The 22nd annual Eisner Awards, the
“Oscars” of the comics industry, will be given out at a gala
ceremony at the Indigo Ballroom at the Hilton Bayfront. This year’s special
theme is “Comics Fiesta.” The masters of ceremony are Bongo Comics’
Bill Morrison and voice actor Maurice LaMarche (Pinky and the Brain,
Futurama). Presenters include writer/actor Robert Ben Garant (Reno 911, Balls
of Fury), comedian/voice actor Phil LaMarr (Futurama, Family Guy, MadTV, and Free Enterprise),
actor/comics creator Thomas Jane, and lots of cast members from Scott Pilgrim vs. The World; nominees C. Tyler, Laurie Sandell, Peter
Bagge, and James Robinson; and Comic-Con special guests Berkeley Breathed,
Chris Claremont, Milo Manara, Jillian Tamaki, and James Sturm. Other
prestigious awards to be given out include the Russ Manning Promising
Newcomer Award, the Bob Clampett Humanitarian Award, the Bill Finger Award
for Achievement in Comic Book Writing, and the Will Eisner Spirit of Comics
Retailer Award.

We’re going to try and keep this as close to real time as possible, with commentary where appropriate. We’ll include the list of nominees below and boldface the winners.

11:48 PM (all times Eastern Daylight, even though it is neither Eastern nor Daylight): Annnnnd here we go…

11:49 PM: Morbo has welcomed the puny humans to the ceremony!

11:55 PM: Denis Kitchen, the executor of Will Eisner’s literary estate, has just announced that Will’s master work A Contract With God is going to be adapted into a film.

12:03 PM: …but did they have to announce it on the Sabbath?

12:05 AM: And the first winner of the evening… Best Publication for Kids: The Wonderful Wizard of Oz hc, by L. Frank Baum, Eric Shanower, and Skottie Young (Marvel).

12:08 AM: Best Publication for Teens: Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)

12:11: Scott Pilgrim vol. 5: Scott Pilgrm vs. the Universe, by Brian Lee O’Malley (Oni) takes Best Humor Publication, with the award presented to O’Malley by the cast of the film.

12:18: A flurry…

Best Cover Artist: J. H. Williams III, Detective Comics (DC)
Best Lettering: David Mazzucchelli, Asterios Polyp (Pantheon)
Best Digital Comic: Sin Titulo, by Cameron Stewart, www.sintitulocomic.com/

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[[[Batman]]] needs a Robin. It humanizes him, reminds him of the actual people he is sworn to protect. As a result, he welcomed Jason Todd into his life only to see the second Boy Wonder become his greatest failure. The death of Jason, at the hands of both the Joker and the comic book readers, was a major event in the latter 1980s and cemented the notion that comics, as they matured, also grew darker. The glass case with the retired outfit served as a stark reminder of that failure, pushing the [[[Dark Knight]]] to do better.

Then Jason got better. Well, he returned to life anyway. Apparently, Judd Winick was offered the [[[Batman]]] assignment and immediately wanted to revive Jason for no obviously good reason. So, Jason came back from the dead without explanation, and became the Red Hood, a true vigilante willing to take criminal lives unlike his mentor. The Red Hood also seemed to be a villain and was taunting Batman until they inevitably confronted one another and the truth was revealed.

The story arc, for good or ill, has now been adapted into the latest Warner Premiere animated feature. Batman: Under the Red Hood was written by Winick and is premiering tonight at the San Diego Comic-Con, and being released on Tuesday as a Blu-ray, Standard DVD, or digital download. In the comics, Jason was revived via a reality-altering event linked to the Infinite Crisis but here; he wisely simplifies the story and traces the revival to Ra’s al Ghul, who is portrayed with remarkable sympathy here.

Winick also nicely weaves in flashbacks that trace Batman’s adoption of Dick Grayson, and the youth’s evolution into Nightwing; along with Jason’s arrival and subsequent brief career as the new sidekick. In both cases, the young men revel in being a part of the Dynamic Duo and while we see Dick’s growth, we are never shown Jason having a distinct personality (which was a pretty ugly one in the comics).  The contrast between them is dramatically missing as is the theme that Batman needs a Robin. The current Robin, Tim Drake, is entirely missing from the feature and bonus features.

This 75 minute story uses the conflict between the Red Hood and the Black Mask from the comic book story, mixing in the Joker and Ra’s with cameos from Alfred, Commissioner Gordon and Talia. The action moves quickly enough and the fight sequences are sprinkled in nicely. The only false moment is the early chase between the Red Hood in a car and Batman in the Batwing. Planes fly at many times the speed of an auto and the chase should have ended about a block after it began.

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