The Mix : What are people talking about today?
A WHOLE WIDE WORLD-Now playing at Derrick Ferguson’s LONG MATINEE!!
THE LONG MATINEE-Movie Reviews by Derrick Ferguson
THE WHOLE WIDE WORLD
Rated PG
HANCOCK TIPS HIS HAT ONE LAST TIME ON MOONSTONE MONDAY!!
TIPPIN’ HANCOCK’S HAT-Reviews by Tommy Hancock “IN THE DARK”
A TALE OF THE BLACK BAT!Writer-Mike Bullock
Artist-Mike Metcalf
When reading about a character called THE BLACK BAT, I just naturally look for certain things. Fear and horror from someone in the story, and maybe a little from me as I read, a bad guy guilty of unforgivable trespasses, and the main character, THE BLACK BAT himself evoked in a way that is similar, yet different than all the ways I’ve seen him conjured before.
For the most part, that is all tangled up nicely in Bullock’s and Metcalf’s story “IN THE DARK.” Rendered in wide vision, this fast paced, pleasingly torturous tale is part of an upcoming pulp magazine release from Moonstone Books.
What Mike Bullock gives the reader in the text seems at first glance a typical plot-Bad guy goes on a job for a crime boss, trips across the vengeful Black Bat, and receives judgment quickly and harshly for his illegal livelihood. Indeed, all those elements are in there, but what Bullock pulls off is a steady build of suspense, even though the end is inevitable, and an extremely interesting, well done process of character building. I can’t say I actually felt sorry for the mug who literally walks into the Black Bat’s clutches, but I understood him, knew what made him tick, and it made the impact of the story that much more intense.
The accompanying wide vision art of Metcalf matches the tone of Bullock’s story almost too well. A bit too black in some panels, it still manages to capture the depth of dark that permeates this story and the world of the Black Bat. Some of the images are difficult to decipher, but once you do, the effect they have on the reader, at least this one, is profound. No, wrong word, spooky.
Along with the issues with the art, the turn of the phrase in this tale, while strong initially, gets a tad hit and miss in the middle. Once the Bat enters the scene, awkwardness sets in when the villain is sans Bat. But it does recover quite well with the ending. All in all, a neat peek into what has to be a nightly occurrence for a hero like The Black Bat.
Three out of Five Tips of Hancock’s Hat (Three tips are generally reserved for those tales that I enjoy and make for good pulp readin’.)
Hancock Tips His Hat to a SPIDER tale, Wide Vision style!
TIPPIN’ HANCOCK’S HAT-Reviews by Tommy Hancock
“THE CITY THAT COULDN’T SLEEP”
A STORY OF THE SPIDER, MASTER OF MEN!
Writer-Martin Powell
Artist-Pablo Marcos
To be effective, a story must stir something in the reader. It may be happiness, realization, or a burst of positive feeling. It can also be, however, sadness, frustration, or a prevailing sense of gloom and doom. When a pulp story chock full of over the top villains, extreme heroes, bloodlust, and slam bam action evoke all of the previously mentioned things, that is nothing except pretty cool.
THE CITY THAT COULDN’T SLEEP is a SPIDER story written in ‘wide vision’ that will be part of a pulp magazine produced by Moonstone Books in the near future! Wide vision basically means that the story is a combination of text and wide panel illustrations, evoking the feeling of an old pulp magazine on every single page. This story fits that description perfectly, the combination of Powell’s verbal descriptions and Marcos’ stark, startling imagery make this story more than just another ‘Vigilante hero saves desperate city from Evil Villain”.
The story opens, not with exposition, but right in the middle of a nightmare made real. For almost a month, the citizens of New York have been stricken with some strange ailment that makes them all insomniacs. No one, not even The Spider can sleep. Of course, this leads to raw nerves, hallucinations, angry mobs, zombie like citizens tearing each other apart, and The Spider trying to maintain peace and justice as well as his own sanity, more so than usual.
Behind all this is a mastermind known as The Dreamer. Recognizing he will have to deal with The Spider at some point, The Dreamer makes a dangerous move against one of Wentworth’s own. This of course leads to the inevitable clash between good and evil, but along the way a nice little two pronged mystery is also developed, explored, and solved. That aspect of this added a level of depth that isn’t found in most masked vigilante stories I’ve read written by modern authors, but Powell seamlessly blends elements of mystery with the savage battle The Spider fights against the Dreamer. Mix into that the horror of Marcos’ images of the stricken denizens of New York as well as The Spider himself, and the tale is gripping and doesn’t let go until the very end.
One issue the story has, however, is that it’s honestly too short. The premise is wonderful, the action and characterization is dead on, Marcos’ art is quite stunning, and Powell’s purple prose, except for a few awkward phrases near the end, paints a scene as vivid as any picture. What is lost, though, in the length is simply more. I wanted more expansion of The Dreamer’s motivations, more exploration of The Spider’s own issues, and just plain more zombie and gun type action. Had Powell been given the length of a novel, he might have just fit in all that was possible with this story. It is fantastic as it is, but the length does make it feel a bit too confined.
Four out of Five Tips of Hancock’s Hat (usually reserved for heads of state, arresting officers, and little old ladies, which is pretty darn good.)
The Point Radio: Unrated Horror – Now Showing

There’s no question that when you get the rare chance to see an UNRATED horror flick on the big screen, it will be intense. Director ADAM GREEN talks about how HATCHET II got into theaters and who in the genre has helped to inspire him. Plus: WONDER WOMAN back on TV?
And be sure to stay on The Point via
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Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!
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MOONSTONE MONDAY-CHARACTER SPOTLIGHT ON THE SPIDER!!
Character currently written by and profile completed by MARTIN POWELL
MOONSTONE MONDAY-CHARACTER SPOTLIGHT ON DEATH ANGEL!!!
1. Death Angel’s secret identity is…?
2. In five sentences or less, Death Angel’s origin is…?
3. Death Angel’s first appearance was…?
4. Death Angel’s most recent appearance was…?
5. The 5 (at most) most important people in Death Angel’s life are…?
6. The 3 (at most) top villains Death Angel has faced are…?
7. Death Angel likes…
Goodness, light and love.
8. Death Angel dislikes…
10. Death Angel’s favorite food is…
11. If Death Angel couldn’t be there to save the day, to take her place, she would pick…?
MOONSTONE MONDAY…AND MEANWHILE, OUR HERO…- Pulp Character Spotlights
1. The Black Bat’s secret identity is…?
2. In five sentences or less, The Black Bat’s origin is…?
3. The Black Bat’s first appearance was…?
they. (July, 1939, Black Book Detective)
4. The Black Bat’s most recent appearance is…?
5. The 5 (at most) most important people in the Black Bat’s life are…?
Miss Baldwin, fer sure. And Butch O’Leary, Butch is a good egg. Then there’s that strange guy, Langston Rockwell – he kinda gives me the creeps. And, I guess I’m in there. Silk Kirby’s the name. I’m his right-hand man.
6. The 3 (at most) top villains the Black Bat has faced are…?
7. The Black Bat likes…?
8. The Black Bat dislikes…?
9 Any existing characters the Black Bat has met/had a crossover with include…?
There’re all characters when you think about it…
10. The Black Bat’s greatest fear is…?
11. The Black Bat’s favorite food is…?
12. If the Black Bat couldn’t be there to save the day, the person he would pick to take his place would be…?
13 Free-for-all-Say anything, in ten sentences or less, you want about The Black Bat?
14. Links for more of the Black Bat include…?
National Graphic Novel Writing Month, Day #4: Script formats
Day 4. Hopefully by now, you’ve gotten an idea that you might want to turn into a story. However, you may not know how to put it down on paper. What is the format for a graphic novel script?
The short answer is: it varies. There are different variations, based on how different people work and how they expect to collaborate. Remember that a graphic novel usually has other people working with you, and you have to communicate with them before you communicate with the rest of the world. This is why some comics scripts seem conversational in tone, because they’re sending notes to a single artist, maybe remembering that they’re also including the editor, and sometimes the inker, colorist, and letterer in the conversation as well.
There is no one “proper” way to write a script. There are some common formats, however.
Full Script: Pretty much what it sounds like. The script is a modified version of a screenplay, with what should happen in each panel spelled out, including who says exactly what.
Advantages: the writer gets more of what he wants in terms of story pacing, details, killer lines, etc. The editor can look at the script as a complete blueprint and make his comments there, which can be crucial if there are layers of approvals to go through.
Disadvantages: the artist can sometimes be constrained in what he’s doing, and sometimes the writer has not thought the visuals through, so a large chunk of dialogue can overwhelm a panel, and other problems of pacing can appear. And occasionally, the writer will get a bit detailed in his scripting– see any Alan Moore script, for example.
Plot First: This is occasionally referred to as “Marvel Style” because Stan Lee in the early days of Marvel did a lot of his stories this way: the writer would pitch a plot to the artist, hitting the major beats of the story and varying levels of detail, and then the artist would pencil the story. Once the penciled pages were back, the writer would then write dialogue based on what was in the art.
Advantages: It was often faster for one person to crank out a lot of plots and let the artist put in the details. It also freed up the artist to tell the story as he felt best, which often led to more dynamic action sequences and a more fluid style. It also meant the dialogue was fresher, because it was written a month or two closer to publication than full script.
Disadvantages: if the art is incomprehensible, a lot of covering dialogue and captions will have to be jammed in to make it clear. Also, for the purposes of NaGraNoWriMo, it relies on having an artist to draw it so you can come back and dialogue it, so it’s not good for the deadline. But this may work well for you.
Thumbnails: This is a rarer version, but some people swear by it. The writer not only writes the story, but also draws out thumbnails of the entire thing, to show how the people move, how the action happens, and how the shots and pages are composed. The artist then can follow both the script and the thumbnails. Depending on the circumstance, sometimes one person will do a plot and thumbnails, an artist will draw the story, then someone else will come in and dialogue based on the art and faces. (Often used by Keith Giffen, Kevin Maguire and J. Marc Dematties, for example.)
Advantages: The writer is very clear in what he wants. He also can see how his story plays out, whether the dialogue dominates the page, and sometimes resolve other problems.
Disadvantages: Time. Now you have to draw out the story. And you’re also assuming the writer has visual storytelling skills. (Giffen is incredibly fast, he thumbnailed all of 52— a comic a week for a year– and cranked out full pencils for the last 40 pages of Invasion! #2 in something like two weeks, on top of the schedule he already had at the time.) In some cases, it can also reduce the contribution of the artist (although in 52, this was intentional to keep storytelling continuity between the different artists).
Hat tip to Allyn Gibson for pushing this post to the front of the queue. And remember: you can follow all the NaGraNoWriMo posts here!
AND MEANWHILE, OUR HERO…- Pulp Character Spotlights
AND MEANWHILE, OUR HERO…- Pulp Character Spotlights
Character currently written by and profile completed by AARON M. SHAPS
1. The Phantom Detective’s secret identity is…?
Richard Curtis Van Loan, wealthy New York socialite and philanthropist.
2. In five sentences or less, The Phantom Detective’s origin is…?
Van Loan’s parents died when he was very young, leaving him heir to a vast fortune. He led a life largely devoid of direction until a dear friend suggested he help the police with a grisly murder case they were having difficulty solving. He found that he had a natural propensity for sleuthing, and thus the Phantom Detective was born.
3. The Phantom Detective’s first appearance was..?
“The Emperor of Death” by D.L. Champion, 1933.
4. The Phantom Detective’s most recent appearance is…?
I could be wrong about this, but I don’t think there have been any Phantom Detective adventures since the end of the original run of the pulp stories back in 1953…I believe the final novel was “Murder’s Agent,” written by Norman A. Daniels.
5. The 4 most important people in the Phantom Detective’s life are…?
Frank Havens, publishing tycoon, and a mentor of sorts to Van Loan, he was best friends with Van Loan’s father; Muriel Havens, Frank’s daughter, and the love of Van Loan’s life; Steve Huston, a young, hungry, and fearless crime reporter working for Havens’ primary publication, the New York Clarion newspaper; Inspector David Denham, a grizzled, hard-boiled NYPD homicide detective who often works hand-in-hand with the Phantom Detective.
6. The 3 top villains the Phantom Detective has faced are…?
In the original run of Phantom Detective pulps, the Phantom had only one recurring villain: Clifford Boniface. Boniface will be returning to menace the Phantom in the new series as well, and he’ll be joined by a number of new villains of my own creation, including a nefarious illusionist known only as The Diabolist, and a mad scientist named Dr. Andrew Darke.
7. The Phantom Detective likes…
A challenge, both physical and mental; driving a racecar; enjoying an Old Fashioned while playing pool with Frank Haven’s in his Clarion office.
8. The Phantom Detective dislikes…
Criminals, feeling listless, and leaving a case unsolved.
9. Existing characters the Rook has met/had a crossover with include…?
The Phantom Detective has never had a crossover to date, but there are several planned. First up is a prose adventure with the Spider.
10. The Phantom Detective’s greatest fear is…?
Becoming obsolete.
11. The Phantom Detective’s favorite food is…?
Ballpark hot dog at Ebbets Field, home of the Brooklyn Dodgers.
12. If the Phantom Detective couldn’t be there to save the day, the person he’d pick to takle his place is…?
The Spider, one of the few other “mystery men” whom the Phantom trusts.
13 Free-for-all-Say anything, in ten sentences or less, you want about your character. That would be…?
The Phantom Detective is one of the all-time great pulp heroes, and a character that helped to inspire many others in a number of other media, most notably comic books. It is a great honor and privilege to re-introduce him to modern audiences in both comics and prose, and to help the character to evolve and remain relevant. My goal is to make the Phantom Detective into a modern, cutting edge pulp hero unlike any other.
14. Links for more of the Phantom Detective include…
http://moonstonebooks.com/shop/category.aspx?catid=115
http://moonstonebooks.com/shop/category.aspx?catid=37
























