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Christopher Priest Takes on the She-Devil with a Sword

May 16, Mt. Laurel, NJ: One of the most legendary creators in comics history meets one of its most celebrated characters, as Sonja Reborn slashes into stores and readers’ pull lists this August!

Reborn is a tale of survival which takes a hard look at what life in the Hyborian Age might actually be like for a modern woman who finds herself suddenly thrust into it! How might a single woman survive a land of mystical threats and monsters without caving into her fears, dying of infection, or losing the at-best conditional loyalty of her ragged band of male cutthroats? What might this woman really be like and how could she possibly survive?

Christopher Priest (Superman Lost, Conan the Barbarian, Black Panther) has been a boundary-smashing figure in comics for nearly five decades, both on and off the page. With works of his serving as the foundation for billions-grossing blockbusters, Dynamite has been fortunate to work with him through the years and particularly on the Daughter of Drakulon, Vampirella. While he continues innovating in those tales, now in 2025 he also presents an inventive take on the other crown jewel among the Women of Dynamite, Red Sonja.

“We might have called this book ‘Becoming Red Sonja,’” Priest said. “The book delves into the culture shock of a presumed nightmare from which you cannot awaken. Both Black Panther and Quantum & Woody employed observational humor of the sidecar character, a voice from outside of the conceit of the fictional universe it observes, which can underscore both the drama and the humor of a world gone completely insane. Sonja Reborn is our “Kelvin Universe” alternate take on the classic, branching off from familiar paths in order to spiral chaotically into the unknown. I’m having a blast writing it, which is equal parts endorsement and warning!”

Priest acolytes and Hyborian Age scholars may know that Priest is no stranger to the mythos or even Sonja herself, who featured prominently in storylines from his runs on her barbarian compatriot. Yet now, back after more than three decades, with full focus and creative rein, fans will experience his unparalleled approach to the character and her world. This new series brings his trademark missing-puzzle-piece plot assembly and twisted sense of humor, for a historic reimagining of the classics by Roy Thomas, Frank Thorne, Barry Windsor-Smith, Esteban Maroto, John Buscema, and more.

Sonja Reborn presents a new Sonja for a new age. Ancient and codependent gods The Light and The Dark are engaged in a cosmic contest to decide the fate of the world. Young British diplomatic clerk Maggie Sutherland, stolen from the year 2025, suddenly finds herself their pawn in play. Ripped from a modern 21st century world and transported into the wilds of Hyboria, Maggie awakens transformed into the fiery-haired Hyrkanian reaver Red Sonja.

Caught perilously out of her environment amidst a world of gods and monsters, constant threats, new friends and foes alike, Maggie / Sonja must try to figure out what fate has beset her and struggle to find her way home. Together, Priest and Sonja veteran artist Alessandro Miracolo set out with their readers on a quest to reexamine the crimson-maned warrior from the inside out, creating a riveting reinterpretation of Maggie’s hero’s journey to reveal what it might actually take for a woman to survive and thrive in a brutal world of swords, sorcery, and barbarism!

Latest Doings in Forthcoming One World Under Doom Tie-Ins

New York, NY— May 9, 2025 — Doctor Doom’s rule shows no signs of weakening as ONE WORLD UNDER DOOM overtakes the Marvel Universe throughout the summer!

No mere event, ONE WORLD UNDER DOOM has ushered in an entirely new status quo-shifting era. The developments in Ryan North and R.B. Silva’s core series reverberate through Marvel Comics storytelling in various tie-in issues and limited series. The nine-issue series will skip July, only to return in August with a pivotal issue that sets the stage for the event’s final months.

Today, peek ahead at what’s to come with the reveal of ONE WORLD UNDER DOOM tie-in issues on sale in August. Plus, enjoy a special first look at next month’s ONE WORLD UNDER DOOM #5 that shows Doom in the aftermath of his brutal battle with Dormammu and the Avengers seeking the help of the All-Father in their mission to overthrow Earth’s new emperor!

ONE WORLD UNDER DOOM #6
Written by RYAN NORTH
Art by R.B. SILVA

Doom’s reign has been a success for months, with even some heroes questioning if they’re on the right side. A final desperate gamble is conceived, and Reed reveals a terrible secret he’s acquired about Doom’s global domination – but will it be enough? And what has Doom been hiding under that Latverian Dome? All is revealed – at terrible cost! It’s the beginning of the end for some, and the beginning of a new age for others…

RED HULK #7
Written by BENJAMIN PERCY
Art by JETHRO MORALES

LAB RAT!

Machine Man and Deathlok evade police as they hunt for Thunderbolt Ross, A.K.A. RED HULK! But they don’t fully understand the dangers that await them at Project Alpha! Here, at this secret lab located deep in the mountains, General Ryker reveals his plans for the Red Hulk, who is now both a prisoner and an experimental weapon. BEWARE THE NEW WAR WOLF!!!

RUNAWAYS #3 (OF 5)
Written by RAINBOW ROWELL
Art by ELENA CASAGRANDE

DOC JUSTICE, KAROLINA DEAN… AND THE WILL OF DOOM!

Doctor Doom will not be disobeyed! Doombot struggles with a significant decision when an attack on the Runaways is in even greater force! Will an (un)happy reunion save them? And what happens when it’s the last straw for Nico Minoru?!

“Emperor Doom dislikes chaos and messes. Which the Runaways excel at,” Rowell teased in a recent interview with ComicBook.com.

SUPERIOR AVENGERS #5
Written by STEVE FOXE
Art by LUCA MARESCA & KYLE HOTZ

KILLMONGER STRIKES!

Is this a sign of budding romance? Or MURDER? The pieces are falling into place, and the team is ready for their true mission to begin. But who is playing who?

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An Embarrassment of Witches by Sophie Goldstein and Jenn Jordan

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This is not a sequel to Darwin Carmichael Is Going to Hell . It is, though, the only other project I know of by the team behind that webcomic, and it’s set in a world very similar to Darwin Carmichael‘s. It may even be the same world, though not necessarily so.

Darwin Carmichael ran from 2009 through 2013 and then was collected into a book. Sophie Goldstein drew about 90% of it and co-wrote it all, as far as I can tell, and Jenn Jordan drew a few bits and did the other half of the writing.

An Embarrassment of Witches  was a 2020 original graphic novel. This time out, it looks like Goldstein (the professional comics-maker and teacher) did all of the art, but the book is still vague about their roles, so I continue to assume they write it together, in whatever way. (Probably not Marvel Method. My guess would be some variety of co-plotting, with Goldstein maybe doing page breakdowns and then coming back together for dialogue.)

Darwin was set in a modern NYC where everything in myth was true – there were minotaurs on the subway and stoner angels were important to the plot. In Witches, we only see humans, but it’s a world with industrialized, systematized magic – our milieu is the academic world around magic, focused on two young women and their post-graduate lives.

As required in a story about two people, they’re quite different: Rory is impulsive, unsure, flitting from one idea to the next. Angela is driven, focused, serious. And the story is thus mostly about Rory, since she’s more interesting and active.

They’ve both just graduated. Angela is about to start an internship with Rory’s Type A mother, Dr. Audrey Rosenberg. Rory is heading off to work at a dragon sanctuary in Australia with her boyfriend Holden…who, just before getting on the plane, tells her that he wants to open up their relationship to other people. (We get the sense that this sort of thing happens to Rory all the time – she misreads signals, dives into everything headfirst, and gets hurt all the time by everything before bouncing off into something totally different after a big emotional scene.)

So Rory impulsively doesn’t go to Australia, begs Angela to let her stay in the walk-in closet of their apartment – they’ve sublet her room to a guy named Guy for the summer – sells off most of her stuff, and then falls for Guy and decides to follow him into his new Interdisciplinary Magick program. (Every time Rory does something, you can assume the word “impulsively” is there. The narrative doesn’t say she always does this about a boy, but the two cases we see here both fit that pattern.)

Meanwhile, Angela, in a somewhat more low-key manner, is one of six interns working for Dr. Rosenberg (Rory’s mother, again), who is demanding and exacting and apparently has not one iota of human feeling for her employees or family.

They both crash, of course. Angela because she’s been doing the boiling-frog thing, with pressure building up bit by bit probably since she was five, and she just cracks. Rory because that’s what she always does: throws herself into something but only half-asses it, misunderstands other people and doesn’t say what she wants or needs, and then collapses into an emotional wreck when it inevitably breaks apart. 

They yell at each other, they break their friendship…but only briefly, because it’s that kind of story. They also have familiars – I think everyone in this world does, but the familiars are pretty independent and seem to wander off for weeks at a time – who kibitz on their relationship, squabble with each other, and help to mend everything in the end.

It’s a story I’ve seen many times before – you probably have, too. One part quarter-life crisis, one part best friends assuming too much of their relationship. Goldstein and Jordan tell it well, and their quirky, specific world adds a lot of depth and intertest to what could otherwise be a pretty general and bland story. Rory would be deeply annoying in most stories; she’s the kind of person who goes out of her way to step on every damn rake on the ground, over and over again.

In the end, they both move on to things that we think are good for them – at least, we hope so, and it is the end, so we’ll give them the benefit of the doubt. It’s a solid ending, open and forward-looking. I don’t know if we’ll get another story by Goldstein and Jordan set in a world of industrialized magic, but…if we got two, surely there’s no reason there couldn’t be three?

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

New Age of Apocalypse Event Coming in September

New York, NY— May 9, 2025 — This September, Marvel Comics marks the 30th anniversary of Age of Apocalypse, a groundbreaking X-Men storyline, with X-MEN OF APOCALYPSE, an all-new six-part event series by legendary writer Jeph Loeb, one of the creators behind the original Age of Apocalypse, and, in his first series since returning to Marvel earlier this year, Eisner nominated artist Simone Di Meo.

Mirroring the first Age of Apocalypse saga, X-MEN OF APOCALYPSE will kick off in X-MEN OF APOCALYPSE ALPHA #1, continue through X-MEN OF APOCALYPSE #1-4 starting in November, and conclude in X-MEN OF APOCALYPSE OMEGA #1. A prelude to the event will be featured in Giant-Size Age of Apocalypse #1 next month, where Loeb and Di Meo team up for the one-shot’s special Revelations Backup story.

THE X-MEN OF APOCALYPSE CRASH INTO THE MAIN MARVEL UNIVERSE!

A dystopian future created when Charles Xavier was killed, AGE OF APOCALYPSE is home to a wartorn group of X-Men led by Magneto. In order to free their Earth from Apocalypse’s cruel reign, they were willing to sacrifice their very existence—or so they thought! The main timeline was restored, Apocalypse was defeated, but their world lived on!

Taking place in the direct aftermath of the original crossover’s explosive finale, X-MEN OF APOCALYPSE reignites the mission of this iconic reality’s X-Men as they journey here to ensure their universe’s survival. This desperate mission will take them into the main Marvel Universe, where they will come into conflict with their classic counterparts, forever impacting both team’s destinies!

“Thirty years ago, THE X-MEN OF APOCALYPSE took the comics world by storm and I was lucky enough to be part of it,” Loeb shared. “There were new characters! New designs! Heroes who were villains and villains who were heroes! Now, for the 30th anniversary, an all-new, all-different story with spectacular art by Simone Di Meo brings us to this uncanny team that shouldn’t even exist — and they are coming here! Join Gambit, Sabretooth & Wild Child, Blink, Forge and Morph and more as they try to save one universe without dooming another!”

“Working with a legend like Jeph is really exciting,” Di Meo said. “I’ve known his work for years along with the great impact it’s had on this industry and I’m really honored. Beyond that, I’ve really found a friend and someone who’s passionate about his work so it’s really nice to work with him, Marvel and Tom [Brevoort] together day by day trying to build the best book of my career.

“Being able to touch a legendary story like Age of Apocalypse is unexpected for me, that event has an important place in Marvel history, and being able to enter it and give my own take is absolutely incredible. I’m giving my all to make all the readers happy, from the longtime fans who loved the event in the ‘90s and the new ones who I hope can become just as passionate about it. I’m excited and nervous at the same time!”

X-MEN OF APOCALYPSE ALPHA #1
Written by JEPH LOEB
Art and Cover by SIMONE DI MEO
On Sale 9/3

X-MEN OF APOCALYPSE #1 (OF 4)
Written by JEPH LOEB
Art and Cover by SIMONE DI MEO
On Sale November 2025

Lethal Weapon Finally Makes its 4K Debut in June

Burbank, Calif., May 6, 2025 – Lethal Weapon, the 1987 action thriller film from director Richard Donner and starring Mel Gibson and Danny Glover, will be available for purchase Digitally in 4K Ultra HD and on 4K UHD Blu-ray Disc on June 24.
 
The box office hit was nominated for the Academy Award® for Best Sound and spawned a franchise with three sequels and a television series.
 
The Digital and 4K UHD disc release includes the 1987 theatrical version of the film and the 2000 Director’s Cut, which features an additional 7 minutes of footage not seen in theaters.
 
Directed by Donner (Superman), the film stars Gibson (Braveheart) as Detective Martin Riggs, Glover (Predator) as Detective Roger Murtaugh, and Gary Busey (Point Break). Shane Black wrote the script, and Donner, Joel Silver, and Silver Pictures produced it.
 
Lethal Weapon will be available on Ultra HD Blu-ray Disc online and in-store at major retailers and Digitally from Amazon Prime Video, AppleTV, Google Play, Fandango at Home, and more.
 
About the Film
Mel Gibson stars as a one-man killing machine, a Los Angeles policeman who recently lost his wife and has been acting increasingly unstable. Danny Glover plays a by-the-book homicide detective with an impeccable record and a loving family. Now the two are stuck with each other as partners, investigating a suicide that leads to an international crime ring and ever-increasing danger in this blockbuster action thriller.
 
Lethal Weapon Digital release and Ultra HD Blu-ray disc contain the following new special features:

  • A Legacy of Inspiration: Remembering Richard Donner
  • “I’m Too Old for This…”

BASICS

Lethal Weapon
Ultra HD Blu-ray Languages: English, Spanish, Parisian French
Ultra HD Blu-ray Subtitles: English SDH, Spanish, Parisian French
Theatrical Version Run Time: 110 minutes
Director’s Cut Run Time: 117 Minutes
Rating: R for strong violence, strong language, brief drug use, and some nudity
Digital Street Date: June 24, 2025
Physical Street Date: June 24, 2025

New Avengers Revived with New Roster, New Mission

New York, NY— May 7, 2025 — In March, Marvel Comics announced that a new era of THUNDERBOLTS was coming this June by writer Sam Humphries (Uncanny X-Force) and artist Ton Lima (West Coast Avengers). Today, a startling truth is revealed—in classic Thunderbolts fashion, this latest iteration isn’t at all what it seems! They’re the NEW AVENGERS!

Since their debut as a team of disguised supervillains, the Thunderbolts have become synonymous with unpredictable twists and unconventional rosters. This legacy continues with a surprise—and first-of-its-kind—comic book title change that echoes the jaw-dropping twist in Marvel Studios’ Thunderbolts*, now in theaters, while introducing an entirely new—and shocking—team of heroes!

THE WINTER SOLDIER. BLACK WIDOW. EDDIE BROCK, CARNAGE. THE HULK. NAMOR. CLEA. WOLVERINE. It’s a group of the most dangerous loners and antiheroes in the Marvel Universe, yet they’ll come together as the NEW AVENGERS! In classic Avengers fashion, they’ll assemble to take on a threat too big for any one hero to combat—corrupt clones of the Illuminati! And in the spirit of Brian Michael Bendis and David Finch’s decade-defining New Avengers run, this radical lineup will usher in a revolutionary new era of Earth’s Mightiest Heroes!

Elated to talk about the secret change finally, Humphries said, “Plot twist–it’s been NEW AVENGERS all along! I promised surprises, and this is the first of many. It’s a thrill and an honor to continue the grand New Avengers tradition of team dynamics that are as explosive as the threats. And this era has two combustible teams: the New Avengers and the Killuminati!”  Check out the covers, including a homage to David Finch’s iconic New Avengers #1 cover by Whilce Portacio, newly revealed character variants by Derrick Chew, Ejikure, and Woo-Chul Lee, and the first of three Marvel Studios Variant Covers. Featured on the first three issues of the series, the Marvel Studios Variant Covers spotlight original character designs by Marvel Studios’ Director of Visual Development, Andy Park, for the Thunderbolts* film.

NEW AVENGERS #1
Written by SAM HUMPHRIES
Art by TON LIMA
Cover by STEPHEN SEGOVIA
Virgin Variant Cover by STEPHEN SEGOVIA
Variant Cover by MARK BAGLEY
Variant Cover by STEPHANIE HANS
Black Widow and Winter Soldier Variant Cover by DERRICK CHEW
Carnage and Wolverine Variant Cover by DERRICK CHEW
Clea and Namor Variant Cover by EJIKURE
Hulk Variant Cover by WOO-CHUL LEE
Spoiler Homage Variant Cover by WHILCE PORTACIO
Killuminati Variant Cover by JOSEMARIA CASANOVAS
Marvel Studios Variant Cover by ANDY PARK
Logo Variant Cover
On Sale 6/11

Black Cat Gains New Ongoing, New Modus Operandi

New York, NY— May 6, 2025 — This August, BLACK CAT is back in an all-new solo ongoing series written by superstar writer G. Willow Wilson (Ms. Marvel) and drawn by rising star Gleb Melnikov (Amazing Spider-Man). Spinning directly out of Joe Kelly, Pepe Larraz, and John Romita Jr.’s Amazing Spider-Man, BLACK CAT kicks off with Felicia Hardy testing her luck at being a full-fledged super hero. The series will be a radical shift for the character’s solo adventures as Black Cat is battling supervillains, including many of Spider-Man’s most fearsome foes, amidst her usual high-stakes capers. But is her most recent change of heart for purely altruistic reasons or simply a way to pull off her greatest heist yet?

SUPER-THIEF, SUPER…HERO?!

Felicia Hardy is the BLACK CAT, the world’s slyest and most skilled super-thief! She loves a good score. The longer the odds, the better! But her entire world turned upside down after SPIDER-MAN’s brutal battle with HELLGATE in Amazing Spider-Man #8-9, so Felicia is turning over a new leaf as New York City’s newest…super hero?! The first super villain on her list – THE LIZARD! But will the Black Cat risk it all after her do-gooding moral high ground attracts dangerous attention from the lowest of the city’s underworld? Easy, KINGPIN OF CRIME, she’s still skimming off the top – honest! Don’t miss the winding road of twists, turns, laughs, and mind-bending action of BLACK CAT’s next exciting chapter!

The series marks Wilson’s first ongoing Marvel series since her groundbreaking run of Ms. Marvel ended. Wilson wrote a short tale starring Black Cat in Spider-Man: Black Suit & Blood #4 last year.

“As soon as Spider-Man: Black Suit & Blood dropped and people saw the Black Cat story, readers began to ask me ‘When are you going to write more Felicia?’ Well, the answer is: right now,” Wilson shared. “Black Cat is so much fun to work with. She’s a supporting character with main character energy. And she has such a rich history that there are tons of tantalizing story threads to pull on.”

“I was itching to draw more of Felicia after finishing my first Spider-Man issue, so when [Editor] Tom Groneman asked if I was interested in working on the BLACK CAT series, I typed ‘YES!’ faster than a lightning bolt,” Melnikov said. “Black leather, street-level fights, and the chance to draw our favorite usual suspects from Spidey’s rogues gallery? Sign me up! Not to mention I’m very excited to work with Willow and color artist Brian Valenza.”

BLACK CAT #1
Written by G. WILLOW WILSON
Art by GLEB MELNIKOV
Cover by ADAM HUGHES
Variant Cover by JEEHYUNG LEE
Virgin Variant Cover by JEEHYUNG LEE
Variant Cover by PEACH MOMOKO
Variant Cover by SIMONE DI MEO
On Sale 8/20

Mephisto’s Plan Gives ERise to More Bring on the Bad Guys One-Shots

New York, NY— May 6, 2025 — A long-standing scheme involving Marvel’s greatest supervillains is uncovered this June in BRING ON THE BAD GUYS, a new seven-part saga celebrating the nearly 50-year legacy of the groundbreaking BRING ON THE BAD GUYS trade paperback. The event begins this June in BRING ON THE BAD GUYS: DOOM #1 by Emmy Award-winning writer Marc Guggenheim and acclaimed artist Stefano Raffaele and continues in July with BRING ON THE BAD GUYS: GREEN GOBLIN #1, BRING ON THE BAD GUYS: ABOMINATION #1, and BRING ON THE BAD GUYS: LOKI #1, each delivered by all-star creative teams. Today, fans can learn about the event’s final three chapters, on sale in August: BRING ON THE BAD GUYS: RED SKULL #1, BRING ON THE BAD GUYS: DORMAMMU #1, and BRING ON THE BAD GUYS: MEPHISTO #1, which sees Guggenheim return to deliver the event’s fiery conclusion alongside artist Álvaro López. In addition to writing the first and last installments, Guggenheim will team up with artist Michael Sta. Maria for a backup story in each issue, shedding light on Mephisto’s overarching scheme and the mysterious new villain SISTER SORROW! 

Acclaimed writer, military-history buff Stephanie Phillips, and moody, dynamic artist Tomasso Bianchi dive deep into their dark sides in BRING ON THE BAD GUYS: RED SKULL #1! Witness Red Skull at his most sinister in a story from his ruthless past during the dark days of World War II, along with the horrible future that awaits Captain America as a result, thanks to a deal with the devil himself!

Then, join acclaimed creators, writer Alex Paknadel and artist Javier Pina, as they dare to test the dread Dormammu in BRING ON THE BAD GUYS: DORMAMMU #1! The saga takes a mind-bending turn as Dormammu is drawn into a battle across generations, and the arcane horrors of the Dark Dimension come to life as vividly as you’ve never seen them before! But what could move Dormammu to help anyone seeking his aid?

Finally, all seven villains’ paths collide in the grand finale, BRING ON THE BAD GUYS: MEPHISTO #1 by event architect Marc Guggenheim and artist Álvaro López. Victory is in Mephisto’s grasp as he prepares to control all souls on Earth! But who is the mysterious figure who stands against him?

“Marvel broke the mold with supervillains, pushing them past the archetypical to the complex and some even morally gray but still to be feared,” Editor Mark Paniccia added. “Each of these one-shots are an opportunity for fans to see what makes these villains some of the most dangerous characters in the Marvel Universe.”

BRING ON THE BAD GUYS: DOOM #1
Written by MARC GUGGENHEIM
Art by STEFANO RAFFAELE
Cover by LEE BERMEJO
On Sale 6/18

BRING ON THE BAD GUYS: GREEN GOBLIN #1
Written by ETHAN S. PARKER, GRIFFIN SHERIDAN & MARC GUGGENHEIM
Art by MATTEO DELLA FONTE & & MICHAEL STA. MARIA
Cover by LEE BERMEJO
On Sale 7/2

BRING ON THE BAD GUYS: ABOMINATION #1
Written by PHILLIP KENNEDY JOHNSON & MARC GUGGENHEIM
Art by SERGIO DÁVILA & & MICHAEL STA. MARIA
Cover by LEE BERMEJO
On Sale 7/16

BRING ON THE BAD GUYS: LOKI #1
Written by ANTHONY OLIVERIA & MARC GUGGENHEIM
Art by JETHRO MORALES & MICHAEL STA. MARIA
Cover by LEE BERMEJO
On Sale 7/30

BRING ON THE BAD GUYS: RED SKULL #1
Written by STEPHANIE PHILLIPS & MARC GUGGENHEIM
Art by TOMMASO BIANCHI & MICHAEL STA. MARIA
Cover by LEE BERMEJO
On Sale 8/13

BRING ON THE BAD GUYS: DORMAMMU #1
Written by ALEX PAKNADEL & MARC GUGGENHEIM
Art by JAVIER PINA & MICHAEL STA. MARIA
Cover by LEE BERMEJO
On Sale 8/20

BRING ON THE BAD GUYS: MEPHISTO #1
Written by MARC GUGGENHEIM
Art by ÁLVARO LÓPEZ
Cover by LEE BERMEJO
On Sale 8/27

Jaws 50th Anniversary Edition Coming To Disc and Digital June 17

Universal City, California, April 29, 2025 – JAWS made history in 1975, turning a young Steven Spielberg into a household name and boldly establishing the summer blockbuster spectacle that revolutionized the film industry. Winner of three Academy Awards®, including Best Original Score, JAWS has become a global phenomenon, and half a century later, it still holds a grip on audiences around the world. Universal Pictures Home Entertainment celebrates this cinematic milestone with the JAWS 50TH ANNIVERSARY EDITION, available on June 17, 2025, in 4K Ultra HD, Blu-ray™, and Digital. This Combo Pack features the never-before-seen documentary, JAWS @ 50: THE DEFINITIVE INSIDE STORY, a brand-new look at the making and legacy of the film directed by Laurent Bouzereau and from National Geographic, in partnership with Steven Spielberg’s Amblin Documentaries, Nedland Media, and Wendy Benchley. The disc and digital include over five hours of bonus features with an inside look at the making of the film, deleted scenes, original on-set footage, and much more! JAWS will also be available in an all-new limited edition SteelBook with never-before-seen artwork.
 
When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town’s chief of police (Roy Scheider), a young marine biologist (Richard Dreyfuss),
and a grizzled shark hunter (Robert Shaw) embark on a desperate quest to destroy the beast before it strikes again. Featuring an unforgettable score that evokes pure terror, JAWS remains one of the most influential and gripping adventures in motion picture history.
 
JAWS @ 50: THE DEFINITIVE INSIDE STORY:

  • This documentary gives Steven Spielberg an authorized look inside the story of JAWS. From Peter Benchley’s epic novel to Spielberg’s film, JAWS continues to influence pop culture, cinema, and shark conservation. With interviews from Hollywood’s most influential directors and shark scientists, the legend of JAWS is endless.

 
BONUS FEATURES ON 4K UHD, BLU-RAY™ AND DIGITAL INCLUDE:

  • Deleted Scenes and Outtakes – Over 13 minutes of content
  • The Making of JAWS—This original full-length documentary gives an insider’s look into the making of this classic film. It is filled with exhaustive cast and crew interviews, archival footage, outtakes, and much more!
  • JAWS: The Restoration – An in-depth look at the intricate process of restoring the movie.
  • The Shark is Still Working: The Impact and Legacy of JAWS – A fan-made documentary that focuses on the many ways JAWS has helped shape elements of pop culture and influence a generation of filmmakers.
  • JAWS Archives
    • Storyboards
    • Production Photos
    • Marketing JAWS
    • JAWS Phenomenon
  • From the Set – Available on Disc only
  • Theatrical Trailer
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Fortune & Glory: The Musical by Brian Michael Bendis & Bill Walko

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Brian Michael Bendis’s Hollywood memoir-in-comics Fortune & Glory  was republished about two years ago, for no obvious anniversary- or thematically-related reason. At the time, I thought it was just a random new edition, but now it’s clear that it was setting up for what we might as well call a sequel.

Fortune & Glory: The Musical was published at the end of January – I don’t think it was serialized first, which is a little unusual for a book written by a guy like Bendis and published by an outfit like Dark Horse – and it tells a different story of a younger Bendis getting pulled into writing stuff for other creative media. While the first F&G centered on trying to turn his creator-owned early noir GNs into movies – Spoiler alert! it didn’t quite happen, though Bendis got contacts and contracts and some income for a few years and other things eventually did get made – this second one is about one project that we readers might not have known Bendis was ever part of.

The famously…um, troubled Broadway musical of the early Teens, Spider-Man: Turn Off the Dark [1], had a book attributed to director Julie Taymor, playwright Glenn Berger, and (after a hasty rewrite during previews) playwright and comics scripter Roberto Aguirre-Sacasa. But it was no secret that other writers, including several comics writers, had been part of the project earlier. And Bendis was one of them, having been pulled in by Marvel head Avi Arad in 2004 to meet with Taymor and, everyone hoped, write the book of this musical.

(The music and lyrics were always going to be by Bono and The Edge of U2, and they were.)

The Musical is written by Bendis and features him as the main character, with roughly the same character design as the Bendis-drawn original F&G. But this time the art is by Bill Walko, with colors by Wes Dzioba and letters by Joshua Reed. It is the story of his involvement with Turn Off the Dark – which is actually pretty short and minor – as well as loosely-related material about his youth and the usual how-I-got-into-comics stuff.

Bluntly, Bendis took a couple of meetings with Taymor (one by phone, one after being flown down to LA), where he was impressed by her energy and passion but reacted really badly to two major pieces of her vision. First, that the musical should end, like a comic book, with a big “To Be Continued!” message – but he thought he could finesse that. Second, and more seriously, that she wanted to change Spider-Man’s origin from the standard radioactive spider-bite, so that instead Peter Parker got his powers by praying to the Greek goddess Arachne.

(That stayed in the final work, more or less, so it clearly was a deal-breaker for Taymor. I’m more surprised that Marvel allowed it; they could have fired her instead and gone with another director. But I suppose this was post-bankruptcy, pre-Iron Man Marvel, a company more willing to take a crazy chance on someone who was well-known and successful in her area of expertise.)

So Bendis wrote up a treatment, and had another meeting to pitch it. He did not include the Arachne origin, and got only about that far into the pitch before Taymor blew up, and Bendis’s involvement in the project quietly ended. (Bendis thought the project ended, and was surprised when the musical popped back up a few years later.)

That, as I hinted above, is only one small thread in The Musical – maybe 15% of the pages at most. It’s not a long story, and not a lot happens. Most of the book is flashbacks to Young Bendis, dewy-eyed and obsessed with comics, bugging people like Walt Simonson and making crappy comics as a teenager and, eventually, forging an indy self-published crime-comics career in his twenties.

I don’t know if anyone will come to The Musical for that story, but, if you’re a Bendis fan, you’ll probably enjoy it. It’s the standard story of a lot of fans-turned-pro, and Bendis tells it with a lot of self-awareness and humor. Walko brings a slightly cartoony, caricatured line that adds energy and big facial expressions to pages with lots of captions and dialogue.

The Musical does not provide much background on Turn Off the Dark; Bendis was only involved briefly and inconclusively several years before it actually happened. But it’s an amusing “creative people are obsessive weirdoes with quick tempers” story, and the rest of the material in the book is at least loosely and vaguely connected to that story.

[1] I actually saw Turn Off the Dark on Broadway with my two kids. Sadly, I saw it after the retool, when it was just kooky and not full-on insane. I  didn’t write about it at the time, and that was fifteen years ago, so all I have are vague memories. It was very technically impressive and full of excellent on-stage talent doing impressive things, but the story was…well, I don’t want to say “a confused mess,” since that would be insulting, but it wasn’t the most clear and understandable thing I’ve ever seen.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.