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Iron Man’s Costly Armor

iron-man-2-7927418Our friends over at io9 attempted to price out what it would cost to construct Iron Man’s movie armor using real world technology.

Annalee Newitz concluded, “So, what’s the final price tag? $100,420,000

“To put that in perspective, the cost of the F-35 fighter plane is estimated at $95 to $113 million. So this suit might easily fit in today’s military budgets.”

However, please think twice before suggesting this to your Congressman.

Meantime, the film took in $133.6 million over the three day weekend, making the fifth best domestic opening in history. Add in the $194 million of international box office and the film has already achieved stratospheric numbers.

Of course, the film cost in the neighborhood of $175 million coupled with a global marketing budget of $150, and the expenses are $325 million. The movie will have to gross something on the order of $900 million to show profit from the feature alone. Of course, ancillary merchandise already on sale followed by cable, disc and other revenue streams, no one will cry poverty when the finally tallies are completed some time next year.

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Frank Frazetta: An Appreciation

frank-frazetta-thebarbarian-1091165Frank Frazetta ushered in a new era of cover painting with heavily muscled heroes and lush, voluptuous women, evolving the pulp magazine style for more contemporary audiences. His work proved influential to writers, artists, and musicians for decades.

Best known for his series of covers featuring Conan the Barbarian on the Lancer paperbacks of the 1960s, he went on to create moody and evocative paintings for the Warren Magazines.

A child of Brooklyn, his artistic talents were evident early and by age eight, he was sent to the Brooklyn Academy of Fine Arts. He was mentored by Italian painter Michael Falanga who died before he could send young Frazetta to perfect his craft in Europe.

As the school closed in 1944, Frazetta sought ways to earn a living and drifted into illustrating comic books with several memorable Buck Rogers covers for Famous Funnies. He also drew several Shining Knight stories for DC Comics and displayed range with numerous funny animal stories as well.

By the 1950s, Frazetta was lending his talents to EC Comics, where he, Al Williamson and Roy Krenkel formed a powerful triumvirate, capable of masterful science fiction or fantasy stories.

Frazetta was hired by Al Capp to assist him on the popular Li’l Abner comic strip and he went on to also work with Dan Barry on Flash Gordon. The artist harbored his desire for a feature of his own and sold the short-lived Johnny Comet to the syndicates. (more…)

The Point Radio: Behind The Scenes At COMMUNITY

Did you really think IRON MAN 2 wasn’t going to make some box office history? But,  how much and where does it fall with the other big screen heroes? Plus actor DANNY PUDI takes us to the set of COMMUNITY top talk about what the competition is like with a cast full of comedians (and Chevy Chase).

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Frank Frazetta, 1928 – 2010

ff-211-8978843According to biographer / publisher Russ Cochran, legendary illustrator and comics artist Frank Frazetta passed away this morning.

Perhaps best known for his illustrations on the covers of the 1970s Conan paperbacks for Lancer Books and the 1960s Warren Magazines (Creepy, Eerie, Vampirella, Blazing Combat), Frazetta worked closely with EC artists Al Williamson and Angelo Torres as well as on various solo efforts for that and other publishers. He worked on The Shining Knight for DC Comics and the oft-reprinted jungle feature Thun’da created by Gardner Fox.

Frazetta spent years as Al Capp’s assistant – often, ghost – on the newspaper strip Lil Abner at the height of its popularity, where he first visualized the astonishingly sexy character Moonbeam McSwine. He went on to draw his own short-lived newspaper comic strip, Johnny Comet, and served as an assistant to Harvey Kurtzman and Will Elder on Playboy’s Little Annie Fanny. Kurtzman once referred to Frank as “drawing sexy muscles in places where women don’t ordinarily have muscles.”

Generally regarded as one of the premiere illustrators of the latter half of the 20th Century, Frank Frazetta’s work has been gathered in numerous collections and calendars. His work continues to be licensed for poster reproduction and for adaptation into comic books.

Monday Mix-Up: Iron Man 2 Hot 4 TV!

So you all saw Iron Man 2, and we here at ComicMix want to keep that Tony Stark buzz going! So, we did a little scouring of the net and found this lovely gem. We’re pretty sure Jarvis was recording this video in case Tony ever needed resuscitation while in his hot tub. Or maybe it Tony likes to watch his performance, ala American Psycho? We’re not entirely sure WHY this was recorded. OK, maybe somebody was just having fun with the recently released Iron Man: The Complete Animated Series… and mashed-up a little hot and steamy action.

Poor Rhodie.

Review: ‘The Amazing Adventures of Nate Banks’

It seemed fairly inevitable that as super-heroes and graphic novels grew more prevalent for younger readers, there’d be a greater variety in presentation. Jake Bell and Chris Giarrusso have come up with something a little bit different: young adult prose books with 8-page comic sections.

Bell, an experienced writer, offers up [[[The Amazing Adventures of Nate Banks]]], comic book expert and middle school student in the new Scholastic series. The first two volumes were simultaneously released this month to give readers a chance to enter and immerse themselves in Nate’s colorful world.

The precipitating event is the arrival of [[[Ultraviolet]]]], a brand new super-heroine in the small suburban community of Kanigher Falls. Her arrival prompts speculation over who she is and why the community, which lacked its own resident metahuman. The world of Nate Banks is one filled with super-heroes and the requisite super-villains where people accept their presence.

Book one, [[[Secret Identity Crisis]]], is all set up and introductory material so we meet Nate, his family, his friends, and his teachers while also giving us the early days of  Ultraviolet. The second volume, [[[Freezer Burned]]], picks up a short time later as Coldsnap comes to town ostensibly seeking a valuable diamond on display but Nate figures out there’s more to his scheme.

The books are nicely constructed and written. While many of the twists and turns are telegraphed and therefore lack surprise, the stories move along briskly and expand this inventive world that clearly pays homage to beloved comic book creators from Jack Kirby to Steve Gerber.

Bell fails, though, to create original and interesting characters. Nate is a fine protagonist but his friends and family all come from a stock company. Most have little or anything to do or say that don’t further the story and lack any sense of dimension. The same for Ultraviolet, the town’s hero and budding friend to Nate, who actually has less to do in book two than she should.

The comic sections provide additional background and information to each story. Giarrusso, an incredibly talented and funny writer/artist in his own right, does a nice job here and on the covers.

This series is off to a solid if unspectacular start. If more arrive, hopefully Bell will deepen the supporting cast and offer up some truly interesting characters and complications.

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Warner adds ‘Superman II’, ‘V’, ‘Pan’s Labyrinth’ and More Genre Titles to DVD2Blu Program

Apparently, Warner Bros. has achieved success with their program of allowing people to upgrade from standard DVD to Blu-ray and has announced an expansion of the DVD2Blu program. The studio called our attention to the growing number of genre titles that ComicMix fans were most likely to be interested in exploring.

This program is a nice idea as is their Archive programming, effectively producing Disc on Demand offerings from their library. Now, if only they would offer some of those lost and forgotten films also in Blu-ray. Maybe in the future. In the meantime, here’s the press release:

Burbank, Calif., May 6, 2010 – Responding to the extraordinary growth of Blu-ray set-top hardware, Warner Bros. Home Entertainment Group has expanded its “DVD2Blu” upgrade program. Starting today, consumers can select from 90 of Warner Home Video’s most popular titles to upgrade that include the action-packed “Under Siege” and “Superman II: The Richard Donner Cut” as well as classics from the 1980s including “Risky Business” and “The Lost Boys.”   

According to recently published figures by the Digital Entertainment Group, sales of Blu-ray hardware for the first quarter of 2010 increased by 125 percent over the same period in 2009.  The DVD2Blu program will serve as a great way for new Blu-ray owners to jump start their Blu-ray Disc collections.

Launched in 2009, DVD2Blu.com is a site that allows consumers to upgrade the movies they already own on DVD to Blu-ray Disc™, the absolute best in 1080p high definition picture and sound. The process to upgrade is simple. Consumers select the titles they want to upgrade on DVD2Blu.com, mail in their standard DVDs with pre-paid postage and a short time later receive copies of the same film on Blu-ray Disc. Titles such as “V for Vendetta,” “Deliverance” and “Ocean’s Eleven” can be upgraded for as little as $4.95 plus shipping and handling charges.  For a complete list of titles visit DVD2Blu.com. 

Warner Bros. Home Entertainment Group is proud to be an environmentally friendly company and will recycle all DVDs mailed for upgrade.  The discs will be processed and used for future plastic packaging. 
     

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Review: ‘Iron Man: The Ultimate Guide’

ironmanguide1-9795500Anticipating today’s release of [[[Iron Man 2]]], DK Publishing released [[[Iron Man: The Ultimate Guide to the Armored Super Hero]]] back in February. The book, like last year’s [[[Wolverine]]] offering, is in their new thicker but shorter trim size and at 200 pages is chock full of information regarding only the comic book career of the Golden Avenger.

Matthew Manning, who also wrote the Wolverine volume (and is my co-author on [[[The Batman Vault]]]), returns to tell us everything about Tony Stark, his metallic alter ego and his friends and foes.

The book takes us through the origins of the character up through the beginning of the acclaimed Matt Fraction “Stark: Disassembled” storyline. Sections are devoted to his Stark Industries staff, his friends, his foes, and of course the many, many women in his life.

Maybe it’s because of Marvel’s own Iron Manuals, but the section devoted to his many armored incarnations is perhaps the weakest portion of the book. We get a few pages detailing how the more current armor works and then artwork depicting many but not all the variations. By using pick-up art in this manner, we’re treated to the work of many different artists but many of the shots are details and not full figures so for a visual guide, it feels oddly lacking.

Matt does a better job detailing the other sections starting with the various versions of Stark’s family business. Oddly, his spread on Pepper Potts seems written for people only familiar with her from the movie, ignoring her elopement and troubled marriage to Happy Hogan. Instead, that aspect of her life can be found in Happy’s own section.

A six page timeline concisely gives you what you need to know about the character’s career before getting into decade by decade sections with additional details. The 1960s was the decade it all got stated and the foundation was built. A little too much space is given to team-ups and battles and not enough given to the feature’s early Cold War-inspired stories or Stark versus Congress, rooting the series to the real world setting it apart from the other Marvel titles at the time.

The 1970s sadly gets the shortest shrift, with emphasis entirely on the classic “[[[Demon with a Bottle]]]” story. Yes, the series floundered after Archie Goodwin stopped writing it in favor of many hands until settling in with David Michelinie and Bob Layton in the latter 1970s. Still, the feature endured and should have been explored a little more.

Stark and Iron Man’s growing prominence in the Marvel Universe over the last decade does get a much stronger review and is among the best portions of the book.

Rather than devote two-pages to a montage of covers and splash pages at the end, the book could have benefitted from expanding the Ultimate incarnation of Iron Man from two to four pages to better explore how this Stark differs from the core Marvel Universe version.

Matt does a solid job keeping many of the convoluted storylines clear for readers – not an easy feat – and his affection for the character is clear. Similarly, the publication design is a little more straight-forward than some of DK’s hyperkinetic earlier offerings.

To be honest, this is one of those dream jobs I wish I had a shot at writing, but Matt does a fine job here and makes the character, his world, and his importance to the Marvel Universe clear. At $24.95, you couldn’t find a better resource on the Armored Avenger.

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The Point Radio: We Haved Our RED SKULL!

The third part of the puzzle falls into place as HUGO WEAVING takes on the role of The Red Skull in the CAPTAIN AMERICA film, plus here’s an amazing new collectible for any big DC fan. Oh yeah, and just what the #@#! is SUPER 8?

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And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

CLICK HERE TO LISTEN LIVE
FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

 

 

Tim Gunn and the Smurfs? He’ll make it work…

Oh, smurf. First it was Tim Gunn and superheroes, and now he’s working with other comics characters. He’s taking a role Columbia’s new mixed live-action/animated movie The Smurfs in 3D, according to Variety. Gunn will play an executive assistant at a cosmetics company in the movie.

Gunn will also appear in the Sex and the City 2 movie, which comes out later this month. Which may or may not be cartoons as well.