REMO WILLIAMS playing at THE LONG MATINEE!!!
From Bobby Nash, one of ALL PULP’s Spectacled Seven-
The N. GA Community Daily is out and they picked up my retweet of an All Pulp story.
http://bit.ly/91nGPw
Bobby
The word on ALL PULP is getting out! People are picking up our work! This particular piece is the recent ‘TIPPIN’ HANCOCK’S HAT’ to EPISODES FROM THE ZERO HOUR: VOL 3
Welcome to ALL PULP’S PULP ARTIST’S WEEKEND GALLERY!!! This is where artists delving into that wonderful, wild world of Pulp Art can display their work! Each weekend more art will be added, both the art of interviewed artists as well as art of those who simply want their work shown! Please enjoy your time amongst the awesome artwork you are about to view and remember, pencil and paint mean as much to pulp as pen and typewriter….
FEATURED ARTIST-LAURA GIVENS
LG – Another easy one, Erotic romance! There’s basically only one cover that works, the “clench”. Usually when I get roped into doing one, I try to break the mold, something that the art directors love, but the buyers hate. Were I able to turn off my artistic sensibilities, I could make some money, because it’s a market that pays well and publishes a lot of titles. It is also a market that bores me silly.
AP – You recently did several pulp covers for Airship 27 Productions. Was this your first introduction to the world of pulps and did you enjoy the experience?
AP – Where can fans go to see your work and perspective clients commission you and what do you have in the works both in writing and art coming in the near future?
FALL FICTION FRENZY is underway at Dark Valentine (http://darkvalentine.net/)
According to the magazine’s site-
“Dark Valentine is a quarterly journal devoted entirely to dark fiction, which we define as any story in any genre that is disturbing, provocative, haunting, scary, dangerous, or any combination of those things. Think of classic stories like “The Mummy’s Paw,” “The Open Window,” “The Tell-Tale Heart,” and “The Lady or the Tiger?” Think of Jack London’s “To Build a Fire,” William Faulkner’s “A Rose for Emily,” Harlan Ellison’ “I Have No Mouth and I Must Scream,” J.D. Salinger’s “A Perfect Day for Bananafish,” and Tanith Lee’s “Because Our Skins are Finer.”
The world is a dangerous place, as full of shadows and moonlight as it is sun and blue sky. We want the stories that come from the dark places—words that sear and scar and bewitch and bedazzle. Words that are as dangerous to hear as they are to tell.”
Interested in submitting to Dark Valentine? Guidelines are posted on the site along with an informative FAQ!
iPulpFiction.com will publish two series of stories based upon the holdings of the Black Mask Magazine franchise. The first is Black Mask DS (Digital Series), which features stories from the original Black Mask Magazine (1920 to 1951) — the premier detective and mystery magazine of all time. Black Mask Magazine was the first home to such distinguished and popular writers as Dashiell Hammett, Raymond Chandler, and Erle Stanley Gardner.
The second series, Black Mask PSR (Pulp Story Reader), will draw on material from ten other pulp magazines, including Astonishing Stories, Terror Tales, Strange Detective Mysteries, and Rangeland Romances. Story prices range from FREE, to $1 based on the length of the story.
Black Mask DS premieres on November 1st, 2010 with new stories appearing every 10 days. The Black Mask PSR series begins November 6th.

Imagine this job – hunting down the lost and cool collectibles from movies, comics and any part of pop culture. Meet JOE MADALENA from the new SyFy series, HOLLYWOOD TREASURE, and listen to the stories he has! Plus more with the creators of RIESE THE SERIES on just what their new episodes will be!
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Outlines are important, don’t let anybody tell you otherwise. They can keep you from making silly mistakes. Like having an article about outlining near the end of a writing month.
Seriously, an outline can keep you out of all kinds of trouble. If you have even a basic outline beforehand, you can get a clearer sense of your own pacing, and of the story’s overall flow. You can see where it’s going and how it will get there. And you can be sure you didn’t miss any steps along the way.
Do outlines work with graphic novels? Absolutely! If anything, they’re even more important for graphic prose than for regular prose, because you need to have an even clearer sense of how the story will break down. If you have the plot elements outlined, you can see where splash pages and close-ups and other visual features will fit without derailing the story or ruining the pacing. You can also get a sense of page breakdowns by going over the outline and seeing where action is fast and furious and where it’s slow and careful, which will give you a better idea of when to do a standard grid page and when to do quick cut-outs and burst images.
That means, of course, that you need to follow your outline once you’ve written it. Otherwise it won’t do you much good. I tend to keep my outline up in a separate window as I’m writing, so I can refer back to it as necessary. I also use a clean copy of the outline as my starting document, so I can go from point to point and flesh each one out in turn, transforming the outline itself into the full text.
This doesn’t mean you have to follow the outline slavishly, however. Things change as you write. Characters develop in ways you couldn’t have predicted. They do things you wouldn’t have expected—but that make perfect sense for them, given their personalities and situation. You could try to force them back to the details you already established, but that’s going to feel stiff and unnatural and it will show. Instead you need to let them change the story as they work their way through it. It’s their story, after all.
Just don’t forget to change the outline as well. (more…)
Horror fans can cheer as this second volume of macabre, creepy tales once again centers on the haunted town of Lights End, Maine, where nothing is what it seems. Unimaginable monsters fill the dreams of unsuspecting. Profusely illustrated by fantasy artist Earl Geier, this is a collection readers will not soon forget. ISBN: 1-934935-80-8. Retail Price: $21.95 HANGAR 27 PRICE: $16.50
Order your copy today at www.gopulp.info!