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A PULP EXTRA FROM SARGE PORTERA!!
Known for his interesting ‘pulp’ voice, his merging of pulpy worlds with our own, and his overall enthusiasm for all things Pulp, ALL PULP’s own Sarge Portera has little special thoughts and lists and other such miscellany that he finds from time to time…and shares with ALL PULP..so now we will share it with you…A PULP EXTRA FROM SARGE PORTERA!
PAPERBACK & PULP GENRES
I am always amazed & astonished by the sheer number of literary genres that paperbacks & pulps encompass! The following list is far from exhaustive. I’m, also, well aware that some genres & subgenres below may overlap each other. Hopefully, at best, it will give any pulp fan a general idea of the vast variety of fiction themes that are out there.
  1. Action Adventure
  2. Airport
  3. Arabesque
  4. Aviation
  5. Campus Life (School Life or MilitaryAcademy)
  6. Character Pulps (Both heroes & villains)
  7. Circus
  8. Combat (Military)
  9. Crime
  10. Fantasy
  11. Gothic Horror
  12. Gothic Romance
  13. Hard-boiled Detective
  14. Historical
  15. Hollywood
  16. Intrigue (Spy Fi)
  17. Jungle
  18. Mystery
  19. Northern
  20. Occult Detective
  21. Orient
  22. Parody
  23. Pirate
  24. Prison
  25. Railroad
  26. Regency (Ruritanian, too)
  27. Romance
  28. Science Fiction
  29. Seafaring
  30. Shaver Mystery
  31. Shipwreck
  32. SouthSea Adventure Romance
  33. Space Opera
  34. Sports
  35. Sword & Planet
  36. Sword & Sorcery
  37. Thriller
  38. Time Travel
  39. Urban
  40. Western
Many of the GenreIslands south of the supercontinent of Techzotica are in need of Governor Generals. Please contact Sarge Portera @ fb if you’re interested!

ALL PULP NEWSSTAND BULLDOG EDITION!!

ALL PULP NEWSSTAND

BULLDOG EDITION
12/4/10

ARTISTS ANNOUNCED FOR FUTURE PRO SE COLLECTION
Lazarus Gray in progress
by Anthony Castrillo
Pro Se Productions and ‘Lazarus Gray’ creator Barry Reese announced the art team for the LAZARUS GRAY collection of stories, to be produced by Pro Se in collected form in 2011 after four-to six Gray stories appear in PRO SE PRESENTS magazines.
According to Reese, Anthony Castrillo, whose past credits include DC’s ‘Flash’ and Valiant’s ‘Timewalker’, will handle the cover chores for the as of yet unnamed Gray collection.  Interior art will be handled by Mark Propst, whose past work has been on the classic independent title ‘Southern Knights’ and Marvel’s ‘Spider Man.’
“The stories,” Tommy Hancock, EIC of Pro Se Productions said, “are already an awesome part of the Sovereign City mythos Pro Se is building.  To add the work of these two great artists to it is fantastic. We are very much looking forward to putting this great work together.”

GHOSTLY CHILLS BOOKSTORE-BOOKS ON SALE FOR $1.25

Ghostly Chills Bookstore, an online outlet for horror and weird tale stories, announces that its already affordable lineup now includes books of all horror types for as low as $1.25! From the site-

GhostlyChillsBookStore.com sells customized horror books published by Olin Sain, Brand Name Writer’s, Adaptations, New Arrivals and Contemporary. Find horror books written by Stephen King and Washington Irving or Adaptations from Halloween to Deranged.

At GhostlyChillsBookStore.com find the horror books that will chill the bones at night, during reads before bed.

This site was designed for the horror reader, tired of the of the same old lines. Horror books published by Olin Sain and Brand Name writer’s lines come-alive for the horror reader.

GhostlyChillsBookStore.com offers eight years of story telling developement for the 18 to 24 year old horror book market and has been in business for two years.
TITLES AVAILABLE FROM GHOSTLY CHILLS!
Original works – Published by Olin Sain are in new condition, supplied by Lulu.com, sample material from Olin Sain can be read at Google Book Search at Google.com. Or type into the seach box one of Olin Sain’s titles.

Brand Names – New to used condition, depending on supply, cost for most Brand Name horror books are $1.25. Hard-to-find and out-of-print Brand Name horror books cost more.

Adaptations – New to used condition horror books adapted to film, cost for horror books are $1.25, depending on supply from publisher.

New Arrivals – New, freshly printed horror books from Brand Name and Adaptations, published within a year of current date.

Contemporary – Published horror books in the last ten years. Horror books are in new to used condition paper backs, depending on the availability from the publisher.

Check out GHOSTLY CHILLS at http://horrorbookstore3.com/default.aspx

The Point Radio: Christmas On COMMUNITY


There’s no argument that NBC’s COMMUNITY isn’t your traditional comedy. So it is a surprise that when they do a Christmas Episode – it isn’t quite traditional? Series regular Danny Pudi explains the episode you’ll be talking about next week, plus a sneak peek at Free Comic Book Day 2011 and good news for the heirs to the Jack Kirby estate.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

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Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

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YET ANOTHER ONE OF THE SPECTACLED SEVEN REVEALS HIMSELF!

BOBBY  NASH-Writer, Columnist and member of ALL PULP’S SPECTACLED SEVEN!
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AP: Bobby, thanks for putting away your convention travelin’ shoes and visiting with ALL PULP today. Tell us first, just who is Bobby Nash?
BN: Bobby Nash is a mystery wrapped in an enigma with a candy coated outer shell, a man who travels from town to town sharing tall tales with anyone who will listen.  He–  Oh, you wanted a serious answer.  Well, in that case Bobby Nash is a writer of novels, comic books, novellas, short stories, graphic novels, and the occasional article, interview, column, and screenplay.
My official bio goes a little something like this:
From his secret lair in the wilds of Bethlehem, Georgia, Bobby Nash writes. A multitasker, Bobby’s certain that he does not suffer from ADD, but instead he… ooh, shiny. When he finally manages to put fingers to the keyboard, Bobby writes novels (Evil Ways, Fantastix), comic books (Fuzzy Bunnies From Hell, Demonslayer), short prose (A Fistful of Legends, Full Throttle Space Tales Vol. 2: Space Sirens), novellas (Lance Star: Sky Ranger, Ravenwood: Stepson of Mystery), graphic novels (Yin Yang, I Am Googol: The Great Invasion), and even a little pulp fiction (Domino Lady, Secret Agent X) just for good measure.  Despite what his brother says, Bobby is not addicted to buying DVD box sets and can quit anytime he wants to. You can check out Bobby’s work at http://bobby-nash-news.blogspot.com, www.bobbynash.com, www.facebook.com/bobbyenash, www.twitter.com/bobbynash, and www.lance-star.com, among other places across the web.
AP: You’re a writer. When did you start writing and how did you end up writing in the pulp field?
BN: I started out writing comic book stories that I could draw because I wanted to be a comic book artist. Eventually, I realized that I would never make a living drawing comics, but I was told my stories showed promise.  When I was in high school English class we used to get a list of words each week that we had to use in a sentence, but there was no challenge there so I asked the teacher if I could write a story and incorporate those words.  He said fine and off I went. To challenge myself further I started writer cliffhangers and would have to use next week’s works to help get my characters out of whatever jam I’d gotten them into this week.  I took these characters on grand adventures around the world.  It was a lot of fun.  One of the stories was published in a literary magazine so I guess that was my first pulp story.
Eventually I started writing comics for various publishers.  I was having a ball with it, but one day I decided to write a sci fi novel, so I did.  It needed a lot of work, but the story was told.  I guess I was doing NA NO RI MO before I even knew what that was.  Ha! Ha!  I decided to try it again and started on a story that would eventually become Evil Ways, which turned out to be my first published novel.
Cut to a couple years later at Dragon Con in Atlanta and I’m set up in artist alley next to Ron Fortier, who I knew as a comic book writer.  We talked writing a bit and he went home with a copy of Evil Ways, which he read and also reviewed on his Pulp Fiction Reviews site.  When Ron started up what would become known as Airship 27 he invited me along to work on the anthology that became Lance Star: Sky Ranger.  I had so much fun writing that one that I wrote Domino Lady, Secret Agent X, Ravenwood: Stepson of Mystery, and more Lance Star.  The rest, as they say, is history.
AP: Can you give us a quick overview of what you’ve written?
BN: Sure. Here’s a list of my published works.
Novels: Evil Ways and Fantastix: Code Red. 
Short story, novella, and anthology work: Lance Star: Sky Ranger Vol. 1 & Vol. 2 [Airship 27 Prod./Cornerstone Books], Startling Stories Magazine [Wild Cat Books], Sentinels Widescreen Special Edition [White Rocket Books], Full Throttle Space Tales Vol. 2: Space Sirens [Flying Pen Press], Sentinels: Alternate Visions [White Rocket Books], Domino Lady: Sex As A Weapon [Moonstone Books], Shadow One: Shades Of Gray [BEN Books], Real Magicalism [Daemon Press], and A Fistful of Legends [Express Westerns].
Comic books and graphic novels: Life In The Faster Lane, Fuzzy Bunnies From Hell [FYI Comics], Bubba The Redneck Werewolf [Brass Ball Comics], Demonslayer [Avatar Press], Threshold [Avatar Press], Doc Dresden: The Immortal [Odyssey Comics], Jungle Fantasy [Avatar Press], The Garden [Planetary Stories], Fantastix [FYI Comics], Yin Yang [Arcana Comics], and Lance Star: Sky Ranger [BEN Books].
AP: You’re closely associated with Lance Star, Sky Ranger. Who is Lance and what inspired you to create an aviator hero?
BN: Lance Star is a pulp-inspired aviator hero in the vein of G-8, Airboy, Captain Midnight, and Bill Barnes with just a little bit of Indiana Jones thrown in for good measure.  Along with his Sky Rangers, Lance Star is a globetrotting adventurer.  Whether they are fighting pirates off the coast of Hawaii, traveling to far off hidden mystical lands, running afoul of spies and saboteurs, or battling evil doers, the Sky Rangers are there.
Lance Star and the Sky Rangers were created as a group effort when the first anthology was being put together.  Since I took ownership of the copyright I tweaked a few things, but the Sky Rangers remains heroic pulp characters much as they were in their first adventure in 2006.
AP: Pulp is a genre that wanes and waxes in popularity. What do you think is the reason for the current increase in popularity of Pulp today and how can writers and artists of new Pulp, such as yourself, make sure that Pulp becomes even more well known than it is and doesn’t see a downturn?
BN: Like everything, pulp will have its high and low points of popularity, but these things are cyclical so they will eventually come back around. All pulp creators can do is tell the best darn stories they can. Readers will find good stories.
AP: What about Pulp appeals to you as a writer?
BN: Pulp stories appeal to me because they are simple, fun adventures.  I enjoy involved storytelling as much as the next guy, but sometimes I want a simple, fun, balls-to-the-wall adventure I can enjoy. I find pulp stories a joy to write.
AP: You’ve got a novel under your belt that might have some pulp overtones. What is EVIL WAYS about?
BN: Evil Ways is a mystery thriller novel.  It is planned as a first in a series featuring FBI Agent Harold Palmer.  I have already started a second novel titled Evil Intent.  My plan is to complete the novel in 2011 and shop it around to publishers.  The current publishing contract for Evil Ways ends in August of 2011 and I plan to (hopefully) rerelease it elsewhere as well.
Here’s the synopsis for Evil Ways:
A close call on the job sends FBI agent Harold Palmer on a non-voluntary vacation.  At his wife’s insistence, Harold travels from Washington DC to Sommersville, Georgia where his brother, former Atlanta Journal Constitution investigative journalist Franklin Palmer, owns and operates the local newspaper.  After a really intense story, Franklin called it quits and moved on to quieter surroundings, hoping to have put corruption and murder behind him.
Unfortunately, that kind of evil is not consigned only to major cities, as Franklin Palmer soon learns when another body is found inside Fort Greene State Park.  He sees the timely arrival of his federal agent brother as his means to solve the case.
Also looking to recruit the help of the FBI agent is Sommersville Sheriff Tom Myers, who openly admits that he is out of his depth on the case.  Multiple homicides are not something with which he has had much experience.
Reluctantly, Harold agrees to work with the two men to solve the case.
While the investigation proceeds, many visitors come home to Sommerville for the annual Autumn Festival as well as Sommersville High’s ten-year reunion.  The town is abuzz with excitement.
Until the next victim is found. 
As EVIL WAYS builds to its startling outcome, Harold, Franklin, and Sheriff Myers find themselves between a sadistic killer who feeds on the fear of his prey and the unsuspecting victims still on the killer’s hit list.
They should fear his evil ways.
One of the best reviews of Evil Ways said (paraphrasing) “Imagine if Die Hard’s John McClane found himself in a horror movie.” I love that and I use it all the time when telling people about the book.
AP: Writers often get into a story because of personal interests. What interests brought you to write EVIL WAYS?
BN: Not really. Evil Ways started out as a potential screenplay idea for a friend of mine who was wanting to shoot his first feature length movie.  I came up with a story that utilized locations I knew we had access to and wrote for the actors available.  When that didn’t happen I reworked and added to it for the novel.  At the time I was doing that I did go to my ten year high school reunion and that gave me the reason to have all of the characters coming back to town in the story.  My reunion wasn’t necessarily as exciting as the one in the novel, but at least we all survived it.  Ha! Ha!
The two main protagonists, Harold and Franklin Palmer are brothers.  I was talking a writing class at the time I wrote Evil Ways and I read some pages with the brothers and several of the others told me that they didn’t “feel” like brothers.  I worked at it, but something was missing.  Finally, I decided to give one of the brothers my personality and the other my brothers and then wrote how we interact.  Suddenly, people could tell they were brothers without me telling them.  I learned a lot about casting my characters that day.
AP: Your main character is a FBI agent pulled into this suspense thriller. Was there any inspiration for Harold Palmer or is this a case of the writer writing himself into the tale?
BN: I don’t recall any specific reason for making Harold an FBI agent other than I thought it would make for a nice dynamic between him and the local sheriff when they meet and find themselves working together to stop a killer.  As I mentioned before, the part of Harold that is “me” is his personality when it comes to interacting with his brother.  A secondary concern that came near the end of writing the novel was an idea for a second novel featuring Harold Palmer.  That caused me to add a few tweaks to his job with the FBI and also led to the opening chapter being added to set up book two.  The first thing you read in Evil Ways was actually the last thing I wrote for it.

AP: You have a background in comics as well, including the Lance Star ONE SHOT. What other comics have you worked on. Any you would consider pulp comics or at least having pulp influences or connections?
BN: Comics were my first love. I started reading them when I was a kid after discovering the 60’s Spider-man cartoon in syndication, but really got into them in my teenage years.  The first comics I remember owning came in a 3-pack.  Amazing Spider-man 192, 193, and 194.  I still have them to this day.  We moved when I was twelve and the first new friends I made at my new school were comic fans and they were also big into creating their own comics.  After that I was hooked.
I’ve bounced around with some local productions and even published a fanzine for a few years called Odyssey Magazine.  My first professional comic writing gig was on Marat Mychaels’ Demonslayer, published by Avatar Press. I also worked on Threshold and Jungle Fantasy for Avatar.  For 12 years I wrote and drew Life In The Faster Lane for Keeping Up With Kids Magazine, which was a lot of fun.  I also wrote Fuzzy Bunnies From Hell, Bubba The Redneck Werewolf (a back up story), Doc Dresden: The Immortal, Fantastix, Yin Yang, Lance Star: Sky Ranger, and The Garden (for Planetary Stories online magazine).  Coming up I have I Am Googol: The Great Invasion, more Lance star: Sky Ranger, and a few projects I can’t talk about quite yet.
AP: Expanding on the last question, many fans and creators agree that pulps gave birth to a lot of ideas we now see in comic books. Are pulps still a viable source of comic inspiration or are the two more or less influencing/encouraging one another now idea wise?
BN: Sure.  I think there are comic book characters that fit the definition of pulp.  I also think there are pulp characters that will translate well into comics.  I’m actually working on a comic book anthology featuring pulp characters and it was interesting to see these characters in that format.
AP: You are known for attending conventions seemingly year round. How many conventions did you attend this year?
BN: As of today, I have been a guest at 15 conventions this year.  This coming weekend I’ll be at the first Wizard World Atlanta Comic Con and there is a 1 day show in Charlotte, NC in December I may attend.  That would bring my total to 16 or 17 for the year.
AP: What is the draw for you to attend conventions? Is it more than just selling product?
BN: Absolutely.  I have a lot of fun at conventions whether they are money makers or not.  Obviously, I would prefer to cover my costs and bring a little extra home, but that doesn’t always happen.  Sometimes it does.  Not only are the cons a great ways to meet your fans and promote and sell your books, but it’s also a great place to meet new people and visit new places you’ve never been before.  Plus, it gets me out of the house.  I love ‘em.  I’d do more if I could afford it.
AP: What about the future? What do you have in the works that might appeal to the ALL PULP audience?
BN: There are plans for some upcoming pulpy stuff from me.  I recently turned in my story for Lance Star: Sky Ranger anthology vol. 3, which will be out sometime in 2011.  I’m about halfway on a lance Star: Sky Ranger novel titled “Cold Snap” for next year as well.  The Ravenwood: Stepson of Mystery anthology should be out in either December or January and features a story by me.  Other anthologies in the works are Secret Agent X, The Wraith, Mars McCoy: Space Ranger, and a few other surprises.  The aforementioned are from Airship 27 and Cornerstone Books.  I’ve also written a Green Hornet tale for Moonstone and have turned in stories for Aym Geronimo and the post Modern Pioneers: Tall Tales and Tales From The Zero Hour: Weird Tales. I’m also planning more Lance Star: Sky Ranger comic books as well.  I’m also shopping around and writing more novels.  Plus, a few hush-hush items I’ll have to tell you about later.
2011 looks to be a busy year for me.
AP: Bobby, ALL PULP appreciates you stopping by! See ya on the road!
BN: My pleasure.

INTERVIEW WITH DAVID BOOP!!!

DAVID BOOP-Pulp Writer
AP: Tell us a little about yourself and your pulp interests.
DB: I’m a single dad, full time employee, returning college student and author. I’ve gone in and out of pulp fandom over the years, but keep coming back. I guess I’m here to stay this time. Heh. I mostly came at it from the film industry; the serials, film noir, and pulp mysteries. I didn’t get into the pulp heroes until later, maybe late eighties.
AP: What does pulp mean to you?
DB: There are many ways to look at pulp, from the pure meaning of books published quickly and cheaply in the 30s-40s, to the style of writing you get when you publish quickly and cheaply. They didn’t have the time to develop complicated plots and deep characters. These guys were straight forward, courageous and everything they weren’t and wanted to be. I considered that when I created Gridiron. I was never into sports and don’t do well with pain. *snicker* He’s able to handle both. I wanted to make someone I could hope to be when the chips were down.
AP: Your novel, She Murdered Me with Science is a mix of noir action and good old-fashioned pulp adventure. What was your inspiration for the novel and do you have any plans to return to the world introduced in She Murdered Me With Science?
DB: The novel came from a dream, mostly what you see in the prolog of the book; a hairless man, running down an alleyway, trying to flee someone unseen. He thinks he’s escaped into a crowd of people when all of a sudden his head explodes. I woke up wanting to know what killed him and why. I knew I didn’t have the answer, so I had to invent someone who could. I came up with my scientist-detective and set him in a pulp-noir world of hideous hit men, dangerous dames and strange science. As for returning, yes. I’m currently working on the follow-up, Murdered in a Mechanical World (and I’m a Mechanical Girl).
AP: You have worked on shorter pulp tales Full Throttle Space Tales, Tales Of The Talisman, 2020 Visions, Six Guns Straight from Hell, and Mystery Men vol. 1, plus others.  What draws you to these shorter tales?
DB: When I get an idea, I kind of know instinctually how much story it’s going to need to be realized. Most of the ideas I get don’t have a full novel in them. Thank God, or otherwise, I’d never sleep. Sometimes I’ll also test the waters of the world/characters by writing it as a short and seeing if it has legs for a novel.
AP: Do you have a favorite genre in which to work or do you like to play the field and work in as many different genres as possible?
DB: I get inspiration across all spectrums. I love writing with a noir panache. I enjoy crossing genres, especially. Weird westerns are my current blend of choice. As mentioned, I’m also spending time back in the fifties for MG, so that infusing my work with that pulp mentality again.
AP: What, if any, existing characters would you like to try your hand at writing?
DB: Indiana Jones, hands down. I’ve been bugging Lucasbooks for years. I have both a short and novel waiting for them. I wish I could have written the Phantom before it left Moonstone. I might have one or two tie-ins in the near future, but those are super secret projects. Shhhhh!
AP: Who are some of your creative influences?
DB: For classics: Rex Stout, Dashiell Hammett, Sir Arthur Conan Doyle. Modern word slingers include Alan Dean Foster, Mike Stackpole, Michael Connelly, Kevin J. Anderson.
AP: What does David Boop do when he’s not writing?
DB: Mostly, focus on my son. He’s autistic and needs a lot of attention. I feel blessed, as the situation could have been so much worse had we not caught it as early as we did. I’ve learned a lot about patience. I also watch a lot of movies, read comics, and other geeky endeavors. Oh, and date. But we’re not talking horror stories today. *snicker*  
AP: Where can readers find learn more about you and your work?
DB: http://www.davidboop.com/. I have interviews, a page for each of my works, and good clean fun like the “Finding Bobby Nash” game. You’d like it.
AP: Any upcoming projects you would like to mention?
DB: I have three anthos in the fourth quarter: Mystery Men (and Women) Vol 1., Six-Guns Straight From Hell, and 2020 Visions. In the first q, I have my first non-crossed-over mystery in a new mystery magazine called “Bête Noire.” Also, I should be able to announce one of those secret projects before Christmas, if all goes well.
AP: Are there any upcoming convention appearances or signings coming up where fans can meet you?
DB: Not until late in the first quarter, unless you’re in Colorado Springs. I do COSine every January. Then in May, you can find me in Arkansas at PulpArk.
AP: And finally, what advice would you give to anyone wanting to be a writer?
DB: If writing was not your focus before now, go back to school, get good critical feedback from a creative writing course, then surround yourself with other people hungry as you to be published and read. Oh, and go to conventions, learn about publishing from the pros. Find out their mistakes and don’t repeat them. Make all new ones. You will, and that’s just fine.
AP: Thanks, David.

Reviews from the 86th Floor – Book Reviews by Barry Reese


This book is a bit of an odd beast. It’s set in between the first and second trilogies in the Sentinels series and is comprised of a couple of shorts from the creator (Van Allen Plexico), a bunch of short stories by other authors set in the Sentinels Universe, an essay on the origin and development of the series and an Official Handbook of sorts to the various characters. As with any anthology, there are stories that work better than others. I can honestly say that there are no absolute stinkers in the bunch, though there are certainly stories that didn’t really click with me for whatever reason. There is also art sprinkled throughout the book and the vast majority of it features Pulsar (which is fine with me, as she’s my favorite character in the Sentinels universe). The piece on page 41 by Gary Bedell is my favorite and I wish he’d contributed more than just that one image. My favorite stores in the book were: “Best Laid Plans” by Wayne Skiver, “The Camping Trip” by Ron Fortier, “The Road to Hell” by Bobby Nash and “The Adventures of Captain Cook” by David Wright. That last one is a really odd piece but I found myself quite interested in the “behind the scenes” storyline dealing with the Captain Cook series. As for Van’s two ‘official’ contributions, the second one was a lot of fun but the first one didn’t really impress me. There were some cute moments but it kind of felt like a “fill-in” or “inventory” story. I think I get what Van was going for — something lighter than the usual Sentinels fare but I thought some of the humorous moments missed the mark. “Future Shocked” was a major improvement, however. Actually, what I enjoyed more than anything was “The Making of the Sentinels” which summarizes how Van came up with the core concepts and developed them. I’ve always enjoyed those kinds of things and this piece was more than a little inspiring.

In summary, is this an essential piece of the Sentinels saga? Eh, I don’t know. It is fun, though and if you’re a fan of the Sentinels Universe, I’d recommend it. I would NOT recommend that anyone start their journey into the Sentinels universe with this book, however. Start with the original trilogy and if you enjoy that, try Alternate Visions.

BOBBY NASH and ALL PULP INTERVIEW CHUCK DIXON!!!

Chuck Dixon-Comic Creator and Pulp Writer

AP: Tell us a little about yourself and your pulp interests.

CD: If you want to know the history of comics you have to go back to the newspaper strips and the pulps. Those are the parents of the comic book. In the 70s they were reprinting a lot of stuff so I got to sample G-8, the Shadow, Conan, Captain Future and lots of other classic pulp characters.

AP: What does pulp mean to you?

CD: Story. Story. Story. Pulp is pure plot advancement and action. No pretense to literature or art. Pulp has become our literature. Lost is pulp. What you see on the bestselling book lists is all pulp. Most of our movies are pulp. But there’s art there nonetheless. Cormac McCarthy is literary pulp.

AP: You are known as a writer of comic books and pulp stories. How did you get your start and what was your first published work in each?

CD: I’m like 99.99% comic book writer. A few pulpy short stories as opposed to thousands of comics scripts.

My first paying work was for an awful Heavy Metal rip-off called Gasm. That was like 1978. I futzed around on the edge after that for a few years and then got a break on Airboy and Savage Sword of Conan almost simultaneously. My first pulp thing was a Kolchak story for Moonstone.

AP: You have worked on short prose tales for Domino Lady and The Spider Chronicles. What draws you to these shorter stories and can we expect to see more short pulp from you in the future?

CD: What draws me to short stories is my fear of working in prose. I only wrote those stories because Joe Gentile at Moonstone dared me. The idea of writing a long form novel is intimidating to me. I’m a comic book writer through and through. The only reason I would turn to writing prose full time would be out of desperation. And wasn’t that what drove most pulp writers?

AP: Mixing comic books and pulp has brought some interesting characters to the masses. Airboy was one of those characters. How did you come to be associated with Airboy? What is it about this character that continues to thrill readers?

CD: I think there’s a core improbability to the character that’s appealing. Here’s this kid with this ridiculous plane who gets to kill bad guys in the name of his country. No parental supervision and he winds up with one of the hottest characters in comics as his girlfriend. Pure wish-fulfillment fantasy.

AP: You’ve written many comic books and are often associated with the Batman family of titles as well as kick starting one of my favorite titles, Birds Of Prey. What is it about writing comics that keeps you coming back for more and are there any areas in comics that you’ve not worked in that you would like to try your hand?

CD: I dream of writing an ongoing daily strip. Though, these days, that’s like dreaming of being a radio scripter.

AP: What, if any, existing pulp or comic book characters would you like to try your hand at writing?

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CD: Fantastic Four, the Jetsons and the Lone Ranger. The Shadow would be fun. I actually got to meet Walter Gibson. What a workhorse that guy was! And a self-effacing gentleman to talk to. Probably the first real writer I’d ever met. Also, the Lone Ranger. And any of the Edgar Rice Burroughs characters.

AP: Who are some of your creative influences?

CD: Aw, anything. I’m a very eclectic reader. Anything from Jim Thompson to P.G. Wodehouse. In comics my biggest influence was Archie Goodwin. A massive talent a mentor to me when I was trying to break in with my weak efforts. Stan Lee as well. Charles Schulz to a great extent and Larry Hama who was my first editor at Marvel and really helped me polish my craft for the bigs.

AP: It’s understood that pulps inspired many comic book creations. Are pulps still a viable source of comic book inspiration or are the two more or less influencing/encouraging one another now idea wise?

CD: They’re the same genre in different mediums.

AP: What does Chuck Dixon do when he’s not writing?

CD: I’m always writing! Naps are nice. I enjoy walking and getting to the shooting range when I can.

AP: Where can readers learn more about you and your work?

CD: My website at either dixonverse.net or thedixonverse.com. Lots more about me there and a message board I frequent.

AP: Any current or upcoming projects you would like to mention?

CD: For lovers of pulpy SF, I have a new Alien Legion mini-series coming out soon from Dark Horse. Larry Stroman on pencils and Carl Potts inking. Fun stuff. I’m also on two GI Joe titles including Snake Eyes new monthly coming in May. And I’ve written some scripts for a new Spongebob Squarepants comic from Bongo.

AP: Are there any upcoming convention appearances or signings where fans can meet you?

CD: Nothing in the foreseeable future.

AP: And finally, what advice would you give to anyone wanting to be a writer?

CD: You won’t be working for publishing houses, you’ll be working for people. Your rapport with your editor is the most important working relationship of your life. Rather than schmooze your way into work, find editors you have something in common with; share a common goal with. It makes life easier. For both of you.

AP: Thanks, Chuck.

Chuck Dixon-Comic Creator and Pulp Writer

AP: Tell us a little about yourself and your pulp interests.

CD: If you want to know the history of comics you have to go back to the newspaper strips and the pulps. Those are the parents of the comic book. In the 70s they were reprinting a lot of stuff so I got to sample G-8, the Shadow, Conan, Captain Future and lots of other classic pulp characters.

AP: What does pulp mean to you?

CD: Story. Story. Story. Pulp is pure plot advancement and action. No pretense to literature or art. Pulp has become our literature. Lost is pulp. What you see on the bestselling book lists is all pulp. Most of our movies are pulp. But there’s art there nonetheless. Cormac McCarthy is literary pulp.

AP: You are known as a writer of comic books and pulp stories. How did you get your start and what was your first published work in each?

CD: I’m like 99.99% comic book writer. A few pulpy short stories as opposed to thousands of comics scripts.

My first paying work was for an awful Heavy Metal rip-off called Gasm. That was like 1978. I futzed around on the edge after that for a few years and then got a break on Airboy and Savage Sword of Conan almost simultaneously. My first pulp thing was a Kolchak story for Moonstone.

AP: You have worked on short prose tales for Domino Lady and The Spider Chronicles. What draws you to these shorter stories and can we expect to see more short pulp from you in the future?

CD: What draws me to short stories is my fear of working in prose. I only wrote those stories because Joe Gentile at Moonstone dared me. The idea of writing a long form novel is intimidating to me. I’m a comic book writer through and through. The only reason I would turn to writing prose full time would be out of desperation. And wasn’t that what drove most pulp writers?

AP: Mixing comic books and pulp has brought some interesting characters to the masses. Airboy was one of those characters. How did you come to be associated with Airboy? What is it about this character that continues to thrill readers?

CD: I think there’s a core improbability to the character that’s appealing. Here’s this kid with this ridiculous plane who gets to kill bad guys in the name of his country. No parental supervision and he winds up with one of the hottest characters in comics as his girlfriend. Pure wish-fulfillment fantasy.

AP: You’ve written many comic books and are often associated with the Batman family of titles as well as kick starting one of my favorite titles, Birds Of Prey. What is it about writing comics that keeps you coming back for more and are there any areas in comics that you’ve not worked in that you would like to try your hand?

CD: I dream of writing an ongoing daily strip. Though, these days, that’s like dreaming of being a radio scripter.

AP: What, if any, existing pulp or comic book characters would you like to try your hand at writing?

CD: Fantastic Four, the Jetsons and the Lone Ranger. The Shadow would be fun. I actually got to meet Walter Gibson. What a workhorse that guy was! And a self-effacing gentleman to talk to. Probably the first real writer I’d ever met. Also, the Lone Ranger. And any of the Edgar Rice Burroughs characters.

AP: Who are some of your creative influences?

CD: Aw, anything. I’m a very eclectic reader. Anything from Jim Thompson to P.G. Wodehouse. In comics my biggest influence was Archie Goodwin. A massive talent a mentor to me when I was trying to break in with my weak efforts. Stan Lee as well. Charles Schulz to a great extent and Larry Hama who was my first editor at Marvel and really helped me polish my craft for the bigs.

AP: It’s understood that pulps inspired many comic book creations. Are pulps still a viable source of comic book inspiration or are the two more or less influencing/encouraging one another now idea wise?

CD: They’re the same genre in different mediums.

AP: What does Chuck Dixon do when he’s not writing?

CD: I’m always writing! Naps are nice. I enjoy walking and getting to the shooting range when I can.

AP: Where can readers learn more about you and your work?

CD: My website at either dixonverse.net or thedixonverse.com. Lots more about me there and a message board I frequent.

AP: Any current or upcoming projects you would like to mention?

CD: For lovers of pulpy SF, I have a new Alien Legion mini-series coming out soon from Dark Horse. Larry Stroman on pencils and Carl Potts inking. Fun stuff. I’m also on two GI Joe titles including Snake Eyes new monthly coming in May. And I’ve written some scripts for a new Spongebob Squarepants comic from Bongo.

AP: Are there any upcoming convention appearances or signings where fans can meet you?

CD: Nothing in the foreseeable future.

AP: And finally, what advice would you give to anyone wanting to be a writer?

CD: You won’t be working for publishing houses, you’ll be working for people. Your rapport with your editor is the most important working relationship of your life. Rather than schmooze your way into work, find editors you have something in common with; share a common goal with. It makes life easier. For both of you.

AP: Thanks, Chuck.

NEWSSTAND NIGHTHAWK EDITION 12/2/10

ALL PULP NEWSSTAND
NIGHTHAWK EDITION
12/2/10
THIS WEEK ON THE BOOK CAVE!!
The Book Cave Episode 103: Bobby Nash’s Evil Ways

Bobby Nash joins Ric to talk about his Evil Ways. Art is out this week doing experiments on his neighbors.  ;-) After the show Tommy Hancock gives us all the Pulp news with All Pulp
Check out ALL PULP’S official podcast, THE BOOK CAVE here-http://thebookcave.libsyn.com/

UPCOMING INTERVIEWS ON ALL PULP!!

Stay tuned for the following interviews on ALL PULP!!

David Boop – pulp writer
Chuck Dixon comic book and pulp writer
Flint Dille & David Marconi – pulp/film writers
Sean Taylor – comic and pulp writer
Bernadette Johnson – pulp writer
Van Allen Plexico – pulp writer, Member of Spectacled Seven
James Palmer – pulp writer
Frank Fradella – pulp writer, publisher of I, Hero magazine
Ian Watson-pulp writer
Lee Houston-pulp writer
Megan Smith-pulp writer
Nancy Hansen-pulp writer
Ken Janssens-pulp writer
Sarge Portera-Member of Spectacled Seven
Bobby Nash-Pulp writer, Member of Spectacled Seven
Barbara Parker-Author and Widow of Robert B. Parker

AND MANY MORE TO COME!

A Look at ‘I am Number Four’

DreamWorks Studio released details about February’s thriller I Am Number Four. Given the behind-the-scenes crew and the cast, we’re certainly intrigued. Take a look and you tell us.

Three are dead. Who is Number Four? D.J. Caruso (Eagle Eye, Disturbia) helms an action-packed thriller about an extraordinary teen, John Smith (Alex Pettyfer), who is a fugitive on the run from ruthless enemies sent to destroy him. Changing his identity, moving from town to town with his guardian Henri (Timothy Olyphant), John is always the new kid with no ties to his past. In the small Ohio town he now calls home, John encounters unexpected, life-changing events—his first love (Dianna Agron), powerful new abilities and a connection to the others who share his incredible destiny.
John (Alex Pettyfer) is an extraordinary teen, masking his true identity and passing as a typical high school student to elude a deadly enemy seeking to destroy him. Three like him have already been killed…he is Number Four.

Genre:            Action-thriller
Rating:            TBD
U.S. Release date:    February 18, 2011

Cast:    Alex Pettyfer, Timothy Olyphant, Teresa Palmer, Dianna Agron, Kevin Durand, Callan McAuliffe
Director:        D.J. Caruso
Producer:        Michael Bay
Executive Producers:    Chris Bender, J.C. Spink, David Valdes
Screenplay by:        Alfred Gough & Miles Millar and Marti Noxon

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