Review: ‘Iron Man: Armored Adventures’ Season One
Of course there was going to be a new [[[Iron Man]]] animated series in the wake of the smash success of the 2008 movie. Marvel delivered [[[Iron Man; Armored Adventures]]], airing on Nicktoons as of spring 20098 with a second season promised this fall. Vivendi Entertainment has also collected the entire first season on five discs, being released today, the week [[[Iron Man 2]]] jets onto screens coast to coast.
Unlike the 1994 series, also being released this week, this one has no connection to the movie reality or the comic book continuity. Instead, the team lead by showrunner Christopher Yost decided to make this an all-ages Iron Man. Possibly inspired by a storyline that reconfigured Tony Stark into a teenaged shellhead, this series introduces us to teenaged wunderkind Tony, his best pal Rhodey and hits the ground running.
In short, Obadiah Stane has engineered Howard Stark’s death and takes over the company. Tony, not yet of age, is now living with Rhodey and attending high school but accesses a hidden warehouse where he had built the Iron Man armor and uses it when its clear Stane has perverted his father’s work.
We get familiar faces in new roles with Pepper Potts as the gosh-wow female love interest and Happy Hogan as the school dumb jock. Stane, played too much like Lex Luthor rather than an original character, is saddled with a daughter. Whitney, who becomes Madame Masque in a key variation from the source material. New to the mix is Gene Khan, son of the Mandarin and desirous to replace his father, obtaining the five rings of power – one of which Howard Stark found and Stane stole.
The entire first season sets up Stark vs. Stane and Gene’s quest for the five rings of power. Along the way many of Iron Man’s classic foes are repurposed and brought in as pawns or distractions. All 26 episodes rocket us along at a quick pace ending with a cliffhanger, keeping people waiting for the second season to arrive.




Peter O’Donnell, one of the greatest of comics writers, died last night at the age of 90. He is best known for his creation Modesty Blaise, which ran in newspapers from 1963 to 2001, initially drawn by Jim Holdaway. He also created Romeo Brown (again, with Holdaway) and for many years authored the classic time-travelling adventure strip Garth. O’Donnell also adapted Ian Fleming’s Dr. No to comic strips.
Tony Stark isn’t just a cool exec with a heart of steel. He’s also the technological hero called Iron Man. And with Iron Man 2 coming out this Friday, we’re sure to see new suits of armor with cool improvements. Over the years, Tony has constantly redesigned and updated his armor. There’s been stealth armor, undersea armor, space armor, briefcase armor, armor that has horned face plates, armor with extended shoulder pads, etc., etc.
With [[[Iron Man 2]]] opening on Friday, everyone has decided to jump on the comics bandwagon and is flooding the shelves this week with Marvel-related fare. Walt Disney Studios Home Entertainment joins in the fun with the two-disc[[[ X-Men]]] Volume 5, completing the classic 1990s animated collection.
Nikki Finke has the numbers
We’re nearing the end of the line with [[[Wolverine and the X-Men]]] as Lionsgate releases the penultimate volume of the six volume DVD set comprising the first, and now only, season of the animated series.
As the 1980s dawned, it was a nadir point for Saturday morning cartoon fare. Concerns over imitative actions by the young viewers led to a decrease in what could be shown on animated series. Additionally, rising costs led to shortcuts and more limited animation, plus the usual cyclic concern over televised violence. Throughout the decade several new trends emerged starting with a greater reliance on licensed properties and personalities to anchor new shows. While the handful of original series showed their allegiance to the latest trends, it also led to a great divide between what was aired first thing in the morning compared with shows for the slightly older audience.
