Spider-Man The Musical Sneak Preview on GMA – UPDATED
Spidey-Fans, make sure you’re up Friday morning for a chance to sneak a peek at the upcoming Broadway musical Spider-Man: Turn Off the Dark on Good Morning America. The musical, which is rumored to be one of the priciest to swing into the Foxwoods Theatre, opens November 15. Lucky for all us musical theater geeks, director Julie Taymor and Spidey himself, Reeve Carney, will bring a solo song to GMA via a performance at the Hudson Theater, with fans invited to come down for the free show. We television viewers will enjoy a post-performance interview with the director and the authors of the music and lyrics, Bono and The Edge. Word has it that aside from this musical, both men dabble in rock and roll in a quartet by the name of U2.
While most comic fans are skeptical of their favorite web-spinning hero spinning songs and soliloquies on the Broadway stage, stranger things have become a success. Lest we forget, the Evil Dead Musical was damn good. So, before we light our torches, let’s give the ol’ webhead a chance to sing his spandex off.
UPDATE: So, we watched the telecast, action figure firmly placed in our palms, ready to watch our hero make his way to the stage. Would it be webtastic or a kill a little bit of our soul, like One More Day? Let’s let some pasty white people wax poetic first:
A “pop-up book” set? Those costumes? The Swiss Miss? Is this some kind of cruel joke? Is Norman Osbourne financing this play in hopes of murdering the wall-crawler on the stage? Our high hopes haven’t been crushed this hard since the dance sequence of Spider-Man 3: Attack of Emo Parker. And to put the final nail in the coffin? How about a song from the show:
Let’s be honest here. The song is actually catchy. And because it’s being performed with a rock band, with absolutely no context to the final play, we’ve no idea how terrible this will be once it’s sewn into the “pop-up book” scenery and gaudy costumes. Kudos to Bono and The Edge for writing a catchy rock song (a feat that shouldn’t be that hard, given their 20+ years doing it), but frankly we’re scared for the final product. A lanky rock singer running around in a body sock, whilst a cast of dancing, prancing chorusmen flail about over a rock-and-roll score? Someone give us a copy of the “Death of Gwen Stacy” so we can recall the last time Spider-Man was worth our fanfare.
Jordan Mechner’s Prince of Persia has been an acclaimed video game and he is one of the fortunate creators to be intimately involved in the adaptation from game to feature film. Mechner managed to write the screen adaptation, starring Jake Gyllenhaal and Gemma Arterton. The Disney feature was released to middling reviews and so-so box office in May and comes to home video tomorrow. Disney provided us with this conversation.
Many days, we will find ourselves in heated debates with the uninitiated when it comes to the general quality of comic books. Yes, super muscular guys in spandex parading around in violent battles with other super muscular guys and overly boobed chicks in impossible costumes isn’t what we’re calling haute artistic visual fiction. But we’ve got those pocket references ready for the nay-sayers, don’t we? Watchmen. Sin City. Maus. Ghost World. Justice League International… And then they drop a bomb on our argument. They’ll reference a comic they heard about on the nightly news, or in the “lifestyles” section of the paper, or from some pinko-liberal-starbucks-blog they read on their iPads whilst they wait for a triple-grande-non-fat-latté. And with the mere mention of that book, our arguments are as potent as a pinch of salt in the ocean.
I was too young to buy the 1962 Topps trading card series, [[[Mars Attacks]]], and grew up hearing about these wonderful cards and was delighted when a facsimile edition was released in the 1990s. Others, though, were clearly inspired by them and when he was in a position to do pretty much whatever he wanted, director Tim Burton said he wanted to use the cards for a loving tribute to the goofy SF movies of the 1950s.
When [[[The Matrix]]] burst on to the scene in 1999, we were wowed. Not only was it visually dazzling, but it seemed like a delightful science fiction concept that made you think. The backstory seemed fascinating and viewers wanted more, which Warner Bros and the Wachowski Brothers delivered. Now we know to be careful for what we wish since the two sequels really didn’t live up to the expectations. And maybe they couldn’t since there was just enough background material conceived to make the main story plausible. The Wachowskis clearly didn’t have a sequel in mind and when asked to fabricate one or two, they had to not only top the thrill of the first, but make their imaginary realm come alive.
After a 65 year career in comics, the legendary Gene Colan is retiring. The cover pencils from Gene’s final issue of Captain America #601, which won the Eisner Award this year for best single comic, is now up for auction, to help fund his retirement. The cover depects the classic Cap, Steve Rogers cradling a fallen man whilst war carries on behind his heroic shoulders. And for the lucky winner on ebay, this piece will be quite the collectible.
I should have loved 
when it debuted on CBS in the fall of 1965. At seven, I was the prime audience for this family adventure about the Robinsons and friends who are literally, hurtling through uncharted territory. Instead, I never warmed up to the show and much preferred ABC’s [[[Batman]]] when that arrived in January 1966. I found the science fiction lacking, the acting over-the-top, and the robot one of the few interesting aspects.
