ALL PULP NEWSSTAND-NIGHTHAWK EDITION-12/8/10
As soon as I approve the proofs it’ll be uploaded to Amazon… hopefully in time for the Holidays!
As soon as I approve the proofs it’ll be uploaded to Amazon… hopefully in time for the Holidays!
AERIAL ACROBATICS AND AIRSHIPS: CRIMSON SKIES IS A VISION OF PULP IN VIDEO GAME-FORM
By
DON GATES
The Crimson Skies universe began in 2000 when Microsoft Game Studios released the titular game for PC. The gameâs setting is an alternate-history version of the 1930âs, one where prohibition, the Great Depression, and internal strife between states resulted in the fragmenting of America. The country lies broken-up into several nation-states, such as the Empire State, the Nation of Hollywood, the Confederation of Dixie, etc. Because of the shaky political state, ground transportation between these areas ceases to be feasible and the nationâs real-life preoccupation with emerging flight technologies takes center-stage for shipping and travel needs. In the world of Crimson Skies, massive zeppelins cross the skies, airplanes are as plentiful as automobiles⦠and daring air pirates of varying degree of morality clash with air-militias and independent protection agencies.
In the first Crimson Skies game (for Windows 95/98/ME/2000), players take on the role of the swashbuckling Nathan Zachary, leader of the air-pirate group known as the Fortune Hunters. From their home base, the zeppelin Pandora, the Fortune Hunters act as air-pulp Robin Hoods: stealing only those who can afford to lose their wealth, all while helping others in need. The plot of the first game revolves around a corrupt security firmâs partnership with a ruthless band of pirates called the Black Hats and their plan to conquer a divided America under their control. The gameplay, meanwhile, is a mix of air-combat, light flight-simulation and stunt flying as players take control of a variety of souped-up fantasy warplanes. From the Hughes Aviation Devastator to the Fairchild Brigand, the planes are the real stars of the show: their designs wouldnât look too out of place on the cover of classic air-pulp titles like Bill Barnes, and the first game lets you customize the look, performance, and armaments of your sweet sky-ride to suit your personal pirating tastes.
The franchise has been dormant for a while, but every once in a while there are rumblings and rumors of its return (at one point, there was even a big-budget film in the works). Many of us who have found the game to be the perfect pulp video game, or fans who donât know pulp from Adam but love a fun and adventurous flying game, hopefully await the return of Crimson Skies with bated breath.

30 years ago today, John Lennon was shot and killed by a person who we aren’t going to name.
His influence was huge in the world, and has been immortalized in comics in so many ways, from biographies to being a Skrull super-hero. And most recently, he’s been portrayed in a BBC biopic by Doctor Who‘s Christopher Eccelston, with Yoko Ono being played by Naoko Mori from Torchwood.
You’re still missed, John.
SARGE PORTERA-Columnist, Group Moderator, Pulp Enthusiast!
AP: Sarge, welcome back from your travels within Pulpdom to the ALL PULP HQ for this interview. Before we discuss your journeys, can you tell us a bit about yourself? Just who is Sarge Portera?
SARGE: The first thing I wish to clarify is that “Sarge” is a nickname and not a rank.
My dad nicknamed me Sarge when I was born! My parents couldn’t stand the thought of calling an infant Gus. For my first Halloween, Dad had a supply sergeant’s uniform made up especially for me! I was devastated when I turned eighteen and was rejected by the US Armed Forces!
Currently, I am the primary caregiver for my wonderful wife, Marci, and put my doctoral studies in curriculum development on hold. I was a classroom teacher from 1974 to 1998; dividing my time between teaching junior high science and Gr..3. From 1978 to 2007 I was a Community Education Director.
My contributions to educational research have led to my inclusion in Oxford’s International Dictionary of Biography & Men of Distinction, Who’s Who in America, Who’s Who in American Education, Who’s Who in the East, Who’s Who of Emerging Leaders in North America, Who’s Who in Religion and Who’s Who in the World. My published works include: Concern for Peace & Justice, Foundations for Faith Formation, The Marian Tree and The Messianic Moment.
When we moved down to sunny Florida I soon discovered that my fellow teachers couldn’t pronounce my first name without making it sound like I was “ailin’!” There was already an “AJ” on staff so my co-workers playfully put it to a vote and “Sarge” won over our principal’s suggestion of “Mr. Belvedere!”
AP: You moderate several groups on face book dedicated to Pulps. Can you list those and give a brief description of each and what you hope to achieve with them?
SARGE: BRONZE PASTICHES is my fb group that hopes to learn more about the high adventure heroes who follow in Doc Savage’s footsteps! Currently, BRONZE PASTICHES has over 50 Discussion Boards, each one dedicated to a Doc Savage inspired action hero!
PURPLE PROSE PULP PARADE is my fb group that is dedicated to the preservation & promotion of high adventure, potboilers, pulps & purple prose as a legitimate literary genre!
SGT. PRESTON FAN CLUB is my fb group that’s dedicated to all the Mounties in board games, cliffhangers, comicbooks, miniature, movies, pulps, radio, television and most especially to Dick Simmons and his convincingly compelling portrayal of “Sergeant Preston of the Yukon” on CBS TV in the 1950’s!
SILHOUETTE PASTICHES is an fb group that me darlin’ daughter, Alanna, created. Just as Tarzan, Sherlock Holmes and Doc Savage spawn many imitations so does Street & Smith’s Shadow. This fb group is dedicated to those masked detectives who bravely battle crime in the shadow of the pulp hero who inspired their authors to create them!
WORLDS OF DOC DIAMOND is another fb group that my daughter created. The purpose of this fb group is to explore the many worlds that Doc Diamond and his Cosmic Chain Gang adventure on including their own earthlike homeworld, Manom!
AP: Just who is Doc Diamond and what is your connection to this little known, but previously published pulp hero?
SARGE: My dad, Albert, and my grandfather, August, created an adventure hero back in the late forties. They named him Doc Diamond and copyrighted him under the name of A.J. Portera. Doc Diamond’s thirteen adventure mysteries were published by their little Christian publishing house, The Olive Press.
AP: You are most definitely a Pulp fan, probably one of the fan-iest. That begs the question-Why? What appeals so much to you about the Pulp genre, in general or specific, to make you so dedicated to it?
SARGE: My grandfather believed he was rescued by a ship’s captain who strongly resembled Doc Savage! My dad & grandfather were big fans of the Shadow, both on radio & in print! I happily remember how they would always tune in a radio station that played the old classics like “The Lone Ranger” & “The Shadow” anytime we were driving with them. They both enjoyed “Planet Stories” & “Planet Comics!” They naturally shared their interest in ALL things PULP with me & that’s why I’m a third generation pulp fan!
AP: You are one of the Spectacled Seven at ALL PULP. What do you see the mission of ALL PULP being? And how is it being one of the Seven?
SARGE: I believe that ALL PULP’s mission shares the goal of my PURPLE PROSE PULP PARADE fb group which is dedicated to the preservation & promotion of pulps as a legitimate literary genre!
I am humbled by being included as one of the ALL PULP Spectacled Seven! I’m relieved that I share the responsibility of promoting the many facets of pulpdom with six very affable & capable gentlemen!
Awhile ago I was very concerned that pulps were going to go the way of department stores & dinosaurs! Instead, people like Randy Belaire, B. Chris Bell, Phil Bledsoe, Tim Byrd, Calvin Daniels, Win Scott Eckert, Mark Eidemiller, Mark Ellis, Ron Fortier, Don Gates, Tommy Hancock, P.J. Lozito, William Patrick Maynard, William Patrick Murray, Martin Powell, Thomas Victor Powers, Barry Reese, Wayne Reinagel, Tim Salber, Frank Schildiner, Wayne Skiver, Aaron Smith, Bill Spangler, Micah Ian Wright and others give me hope that pulps will live on!
AP: You’ve done your share of ALL PULP interviews. Why is it important to fans that writers and artists be interviewed? What do you see as being the benefit of pulp creators revealing their processes, techniques, etc?
SARGE: I strongly believe that there’s a pulp story inside of each one of us! In our quest, sometimes over a lifetime, we meet singularly courageous individuals who have put pen to paper & have either had a pulp story published or have taken a different path & visualized the pulp in some respect with their artistry! It’s not so much like a magician revealing the secrets behind his legerdemain as much as it is a friend sharing their lively experiences with others!
AP: What about your columns at ALL PULP? They are definitely original and unique. Can you share about each of them with us, both what has appeared and what is coming?
SARGE: My ALL PULP participation has included my ongoing contributions to our website’s interviews, panels, reviews & my following columns & series:
BEHIND THE PEN & MASK is my ALL PULP column that looks into the lives of the many unsung pulp writers who wrote under a house name or pseudonym. My hope is to shed some light on those writers who entertained us through their lasting contributions to pulp literature & popular culture.
INSIDE SUPREME is my ALL PULP column that takes a look behind the scenes allowing us to tour & compare the secret headquarters of our favorite pulp heroes & villains.
Portera’s P.O.P. QUIZ CENTRAL is my ALL PULP series that currently includes a General Pulp Quiz, a Pulp Artists Quiz & a Pulp Writers Quiz.
WEAPONS OF CHOICE is an ongoing tour, written in a living pulp style, of an exclusive “sportsmen” club where any self-respecting high adventurer can test their latest gas gun or grappling hook!
AP: You are not the only one with the last name Portera who is a pulp fan. Your daughter shares your passion for all things pulp. How did that happen and how is it to have someone in your family to share this love you have for fiction?
SARGE: Marci, Alanna & I are all bibliophiles who would rather read than eat! Sometimes, I think the best home for us would be an old library! Marci’s mom was a bookstore manager in an upstate NY shopping mall for years! Alanna’s interest in mystery novels began when she read all the “Clue” novelizations. From there she read most, if not all, of Rex Stout’s Nero Wolf mysteries. She’s an avid Stuart Woods fan & created her own fb groups: SILHOUETTE PASTICHES & WORLDS OF DOC DIAMOND based on her own interests in pulps! Alanna was a journalism major who began writing when she was in elementary school. The first mystery she wrote featured Yvonne Yam, a vegetable detective Alanna grew in a beaker! In high school Alanna wrote her own teen soap opera that was at least 500 pages in length! So, if I’m a 3rd generation pulp fan that makes her a 4th generation pulp enthusiast!
AP: You definitely have an unique way of presenting yourself, almost as if you are a character from one of the stories you love to read. Is this who you are every day or simply a character you adopt? Where does the Sarge that everyone knows and loves, the wild man of words and language and pulp come from?
SARGE: I’m a familiar stock character that peppers the pulps! I’m that lovably eccentric “go to” guy that the protagonist relies on as a force for oddball information & encouragement.
The first essay I ever wrote was on ecology and the balance of nature at the age of nine! Soon after, I wrote a handbook all about dragons!
If you’re living the pulp life style & speak pulp than you understand what I‘m all about!
AP: What does the future hold for Sarge Portera as far as Pulp is concerned? Any stories in you waiting to get out?
SARGE: Alanna & I are attempting to locate a complete set of Doc Diamond stories. There’s a lot of fascinating background material that we’ve already found. If all else fails we hope to piece together the 13 stories from the rough drafts & notes that we’ve discovered so far, including summaries of the 13 Doc Diamond novelettes that my father & grandfather published..
While we’re looking for the 13 original Doc Diamond mystery adventures I’m also looking for my own notebooks that are packed with “Christopher Penstock and the 12 Cities of the Zodiac!” I wrote it as a tribute for my dad and grandfather when I was in high school! Imagine my dismay when these two part-time evangelists initially flipped out when they thought I was draping my pastiche of their action hero in the horoscope! Once they calmed down and read them, my grandfather said he got a “hoot” out of it while my dad was closer to the mark when he asked, “Do our Doc Diamond stories read that much like travelogues?” I was just tickled and releived that they took the time to read my attempt at pulp fiction!
AP: Sarge, thanks a ton! Keep on givin’ all you got to Pulpdom, pally!
Many who have seen the rejected pilot for Global Frequency have wondered why it
was never picked up as a series. Having just watched it, I think I can cite one
very good reason.
First, some background. Like many readers of graphic
novels, I am a big fan of the work of Warren Ellis. In particular, I enjoyed
his 2002 limited-run series Global Frequency
, which reads like a post-modern reinvention of Mission: Impossible. Though I’ve had a
DVD bootleg of the WB’s 2004 TV-series pilot for Global Frequency sitting on my shelf for a few years, I didn’t get
around to actually watching it until a few nights ago (completely unaware that,
following the successful feature adaptation of Ellis’s R.E.D., a new pilot for Global Frequency is underway).
The first pilot, which was produced by comic-book scribe John Rogers (now the showrunner on the
acclaimed TNT series Leverage), was a stylish hour of
entertainment. Adapted from the series’ first issue, “Bombhead,” it took a
number of liberties with the concept, but none that I considered ill-advised.
At the heart of the series were Miranda Zero (played by Michelle Forbes) and the
coordinator Aleph (Aimee Garcia).
Fronting the show, however, were two new characters, Sean Flynn (Josh Hopkins) and Dr. Katrina
Finch (Jenni Baird), who
ostensibly were intended to be the leads from week to week.
So, with all that going for it, why didn’t the pilot get
picked up?
There are a number of theories. One plausible explanation
I’ve heard is that the show lost its “rabbi” at the network (i.e., the
executive who championed its production). Such a setback might be enough to
sink any project, no matter how superbly it had been executed. It’s also
possible that, without someone advocating for the show inside the corporate
offices of the network, the series’ per-episode price tag simply was too high
for someone else to risk picking up its banner.
I think there might be another factor to consider,
however: the pilot itself was flawed.
Specifically, the writing staff fumbled the ending.
ST: My first published comic book story was in a pulp book… of sorts, Shooting Star Comics Anthology #1. Some friends and I got together and put out a book to serve as a portfolio of work we could show editors to try to solicit work from other companies. Well, some of us were so happy with the showing and so enamored with the work that we legally formed a publishing company and kept putting out the book, aiming to keep it more like the old pulp adventure books of yore. Some heroes, some Doc Savage type action stories, some noir adventure, and even some old-fashioned sci-fi thrown in to boot.
DRACULA LIVES by Joshua Reynolds
2010
ISBN 978-1452817453
This is one odd book — while the cover and title would lead you to assume you’re about to embark on a Hammer Horror-style vampire story, most of the book is actually an homage to classic spy novels. The main character, Mr. Cream, is hired to locate and acquire a casket that he eventually learns contains the remains of Dracula. I’ll be up front and say that espionage novels are not generally my cup of tea. I’ve read the original James Bond stories and found them to be a bore. The Man from U.N.C.L.E. does not intrigue me. So Josh was attempting to mesh a genre that I don’t care about (espionage) with one that I do (horror).
Cream comes across as a very vividly described character and the author does a tremendous job of conveying who this individual is and how he behaves. Cream is so well defined that the reader feels like they can predict how he will behave in different situations, which is a credit to the author.
The strength of the story — and the greatest weakness — comes from the fact that the book is dialogue driven. When this works, the playful back and forth between characters seems like an elaborate verbal dance. Unfortunately, there are times in the book where it feels like one talking heads piece after another, occasionally broken by someone getting shot. Even during some scenes that I was enjoying, it was in the back of my head that I was growing a bit weary of people sitting in chairs, facing one another, showing me how clever they can be.
This is the first book in a proposed trilogy and I found the first book interesting enough to be curious where it will go from here but I did find it a flawed work.
I give it a 3 out of 5.

NBC’s COMMUNITY has had a pretty wild second season so far including trips to outer space and a zombie attack. Where can they go from here. Danny Pudi (Abed) tells us about the view from within the show – plus bad news in the BuffyVerse and Bale Says Bye To Bats.
And be sure to stay on The Point via
, RSS, MyPodcast.Comor Podbean!
Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!
CLICK HERE TO LISTEN LIVE FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.
MOONSTONE CLIFFHANGER FICTION-NEW STORY TODAY!
Moonstone Books and ALL PULP are proud to present the first chapter in a new tale from MOONSTONE CLIFFHANGER FICTION!!!!
âThey stole a what?â Ellen Patrick sputtered, getting fresh squeezed orange juice up her round, perfectly shaped nose. She began to cough and had to set the glass down on the stand next to her bathtub where she had been luxuriating when the irksome telephone rang. At first she gave some serious thought to ignoring it altogether. Its delicate, customized tones sounding as intrusive as any typical phone. And just as persistent. Still, to be interrupted in the middle of her bubble bath was nothing less than a capital offense, in her humble opinion.
When the voice on the other end turned out to belong to Maxwell Campion, star reporter for the Los Angeles Sentinel, she was somewhat placated. Max was a devilishly handsome fellow in his own roguish way, what with his wavy dark brown hair, trim mustache, and tall, slim masculine physique. They had met in Berkeley during their college days. Besides a major in journalism, Campion was also star quarterback for the football team. The lovely Miss Patrick of course was the lead cheerleader. They had dated often.
âMax darling!â she squealed delightfully while running a sponge over a long, shapely leg rising out of the clouds of floating bubbles. âItâs been ages, lover. Whatâs been keeping you away from my doorstep?â
At which point a laughing Campion had begun relating the story of a string of robberies that had been plaguing Hollywood recently. The police were baffled. It seemed a group of criminals had targeted the rich and famous of the district in their heists of a particularly peculiar nature.
Ellen picked up the half finished glass of cold juice and began to sip after asking the loaded question, âWhatâs so strange about these robberies?â
Then, as the chilled, sweet liquid was splashing against her throat, Max Campion voice replied, âThe hoods are stealing cats.â Which was when Ellen choked.
âHey, you all right, Ellen?â Maxâs voice was sincerely concerned.
âSorry,â Ellen managed to gasp. âI swallowed the wrong way.â
âWhat, a champagne breakfast pick-me-up?â
âVery funny, but no. If you must know I was enjoying some fresh squeezed orange juice while taking a bubble bath.â
There was a pause on the line and Ellen wondered if theyâd been disconnected. âMax? Are you still there?â
âOh, Iâm here,â he responded. âI just had a wonderful mental image of you covered only by bubbles. Now thatâs something Iâd like to squeeze.â
âStill the same old dirty-mind, lover,â Ellen laughed.
âI thought thatâs why you liked me, sweetheart.â
âBe that as it may, Mister Campion, can we please get back to the reason for your call. You are serious about someone stealing cats?â
âOn my boyâs scout honor. Been going on for about two months now. All total four have been snatched.â
âFunny, I donât remember reading anything about this in the papers.â Ellen scrunched her pretty face as she tried to recall the last weekâs worth of local headlines.
âThatâs because the cops donât want us to write it up and all the animals have been safely returned, except for the one taken yesterday.â
âReally. You say all the cats were returned.â
âUh-huh. Seems each of the victims paid off the ransoms promptly and actually got the little critters back safe and sound.â
âHow much was the ransom for?â
âWell, thatâs the other odd thing. Like I said, all these folks were the well-to-do around town. They all have bank accounts that would make the King of Siam jealous. But in all the heists, all the cat-nappers wanted was a few thousand bucks.â
âThat is strange.â
âOh yeah. Problem with the cops was each of these past victims didnât report the crime until after theyâd paid the ransom and reclaimed their pets. You can bet the coppers were none too happy about that. Thatâs why they want the lid kept on.â
âOkay, Max, it all sounds perfectly bizarre, but you still havenât told me why this would be of interest to little ole me? I donât even like cats, let alone own one.â
âNo, but your big time charity matron does and had her precious fur-ball snatched yesterday morning in the park just outside her apartment.â
Ellen sat up in the tub, her playful banter forgotten, as she clutched the ivory handle receiver tighter. âWho was it?â
âConstance Miller. From what I hear sheâs a mess along about now and could probably use a friendly shoulder to lean on.â
********
One hour later, the elevator doors opened on the fifth floor of the Palisades Tower and through them emerged a vision of patriotic splendor. Ellen Patrick had finished her bath, dried off and finished her toilette by adding a judicious amount of talcum powder and then applying a generous dose of expensive French perfume. Once done, she chose a particularly bright outfit that would help cheer her friend, Constance Miller.
Her hourglass figure was poured into a navy blue dress that barely touched the tops of her lovely knees. Her stocking feet moved gracefully into red velvet pumps with three-inch heels and a slim ankle strap. This cherry hue was matched by three other spectacular accessories; a big, wide belt, a cocky little hat riding atop her curly blonde tresses, and last but never least, her heart-shaped, bee-stung lips. Added to this ensemble were a small white handbag and a matching silk scarf giving her the appearance of an ultra-chic beauty draped in the American flag.
As she walked through the long corridor, the elevator operator and his remaining two male passengers were unable to take their eyes off her winsome shape, the hips rocking provocatively from side to side with each balanced step of her high heels. And for all her doll-like appearance, there was a distinct purpose to her walk that belied a hidden strength beneath a superficial exterior. There was a lot more to Ellen Patrick than met the eye, although what met the eye was altogether memorable as well.
As Ellen neared apartment 521, she encountered a group of uniformed police officers all milling about the open door to the suite. She didnât pause a second and continued to move past them as if they werenât even there. Of course they noticed her, and then some. For the most part they parted out of her way, their chattering stopped by her presence and obvious effect on them.
âExcuse me, maâam,â a burly, square-jawed sergeant appeared in front of her, arms folded over his chest, effectively blocking entry. âAnd where do you think youâre going, now?â
âGood morning, Sergeant,â Ellen smiled her most charming smile. âIâm here to see my friend, Mrs. Miller. If youâll kindly step aside and allow me to proceed.â
Everyone in the hall watched silently wondering who would win the confrontation, the lady or the bulldog copper? The decision was taken out of their hands by a familiar voice inside the rooms.
âClancy, let the lady in. Sheâs okay.â
The seasoned cop looked over his shoulder, shrugged, then stepped aside with a barely heard grunt.
âThank you,â Ellen said sweetly as she moved passed him. âYouâre a dear.â That last jibe was for the benefit of his men, still gathered about and they immediately broke out into loud, raucous laughter. Clancyâs face turned a nice shade of pink.
âDetective Bishop, isnât it?â Ellen had identified the young investigatorâs voice immediately.
âHello, Miss Patrick. Nice to see you again,â the handsome, sandy-haired detective smiled, his boyish good looks beaming.
âWhat, no Inspector McCarty?â Ellen knew the lanky, 5â 10â Bishop was usually following after her friendâs coat tails most of the time.
âActually, Iâm in charge here,â Bishop announced proudly, his chest almost rising as the words came out of his mouth. âItâs my first big case.â
Looking up at him, Ellen cocked a pretty eyebrow realizing what the naive Bishop hadnât. The cat snatchings were not a top priority to the downtown brass. The mere fact that theyâd assigned it to the rookie was evident of that. But Ellen did not wish to belittle the earnest fellow and decided her own plans would be best served by her appearing noticeably impressed.
âWell, how exciting, Detective. Iâm sure youâll solve the case in no time at all.â
âHmm,â Bishopâs face took on a sour note as he tipped back the brown fedora on his head. âI sure hope youâre right, Miss Patrick. The kidnappers havenât made any calls yet.â He indicated a small writing table in the corner of the spacious, lavishly appointed living room. There, two older detectives, their jackets off, sleeves rolled up, were sitting around a telephone wired into another twin box receiver whose line ran into earphones draped around one of the bulls.
âAs soon as they do, weâll be able to get a trace on them.â
âI see,â Ellen nodded approvingly. âTell me, where is Constance⦠ah⦠Mrs. Miller. I came here to give her some moral support.â
âOh, right. Mrs. Miller is really busted up about losing her cat,â Bishop elaborated. âHer doctor was here last night. He gave her something to calm her nerves a bit. She was a real mess when we got here yesterday afternoon.â
âI wish Iâd heard about it sooner myself,â Ellen confessed, biting her lower lip gently.
âSay, how did you get wind of this?â Barney Bishop was suddenly all detective. âNo one was supposed to know about these pet abductions.â
âRelax,â the brown-eyed temptress said, patting Bishopâs arm like a big sister. âFor all its stars and money, Hollywood is still a small community, honey. There was no way this was going to stay a secret for very long.â
âI guess youâre right. Still, if McCarty and the Chief get wind of this, it wonât look good for me.â
âYou have my solemn vow, I wonât say a word of this to anyone.â
âThanks, Miss Patrick, I appreciate that.â He reached into his jacket pocket and withdrew a packet of Beamanâs. âWould you like a stick of gum?â he asked, as he slipped one out for himself. It added to his childlike charm.
âAh, no thank you. May I see Mrs. Miller now?â
âRight,â Bishop pointed to the door beyond the grand piano, as he began chewing the gum. âSheâs in her bedroom.â
âThank you.â
**************
At the door, Ellen knocked and called out, âHello, Constance. Itâs Ellen Patrick. May I come in?â
âEllen!â The door flung open and the stout, weary Constance Miller, attired in an oversized, purple bathrobe, stood looking a frightful mess. Dried tear tracks lined her cheeks and her eyes were still puffy and red. âYouâve come.â
The rich widow threw her arms wide and gave her young friend a desperate hug. âOh, Ellen, itâs been awful. They took my precious Snowflake.â
âI know, dear,â Ellen said, disengaging herself. âCome, letâs sit down. You poor thing, you look a fright. Have you had breakfast yet?â
As they walked back to the bed and the stuffed chair beside it, Constance indicated the rolling cart with the silver tray. âThey brought it up a little while ago, but I simply donât have any appetite.â
The big woman sat back on her unmade bed and reached over to a framed picture on the night table next to an expensive porcelain lamp. It was of Snowflake. âMy poor baby. What have they done to you?â
Ellen put down her purse and lifted the food cover to reveal bacon and eggs and two slices of buttered toast. There was a glass of orange juice and next to this a carafe of coffee. She began to pour some of the black liquid into a small, china cup. âHere, at least have some coffee, then weâll see about getting some of this food into you.â
âOh, itâs so horrible,â Mrs. Miller sobbed, âI donât know what Iâll ever do without my precious Snowflake! Sheâs a pure white Persian. Did you know that?â
âNo, I didnât,â Ellen said, taking the photograph from her friendâs hand and replacing it with the hot coffee. âHere, come now. Drink a little. It will make you feel better.â
âYou donât have any pets, do you, dear?â
âNo,â the lovely blonde answered, removing her cap as she reclined in the straight-back chair. She crossed her lovely legs and looked at the picture. âYou got her right after Harry died, didnât you?â
âYes, she saved my life, Ellen.â Mrs. Miller took a sip of coffee and sniffled slightly. âIf it had not been for my Snowflake, I might have gone mad with loneliness.â
Ellen Patrick thought the world of Constance Miller and she hated seeing her is such a distraught condition. But for the life of her, she simply couldnât understand the time, love, and attention people like Constance could give a dumb animal. Many of her rich associates treated their pets better than some people cared for their own children. They spent extraordinary amounts of money on toys, gourmet food, and sleeping beds. So, although she couldnât fathom the relationship herself, it was no surprise to Ellen that someone with a criminal frame of mind would resort to kidnapping, or âcatnappingâ as the case may be, the beloved pets of wealthy high society patrons. Not only would it guarantee these nefarious criminals a healthy ransom, but they had to know the police department would give them very little attention.
âWell, Iâm here now, dear,â Ellen smiled happily to see the older woman finishing her drink. âSo why donât you tell me all about it. And take your time. I want to know the entire story.â
For the next ten minutes, between bites of food, Constance Miller composed herself enough to relate the events of the previous day. As was their routine, the hotel doorman always took Snowflake for a walk in the park after lunch. It was there he was assaulted by two men who knocked him down and ran off with the pure white cat.
âDid the doorman give the police a description of the two men who attacked him?â Ellen asked when the story was finished.
âIndeed, the poor man. He was in such a stupor when I came home. Kept saying it was all his fault and he should have been more careful. The hotel manager sent him home and told him to take today off.â
âAnd youâve received no ransom note yet?â
Constance Millerâs eyes seem to freeze. She looked toward the door to the living area and then leaned over towards Ellen and whispered. âShhh⦠you must be quiet.â
âWhat?â
âThis was folded in the front page of the morning paper that came with the food tray,â Miller explained as she withdrew a small, folded piece of paper from her bathrobe. She handed it to Ellen Patrick. âI havenât told Detective Bishop about it yet.â
Ellenâs eyebrow arched as she opened the note and read it. In block letters, the note ordered the wealthy widow to bring ten thousand dollars to a garage in West Hollywood at midnight that evening. She was to come alone or the cat would be destroyed. The address for the rendezvous was written beneath the instructions. Ellen was familiar with the area.
âOh, Ellen, I couldnât tell that nice Detective Bishop. The note says Iâm not to inform the police, and that I have to bring the ransom alone. Oh, what ever shall I do?â Mrs. Miller put a hand over her heaving bosom, exasperated. âI donât even drive.â
âRelax, Connie,â Ellen advised, folding the paper and tapping it on the knuckles of her hand. âYou wonât have to.â
âI donât understand? What do you mean?â
âDo you have the money?â
âBut of course. I can draw a check for it this second.â
âThen do so and make it out to my name.â
âBut why⦠oh, no, Ellen. I canât ask that of you? Itâs much too dangerous.â
Ellen Patrick shrugged. âNo more than a late night dinner date with half a dozen studio lotharios Iâm acquainted with. And lord knows Iâve survived enough of those. Ha!â
âBut sweetheart, these are brutish criminals capable of anything.â
âThey only want money, Constance. If what Bishop told me is true, Iâll have your Snowflake back safe and sound before you know it.â
Constance Millerâs face was filled with concern for her friend. âVery well, Ellen. But you must promise me youâll be extremely careful. If anything were to happen to you on my account, I could never forgive myself.â
âDonât worry, Iâll be the model of caution.â Still, even as she said the words, Ellen Patrick could not disguise the merry twinkle in her eyes. She wondered what Constance would have thought had she realized she had just acquired the services of Hollywoodâs most famous celebrity, the Domino Lady.
ã
Chapter Two
After leaving Mrs. Miller, Ellen Patrick drove to the First Bank of Hollywood, cashed the check, and left for home with a bag full of money. She put the green burlap sack into her bedroom wall safe and then sat down to plan her strategy. Since it was midday and the money drop was not scheduled until midnight, she saw no reason to curtail her planned activities. Her biggest challenge would be how to keep her anxiety in check until then.
Luckily one of her sorority sisters, Dolores Colquitt, was in town and the two of them were to have lunch together at the Brown Derby. Dolores, who had moved to New York after graduation, was now romantically involved with the famous detective-adventurer, Jim Anthony. The blonde, blue-eyed socialite was in town on business and Ellen was thrilled to see her again. Catching up would be great fun and hopefully take her thoughts away from what the night would entail.
********
It was ten minutes of twelve when the beams from Ellen Patrickâs sporty Auburn Convertible Cabriolet fell on the darkened Sunoco sign centered above the small gas station at the end of Dawson Street in West Hollywood. It was a residential neighborhood covered with white plaster houses that all looked the same, their roofs shielded with red Spanish tiles. Except for a solitary streetlight on the far corner, the place was painted in shadows.
The garage wasnât anything out of the ordinary. Two gas pumps stood like silent sentinels near the quiet, empty boulevard. Behind them, the storefront was situated between two closed-up working bays. There was a stack of old tires to the right of the building and beyond them several autos in various stages of disrepair. The dirt road skirted around the building in a half loop and Ellen had a hunch that was where the cat-nappers would be waiting. She parked her car, shut off the lights and the engine. A full white moon was moving through an almost cloudless sky and illuminated the station all around her.
Now it was wait-and-see time. Ellen smoothed her green skirt and drummed her fingers on the steering wheel. Beside her on the passenger seat was a wire-mesh animal cage. On top of the cage was the moneybag.
âAlright, lady, you can get outta the car,â a gravely voice barked from the shadows behind the garage.
Ellen took a deep breath and climbed out into the warm night air. In her arms was the burlap sack.
âWhere are you?â
âOver here, in the back.â A flashlight beam winked on and stabbed at her face. She blinked and tried to cover her face. Ellen was wearing a matching toreador jacket the same color as her skirt and soft leather gaucho boots. On her head was a flat-brim pillbox hat of the same green shade. Her long flowing hair was tied in a severe bun behind her head. It was all an illusion of appearance. She did not want these characters to remember her long, yellow tresses.
âHey! You ainât that Miller dame!â
âHow astute of you,â Ellen said dryly, free hand still in front of her face. âCan you please shut that thing off or get it out of my face?â
The light moved to the ground as hoods materialized before her. Through the fading spots in her eyes, she identified two big men, similarly dressed in stylish suits and wearing wide brimmed hats. The one to her left had a mean scar over his right cheek and was holding a .45 automatic in his hand. It was pointed at her and he looked very upset. The fellow on the right had a brush mustache and thick eyebrows. In his hands was a balled up cat.
âThe Miller dame was to bring the cash,â the gun-wielder repeated. âNo one else!â
âYou must be joking,â Ellen chuckled. âHave you ever seen Constance Miller? There is no way in heaven she could make it out here in the middle of the night like this by herself. And what difference does it make?â The pretty blonde lifted up the sack. âI have your money right here.â
The man with the gun looked confused, but his gaze was clearly on the bag. His partner, petting the sleeping feline looked from Ellen to his pal anxiously. âAw, come on, Eddie. Sheâs got the dough. Letâs just give her the damn cat and get out of here before a radio car goes by.â
Eddie made a grimace and shook his head reluctantly. âAlright. Alright. Give me the bag.â
Ellen approached him calmly and handed over the heavy sack. Ten thousand dollars was not light pocket change.
âIt better be all here,â Eddie warned hefting the sack while at the same time putting his gun away in a shoulder rig. âOkay, Jack. Give her the cat.â
The second hood gently handed Ellen the dozing Snowflake. âSheâs just sleeping.â
âThank you.â Ellen cradled the cat in her arms. The animal moved its head, opened her eyes, looked up at her and then snuggled back into the crook of her arm.
Eddie had opened the top of the sack and was shining the flashlight into it, an ugly smile spreading over his face.
âCan I go now?â Ellen asked.
âSure, doll. Beat it. And tell your friend not to go blabbing to the coppers if she knows whatâs good for her.â
âIâm sure,â the blond sneered as she returned to her car. Once inside she carefully placed Snowflake into the cage before starting her engine. When she turned on the headlamps, both men were gone. They must have their automobile parked in the back, she surmised as she stepped on the gas and rolled onto the deserted road.
Ellen raced down the street to the corner, spotted a billboard and quickly pulled off the road and rolled to a stop behind it. She shut off her lights but kept the engine purring. From where she was parked, she could look into the rearview mirror and see the gas station. She crossed her fingers that the hoods hadnât departed while she was finding this hiding spot. A few minutes ticked by and then headlights cut across the dark street from behind the garage. A gray Buick sedan appeared and turned in her direction. Ellen let out a sigh. She took her foot off the brake and allowed the Cabriolet to roll forward a few more yards wanting to make sure she was not visible when the crooks drove past.
The sedan rocketed by and she counted to five before putting on her lights again and returning to the road. She could just make out the receding glimmer of the carâs lights as it headed into the distant landscape that was the Beverly Hills countryside. She fed gas to the Auburnâs efficient engine and took off after the unsuspecting pair. As she drove along, maintaining a good distance between them, Ellen pondered over events back in the gas station lot. It was obvious that Eddie and Jack between them didnât have a single working brain cell. They were hired thugs doing the bidding of a third, as yet unknown, party. But who was that person and what was the real purpose behind the cat-heists? Again the logic was skewed in that any of the victims, to include Constance Miller, would have paid three times the ransom that had been demanded of them. If the crimes were solely for monetary gains, then the requested sums just didnât make any sense at all.
Digging into her purse set on the dashboard, while steering with one hand, Ellen pulled out a pack of cigarettes and using her mouth, tugged one free. Using the same hand, she fished into the purse and found her silver plated lighter, the one with the domino design on it. Lighting the smoke, she had a thought that some day car manufacturers would be smart to install battery charged lighters into their consoles. It sure would make things easier for people to light up while driving.
There was little traffic through the rolling hills at this late hour and Ellen had no trouble following the Buick as it wound its way further from the center of the famous community with its million dollar mansions. Eventually the scenery opened to long empty stretches and she started wondering how much further she was going to have to drive. No sooner had the thought crossed her mind than the lights in front of her veered off the road and disappeared. Ellen sat up straighter and slowed down as her car went past a dirt road by which a sign was erected: Carson Lumber and Construction. She spotted the gray Buick rolling through stacks of cut timber and hastily pulled off the road. Through the trees, she could just see the sprawling lumberyard beyond. There were several huge structures at the middle of the site and it was amidst these that the gray car had disappeared. In the stillness of the night she could hear the slamming of car doors. So, they had reached their destination. What came next was going to be the tricky part. But she still felt confident that with just the right amount of courage, and a little luck, she could pull it off.
Now stealth was called for and her headlamps were again extinguished. She shifted into reverse and carefully backed up along the road and into the dirt entrance. The moonlight was sufficient enough for her to carefully weave her way past several rows of hewn lumber rising to twenty feet on both sides of the road. She was approaching the yardâs buildings and deftly eased the little convertible backward into a gap between two towers of planks.
Two minutes later she was standing beside the open car door and preparing herself for action. She hastily removed the short jacket and threw it into the back seat. This revealed her tunic to be the top of a satin white evening gown that exposed her pink arms and was cut daringly low in the front. Next she unclasped a button clip on her dark gown and peeled it off her hips. Off came her boots to be replaced by silver pumps with two-inch heels. Generally she preferred sexier stilettos, but a crime-fighter had to be practical as well as smartly outfitted. She picked up her reversible dress, spun it inside-out and refastened it around her tiny waist. Voila, she was now attired in a flowing white gown to match her top; with two long slits along the sides that revealed her graceful legs as she moved.
Finally she unhooked the pins in her hair and shook it free to cascade down her bare shoulders. Ellenâs hair curled at the ends and was a distinctive trademark of the persona she was now adapting. From behind the driverâs seat, she produced a black cape, throwing it over her bare shoulders and from the carâs glove box the last two items to complete her transformation. One was a black domino mask that fitted snuggly about her eyes and the last was a small, silver-plated automatic with a six-round clip.
âThis shouldnât take long, Snowflake,â she told the sleeping cat.
Ellen Patrick had driven into the lumberyard. Now the Domino Lady was on the prowl.