BOOM! Studios announced today Farscape: Scorpius, an ongoing series starting in April. Written by series creator Rockne S. O’Bannon and David Alan Mack (the Star Trek novelist, not the artist on Kabuki, just to get it out of the way early) it finds everyone’s favorite black leather clad villain deposed from his throne on Hyneria and making a bold new discovery that could put him back on top of the Uncharted Territories.

We took some time to chat with Dave (with Keith R. A. DeCandido, the scripter for the Farscape ongoing series, throwing in little bot mots because as readers of ComicMix know, he just shows up everywhere) and asked him about the new series, and what it’s like to write a story from the antagonist’s point of view.

ComicMix: There are precious few comics that have been
focused on the bad guy in the story… but is Scorpius a bad guy?

David Alan Mack: He
certainly doesn’t see himself that way. From his point of view, he’s probably
the only rational actor in a universe populated by fools and madmen. Of course,
Scorpius is not going to judge his own actions using our brand of moral
compass. He is, in many respects, an amoral individual.

In my opinion, Scorpius is willing to espouse a sense of
duty and offer his loyalty to whomever appears to be on his side, and in the
moment when he makes such a declaration, it’s possible he even means it. But if
he needs to betray his allies to accomplish what he thinks is the most
desirable outcome for himself, he won’t hesitate to put knives in their backs
and twist the blades.

Keith R.A. DeCandido:
Oh, he’s definitely a bad guy—at least by the standards of the people
reading the comic book (and who watched the show). When we first met him at the
end of the first season, he tortured Crais for no good reason, just to be
absolutely sure about something. Scorpius admitted up front that the accusation
Crichton had made simply had to be false, but Scorpius was still willing to
torture a Peacekeeper captain just to be 100% sure.

ComicMix: And yet
he does it in such a mannered and genteel style. Very precise. Play out a little bit of the Scorpius series for us. Where are we starting from?

DAM: We catch up
to Scorpius while he’s in self-imposed exile. He’s been kicked off Hyneria by
the triumphantly returned monarch Dominar Rygel XVI. Left with nowhere to go,
Scorpius is on what one might consider a contemplative retreat.

Then, as Bogart said in Casablanca,
“destiny takes a hand.” Scorpius finds himself in the right place at
the right time, and he makes the most of a new opportunity.

ComicMix: So this
is a decent place for new readers to jump in and get up to speed?

DAM: Absolutely.
The first four-issue arc of Scorpius is
designed to introduce the character to new readers by interspersing flashbacks
from his past, while detailing the new political situation brewing in the Farscape universe, especially in the
Uncharted Territories. (more…)

For part 1 of this article, click here.

The Soul Reaper Academy (every society needs an academy – see Plato, Aristotle, Hogwarts), founded 1000+ years ago by Commander-General Yamamoto, graduated the youngest person to ever become a captain, Hitsugaya Toushiro. Serious in countenance, sharp of mind, fierce in battle, child-like in stature (brilliantly voiced by seiyuu Romi Park and by English voice actor Steve Staley), with spikey white hair and turquoise eyes that made him an outcast in his rural Rukongai district (where most souls live; the Sereitei, Court of Pure Souls, is for the shinigami and nobility), and thus a loner, he nonetheless mastered the strongest ice-based Zanpakutou ever in its full bankai form, Hyourinmaru (manifests as an ice dragon and a regal humanoid). He stands tall amongst the captains, despite his relative youth, respected and well loved. But his soul knows only hard work and justice, unlike those who had defected and nearly killed him and everything he loves. Toushiro, too, knows loss, and he and Ichigo had seen battle together and they are friends, though opposites: Toushiro the samurai dubbed a “snotty brat” by Ichigo who is…well…15. When we meet Toshiro in this story, he and his lieutenant, Matsumoto Rangiku (who’d discovered him in the Rukongai), and soldiers of Squad 10 are guarding the royal family and the magical artifact, the Ouin, when the entourage is attacked, the Ouin stolen. The forces suffer heavy losses and Toushiro is seriously wounded. He sees his masked attacker, who says, “You haven’t changed,” and thus knows him by voice and leaves his post to go after him.

When a law becomes unjust, it is our duty to defy it and rewrite it. Ichigo taught Captain Kuchiki Byakuya (Rukia’s noble brother by adoption) this during the ordeal of Rukia’s execution and Byakuya eventually thanked him for it. Our Founding Fathers and the revolutionaries before them who’d inspired them voiced such axioms, schooled in the classics back to Plato. The Japanese constitution is based upon ours, framed by MacArthur at the armistice after WWII. We share an ideal and thus Bleach speaks on both sides of the world. And like much Japanese literature, though it shows many fierce battles, it counsels that battles are to be avoided whenever possible between people of reason – a hallmark of Philosophy, Just War Theory (Aristotle, Augustine, Aquinas). Ichigo gets all this because he’s the outsider of the Soul Society, 17^th vs. 21^st C. The others are slower to defy even seemingly unjust laws and decisions, finding injustice in their midst so hard to believe due to their resolve, their utter certainty that what they risk their lives to do every day is Good, that all life on both sides of the veil depends on them (think Sorkin’s Marines in A Few Good Men). (more…)

To celebrate this week’s release of Surrogates on DVD, director Jonathan Mostow sat down with the press for a virtual press conference and ComicMix was in attendance. Here are highlights from that conversation. Our review of the film and DVD ran yesterday.

ComicMix: Mr. Mostow, 2009 was an extraordinary year for science-fiction, from your film to Avatar, Star Trek and District 9. Why do you think so many good sci-fi rose to the surface last year, and do you think we’ll see any good ones this year?

Jonathan Mostow: First of all, thank you for mentioning our film in the same breath as those other movies — all of which I loved. I don’t think it’s a coincidence that 2009 was a good year for sci-fi. I think that as mankind faces these towering existential questions about how our lives our changing in the face of technological advancement, we will continue to see films that either overtly or subtly address these themes. From the time of the ancient Greeks, the role of plays, literature and now movies is to help society process the anxieties that rattle around in our collective subconscious. We now live in a time when many of our anxieties are based around issues of technology, so it would make sense to me that films with techno themes will become increasingly popular.

CMIX: This isn’t your first time dealing with a high concept of man versus machine. Can you talk about why this concept intrigues you?

Mostow: It’s true that I’ve touched on this thematic material before — in fact, I think all my films in some way have dealt with the relationship between man and technology, so apparently, it’s an idea that fascinates me. I assume your question implies a relationship between the ideas in Terminator and The Surrogates , so I’ll answer accordingly… Whereas T3 posed technology as a direct threat to mankind, I see The Surrogates more as a movie that poses a question about technology — specifically, what does it cost us — in human terms — to be able to have all this advanced technology in our lives. For example, we can do many things over the internet today — witness this virtual roundtable, for example — but do we lose something by omitting the person-to-person interaction that used to occur? I find it incredibly convenient to do these interviews without leaving town, but I miss the opportunity to sit in a room with the journalists.

(more…)