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REVIEW: Avatar Legends: City of Echoes

Avatar Legends: City of Echoes
By Judy L. Lin
320 pages/Amulet Books/$21.99

I know this much about The Last Airbender and The Legend of Korra, so I approached this first novel in what is being billed as the Avatar: Legends series. Is the title intended to be about stories set in and around the Avatar series, or is the legend in question the protagonist in this Young Adult novel? That’s open to interpretation.

Set in Ba Sing Se, the last major city in the Earth Kingdom, mainly in the Lower Ring, we come across refugees from the atrocities committed by the Fire Nation, as they seemingly rampage across the world. The Avatar is nowhere to be seen and is rumored to be dead (we know better, right?). We focus on Jun, a sixteen-year-old whose family has been lost, so she and her grandfather take refuge wherever they can. She enrolls in school, utilizing her skills as a calligrapher to do what she can to support herself.

Jin’s best friend, Susu, is from a family that owns the popular Wen Bakery. Things kick off when Susu signs a contract to serve the Upper Ring after her father gambles away the bakery. Jin promises to find a way to raise the funds to settle the debt and regain her friend. This results in allying herself with the somewhat aloof Xuan, a classmate whose family runs the apothecary where she gets her grandfather’s medicine.

From there, she takes on increasing risks to find money and Susu, becoming a messenger for the Black Market Silver Fangs before being initiated into their ranks. When she encounters Susu, she is a brainwashed member of the Joo Dee and does not recognize her bestie. As the Fire Kingdom’s soldiers invade the city, she also becomes part of the resistance.

Our focus rarely leaves Jin, who is constantly challenged about her assumptions regarding people, as well as her nascent skills as an Earthbender. Her growth drives the narrative as she befriends other refugees-turned-freedom fighters, including Smellerbee and Longshot.

Lin keeps the story moving along at a good pace, offering each character just enough of a personality to be interesting, but none are provided much in the way of depth. Conversations that would have allowed the characters to grow are truncated in favor of advancing the plot. The contrasting lives of the two rings are also given short shrift, so she imagines her readers can picture the locales based on the animated series. Speaking of which, we see Jet’s familiar attack on the Pao Family Tea House from Jin’s point of view, giving you an anchor as to where this fits into the overall continuity.

Events present obstacles and challenges, but few of the characters are truly endangered, blunting the edge this could have had.

Clearly, I am not the audience for this work, but it was an entertaining enough read and fans of the series should enjoy this self-contained story.

Usagi Yojimbo, Book 7: Gen’s Story by Stan Sakai

This one collects seven more issues of the early Usagi Yojimbo comic, plus a story from Critters, though the dates in the book are a little confusing. The book itself claims a first edition in September 1991, but says the stories included are copyright no earlier than 1992. Now, Stan Sakai is a fantastic creator, but I do think he’s bound by linear time, so issues 32-38 of Usagi, which were published from February 1992 through March of 1993, could not be collected in late 1991. Given that it has a 1996 Sergio Aragones introduction, and the second edition is said to be December 1997…I’m wondering if that first edition is a typo or just a mistake inserted onto the copyright page so long ago everyone has forgotten about it.

This book is also the end of the initial Fantagraphics run of Usagi. A second edition started up – checks notes – what looks like the very same month from Mirage . That one only lasted sixteen issues, but then Dark Horse picked it up and ran for another twenty-plus years for over a hundred and fifty issues.

So I’ll look to see if the beginning of the eighth volume seems to be more of an attempt to onboard new readers; this seventh volume, Gen’s Story , is much like the books immediately preceding it. There’s one long story that gives the book its title, this time featuring the return of the irascible rhino bounty hunter Gen, and featuring some historical backstory for him, alongside a cluster of shorter, relatively standalone stories.

We meet a female thief, Kitsune, who may be a love interest for Usagi, and then she returns in a later story. We’ve got a ghost story, in which Usagi is able to lay the spirit of a general he served under. We’ve got two shorter stories, one mostly humorous about young Usagi with his sensei and one where he’s narrating an encounter with an evil witch-like character to Noriyuki, the young panda lord who has showed up in this series a few times. And there’s “The Last Ino Story,” in which Gen and Usagi find that blind swordspig and nurse him back to health, learning what’s happened to him after their last meeting. (With about a hundred and eighty issues of later Usagi, I’m vaguely dubious anything of this era is “the last” anything, but it’s possible he never shows up again.)

As always, Usagi is upstanding and righteous, closely following the code of bushido and not particularly suffering because of it – this is a lightly moralistic series for younger readers, so the character with the rigid moral framework will be correct in every situation and events will arrange themselves so that he succeeds in his endeavors. Gen in particular exists to show an alternative to Usagi – not quite villainous, but clearly Not Right, like a young man bandying a girl’s name in a Wodehouse novel. The fact that this entire social setup was exploitative and corrupt, enabling a vicious caste of violence experts who were able to terrorize peasants basically at will…well, that’s just the way of the samurai, isn’t it?

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

The Spirits of Violence Feature all the Ghost Riders

This October, the darkest corner of the Marvel Universe reignites in SPIRITS OF VIOLENCE, a five-issue limited series written by Sabir Pirzada, following up on his acclaimed Spirits of Vengeance series, and drawn by Paul Davidson, known for his recent stellar work on Namor and X-Force.

Tying together the entire Ghost Rider legacy, the explosive saga unites various heroes who have held the mantle including Johnny Blaze, Danny Ketch, Kushala, Hellverine, newcomer Fantasma, Robbie Reyes in his long-awaited return, and more, after they and those closest to them are targeted by a dangerous entity known as the SPIRIT OF VIOLENCE!

GHOST RIDERS UNITE!

When a strange group of new villains set their sinister plan in motion, Ghost Riders past, present and future must combine forces to save the world. But just who is the Spirit of Violence, and what horrors do they bring from Johnny Blaze’s and Danny Ketch’s pasts? Forget everything you thought you knew about Ghost Rider! The most climactic ride in history starts here!

On continuing his saga and the reveal of the Spirit of Violence’s identity, Pirzada shared, “Those who read our previous series, Spirits of Vengeance, already know that the host for the Spirit of Violence is none other than Barbara Ketch. That’s right! Danny’s sister has returned from the dead, and she’s already killed Linda Littletrees. That was always intended to be the kickoff to what I’m referring to as the ‘Violent Era’ of Ghost Rider, where all bets are off. The end of issue 2 in particular will prove that we are not playing it safe.”

SPIRITS OF VIOLENCE #1 (OF 5)
Written by SABIR PIRZADA
Art by PAUL DAVIDSON
Cover by KENDRICK “KUNKKA” LIM
Variant Cover by SIMONE BIANCHI
Variant Cover by E.M. GIST
Virgin Variant Cover by E.M. GIST
Kimono Variant Cover by PEACH MOMOKO
On Sale 10/1

Anna by Mia Oberländer

Books that are obvious metaphors can be tricky. Especially if you’re not quite sure exactly what they’re a metaphor for.

I think Anna  is Mia Oberländer’s first major graphic novel – it says it was created as part of her thesis in illustration at the Hamburg University of Applied Sciences – so I don’t have any prior work to check, to see what her usual method of working is. (The edition of Anna I read was translated by a person whose name was printed, vertically, in a fussy scripty font – apologies if I get it wrong but it seems to be Nika Knight.)

In the German mountain town of Bad Hohenheim, we see three generations of women, all named Anna. Perhaps for clarity, the grandmother is Anna1, her daughter Anna2, and our blonde narrator Anna3. And we immediately think that this will not be a naturalistic, straightforward story.

Anna2, and eventually Anna3, are exceptionally tall. Extraordinarily tall, strikingly tall, unusually tall, remarkably tall, uncomfortably tall. They have gangly super-long legs and torsos maybe a bit longer than normal. They tower over all of the rest of the people in the town – even the men, I think, though the point seems to be that they’re too tall for women, and that makes them generally unattractive to men and that they stand out in a way women shouldn’t.

There’s clearly an element of feminism in this metaphor – there’s a TV talking head who has an extended sequence giving advice to exceptionally tall girls which is the clearest indication of that part of the theme – but Anna2 and Anna3 are also clearly meant to be strange for women, outside of the norms, different in an unsettling way. They can’t be feminine in the way their society expects – they’re too big, taking up too much space, gangling randomly about, clearly out of place. We see Anna2’s size being commented on when she’s still a baby, her long legs erupting from a carriage to splay all over.

Is the metaphor about women who “take up too much space” – who are too big, too dominant, too much not deferential and quietly “feminine?” Maybe, but I think Oberländer’s point is more focused on tall than big – it’s tricky to know her connotations for both words, since she originally worked in German, but height is important here.

This is a mountain village, after all. Mountains are tall. Mountains can be climbed, perhaps more easily with long legs. Tall people can see farther at the top of mountains, and may be more at home there.

Oberländer tells this story in chapters, skipping around in time. We see Anna2 as a baby, Anna1 as a young girl with a dog with equally long and gangly legs, Anna3 as a young woman telling us the story and looking for love herself. Oberländer has a conversational tone in her captions, as if Anna3 was telling us this, in fits and starts, coming back to one thread and then another, telling us her family’s history.

Oberländer tells her story in big blocky drawings, characters often seen head-on. She typically has only a few panels to each page, jammed next to each other with thin ruled borders. Her lettering is florid, scripty, a bit difficult to read to slow the reader down. The drawing, though, is much cleaner, clearer: the pictures are understood instantly, while the words take just that bit of effort.

Again, I can’t tell you exactly what the metaphor means. It may not be that precise, to have a single meaning, in the first place. It’s a story about women that stick up, that can never hide in the crowd, that are out of place where they grew up and need to make or find places for themselves. That’s the general territory: a family of women, how they interact, what the “normal” grandmother thinks and does and says when her daughter and then granddaughter are notably different, when they stick up out of normal life so much it can’t be overlooked.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

The Boys Season Four Smashes Discs Starting Aug. 19

Ahead of the fifth and final season, The Boys Season Four disc collection will be available on August 19.

SYNOPSIS
The world is on the brink. Victoria Neuman is closer than ever to the Oval Office and under Homelander’s muscly thumb as he consolidates his power. Butcher, with only months to live, has lost Becca’s son and his job as The Boys’ leader. The rest of the team is fed up with his lies. With the stakes higher than ever, they must find a way to work together and save the world before it’s too late.

BLU-RAY AND DVD BONUS MATERIALS
• 14 Deleted Scenes
• 4 Gag Reels

CAST AND CREW
Produced By: Sony Pictures Television, Amazon, MGM Studios, with Kripke Enterprises, Original Film, and Point Grey Pictures.
Executive Producers: Garth Ennis, Darick Robertson, Eric Kripke. Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Phil Sgriccia, Michaela Starr, Paul Grellong, David Reed, Meredith Glynn, Judalina Neira, Ken F. Levin, Jason Netter, and Ori Marmur
Cast: Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Jessie T. Usher, Laz Alonso, Chace Crawford, Tomer Capone, Karen Fukuhara, Nathan Mitchell, Colby Minifie, Claudia Doumit, Cameron Crovetti, Susan Heyward, Valorie Curry, and Jeffrey Dean Morgan

SPECS
Run Time: Approx. 493 mins
Rating: Not Rated
Blu-ray™: 2 Discs / Picture: 1080p High Definition/ 2.35:1; Audio: English 5.1 DTS-HD MA; Subtitles: English, English SDH, French
DVD: 3 Discs / Picture: 2.35.1 Anamorphic Widescreen; Audio: English 5.1 DTS-HD MA / Subtitles: English, English SDH, French

Spenser: For Hire complete series DVD, gritty Boston detective drama with intense character and urban backdrop.

Spenser: For Hire: The Complete Series Coming to DVD and Digital 9/9

BURBANK, CA (July 8, 2025) – Based on Robert B. Parker’s iconic detective novels and in celebration of the 40th anniversary of the American crime drama series, Spenser: For Hire fans can once again experience every gripping moment with the release of Spenser: For Hire – The Complete Series on DVD, arriving September 9, 2025.  For the first time, Warner Bros. Discovery Home Entertainment brings together all three seasons of this action-packed crime, mystery-drama in one comprehensive collection. Available both online and at major retailers nationwide, this definitive set is a must-have for longtime fans and newcomers alike. Pre-order your DVD copy or look for it on digital today.

In the shadows of Boston, Spenser (Robert Urich), a former cop with a poet’s soul and a fighter’s fists, solves crimes in his own uniquely stylish way. A true Renaissance man, he faces danger head-on, backed by his formidable ally, Hawk (Avery Brooks), and contacts within the police department. While he’s unstoppable on the streets, his love life stalls as his longtime love (Barbara Stock) refuses to marry a man whose life is a constant dance with death.

Spenser: For Hire stars Robert Urich, Avery Brooks (Star Trek: Deep Space Nine), Ron McLarty, Richard Jaeckel, Barbara Stock, and Carolyn McCormick, and was produced by John Wilder Productions (1985-1986) and Jadda Productions (1986-1987), both in association with Warner Bros. Television. 

Spenser: For Hire: The Complete Series
Includes all 65 episodes from all three seasons

PRODUCT                                          
DVD                                                      
Audio: English SDH
Subtitles: English
Running Time: 3,900 Minutes
Rated: TV-14

Thinking About Thinking by Grant Snider

thinking20about20thinking-9701532

I didn’t think Grant Snider made comics quickly enough to put out a book every year – he’s a working orthodontist, as I always find a way to fit in when I write about his work, since it’s such a highly-skilled, well-paid, and useful career and yet anti-glamorous and low profile at the same time – but this one came less than a year after the last one. So he may be more productive even than I give him credit for.

If I call Snider a cartoonist of introspection and hard-fought positivity, that might sound like spinach, or like the kind of thing you’d find in the New Age store next to the singing bowls and horrible incense. But he is, and his work is much better, more grounded, than that description might imply. Maybe because he’s from Kansas City: there’s an inherently Midwestern sensibleness and focus on real, everyday life in his work. Snider never feels like he’s intellectualizing, even as he does entire books about poetry (last year’s Poetry Comics ) or creativity (The Shape of Ideas ) or even the potentially-pretentiously titled The Art of Living . All his work is personal – often because he has his self-insert character at the middle of his comics, but even his other characters walk that difficult line between Everypeople and particular.

Thinking About Thinking , like several of Snider’s books, is “organized” by a single exemplary comic up front, which provides chapter titles into which everything else slots. In this case, it’s a single page headed “I think, therefore…” with nine panels of different endings to that sentence, from “I overthink” to “I am.” Each one of those panels turns into a half-title for a section of the book, with thematically related comics afterward.

It’s all thematically related, of course: the overall theme is, like so much of Snider’s work, those intertwined desires: to be happy, to do meaningful things in our lives, to be better, to be present, to be authentically ourselves, to just be without twisting ourselves into knots along the way with all of those desires. This time out, the focus is on thinking, mostly overthinking, given those themes and modern life in general.

Snider’s little figures, especially that author-insert and the others drawn to that scale, always remind me of R.O. Blechman – Snider has the same energy and looseness, his people equally able to go anywhere and do anything within their little boxes. He uses color well, usually just a few within a single strip, and his palette shifts by his subject matter – I’ve mostly seen him use flat, comic-style colors, but he also does watercolor-looking strips and some newer pieces with color gradients in the backgrounds.

You have to be willing to be positive to read Snider’s comics, to be willing to want to be better and to want to connect with other people and the world. That may be a big ask these days, especially for the kind of people who are defined by their own anger and hatred. I would like to think Snider’s work can help put people into the right mood and mindset, but I know the world is far too full of people who are never introspective, never thinking about the consequences of their actions, never concerned with other people at all. But that’s just yet another way that this world, and living in it, is difficult and painful…and, nevertheless, worth it. That’s what Snider’s work is all about, in the end: how to live in the world well, even with all the obstacles the world and ourselves throw up. That’s heroic in its way, and deeply necessary, and entirely admirable. Thinking About Thinking is another fine collection of work in that project.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Age of Revelation is Latest Marvel Game Changer

New York, NY— July 9, 2025 — Every so often, a pivotal moment occurs that radically transforms the Marvel Universe, diverting its destiny towards strange timelines and dark futures. This October, in honor of the 30th anniversary of one of the greatest of those aforementioned sagas, Age of Apocalypse, behold the AGE OF REVELATION, a startling new X-Men event that sees the world reborn in the image of the heir to Apocalypse: Doug Ramsey, A.K.A. Revelation.

This week, select retailers will receive a Shadow Drop Variant of AGE OF REVELATION #0, a prelude one-shot by X-Men writer Jed MacKay and superstar artist Humberto Ramos that reveals how this new status quo came to be. Starting today, additional copies of this surprise issue with a wraparound cover by Ryan Stegman are now available to order. Retailers should order immediately to receive their copies as soon as possible.

On October 1, AGE OF REVELATION OVERTURE #1 by MacKay and Stegman serves as a foundational alpha issue for this new era, which overtakes the current X-Men line for the foreseeable future with series evolutions like Amazing X-Men, Unbreakable X-Men, and Expatriate X-Men, and also impacts the wider Marvel Universe with launches such as Radioactive Spider-Man, X-Vengers, and Iron and Frost. The full scope of AGE OF REVELATION titles is unveiled today, with official series announcements to come next week.

AGE OF REVELATION takes current X-Men storytelling 10 years into the future. After being welcomed onto Cyclops’ X-Men with open arms, Revelation set out on the impossible task that Apocalypse entrusted him with: creating a world where only the fittest survived. With his linguistic mutant power amplified to an astonishing new level, Doug commands Earth itself with his voice, reshaping it as a utopian haven for mutantkind. It’s a mutant homeland built on an insidious lie, spreading across the planet and wiping out humanity until it becomes a mutant homeworld!

THE HEIR RISES – THE RESISTANCE IGNITES!

X YEARS FROM TODAY the Revelation Territories stretch from the Atlantic to the Mississippi – a mutant utopia ruled by the heir of Apocalypse. But beneath the surface, rebellion brews. As a ragtag X-Men team strikes from the shadows, Revelation faces threats from within. It all begins here – the dawn of the AGE OF REVELATION!

On being the architect behind the latest X-Men milestone, MacKay said, “Enter… the Age of Revelation! I’m extremely excited to be at the center of this event– we’re traveling to the alien future of the Age of Revelation, where the stories unfolding in the Revelation Territories and beyond will decide whether this is the dawn of a new world or the end of one. We’ve been exploring a whole world, and it’s been really exciting to see other creators make corners of it their own!”

X-MEN: AGE OF REVELATION #0
Written by JED MACKAY
Art by HUMBERTO RAMOS
Shadow Drop Variant Cover by HUMBERTO RAMOS
Cover by RYAN STEGMAN
Available starting next week!

X-MEN: AGE OF REVELATION OVERTURE #1
Written by JED MACKAY
Art and Cover by RYAN STEGMAN
On Sale 10/1

Spider-Man versus Venom comic book cover featuring dynamic superhero and villain action.

J.M. DeMatteis Returns to Spider-Man With a Twist

Announced at IGN, fans will be able to revisit Spider-Man: The Animated Series this September in SPIDER-MAN ’94, a new comic series that delivers an all-new adventure set in the world of the iconic ‘90s show! The five-issue limited series will be written by legendary Spider-Scribe J.M. DeMatteis and drawn by rising star artist Jim Towe (X-Force).

Premiering in 1994 and running for five seasons, Spider-Man: The Animated Series is considered one the most popular animated comic book adaptions of all time. The hit series ended with Spider-Man entering the multiverse to save Mary Jane. Now, nearly thirty years later, this cliffhanger is officially resolved as the SPIDER-MAN ’94 comic book series continues with storytelling set after the dramatic final episode. The saga will also introduce the animated universe’s versions of comic book characters that never appeared in the original series.

THE HIT ’90s ANIMATED SERIES RETURNS!

After searching to the ends of the Multiverse, PETER PARKER – the AMAZING, the SPECTACULAR, the RADIOACTIVE Web-Head himself – A.K.A. SPIDER-MAN, swings back into the streets of New York City with his beloved Mary Jane Watson in tow! But what’s this? One of these villains is not like the others: Witness this universe’s debut of not one, but TWO of Spider-Man’s greatest villains from the comics—MORLUN and KAINE! Break out your action figures, and post up in front of the TV as we bring you back to the greatest era of animated super hero television in history! You’re never going to expect the twists and turns ahead for your friendly neighborhood Spider-Man!

“The 1990s Spider-Man animated series has become a beloved part of Spidey lore—it was the introduction to Peter Parker and his universe for an entire generation—and I’m delighted to be diving back into that universe,” DeMatteis told IGN. “We’re treating this as the next season of the show, which means introducing new villains, new challenges, new adventures for Peter—while doing our best to remain true to the creative spirit that John Semper and company established with the original show.”

Han Solo, Boba Fett Receive New Series

Marvel Comics is thrilled to reveal two new comic series set in the galaxy far, far away, STAR WARS: BOBA FETT – BLACK, WHITE & RED and STAR WARS: HAN SOLO – HUNT FOR THE FALCON, both launching in September. Exploring different eras of the Star Wars mythos, the two limited series are perfect standalone entry points into Marvel Comics’ acclaimed Star Wars storytelling. Packed with revelations about two of the franchise’s greatest icons and tying up a longstanding Star Wars mystery also make them must-haves for longtime fans!

Announced yesterday at StarWars.com, STAR WARS: BOBA FETT – BLACK, WHITE & RED is the third Star Wars title under Marvel’s hit Black, White & Blood imprint. Starring only the most ruthless characters, Boba Fett follows in the footsteps of previous Black, White & Red headliners, Darth Vader and Darth Maul. Set across Boba’s storied history, each issue sees all-star creators team up to tell the most notorious exploits of the galaxy’s most feared bounty hunter!

The first issue will be by acclaimed writer Benjamin Percy (Wolverine) and superstar artist Chris Allen (Black Panther). Titled “The Impossible Job,” the story finds Boba Fett trapped in a situation he seemingly can’t get out of when both the Empire and an extreme Rebel faction are after the same bounty as him! Fett needs to track down a deadly individual who has played both sides, and – to make things even more impossible – his target is hiding out in a volatile volcanic system!

“We’re setting a major sequence in a lava system that Fett has to navigate to hunt down the best thief in the galaxy,” Percy told StarWars.com. “I’m so lucky to join forces with artist Chris Allen, who brings his eye for dynamic action, wild layouts, and granular detail to this twisty, turny story that will keep you guessing until the end.”

“We’re really excited about this talent and stories in these issues,” Editor Mark Paniccia added. “All of them weave seamlessly into a galaxy filled with rogues, criminals, assassins, and other bounty hunters, and there are some very cool surprises and deep dives.”

Announced earlier this week at Newsarama, STAR WARS: HAN SOLO – HUNT FOR THE FALCON reveals an untold adventure set between Return of the Jedi and The Force Awakens. The five-part saga comes from two acclaimed modern Star Wars storytellers, writer Rodney Barnes (Star Wars: Ahsoka) and artist Ramon Rosanas (Star Wars), known for their work together on last year’s Star Wars: Inquisitors.

IN THE TIME BEFORE THE FORCE AWAKENS, WHERE IS THE MILLENNIUM FALCON?!

Less than satisfied with a settled life, Han Solo lands on the idea of reclaiming the Falcon and returning to a life of adventure. The problem is, he can’t find it. After enlisting a less-than-enthusiastic Chewbacca, the duo embarks upon a quest to reclaim the greatest ship in the galaxy. Standing in their way are a laundry list of rogues who have staked a claim to the Millennium Falcon as well, like the villainous scoundrel who stole the Falcon, Ducain.

“Han Solo – Hunt for the Falcon is a dream come true,” Barnes told Newsarama. “Han, Leia, Chewbacca and Lando were my heroes when I was a kid. To write an adventure that includes that quartet (and more!) is truly an honor. One huge check off my bucket list!” “Rodney is pulling all these characters who’ve had history with the Falcon and having them cross their deadly paths,” Paniccia explained. “It’s a very fun ride that captures the heart of who Han Solo is while throwing him into some ‘uncomfortable’ situations. And Ramon Rosanas is doing some of the best work of his career on this. This is a special project for him, and the detail he brings to the ships and locations is magnificent.”

STAR WARS: HAN SOLO – HUNT FOR THE FALCON #1 (OF 5) 
Written by RODNEY BARNES
Art and Cover by RAMON ROSANAS
On Sale 9/3

STAR WARS: BOBA FETT – BLACK, WHITE & RED #1 (OF 4)
Written by BENJAMIN PERCY
Art by CHRIS ALLEN
Cover by ALEX MALEEV
On Sale 9/17

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