The Sorcerer’s Apprentice was one of those summer movies that didn’t generate the buzz Walt Disney had hoped for but it did have its fans and for those who may have missed it, the movie comes to DVD on Tuesday. Actor Jay Baruchel played the title role and in an interview supplied by Walt Disney Home Entertainment, he reviews his work on the film.Question: How does it feel to be involved with The Sorcerer’s Apprentice ?

Jay Baruchel: It’s a great honor to be part of The Sorcerer’s Apprentice, but it’s also very stressful because Fantasia is cherished and beloved by so many people around the world. The sorcerer’s apprentice sequence of Fantasia is one of the most iconic and important sequences in film history, so I didn’t want to screw this up. If you were going to create a retrospective of great film moments, I think the Fantasia sequence would be up there alongside Cary Grant being chased by the crop duster in North By Northwest. It has been exhilarating to get the chance to do something so important to so many people, but there’s a lot of weight on our shoulders and I didn’t want to get it wrong.

Question: How do you deal with the stress of working on such an iconic project?

Jay Baruchel: There are two possible outcomes. You can either let the stress get the best of you and wilt in the face of adversity, or you can let the stress push you to work harder than you’ve ever worked before. The only other time in my career where I felt a similar weight on my shoulders was when I got to work for Clint Eastwood. It was tough. There’s a great sports analogy that comes to mind when I think about this. If you get drafted into the NHL and you get to play on the same line with the guys that made you want to start playing hockey in the first place, are you going to mess up under the pressure? Or are you going to show everyone the reason why you are standing there next to these amazing athletes? I had to bring my A-game to this project. I wanted to prove to everyone that they made the right decision in hiring me.

Question: What was your highlight to the filming of The Sorcerer’s Apprentice?

Jay Baruchel: Shooting plasma bolts out of my hands has been a lifelong ambition of mine. Ever since I played Street Fighter II when I was a kid, I’ve been waiting to shoot energy out of my hands. For years, nothing happened. My hands finally get to work in The Sorcerer’s Apprentice.

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Charles R. Saunders, one of the most respected fantasy adventure writers in the field, has joined Airship 27 Productions to create a black pulp hero. Saunders is best known for his series of novels featuring Imaro, the black warrior of an ancient, mythological Africa. His work has been compared to being equal parts Robert E. Howard and J.R.R. Tolkien.

Saunders and Airship 27 Editor, Ron Fortier, have been friends for many years. Saunders had been working for the company which packages titles for Cornerstone Book Publishers as a proof-reader. It was the beginning of his first exposure to the world of pulps. One he enjoyed a great deal. Enough to offer Fortier an idea for a novel featuring a 1930s black avenger along the lines of the Shadow and the Spider.

“I was ecstatic when Charles brought up the idea,” says Fortier. “One of the less savory aspects of the pulps was their inherent racism. The pulps of the 1930s reflected a prejudicial ignorance that was representative of the country’s attitude during those times.” Today’s modern pulp writers and editors often grapple with this sensitive issue as whether or not to depict it accurately in their stories. Some opt to ignore it altogether.

“So that was the challenge,” Fortier continues. “Could Charles give us an African American hero and make it work in an authentic 1930’s New York setting?”

DAMBALLA, the name of the book, is Saunders’ response to that question. Cast in the mold of the classic pulp heroes, the noted author describes his new character as the 30s version of a well known cinema tough guy. “Damballa, like John Shaft, ‘will risk his neck for his fellow man,’” says Saunders. “The difference is, Damballa wears a cloak instead of a leather jacket, and uses both ancient African wisdom and modern science in his battle against injustice.”

Airship 27 Productions plans to release this ground breaking pulp thriller in the Spring of 2011.

The popular voiceover actor took time last week to speak about his days as the new Caped Crusader in preparation for this week’s release of Batman Beyond: The Complete Series, a nine-disc limited edition DVD set that presents nearly 20 hours of animated action spread over 52 episodes, as well as including all-new bonus featurettes and a 24-page, 8”x 12” collectible booklet.

Batman Beyond: The Complete Series centers on Terry McGinnis, an ordinary teenager … until his father is mysteriously murdered. Suspecting foul play at his father’s company, Wayne/Powers Corporation, Terry meets Bruce Wayne and learns of a secret identity hidden for decades. Now too old to don the cape and cowl as Batman, Wayne refuses to help – so Terry does what any brash young kid would do: steal the Bat-suit and take matters into his own hands! Vowing to avenge his father’s death, Terry dons the high-tech suit tricked out with jetpacks, a supersensitive microphone and even camouflage capabilities in search of his father’s assassin.
The all-star production team was headed by executive producer Jean MacCurdy and producers Bruce Timm, Alan Burnett, Glen Murakami and Paul Dini. Writers on the series included Burnett and Dini, as well as Stan Berkowitz, Bob Goodman, Rich Fogel, Hilary Bader and John McCann.

Friedle made his mark in live-action television and film from the time
he turned 10, starring in hit series like Boy Meets World and Don’t Just
Sit There. He gradually shifted his attention to voiceover work, taking
the lead in Batman Beyond and co-starring in Disney’s Kim Possible to
name but a few. Today, he primarily stays behind the microphone, voicing
such notable roles as Doyle on The Secret Saturdays and Blue Beetle on
Batman: The Brave and the Bold.Will Friedle took a futuristic
Dark Knight in altogether new directions as the voice of Terry McGinnis
in Warner Bros. Animation’s breakthrough 1999 series Batman Beyond.

QUESTION: When you think back on all those Batman Beyond sessions, what are your favorite memories of recording the series?WILL FRIEDLE: This sounds like a cheesy answer, but working with Andrea (Romano) is just the greatest experience. Every week you go in and it’s amazing and fun. You just never knew who the guest cast would be. My favorite was  recording Return of the Joker. Sitting between Kevin Conroy and Mark Hamill for five days was pretty incredible. I learned more about being a voiceover actor in those five days than I did in the five months before that. Just watching the two of them work – how Mark got so into the character, completely losing himself in that role. And then there’s Kevin with that deep, booming voice, always sitting with his back straight and working perfectly with the microphone. It was an education.

QUESTION: Do you have a favorite Batman Beyond episode?

WILL FRIEDLE: There was an episode called “Out of the Past” where it’s Bruce Wayne’s birthday and as a birthday present Terry takes Bruce to see a new play, “Batman: The Musical.” So there’s Bruce sitting in the audience, watching these people in costume jumping on stage, singing about the Dark Knight, and Terry’s right behind him humming the songs. And Bruce just hates it. Seeing Bruce Wayne watching “Batman: The Musical” was pretty funny.

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On this day of caring and recognizing what we all have been given to be thankful for, ALL PULP wishes you and all of yours the most happiest and welcome of Thanksgivings.  And in honor of this day and in deference to our own families, The Spectacled Seven will be taking this day off to spend with those close at hand to us.  For those of you who are close to us but physically far away, thank you for making ALL PULP  a huge succes so far and giving us and the Pulp world much to be thankful for…

And remember…it could always be worse for us…

HAPPY THANKSGIVING FROM ALL PULP!!