wants to be. In some ways, its a repeat of the original as Gordon Gecko once more seduces a hungry, nave trader, this time played by Shia LeBeouf. In other ways, its a story of second chances as Gecko watches the situation that he prophecised and hungers to get back in the game and the choices he makes to accomplish the goal. It’s also a semi-documentary, retelling the Goldman Sachs story, but the message is clouded over with all the other storylines, notably Susan Sarandon as Shia’s mom, a nurse turned real estate speculator who is in over her head. While it reflects a true issue of the times, it doesn’t add anything and actually detracts from the core storyline.
The movie is packed with characters and events and threads but the film doesn’t mesmerize as the first did. Instead, it plods along and feels overlong, making one thankful for the scenes Stone did delete. Screenwriters Alan Loeb and Stephen Schiff needed to decide who to focus on and what was important rather than give us too much. Was it a story of family? Redemption? Second chances? Revenge? We got some of all those themes without feeling it was really about any of them.
Douglas is a welcome treat any time on the screen and he makes Gecko a far more sympathetic figure showing that eight years in prison really did change him. His efforts to reconnect with his daughter Winnie are strong. Played by Carey Mulligan, Winnie is also strong but can’t see that she has fallen for Jake (LaBeouf), too closely resembling her father. Emotionally hardened, Mulligan lets the shell crack bit by bit out of love for Jake and eventually her father. But she remains fiercely independent throughout but needed to have more of a point of view, rather than drift through the story. Josh Brolin is the real bad guy this time and he does a fine job, giving us someone to hiss and pin our personal economic misery on.
Overall, the story needed to be tighter and it needed to avoid repeating threads from the first film. Still, the Blu-ray, now out from 20th Century Home Entertainment, makes for an entertaining way of spending a cold winter’s night.
The blu-ray comes with a variety of extras that you won’t find on the standard DVD. As usual, Oliver Stone provides a fact-filled commentary track that is informative and enjoyable. Stone also conducts a roundtable chat with his cast so hearing the actors hold forth on the complexities of finance seems unnecessary. More fascinating is the 50 minute “Money, Money, Money: The Rise and Fall of Wall Street” feature that is a solid documentary on how the film reflects what really happened and touches on how business and Hollywood intersect. The Fox Movie Channel offers up five mini featurettes that can be skipped. As mentioned earlier, there are 15 deleted/extended scenes, none of which are missed from the final cut. Stone’s commentary here, though, nicely explains his choices.
Overall, the movie helps crystallize the issues we’re still grappling with and is better than one had feared but it still should have been better. The disc’s extras help provide valuable information but you really need to be a serious fan of the material to own this.