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Review: ‘Leverage’ Season 2.5 – The Runway Job and The Bottle Job (SPOILERS)

Over the last year or two, the more engaging dramatic series have been popping up on TNT, USA and even AMC. They run from the gravitas of[[[ Mad Men]]] to the lightweight entertainment that is [[[Psych]]]. An increasing proportion of my viewing time seems to be focused on these networks and I’m happier for the variety.

John Rogers, who used to write [[[Blue Beetle]]] for DC Comics, co-created Leverage for TNT, a show about criminals banding together to do good. Starring Timothy Hutton and a fine ensemble, the series debuted to terrific reviews and strong ratings in December 2008. Those first 13 episodes were collected on DVD just before the first half of the second season arrived in July.

TNT kindly provided us with the first two episodes of the second half season, which debuts tonight at 10 p.m. Spoilers ahead…

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Here, leads to ‘Anchor’. ‘Anchor’ leads to fame.

Why just read The Anchor, when you can be in the actual comic?

Westfield Comics and BOOM! Studios have announced a contest where one lucky fan will be drawn into an issue of The Anchor, the new series by Phil Hester and Brian Churilla published by BOOM! Studios.

To enter the contest, send an email to anchor.me@westfieldcomics.com saying why you should be drawn into The Anchor. Entries should be no more than two sentences and 100 words or less. The contest begins Monday, January 11 and ends on Monday, January 18.

Each entry will be judged by both BOOM!’s editor-in-chief Mark Waid and Westfield’s Content Editor, Roger Ash. The winner of the contest will be announced on Sunday, January 31 with the winner to be drawn into a forthcoming issue of BOOM!’s The Anchor. For a complete list of rules, go here.

Spider-Man movie and musical delayed

It all started with One More Day, if you ask me.

The big Spider-Man event of 2007 was supposed to come out in August on a weekly schedule, but problems behind the scenes delayed the series so much that the final installment came out in the last week of the year. (And boyoboy, aren’t we glad Marvel waited to deliver us that story?)

Now it seems that every other Spider property is being delayed because of problems behind the scenes.

First, Alan Cumming mentioned on Saturday that the upcoming Broadway musical “Spider-Man, Turn Off the Dark
in which he is set to star as the Green Goblin, would be significantly
delayed and that producers had hit “an iceberg of
financial ruin” last year and couldn’t raise enough money
for the show, which is expected to cost upwards of $50 million. He said
the producers should have taken down posters in the theater district
that suggest the show is opening soon; the musical’s web site still says that previews start February 25 and that tickets are on sale.

Then Nikki Finke broke the story that Spider-Man 4 has been shelved and that director Sam Raimi and the entire cast are gone– apparently because Raimi felt he couldn’t make the Summer 2011 release date and keep the film’s creative integrity. Columbia Pictures and Marvel Studios announced that they are moving
forward with a film based on a script by James Vanderbilt “that focuses
on a teenager grappling with both contemporary human problems and
amazing super-human crises” for a Summer 2012 release date. Rumors and speculations abound that they’ll shoot the movie in 3D and even try to get James Cameron involved again.

I suspect we’re going to see more and more of these types of delays as the financial stakes get higher and higher and things appear more and more in the public eye.

(Artwork by Joey Mason.)

‘Leverage’ returns to TNT on Wednesday with these six episodes to complete the second season

TNT’s Leverage returns to the schedule on Wednesday with six new episodes running weekly through February 17. The series, co-created by former Blue Beetle writer John Rogers, was one of the network’s bright spots when it debuted in December 2008.

As the second season opened this past summer, the Leverage team reunited in Boston to settle more scores against those who use power and wealth to victimize others.  The gang is led by former insurance investigator Nate Ford (Timothy Hutton), who first got into the racket after his former employer refused to pay for treatment that could have saved his son’s life.  His highly skilled team includes Sophie Devereaux (Gina Bellman), a grifter who uses her acting skills to corner her marks; Eliot Spencer (Christian Kane), a “retrieval specialist” with bone-crunching fighting skills; Alec Hardison (Aldis Hodge), a gadget and technology wizard who keeps the team informed; and Parker (Beth Riesgraf), a slightly off-center thief adept at rappelling off buildings or squeezing into tight places.

SPOILERS AHEAD if you haven’t seen the second season so far and don’t want to watch the marathon before Wednesday’s premiere…

By the end of summer, the Leverage team had scammed a hedge-fund manager who happened to be in the custody of U.S. Marshals; used Eliot’s martial arts skills to corner a corrupt fight promoter; and took over a private school to recover millions of dollars lost in a Ponzi scheme.  They also went head-to-head with an almost identical team of grifters to recover a painting that had been stolen by Nazis during World War II.

But for Sophie, something just wasn’t feeling right.  Her conflicted relationship with Nate left her questioning if she wanted to continue working with the team.  She decided to take some much-needed time away, but not before she arranged for a friend and fellow grifter, Tara Cole (Jeri Ryan), to fill in for her.  Tara immediately proved her worth by not only helping the team save a client’s estate from a corrupt lawyer, but also fooling everyone into thinking she was the client’s attorney. (Of course, Bellman is merely taking a maternity leave but they have written her out in a nicely dramatic fashion.)

Here’s a look at the upcoming episodes (SPOILER: with brief plot synopses) and we’ll have a review of the first two on Tuesday.

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The Point Radio: WWE Turns Out ‘Marine 2’, ‘Green Lantern’ casts Blake Lively

WWE Films direct-to-DVD release, THE MARINE 2, is a hard action film not too unlike a lot of good war comics. Lead actor (and wrestling Bad Guy), Ted DiBiase Jr fills us in on life out of the ring and in front of the camera plus another record breaking weekend for AVATAR and Carol Ferris will be a GOSSIP GIRL.

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Stuart Townsend off ‘Thor’

What is it with Stuart Townsend and characters with swords? First, he leaves the role of Aragorn early in the shooting of  the Lord of the Rings trilogy, and now we hear that he’s out of the role of Fandral in the adaptation of Marvel’s Thor. AP cites that old standby, “creative differences”. Fandral will now be played by Joshua Dallas, who was in the Doctor Who episode “Silence in the Library”.

I can think of a few possibilities:

His swordsmanship isn’t all that it’s cracked up to be.

Director Kenneth Branagh thinks having Townsend leave the production early is some sort of a good luck charm (see LOTR).

Who was playing with the Earthquake Machine in Eureka?

From the Los Angeles Times:

A magnitude 6.5 earthquake rocked the Northern California city of
Eureka on Saturday, snapping power lines, toppling chimneys, knocking
down traffic signals, shattering windows and prompting the evacuation
of at least one apartment building.

All right, which of you geniuses ignored the “Do Not Touch” sign?

Art Clokey, creator of ‘Gumby’ and ‘Davey & Goliath’: 1921-2009

art-clokey-1-9705386Art Clokey, whose bendable creations became a pop
culture phenomenon through countless satires, toys and revivals, has
died at age 88
.

Caretaker Chrisanne Wollett Clokey says Clokey died Friday in Los Osos on California’s Central Coast.

Clokey is best known for the creation of Gumby, the green clay character with his horse friend Pokey. Clokey first molded Gumby for a surreal student project at the
University of Southern California called “Gumbasia.” That led to his
making shorts for the Howdy Doody Show and several series through the
years. He said he based Gumby’s swooping head on the hairdo of his father, who died when Clokey was nine.

Clokey also created the moralizing and often satirized claymation duo Davey and Goliath, which became the direct inspriation for Adult Swim’s Moral Orel.

Eddie Murphy restored Gumby’s popularity in the 1980s with
his send-up of the character on “Saturday Night Live” as a
cigar-smoking primadonna. Other late-night revivals followed, including appearances on Canadian late-night television with Gumby being portrayed by comic-book artist Ty Templeton. Apparently, Ty’s portrayal of Gumby ended when he mentioned that one of the books he spent time walking through was Portnoy’s Complaint.

Gumby had a brief career in the comics, starting in 1986 with Blackthorne Publishing, then later Comico and Wildcard Ink.

Marvel Comics Sues Jack Kirby!

Yeah, I know. Jack’s long-gone. That doesn’t mean he can’t be sued – or, at least, his estate. To be fair, Jack started it.

A whole bunch of copyrights expire between 2014 and 2019,
and Kirby’s estate sent notices saying those copyrights will revert to from the House That Jack Built to Jack’s actual house.

These copyrights pretty much include everything Jack ever
touched at Marvel: Amazing Adventures, Amazing Fantasy, Amazing Spider-Man, Avengers, Fantastic Four, The Incredible
Hulk, Journey into Mystery, Rawhide Kid, Sgt. Fury and His Howling Commandos,
Strange Tales, Tales to Astonish, Tales of Suspense
and The X-Men.

This action follows similar claims made by Jerry Siegel
(Superman), Marty Nodell (Green Lantern) and Joe Simon (Captain America). All have met with some degree of success for the litigants.

Marvel, of course, claims all this stuff was created as work-for-hire and therefore belongs to Marvel. Or, actually, now, Disney. “It is a standard claim predictably made by comic book companies to deprive artists, writers, and other talent of all rights in their work,” according to Kirby’s attorney Marc Toberoff. “The Kirby children intend to vigorously defend against Marvel’s claims in the hope of finally vindicating their father’s work… Sadly, Jack died without proper compensation, credit or recognition for his lasting creative contributions.”

In the world of litigation, Newtonian physics reigns supreme. Marvel lawyer John Turitzin said in a statement that the heirs were
trying “to rewrite the history of Kirby’s relationship with Marvel,” adding “Everything about Kirby’s relationship with Marvel shows that his contributions were works made for hire and that all the copyright interests in them belong to Marvel.” He then sought a court ruling that the Kirby notices have no effect.

Marvel is now owned by Disney, and Disney’s got more
hard-ass lawyers than Harvard graduated in 200 years. If the Kirby estate were to win, the $4,000,000,000.00 Disney just spent for Marvel goes up in smoke. Expect a big bloody fight – or an amusing settlement.

Quotes
courtesy of the Associated Press.