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Review: ‘Iron Man The Complete 1994 Animated Television Series’

I have enjoyed [[[Iron Man]]] as a character since discovering the Marvel super-heroes through the limited animation shows of the 1960s. That led me to the comics and so on. All along, shellhead has been one of my favorite characters so you can imagine my delight at the Jon Favreau film and the chance to write an original novel adventure.

I’ve been looking forward to this week’s sequel and no surprise; have been sent his animated adventures for review. When the live-action film came out two years ago, the mainstream press kept referring to him as a lesser known character and that may have been true to film critics, but he’s been a well-known television character for decades.

After all, he was seen in the 1960s series plus a guest appearance on [[[Spider-Man and His Amazing Friends]]], before gaining his own half-hour show as part of the Marvel Action Hour from 1994-1996. He has guest starred on other Marvel animated shows, had his own animated feature and most recently, the youthful [[[Armored Adventures]]] show. Not too shabby.

His 26 episode series from the 1990s is available this week as a three-disc set from Disney Home Entertainment. The two 13 episodes are quite different yet neither are very good. On the one hand, the series hews very closely to the comic book look and feel of the era.  The details, though, are very different starting with the green-skinned Mandarin as the main foe throughout. The Golden Avenger’s familiar foes all seem to be work for him as does a diminutive and poorly characterized MODOK. It’s the Mandarin who captures the injured Stark as revealed in the two-part origin story so it focuses their enmity from the beginning, not entirely unlike what Favreau is setting up in the films. Perhaps the biggest origin alteration is that slivers of metal threaten his spine, not his heart. Is it better or more plausible? Maybe.

Rather than focus the series on Tony Stark and his armored alter ego, it includes the West Coast Avengers, er, Force Works so time is given over to War Machine, Century, Scarlet Witch, Hawkeye and Spider Woman. Julia Carpenter becomes Tony’s romantic interest complete with engagement, so that’s different.

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Review: ‘Iron Man: Armored Adventures’ Season One

20650-imaa-s1-2d1-5703603Of course there was going to be a new [[[Iron Man]]] animated series in the wake of the smash success of the 2008 movie. Marvel delivered [[[Iron Man; Armored Adventures]]], airing on Nicktoons as of spring 20098 with a second season promised this fall.  Vivendi Entertainment has also collected the entire first season on five discs, being released today, the week [[[Iron Man 2]]] jets onto screens coast to coast.

Unlike the 1994 series, also being released this week, this one has no connection to the movie reality or the comic book continuity. Instead, the team lead by showrunner Christopher Yost decided to make this an all-ages Iron Man. Possibly inspired by a storyline that reconfigured Tony Stark into a teenaged shellhead, this series introduces us to teenaged wunderkind Tony, his best pal Rhodey and hits the ground running.

In short, Obadiah Stane has engineered Howard Stark’s death and takes over the company. Tony, not yet of age, is now living with Rhodey and attending high school but accesses a hidden warehouse where he had built the Iron Man armor and uses it when its clear Stane has perverted his father’s work.

We get familiar faces in new roles with Pepper Potts as the gosh-wow female love interest and Happy Hogan as the school dumb jock. Stane, played too much like Lex Luthor rather than an original character, is saddled with a daughter. Whitney, who becomes Madame Masque in a key variation from the source material. New to the mix is Gene Khan, son of the Mandarin and desirous to replace his father, obtaining the five rings of power – one of which Howard Stark found and Stane stole.

The entire first season sets up Stark vs. Stane and Gene’s quest for the five rings of power. Along the way many of Iron Man’s classic foes are repurposed and brought in as pawns or distractions. All 26 episodes rocket us along at a quick pace ending with a cliffhanger, keeping people waiting for the second season to arrive.

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The Point Radio: The Man Who SHOULD Be Captain America!

We think that JOEL GRETSCH should have been given a chance to Wield The Shield, but it seems he’s busy fighting those nasty alien visitors and trying to get V to a second season. Joel fills us in on what the rest of the series has to offer, plus how the summer of 2012 is going to get you into the movies (alot) and how Freddy made box office dreams come true!

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Peter O’Donnell, 1920 – 2010

modestyblaise-2167737Peter O’Donnell, one of the greatest of comics writers, died last night at the age of 90. He is best known for his creation Modesty Blaise, which ran in newspapers from 1963 to 2001, initially drawn by Jim Holdaway. He also created Romeo Brown (again, with Holdaway) and for many years authored the classic time-travelling adventure strip Garth. O’Donnell also adapted Ian Fleming’s Dr. No to comic strips.

Peter also wrote 11 Modesty Blaise novels and two short story collections, as well as nine gothic romance/adventure novels under the name Madeleine Brent.

A serious, considered and and gentle man, O’Donnell was quite the fan of tennis and was a regular at the annual Wimbledon championships.

On a personal note, I had the privilege of editing Peter on his graphic novel adaptation of the first Modesty Blaise story, drawn by the late Dick Giordano. It was something of an intimidating experience for me, having to discuss how to translate his own characters into the comic book medium. But Peter was eager to learn and immediately understood the differences between the comic strip and comic book media and how to best exploit the advantages of the latter; he quickly put me at ease. We stayed in touch ever since; I’ll miss his annual Christmas card.

Chairing a writer’s panel at the Chicago Comicon in the late 1970s, the group was asked the inevitable “who is your favorite comics writer” question. Each person noted his favorite comic book writer, and then it came to the last person on the dais, Chris Claremont. Chris said “Peter O’Donnell,” and, in reverse domino action, each and every writer went back and affirmed Chris’s choice.

To date, Titan Books has reprinted sixteen volumes of Modesty Blaise, with new volumes scheduled at every three months. When Peter retired from the strip in 2001, he expressed the desire that no one ever succeed him. It is hoped his wish will be respected posthumously.

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ComicMix Six: Weird Iron Man Armor Upgrades

robert-downey-iron-man-sunglasses-8552090Tony Stark isn’t just a cool exec with a heart of steel. He’s also the technological hero called Iron Man. And with Iron Man 2 coming out this Friday, we’re sure to see new suits of armor with cool improvements. Over the years, Tony has constantly redesigned and updated his armor. There’s been stealth armor, undersea armor, space armor, briefcase armor, armor that has horned face plates, armor with extended shoulder pads, etc., etc.

But some changes are not all they’re cracked up to be and perhaps should’ve been left on the drawing board. So let’s take a look at some of the silliest upgrades Iron Man has made to his famous armor.

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Alan Coil: 1955-2010

We’ve just gotten word that Lewis “Alan” Coil, a regular commenter here at ComicMix and at many other websites, died last Friday, April 30, 2010 from an apparent
heart attack at the age of 55.

Paul Shiple posted the notification on Harlan Ellison’s web board. “I wish I could speak more of what a great friend he was to
me and my family, to me and all of my friends but I don’t have it in me
at this time. He is greatly missed by many.”

He was well known to many in the Ohio fan community, and was a regular at Mid-Ohio Con.

“Alan was also a frequent commenter over at at www.michaeldavisworld.com,” noted Mike Gold, ComicMix editor-in-chief and michaeldavisworld.com weekly columnist. “His observations and comments were witty and informative which just the right amount of fringy attitude that we find in the best bloggers. This news hits me like a ton of bricks, and I’m truly saddened by his passing.”

ComicMix extends its love and sympathy to Alan’s friends and family. He will be missed.

Review: ‘X-Men Volume Five’

With [[[Iron Man 2]]] opening on Friday, everyone has decided to jump on the comics bandwagon and is flooding the shelves this week with Marvel-related fare. Walt Disney Studios Home Entertainment joins in the fun with the two-disc[[[ X-Men]]] Volume 5, completing the classic 1990s animated collection.

The 14 episodes presented here are in airdate order and span 1996-1997 and seasons four and five of the Fox series, which has remained the longest running Marvel animated title. The show was incredibly faithful to the source material, with former X-editor and then-Editor-in-Chief Bob Harras working as a story consultant. The show also had the unqiue aspect of having lengthy sub-plots allowing breadth and depth of subject matter most animated fare previously could not enjoy.

Comparing this to the adaptations of the same stories by the more current [[[Wolverine and the X-Men]]] shows the greater freedoms taken by the new creative staff—and not always for the better.

Given a variety of technical production delays, episodes were prepared out of order and writer Steven Melching always directs fans to the script numbers to show the proper story evolution. Instead, the five volumes have presented the shows in airdate order, which could prove confusing.

The series had horrible vocal casting but at least had strong animation direction. However, when Fox belatedly ordered a handful of additional episodes, Saban farmed out the animation to the Philippine Animation Studio, and the inferior quality is marked as you will see upon rewatching.

Disc one opens with the two-part “Phalanx Covenant” featuring the goofy but loveable Warlock. We switch focus to Omega Red, a then popular foe, in the long-delayed “A Deal with the Devil” which nicely spotlights Wolverine, Storm, and Rogue. Also delayed and finally aired at this point are “No Mutant Is an Island” and “Longshot”. The former treats Jean Grey as still dead although the animated continuity at this point had resurrected her but nothing was done to accommodate this. And while Longshot himself was nicely handled, I never cottoned to Mojo, who is played far too broadly here.

Any real sense of episode to episode continuity is gone by the second disc and the inferior animation is truly sad to see. As highlighted on the box cover, “Old Soldiers” is a flashback to World War II and a Wolverine tale. He partners with Captain America to take down a traitorous American scientist and the Red Skull (of course). The dialogue is nicely handled by Len Wein although the story felt tired.

The additional order did allow for a finale, “Graduation Day”, which saw the anti-mutant prejudice take a decidedly deadly turn as Xavier is fatally shot. Mutants around the world seek a leader and flock to Genosha, looking to Magneto for guidance. The X-Men arrive to solicit his help and Xavier gets a happy ending. He also gets a chance to say farewell to the core X-Men and the viewers, with the series ending on a cautiously optimistic note.

There are no extras on the collection, but if you have the first four volumes, you can’t possibly miss out on this one. 

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Monday Mix-Up: Iron Man Vs. British Charm

As you fine folks try to contain your excitement for the release of a little film by the name of Iron Man 2, we here at ComicMix would like to help you out. It turns out Mr. Stark has been busy promoting his new film in interesting ways, and as such, we want to share with it you. So, grab your Iron Man 2 Slurpee, put the keys down on your new Iron Man 2 Audi R8 Coup , and checkout Ole’ Shellhead doling out some justice on the always punchable Hugh Grant.

This clip is replusariffic. Put on a loop, and enjoy the limey’s face plant on repeat.

‘Iron Man 2’ already has a 100 million dollar weekend

Nikki Finke has the numbers: “Early
overseas estimates from Paramount have Iron Man 2
grossing just over $100 million from 53 markets. And some large
territories haven’t even opened yet, like Germany, Japan,  and China. In
local currencies, the film opened 25% ahead of the original Iron
Man (despite the fact that in those two years both the British pound
and Euro have dropped significantly). IM1 opened at $99
million (that opening also included Germany). The largest opening was
the UK ending the weekend with $12M including previews. Second was Korea
at $11M. Third was Australia at $9M. Fourth was France at $8.5M.”

Nikki goes on to guess at a $155 million opening weekend in America this weekend, with an outside chance of topping
The Dark Knight‘s 3-day record of $158.4 million.

That’s a lot of gold-plating on that armor.

Review: ‘Wolverine and the X-Men – Revelation’

We’re nearing the end of the line with [[[Wolverine and the X-Men]]] as Lionsgate releases the penultimate volume of the six volume DVD set comprising the first, and now only, season of the animated series.

Volume five, [[[Revelation]]], is on sale Tuesday and contains five more episodes adapting themes and storylines from across the comic franchise’s storied history. As with the previous volumes, the latest of which we reviewed back in January, the animation is lean and adequate with stronger vocal casting than the 1990s incarnation.

One of the series’ strengths was in the consistent vision and voice of the writing team anchored by Nick Filippi, Greg Johnson, Craig Kyle, and Christopher Yost. As a result, sub-plots run from episode to episode smoothly and characters are consistent throughout.

We open with “Guardian Angel”, focusing on Warren Worthington’s simmering battle with his father over his destiny, leading to the loss of his wings and seduction by Mr. Sinister. You genuinely feel for Warren’s loss and see his fall from the skies as a tragedy, understanding why he agreed to become Archangel. (I admit to always having had a fondness for the red-and-white uniform he sported until this moment.)

Next up is “Breakdown” which gives us one of the more significant departures from the comics as Jean has been missing and Emma Frost has been helping locate her. Her efforts lead to a largely flashback episode showing us Scott Summers’ origins and his introduction first to Professor Xavier, then the initial [[[X-Men]]], and finally Jean. We also see the manifestation of the Phoenix Force which set up Jean’s current dilemma.

We then skip to one of the mutants’ many possible futures in the amusing “Rover” which involves Bishop and other mutants trying to deal with the rogue Sentinels that have overrun the world. Bishop wants to us their pet robot, Rover, to perform a suicide mission against the Master Mold but Marrow has grown fond of Rover and refuses to give it up. Kind of fun, but also annoying since it remains largely disconnected from the present day tale. The notion that Prof. X is in a 20 year coma and can still communicate with Wolverine and Cyclops is odd. This aspect of the series rings false and contrived, once again showing people just don’t know what to do with the powerful telepath.

Gambit is sent to Genosha to steal Magneto’s helmet in “Aces and Eights”, where the Cajun woos the innocent Lorna in order to obtain his goal. The personalities of Lorna Dane and Scarlet Witch are quite different than their comic book counterparts but they play off one another nicely and offer some of the best dialogue in the show. While largely predictable, it has some fun moments. Counterpointing the lighter main story, we end with Magneto and Senator Kelly being shown the disastrous future their actions are steering humanity towards.

This brings us to “Shades of Grey” the final episode, when Jean is finally located and Emma turns on the team. The action-packed episode also offers up the debuts of : Apocalypse, Sebastian Shaw, Selene, Donald Pierce, and Harry Leland, setting up the final episodes of the season.

Unlike the previous volume, this one shows the writers working a little more subtly with the enormous cast. [[[Wolverine]]] himself is actually merely a participant in these five stories. Overall, these are a mixed bag, more entertaining than not and certainly for diehard mutant fans.

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