Review: ‘Lord of the Rings Original Animated Classic’
Ralph Bakshi has been a visionary filmmaker and animator, whose ambitions always seemed larger than his talent. After cutting his teeth at Terry Toons, he talked his way into running Paramount’s dying animation arm before moving on to work such as the ABC Saturday morning [[[Spider-Man]]] series. He finally gained recognition when he set out to make feature-length films, beginning with the X-rated [[[Fritz the Cat]]].
Bakshi’s tastes have always run towards edgy fare and he’s produced animated film son subjects Walt Disney or Don Bluth would never have approached, such as [[[American Pop]]] and [[[Hey Good Lookin]]]’ and for that he deserves credit. Unfortunately, in just about every case, the projects have been flawed, largely because not enough money was spent on the animation or the story so they never felt finished.
In the 1970s Bakshi was in the right place at the right time when he managed to get the rights to adapt J.R.R. Tolkien’s [[[Lord of the Rings]]], a project that had previously stymied filmmakers such as Stanley Kubrick and John Boorman. He set about to create a new look for Middle-earth by using the rotoscope technique, to shoot large portions of the film as live-action and then provide the footage to his animators to essentially trace.
The results arrive Tuesday as Warner Home Video releases a combo pack edition containing Blu-ray, DVD and digital copy discs, the same day it also debuts the Peter Jackson trilogy on Blu-ray.
Tolkien fan Chris Conkling was first hired to do research then was given a shot at writing the first screenplay which oddly decided to tell most of the story in flashback from Merry’s point of view. Bakshi wisely shelved it and brought in fantasy master Peter S. Beagle to rewrite the script. Beagle, of [[[The Last Unicorn]]] fame, followed Bakshi’s instructions to preserve as much of Tolkien as was possible.
What’s interesting is how Beagle and Jackson made many of the same decisions regarding what to drop or change. While there was a huge cry about the absence of Tom Bombadil in the live-action film, he’s also gone in Bakshi’s film and no one screamed in those pre-Internet days. They also both chose to have the Ringwraiths themselves seen attacking the seemingly slumbering hobbits at Bree.
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Twentieth Century Fox Home Entertainment and MGM Home Entertainment has released Easter-themed family friendly fare complete with Easter Basket Approved! stickers. 
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The Golden Age of Comics usually refers to the first period of massive super-hero output, roughly 1938 to around 1950, give or take. Super-heroes lost their following, and desperate publishers rushed to replace capes with westerns, romance, and horror – or all three, if they could figure out how to do it. Sometimes, decisions were made hastily and work was stopped mid-production, more often they printed off their inventory and moved on… sometimes to oblivion.
But there was an interesting phenomenon in which the “lead” super-heroes featured in or above the logo failed to appear on their very final covers. Here’s the ComicMix Six top golden age missing heroes covers. If we missed yours, please write in and let us know!
Number Two: Green Lantern
With the Chicago Comics and Entertainment Expo coming soon to the shores of Lake Michigan, it seems that the con has been given it’s first scandal. In a back-and-forth flame war posted yesterday on his 
In a move some consider surprising, Disney announced their first musical to hit Broadway since acquiring Marvel Comics will be Ghost Rider, complete with motorcycle, flames, and song and dance.
In one of the most stunning mistakes in comics, Blackest Night #8, which came out yesterday and was supposed to end the series, is being recalled due to a production error that caused the wrong pages to be run in most copies of the issue, changing the story heavily.
This picture by 
