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Pulp 2.0 Press Announces New Line of Pulp Graphic Novels for Digital and Print

Pulp Publisher Launching Line by Licensing Wooley and Tidwell’s 1980’s Indie Comic Serials
MIRACLE SQUAD and TWILIGHT AVENGER for 2011 Release



Los Angeles, CA – Pulp 2.0 Press CEO Bill Cunningham today announced that the company is launching a line of what he calls “pulp graphic novels” for digital and print distribution.  The company begins this new line of pulp entertainment media by licensing the publishing  and media rights to the 1980’s indie comic book serials THE MIRACLE SQUAD and THE TWILIGHT AVENGER created by writer John Wooley and artist Terry Tidwell.

THE MIRACLE SQUAD was originally published as two 4-issue miniseries by  Upshot Graphics  and later, Apple Comics.  The first serial chronicles the adventures of a team of 1936 movie studio professionals who take on the mob bent on ‘acquiring’ their poverty row studio as a means of money laundering.  The team uses their unique skills in props, stunts, makeup, escapology and acting to uncover the leader behind the ‘hostile takeover’ and give him his two-fisted comeuppance. Cunningham is quick to say that, “The Miracle Squad is akin to today’s A-TEAM only set in 1930’s poverty row Hollywood. It’s fun, outrageous and jam-packed with all sorts of pulpy goodness.”

The second Miracle Squad serial  BLOOD AND DUST features the adventures of the team when they tackle a group of land thieves capitalizing on the infamous ‘Dust Bowl’ crisis of the 1930’s.  Set against the backdrop of the Oklahoma range, the movie studio adventurers go head-to-head against poverty, exploitation and cross-burning klansmen.  

THE TWILIGHT AVENGER is the story of a college student Reece Chambers who uses an arsenal of super-scientific gadgets to seek revenge against the criminals who ran down his fiancee and left her in a coma.  Unknown to Chambers is the fact the criminals are led by a masked villain known only as The Centipede. Originally launched by Elite Comics, the series was later published by Eternity Comics and featured zombies, mad scientists and even time travel.

“Both titles reflect the action-packed pulps, cliffhanger serials and B-movies of the 1930’s — the era which also inspired retro movies like THE ROCKETEER and THE INDIANA JONES series,”  said Pulp 2.0 Press MPB (Mad Pulp Bastard),  Bill Cunningham.  “John Wooley and Terry Tidwell captured that dynamic era within the pages of their comic achieving the perfect blend of the heroic daring of the serials with the real-life drama of the 1930’s Depression.  I remember reading both comics in the 1980’s when they were first published, and after I began building Pulp 2.0, I sought John and Terry out to see if their work was available. Their retro-styled comics are a perfect fit for our readers.”  

After several emails and phone conversations, Cunningham licensed the rights to bring back the duo’s comic creations for both print and digital readers.  While the books design style is still in the beginning stages of development, the company is approaching both Miracle Squad and Twilight Avenger as ‘pulp properties that look appropriate to their source material.’  As Cunningham says, “Pulp isn’t a particular medium, it’s an attitude.”  Since both titles were obviously influenced by poverty row adventure cinema of the 1930’s it makes sense to keep and try to amplify that aesthetic.  Miracle Squad and Twilight Avenger  are both terrific stories and our audience deserves to read them in uniquely designed collected editions in whatever format they choose. This is the approach we have taken with our first book, BROTHER BLOOD by Donald F. Glut as well as our soon-to-be-released RADIO WESTERN ADVENTURES which features a ‘lost’ short stories by Glut and legendary DOC SAVAGE creator Lester Dent.”

To that end, Pulp 2.0 is digitally ‘cleaning up’ the original pages for both  Miracle Squad and Twilight Avenger and compiling many bonus “behind-the-scenes” features for the print editions. The bonus features will include design sketches, notes, script pages and essays. “We take our time in the design phase and try and come up with a few special surprises for our readers,” said Cunningham.  “Our goal is to create collectible editions that are easily available online.”

John Wooley, the writer / co-creator of Miracle Squad and Twilight Avenger had this to say: “No one loves pulps and the whole idea of classic pulp fiction more than I do, and our first  phone conversation made it clear to me that Bill Cunningham was a kindred soul who not only shared that love, but also knew exactly how to get the Twilight Avenger and the Miracle Squad to a wider audience than they were ever able to reach during their initial runs.  F. Scott Fitzgerald famously wrote that there were no second acts in American lives. Terry and I are so pleased that,  thanks to Pulp 2.0 Press,  our ’30s heroes and heroines are going to be an exception.”

Both ‘pulp graphic novels’ are scheduled to begin release in 1st quarter 2011.  More details will be made available as they develop. Please visit the Pulp 2.0 website at http://www.pulp2ohpress.com/.

For more information or to arrange an interview please contact Bill Cunningham at the information at the top of the page.

About Pulp 2.0:

Pulp 2.0 is a publishing and media company that creates and distributes quality pulp entertainment media in every manner possible for its audience all over the world to enjoy. The company licenses, redesigns and republishes classic pulp, exploitation paperbacks and magazines through a variety of print and digital media; breathing new life into many of these ‘lost’ properties.

The company also creates new pulp entertainment for its target audience including the original vampire blaxploitation novel BROTHER BLOOD by Donald F. Glut, an internet radio adventure serial THE KNIGHTMARE  “The Murder Legion Strikes at Midnight”  (produced in association with Toronto’s  Decoder Ring Theater), and the upcoming book tribute to legendary radio adventure historian Jim Harmon, RADIO WESTERN ADVENTURES.  In addition, the company is developing the re-release of Glut’s widely acclaimed horror-adventure book series THE NEW ADVENTURES OF FRANKENSTEIN in collectible editions for print and digital.

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October is National Graphic Novel Writing Month!

nagranowrimo-5704834Every November, thousands of intrepid souls, all around the world,
embark on a great novel-writing adventure. National Novel Writing Month,
or NaNoWriMo, as it’s affectionately called by participants, was begun
by Chris Baty in 1999, with the goal of getting writers to tackle a big project.

But that’s next month. For October, ComicMix is declaring it to be National Graphic Novel Writing Month! Or, yes, NaGraNoWriMo. Or #NaGraNoWriMo on Twitter.

The goal is simple: By October 31st, you write a script for at least a 48 page long graphic novel.

You brush your teeth every day? Feed the dog every day? Complain about Brightest
Day
? Good. Now add “write part of my graphic novel script” to that
list. No excuses. If you’ve said “I should do it, but–” this is your time.

For our part, we’re going to have posts every day about what goes into a graphic novel script from a wide variety of comics pros, talking about how to do it and– most importantly– how to keep going.

We should also note for the TRULY hardcore that tomorrow’s the annual 24 Hour Comic Book Day.
Comic creators all around the world participate to create an entire 24
page comic book in just 24 hours… written and drawn! We implore you to
think about that. Think writing a 48 page graphic novel in a month is
too hard? Well, just realize there are some awesome people out there who
can knock out half of that in just one day! And hey, if you participate
at 24 Hour Comic Book Day, you could use that for the first half of your NaGraNoWriMo
project. If you don’t want to crank out a comic in 24 hours, you don’t have to, of course,
although it can be considered training for working for certain
publishers.

So who’s in? Sound off in the comments!

INTERVIEW-MATT MORING, PUBLISHER, ALTUS PRESS!!!


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AP: Matt, thanks for taking the time out to visit with ALL PULP. To kick this off, can you share some personal/professional background about yourself?

MM: Sure, I’m a web/graphic designer who’s worked in publishing for a number of years. In the past, I’ve put this art background to use doing artwork reconstruction work for Marvel, DC, AC, Disney, etc., for their various golden- and silver-age reprints.

But I’ve always loved pulps and I thought I could do at least a serviceable job in making attractive pulp reprints that matched their “cousin” hardcover comic reprints that Marvel and DC are doing.

AP: You are the head man behind Altus Press. What is Altus Press in terms of what it produces and its mission and purpose?

MM: Honestly, it’s to produce the books that I’d like to personally have on my bookshelf. That doesn’t just mean producing a collection of, say all the Secret Agent X stories just because I want them, but making them the de facto place to get these classic stories. In this case, all the Secret Agent X stories have been reprinted in one place or another, in one format or another, over the course of nearly 50 years. So my hope is that my Secret Agent X volumes will allow fans to toss out all those mis-matched reprints they already have–whether they’re the 60s Corinth paperbacks, Hanos digests, Bill Blackbeard photocopies, PDFs, etc.
In addition, I want to share with as many people as are interested all the interesting pulp stories that I’ve encountered, and there seems to be an endless supply of such material. The more I learn, the less I know, as the saying goes.

AP: Altus Press is well known for its collections of reprinted material, a lot of it thought long lost to the public at large. Can you give us a list of what characters you’ve got in your stable of reprints?

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MM: Certainly. I try to do a healthy mix of “done in one”-type collections as well as multi-volume series. Some of the characters include Ravenwood, Mr. Death, Diamondstone, Doctor Death, Johnny Saxon, Ka-Zar, Ki-Gor, Jim Anthony, Polaris, Secret Agent X, Armless O’Neil, Seekay, The Bat, The Black Bat, The Cobra, Sheena, Senorita Scorpion, The Griffon, The Crimson Mask, Red Finger, The Man in Purple, The Black Hood, The Secret 6, The Purple Scar, The Blond Adder, Thunder Jim Wade, and many, many more that are on their way.

AP: What is the process you went through to gather these stories? Is everything you’re reprinting public domain?

MM: No. I generally tried to focus on PD material when I started, but in recent years, I’d say it’s about 50% PD, 50% licenced.
The process on each title is different. Sometimes a final product is quite clear to me, such as my recent Diamondstone: Magician – Sleuth book. In that case, it was very straightforward: there were only six stories and together, they filled out a nice 250-page book. There weren’t any other related stories from the author, G.T. Felming-Roberts, that made sense to include. So that book only took a matter of weeks to finish.

Other books take much longer to complete. My recent Norvell Page detective anthology, When the Death-Bat Flies: The Detective Stories of Norvell Page, has taken over a year to finish. It collects over 30 stories, and I only owned two of them. So it took quite a while to track all those down at finish that 800-page book. And there are other books that I’ve started but am looking for additional pieces to add to flesh them out. Some of these have been in this state for several years.

AP: What about new stories based on existing characters? Is this an area Altus Press works in? What titles?

MM: We do some new material here and there, but since other publishers like Airship 27 do a lot of that, I’ve focused on mainly reprint material. But I will recommend everything that Tom Johnson has written for Altus Press… he’s a pro and everything is a solid read. He’d done full collections such as the book Pulp Detectives, and he’s filled the lion’s share of our semi-regular anthology, Triple Detective. He’s also done new stories to augment reprint material such as in The Hand of Red Finger and The Man in Purple. And he’s got more on the way!

I hope that we’ll also do new material by other authors in the future.

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AP: In dealing with new stories based on old characters, what is your opinion on modernizing/changing them to possibly appeal to a broader readership?
MM:  Well, since I don’t do a lot of new material, I don’t have much to say on it. But a lot of these long-running characters, such as Doc Savage, The Black Bat, The Phantom Detective, etc., all changed and grew within their original pulp runs. If they were published non-stop from the 1930s to now, something tells me editorial & buying tastes would have changed these characters anyway. So as long as the changes don’t make the characters unrecognizable, I have no beef with updating things.

AP: How about all new original characters in the pulp vein? What original characters has Altus Press published?

MM: I’ll just say this: look for news on this in the future.

AP: Yet another line that Altus Press has is its pulp companions/histories. What is the importance of providing these published histories to the modern reader and overall, why is pulp history relevant?

MM: There’s a lot of pulp scholarship that was written in the 1970s-80s in fanzines such as Echoes, Pulp Vault, etc., which deserves to be made more available to the public. These are great fun to assemble, as they’re like a puzzle to put together… what articles & content could/should be collected under one cover on a certain topic? These are the books I’ll frequently pull out to browse through for enjoyment.

Pulp-reading is, by its nature, an insulated group. By that, I mean it’s tough for a person to learn about a character/topic/theme without having to refer to multiple sources to get a thorough history. We shouldn’t force people to do homework. So I think making my Companion books available is a solution for those fans who wish to learn more about a topic… after all, there’s not a top of information on most of these characters online.

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Additionally, many of these books revolve around series which were written by multiple authors under a house name. A lot of time has been spent on attempting to identify writers, and I felt it was important to make that research available. The next generation that wants to dig deeper on IDing authors will appreciate having this information in easy-to-reference editions, I’d reckon.

AP: You’re a publisher and a lot of pulp publishers are also writers? What about you? Are you a writer and if so, what is your general interest as an author?

MM: No, I wish. I’m not a good writer, so I’ll leave that to the people who are.

AP: Altus Press obviously deals with multiple pulp characters. Are there any you haven’t worked with/researched enough/been involved with in some way that are on your to-do list?

MM: Not really. I’ve published Lester Dent which was a dream come true. If anything, it would be great to have a hand at publishing an authentic Doc Savage or Shadow original story and have it considered part of cannon.

AP: It obviously doesn’t seem like you or Altus Press have anytime soon to slow down. Any further projects you can discuss?

MM: There’s plenty in various stages of completion now. The Page Death-Bat book I mentioned earlier is almost done. That’ll make 1200 pages of Norvell Page that I’ve done in just a couple of months.

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I’m just about finished with another companion book, this being The Dime Detective Companion, which reprints a pretty cool story: the fifth anniversary story (from 1936) “The Tongueless Men”. What makes it cool is that it’s written in round robin style, with five of Dime Detective’s most popular writers at the time–William E. Barrett, Carroll John Daly, Frederick C.Davis, T. T. Flynn and John Lawrence–writing a chapter apiece. And it’s up to the reader to figure out who wrote which chapter! It’s pretty fun and it’s never been reprinted before.
I’ve also got my reprinting of the complete series of The Green Lama coming out soon. While I’ve spaced out my previous multi-book series reprints, I’m going to be putting these out in succession, across three volumes. So Green Lama fans won’t have to wait too long for the next books.

I also have a pair of books collecting the adventures of The Suicide Squad coming… two books containing six stories each.

Several more Companion books from Tom Johnson, such as The Black Bat Companion and The Dan Fowler Companion, as well as another collection of Tom’s new stories.

Another multi-book reprint series starring Richard Knight by Donald Keyhoe.

A special Phantom Detective anthology… Doc Savage fans will really enjoy this one!

And last (but certainly not least) is a collection of Paul S. Powers western material, about half of which is comprised of unpublished manuscripts. It’s going to be a great book.

And that’s just the next few months! There’s plenty more down the road. And I’d like to add that these would be impossible to do without the help of so many kind people in the pulp community, among them Tom Johnson, Will Murray and Ray Riethmeier… without their help, our books would be much weaker products.

AP: We can’t thank you enough for being with ALL PULP today, Matt!

MM: Thanks for having me. I’m pleased to see so many regular updates on All Pulp; it makes for frequent visits!

Drive Your Very Own Batmobile!

bat1024x768-8449669Do you know what $150,000 can get you? It can get you your very own Batmobile. One you can actually drive.

No kidding. DC Entertainment has licensed a company to produce functioning life-sized Batmobiles. And not just any Batmobile, but the really cool one: the one from the 1966 teevee series. They build them from a 1970s Lincoln Town Car.

The name of the company is Fiberglass Freaks, and they claim both the interior and the exterior will identical to the original, right down to the now-iconic rocket exhaust flamethrower.

I’ve never been very much of a wheel nut, but if I could afford a real Batmobile, one that will allow me to fry all of the tailgating idiots on the road, then I’m gonna start saving my spare change.

I wonder if that damn lizard will insure it. I also wonder if it comes as a hybrid. You gotta be concerned about the environment, you know.

NEWS RELEASE-CAPTAIN ACTION AT NYCC

Captain Action’s NYCC Exclusives    
Collectors’ specials offered only at convention

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New York, NY September 30, 2010: Captain Action Enterprises, LLC announces limited edition New York Comic Con exclusives for sale at booth #2380.

  • Captain Action & Dr. Eville NYCC 8” Action Figures   


A Cast-A-Way exclusive, packaged in “retro” box style, reminiscent of the original Captain Action Ideal toys from the 60’s. $25.00 each.

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  • Captain Action Exclusive NYCC Trading Card Set


Packaged in a unique CA triangle container (styled after the chest emblem) this fifty-card set also includes a unique 51st Chase Magnetic Card.   $50.00 each.
(Regular sets will be available for $25.00 each.)
  • Lady Action First Appearance & Special Collector’s Card   


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Captain Action (Season 1) #3 includes a special trading card and NYCC sticker. Lady Action writer Tony Lee will be on hand for a signing, as will Lady Action. $5.00 each.
  • Savage Beauty Limited Edition Prints


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Suitable for framing, these prints are $10.00 each. (Captain Action and Zeroids also available.)
Also available will be the two items from TwoMorrows:  “Carmine Infantino-Penciller, Publisher and Provocateur” by Jim Amash. This book will be offered in hardcover and softcover.  As a tie-in with the new Savage Beauty preview, Back Issue #43, showcasing Jungle girls, will also be on sale at this booth, #2380.

About Captain Action Enterprises

Captain Action Enterprises, LLC is dedicated to creating new character experiences for both the collectible/nostalgia market and passionate fans of adventure toys and fiction through licensing, re-creations and creative innovations.  More information is available at www.CaptainActionNow.com.

Captain Action, Lady Action, Savage Beauty and The Zeroids and related characters are ©2010 and ™ Captain Action Enterprises, LLC.


For all the latest on Captain Action visit www.CaptainActionNow.com and  www.MoonstoneBooks.com

PRESS RELEASE-GETTING WILD WITH SAVAGE BEAUTY

 

New Jungle Girl Series SNEAK PEEK at NYCC 
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New York, NY October 1, 2010 Moonstone Books and CAE, LLC are pleased to announce their new series, Savage Beauty, a re-imagining of the jungle girl comic genre, with a modern twist.  
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New York Comic Con will offer attendees a generous sneak peek as Moonstone invites readers to take a walk on the wild side with Savage Beauty. This new comic series tells the stories of sisters Lacy and Livvy Rae and their adventures traveling across modern-day Africa.
Savage Beauty will take readers on an exciting journey as the Rae sisters discover their purpose and strive to contribute and make a real difference in the world.
After graduating from a UCLA, a crisis in Kenya opens up their eyes to a world of problems and possibilities beyond the college life they so enjoyed.  Their “day job” is as reporters for African Adventures Online, but the Rae sisters are guided by the mysterious Mr. Eden to assume the identity of the mythical goddess Anaya. Disguised as this “Savage Beauty”, the two girls fight Somali pirates, Ugandan warlords, rebel armies, corrupt politicians, and various other real-world adversaries torn from today’s headlines.

And the comic book series intends to make a difference too – each issue will donate a full-color advertising page to partner causes such as Oxfam, Just A Drop, and Invisible Children, among others.

Writer and co-creator Mike Bullock says, “Savage Beauty allows me the opportunity to continue exploring the themes I worked with in the pages of The Phantom. Combine that with an opportunity to work with some really brilliant artists on a property I helped build from the ground up, and the appeal for this series is not only relevant, but personal.”
Artists Jose Massaroli (pencils and inks) and Bob Pedroza (colors) join Bullock to bring to life this on-going series. 
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Savage Beauty #1, on sale February 2011, a 48-page over-sized debut issue, includes the first Savage Beauty adventure, a classic reprint of the original jungle girl, Sheena, and Special Features including lost promotional art to a 60’s Raquel Welch jungle girl movie pitch, and a golden age cover gallery.  All this for the retro-rollback price of only  $2.99!
“We’re really excited for this series –and we want to provide fans with a great value from the get-go. And with engaging covers, a killer story and cool extra features – we know retailers will love it”, said retropreneur and marketer Ed Catto.
“I’m amazed and thrilled at the positive feedback we’ve already been receiving on the Savage Beauty Facebook page. If this feedback is any indication, this book will have a bright future”, said CAE’s Joe Ahearn.
The first issue sports a “Movie Poster” cover by Thomas Yeates and two  “Welcome to the Jungle” variant covers spotlighting the girls, Lacy and Livvy, by fan favorite, Dave Hoover
Future covers boast strong talent, including Paul Gulacy, Mark Wheately and Newsweek’s Chris (Zeroids) Short. 
A special collectible ashcan of Savage Beauty #1 will be available at NYCC via the Captain Action’s booth #2380, specially priced for $1.00.
* * *
For all the latest on Savage Beauty and Captain Action, visit www.CaptainActionNow.com and become a fan on Facebook.
Information on Savage Beauty Comics can also be found at www.MoonstoneBooks.com

ALL PULP, THE PULP NEWS SITE, JOINS FORCES WITH THE PULP PODCAST!!

When the concept for doing ALL PULP was being formulated, an obvious aspect to consider was a podcast.  These modern takes on radio shows have proven beneficial to many fields, hobbies, and areas of interest.  The discussion was of course had about ALL PULP’s own Spectacled Seven putting together a podcast show of our own.  That discussion was a short one, though, as we already knew that a great Pulp Podcast already existed.  What? You haven’t heard of the excellent work being done by Ric Croxton and Art Sippo to bring Pulp goodness each and every week to the listening public?  Well, shame on you!  But don’t worry about it, because now that the Book Cave has graciously accepted the Seven’s request to serve as the official podcast for ALL PULP, you’ll hear plenty about the show, guaranteed!

Beginning with the 9/30/10 episode (#94) featuring an interview with Adam Garcia, author of the soon to be classic Airship 27/Cornerstone Publishers novel, GREEN LAMA UNBOUND, The Book Cave will be ALL PULP’s official Podcast.  What Ric and Art do week to week will not change in any way, but an addition to the show will be one of the Spectacled Seven joining the guys with a brief collection of news bits, soundbytes, and glimpses even further into the World of Pulp!  Derrick Ferguson kicks off this awesome period for ALL PULP on this episode, covering all the Pulp that is news!!   Watch this page for all the fun exciting information that will be pouring like bats on their way to a belfry out of the BOOK CAVE!!

Check out the debut of THE BOOK CAVE as ALL PULP’s official podcast here-
http://thebookcave.libsyn.com/  (And catch up on 93 other episodes of Pulpy goodness)!

Calling All Superheroes: Megamind Attempts To Break Guinness World Record– With Your Help!

Not happy with just being one of the funniest actors in the last few years, Will Ferrell wants to do more than make you laugh. He wants to set world records. But, just like Ricky Bobby needed Cal, and Ron Burgundy needed Brick, Champ, and the Bri-Man… Megamind needs you!

In his attempt to set the world record for the most superheros assembled in a single spot, Will Ferrell and DreamWorks Animation are asking all willing and able-bodied cosplayers in the L.A. area to come out. If Will can assemble 1,501 participants to show up in recognizable super-hero costumes (that means Batman, Superman, Spider-Man… not your indie character ‘Can’t-Get-A-Date-Man’ or his sidekick ‘Emo, the Kid Crier’) he will set a new world record. Will knows it takes time to assemble all those bits to your utility belt, and drop a few pounds to fit into your leotard… but you only have days. Saturday, October 2nd, at the L.A. Live Complex, at 10 AM is the call. Will you answer it?

Dust off your favorite codpiece and cape combo, and go party with (hopefully) 1,501 other costumed vigilantes. Sources close to ComicMix assure you this isn’t a plot by Megamind (of the upcoming DreamWorks movie) to capture heroes and remove potential threats. It’s just a friendly get together. There even might be punch and pie. But don’t quote us on that.

Tip of the hat to AICN for turning our heads.

REVIEWS FROM THE 86TH FLOOR- Reviews by Barry Reese

FIRST WAVE #4
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DC Comics
Brian Azzarello & Rags Morales

The fourth issue in the First Wave “kick-off” limited series is finally here, despite the fact that the line has progressed far beyond it at this point. As with the first three issues, the art is stellar — Rags Morales is one of the best working in comics today and I enjoyed his interpretations of Doc Savage, The Spirit, Rima and The Bat Man quite a bit.

Unfortunately, the story is still a bit of a mess, with an unclear plot-line and some unlikeable characterization along the way. How does Doc Savage know the Golden Tree is evil? Because they claim to be interested in promoting peace but they haven’t invited him to be a member, and he’s practically the face of fighting for peace! I’ve seen some reviewers online who seem to like that reasoning but it stopped me in my tracks and made me wonder just how big Doc’s ego is supposed to be. They must be evil because they didn’t invite me to join? What?

I did enjoy The Bat Man’s internal narration at the end and there is an undeniable thrill to seeing Doc alongside The Spirit and Bat Man but if this is the best DC can do with these characters, I think the First Wave isn’t going to be around much longer.

INTERVIEW WITH SEA WITCH AUTHOR JOEL JENKINS!!!!


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AP: Who is Joel Jenkins?

JJ: I’ll have a story addressing that question appearing in the upcoming The Gantlet Brother’s Greatest Hits book slated to be released next year through Pulp Work Press.  Some old enemies of Matthias Gantlet go gunning for him and they figure they can get to him through the writer that’s been chronicling his adventures. This story is inspired by a couple of real life occurrences.

AP: You’ve had a long love affair with Pulp.  How did it start?

JJ: When I was eight or nine I did janitorial work on Saturdays at a downtown office.  On lunch I’d go get a triple scoop ice cream cone for 65 cents and I’d finish it off while I was walking to the end of the town with the bookstores.  There was a new bookstore and a used bookstore within a couple blocks and I discovered Tarzan, Conan, Doc Savage and a myriad of other pulp era stories in those establishments.

AP: And how did that evolve into what you write today?

JJ: More than any other writing style, I enjoyed the fast-paced action and unfettered imagination that burst out of the pulp age.  I try to incorporate both of those things into my own work.  Character development and plot shouldn’t slow a story down, they should help move it along.

AP: And while we’re on the subject; what do you think about Pulp today?

In the 1930’s pulp fiction had a reputation for pushing the envelope, but most authors used some subtlety and restraint. Eighty years later almost anything goes and so some authors proclaiming to write pulp-style fiction lack the finesse (or the desire) to make their stories accessible and acceptable for reading by both youth and adults.  I started reading pulp stories at age eight and I sometimes have children between the age of eight and twelve approach me and tell me that they enjoyed one of my novels.  This being the case I prefer to leave some things as subtext so a more perceptive reader might pick up on them, but it won’t interfere with a youth’s enjoyment.

JJ: However, there is some great pulp being published today that it is accessible to both young and old.  A lot of the Clive Cussler stories fit into this category and he’s had great success, and Airship 27 puts out a great line of books reviving old and sometimes forgotten pulp characters with modern writers.  There are a number of other small presses putting out pulp-style books and Rage Machine puts out periodic issues of Dark Worlds magazine which focuses on pulp-style stories of all genres. 

AP: You ran a website for a long time devoted to Pulp called ELECTRONIC TALES.  Tell us about it.

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JJ: I was one of the pioneers of the e-serial, where authors sent out stories a chunk at a time, via email, to a mailing list of readers.  Five times a week I sent out a page or two of story that usually ended in a cliffhanger of some sort.  At one point the mailing list was over 2,600 readers.

This was a lot of fun and forced me to get a lot of writing done.  However, like many companies in the internet boom there wasn’t enough revenue flow to keep it going indefinitely.  It did seem to make an impact, though, since one storyline was lifted wholesale and converted to be used in a major motion picture franchise—not that I ever saw a penny of royalty money.

AP: Tell us more about your Pulp inspired works.

JJ: One pulp-inspired fantasy series that doesn’t get as much play as some of my other works is the City of Bathos series, which includes Escape from Devil’s Head and Through the Groaning Earth. These draw from a Howardian influence, but really that’s just the starting point.  I mix in an unhealthy dose of well-founded paranoia and Lovecraftian elements, and tell the stories of various denizens of the city.  Mostly these arre just folks trying to survive the best they know how, but their agendas are much different and when their paths cross nasty things are bound to happen.

The first book is written from the perspective of insiders—people intimately familiar with the city of Bathos.  The second book, Through the Groaning Earth, focuses more on outsiders who have been shipwrecked on the reefs outside Bathos and on a handful of characters from the previous book that thought they had escaped Bathos’s pervasive influence and discover how wrong they are when the long-reaching hand of the Assassins Guild follows them to their haven.

AP: Before we get into THE SEA WITCH, tell us about Max Damage and Damage, Inc.

JJ: Olympic hopeful Max Damage inherits his father’s company, Damage Inc, when he receives news of his father’s untimely demise. He finds the books a horrible mess and begans secret compartments and secret company projects.  When a long-legged Russian woman breaks into the office one night looking for information on one of those projects Max realizes he’s in over his head. 

AP: What fascinates you about Max Damage?

Max is the anti-Doc Savage.  Doc Savage is the pinnacle of human mental and physical achievement.  Max has many amazing abilities but for every outstanding ability he has a drawback.  He possesses amazing strength and musculature but he has to eat like a horse to maintain his physique.  He has amazing eyesight but his ocular nerve is so sensitive that bright light effectively blinds him.  He can withstand extraordinary amounts of pain, but his sense of touch is blunted.  He has a photographic memory but is dyslexic.

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AP: So why should we read THE SEA WITCH?

JJ: Primarily for an action-packed read with a trio of misfits as the heroes.  Secondarily, pulp fans might find Max Damage an interesting twist on the superhero archetype.  In no way, however, is this a parody of pulp.  I love the pulp esthetic and incorporate it into nearly everything that I write.

AP: How many stories have you written about Max Damage? What future stories have you got in mind for Max Damage and Damage, Inc.?

JJ: There is of course, the recently released Sea Witch novel.  I’ve also written a pair of novellas called The Sun Stealer and On Wings of Darkness.  Sometime in the next couple of years I hope to make that a trio of novellas and release them in a combined package.  The third story is tentatively titled The Madagascar Hole and will involve prehistoric fish and The Fountain of Life Foundation.  At some point there also may be a cross-over story with Derrick Ferguson’s Regency character.

AP: While we’re got you trapped, tell us about DIRE PLANET.

JJ: American astronaut Garvey Dire is marooned on Mars and while he is wounded and running out of oxygen he sees a repeating vision of a beautiful and strangely-alien woman crossing through a moss-covered structure.  When he interferes with the vision a time loop tosses him into the past and he finds himself in a Mars peopled by savage tribes, beautiful warrior woman, and dark-winged fiends that own the night skies.

This is my homage to Edgar Rice Burroughs, though it is not a pastiche in any way.  This Mars stands on its own and I’ve spent many hours developing its culture and etymology.  There are currently three published Dire Planet novels: Dire Planet, Exiles of the Dire Planet, and Into the Dire Planet.

Strange Gods of the Dire Planet is slated for a 2011 release and Lost Tribes of the Dire Planet is slated for a 2012 release.  I’ve currently finished a draft of Strange Gods and am about 85,000 words into Lost Tribes.


AP: What’s a typical Day In The Life Of Joel Jenkins like?

JJ: It starts at 5 AM and is very, very busy.

AP: What one thing of yours should we read right now?

JJ: Check out my blog at JoelJenkins.com or visit Amazon to pick up my novels in hardcopy and a number of them are also available in Kindle format. My stories are also available in a variety of electronic formats at Fictionwise.com.  Barnes and Noble also carries my books (It looks like they’ve currently got The Sea Witch at only $7.88, which is a 28% discount!) and many of the novels are available for the Nook.