Irredeemable #10: Boy, Mark Waid must’ve hated ‘Action Comics’ #442
Warning: We’re discussing Irredeemable #10, out in stores this week, and we’re probably going to spoil a minor plot point. You might want to read it first before you go any further.
Based on part of Irredeemable #10, I can tell that Mark Waid read Action Comics #442 at a very impressionable age– specifically “The Midnight Murder Show” written by Cary Bates, with art by Curt Swan and Kurt Schaffenberger.
And he was struck by the sheer implausibilty of it all. And re-reading it, I can’t blame him.
Let me recap the plot a bit: Late night talk show host Johnny Nevada, host of GBS’s “The Midnight Show” has been kidnapped by the psychotic and trigger-happy “Touch” McCoy and his henchman, Louie, because all criminal henchmen in Superman stories are named Louie.
Nevada is being held for ransom of ten million dollars. (In 1974, that was enough to stun a TV network– in 2004, ABC spent more than that on the pilot of Lost, and today, there are pilots rumored to cost fifty million dollars. My, how times change.)
To catch the kidnapper, Superman hatches a plan to goad the kidnapper into shooting, which he will be able to hear with his super-hearing. So Superman goes on The Midnight Show and goads Touch into shooting his .45
at Carso– er, Nevada, which Superman will hear fire from across the
city, and can get there before the bullet travels the distance to hit
Nevada.
All well and good, except that Superman has forgotten that a .45 caliber bullet travels at 800 feet per second. In a 20 foot room, it will take 1/40th of a second.
In
that time, the sound of the gunshot will only travel 28 feet. It’s not
going to matter if he’s faster than a speeding bullet if he can’t hear
it before it hits the target.
We won’t even get
into the argument of how Superman knew how far away the shot was or the
exact direction to fly off in– suffice it to say that it’s a
completely implausible story.
I mean, really– TV networks caring about the hosts of their late-night talk shows?

Screenwriter Guillermo Arriaga ([[[21 Grams]]], [[[Babel]]]) was determined to take greater control over his stories by directing and made his debut in the well-intentioned [[[The Burning Plain]]]. The movie, out now on DVD from Magnolia Home Entertainment, played at various festivals before receiving an unsuccessful theatrical release. Starring Charlize Theron and Kim Basinger, the movie is told in Arriaga’s patented nonlinear manner, but keeps us at arm’s distance from the characters.

Once again, the mighty Steve Jobs took the stage in front of scads of Mac-o-philes to present them another device they need so bad it hurts. The iPad debuted to the standard “ooohs” and “oys”, and we here at ComicMix feel no need to wax poetic. We know you don’t care about our awesome alliteration adeptness. How about a little meat n’ potatoes:
It’s often illuminating to look at a creator’s earlier works to see how they inspire and influence the later, better known works. Such is the case with Kazu Kibuishi’s Copper, now in a single volume collection from Scholastic. This webcomic, launched in 2002, was the first serious work the artist produced on a sustained basis and in his introduction; he talks about how this helped put him on a career path.
Rabid DC fans flocked to their local android dungeons to get their pudgy fingers on the infinitely collectable ‘Blackest Night’ promo rings. Soon thereafter the DC Nationites (Nationals? Nation-Zombies?) could create their very own rainbow brigade, all for the price of a new comic. Sure not every DC loyalist subscribed to every book that came with a ring… but hey, who doesn’t need an extra copy of Superman/Batman? I used mine to sop up a glass of water I let slip at lunch the other day!
A prime time summer series launched during the dog days of August is never a good show of faith on the part of the network. Last August, ABC presented


Hey, hyu!
