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‘Twilight Saga: Eclipse’ goes IMAX

It was almost inevitable.

The Twilight Saga: Eclipse, the third movie in Summit Entertainment’s adaptations of Stephenie Meyer’s Twilight books, will be released in IMAX theatres simultaneously with the movie’s nationwide release on June 30, 2010. The first Twilight movie to be released in IMAX theatres, IMAX Corporation and Summit Entertainment will digitally re-master Eclipse to enhance both the image and sound quality. Eclipse once again stars Kristen Stewart, Robert Pattinson and Taylor Lautner.

The interesting question: for how long? New Moon had a huge opening and didn’t last long, so it will only stay in IMAX for two weeks, then be replaced on July 16th by Christopher Nolan’s Inception.

Review: ‘Vatican Hustle’ by Greg Houston: Blaxploitation comics… the way you never expected them!

Vatican Hustle
Greg Houston
NBM, December 2009, $11.95

There are stories that are inextricably mixed up with their original media, stories that would make very little sense translated into another form. Imagine a Gothic Romance novel as a puppet show, or a John Wayne Western as an opera. Until the moment I opened this book, I thought “[[[Blaxploitation]]] movie as a comic” was another example.

(I’m not completely sure I’ve been convinced otherwise, either.)

[[[Vatican Hustle]]] is a Blaxploitation movie done as a comic – when it’s not being a parody of a Blaxploitation movie, or vaguely wandering off into Chester Gould territory, or just being terrifically proud with and impressed by itself. If the art style – fairly well described by the publisher as “a hilarious mash-up of Ralph Steadman, Basil Wolverton and Chester Gould’s bad guys,” though that misses Kevin O’Neill, whom I’d list first and foremost – doesn’t tip you off that this is wacky with a capital Wack, the fact that the hero is named Boss Karate Black Guy Jones will certainly do the trick.

It’s set in Baltimore, in an unspecified time that could be the ‘70s as well as today, and our hero – whom I will refer to as BKBGJ for brevity – is, of course, a black dick who’s a sex machine with all the chicks. (Literally – the book begins post-coitally, with BKBGJ walking his latest conquest to the door and chatting about his “shorty robe” before dealing with the inevitable arriving gangsters who arrive to take him, by force if necessary, to see their boss.) BKBGJ is the absolute best, feared and respected even by the mob, and so is hired by that mob boss to retrieve his beloved runaway daughter before her boyfriend uses her in donkey porn.

The trail leads to Rome – as the title implies, or promises – and to the Pope. The Pope is also a tough guy: hard-drinking, hard-living, perhaps the only man in the world who can stand up to BKBGJ. But that implies much more of a linear plot than Vatican Hustle provides – this is a loose-limbed book, sprawling in all directions in search of laughs or snickers from clowns with leprosy, “theme hobos,” dive bars, Gould-level deformed faces, and anything else Houston can think up and throw in.

Vatican Hustle isn’t consistently funny – not even in the places where it’s deliberately trying to be funny. But it is consistently weird, and Houston either has no fear or no filter – and whichever one it is, it makes for a succession of bizarrely fascinating pages. This is definitely the work of a unique talent, and there isn’t anything else like it. I’m not sure whether to hope that Houston settles down and learns to modulate his talent to consistently replicate his hits and avoid his misses, or to expect that he’ll get even more extreme and bizarre. Either way, Vatican Hustle is like no other book you will read this year, and that’s damn impressive.

Andrew Wheeler has been a publishing professional for nearly twenty years, with a long stint as a Senior Editor at the Science Fiction Book Club and a current position at John Wiley & Sons. He’s been reading comics for longer than he cares to mention, and maintains a personal, mostly book-oriented blog at antickmusings.blogspot.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Andrew Wheeler directly at acwheele (at) optonline (dot) net.

Weird headline of the day: ‘Doctor Who Tried To Save JFK Dies’

When I read this headline, I thought that Doctor Who had gone back to November 22, 1963– the day that Doctor Who premiered on the BBC, by the way– and had tried to save John F. Kennedy.

But no. The story merely notes the passing of Dr. Malcolm Perry, who was the ER doctor on duty in Dallas on that fateful day.

But we all know the Doctor was there, right? No? Well, then perhaps you may want to read this, with an even more confusing title:

who-killed-kennedy-9855062

Originally published by Virgin Publishing Ltd in 1996, Who
Killed Kennedy
has long been out-of-print and consequently has become much
sought-after by Doctor Who book collectors, but is now available online as an e-book.

dave-cockrum-9145621

Dave Cockrum estate donates hundreds of comics to charity

dave-cockrum-6103328Kars4Kids, the nationally recognized car-donation program, has received a generous, unique donation from the estate of Dave Cockrum. But it wasn’t the artist’s car. Hundreds of comic books, from the personal collection of the man who co-created many characters from Marvel Entertainment’s X-Men franchise, were given to Kars4Kids to benefit children.
 
“Dave loved to help people—he was generous to a fault,” said Paty Cockrum, widow of the popular artist who died in 2006 from complications resulting from diabetes.  “He was extremely happy that the characters he created—such as Storm, Colossus and Nightcrawler—became a part of the childhood memories of millions of children. He knew that was his legacy.”
 
The donated comics were part of Cockrum’s personal collection. “I’m delighted that more kids will benefit from them,” said Mrs. Cockrum.
 
Kars4Kids.org is a national organization providing for the spiritual, emotional and practical needs of children from impoverished or dysfunctional families. The national, 501(c)(3), non-profit organization was established in 2000.
 
For more information, contact Josh Smith at 732-730-8595, ext. 108.

Review: ‘Left 4 Dead 2’

What is it about zombies that everybody loves?  Whether in movies, TV shows, comics, or even music, zombies are a part of our lives (or for some…after lives).  From the slow walking, shambling undead to the fast running, hungry aggressive “infected”, zombies are the go-to villain for horror stories and games…but none have done it so well as Left 4 Dead.  Last year’s multiplayer epic has returned (just like a zombie) for more in this sequel, and it has brought along more than enough friends.

While most gamers will be getting their shooter kicks from [[[Call of Duty: Modern Warfare 2]]] this holiday, I’ll be spending all of my time doing what I love…bashing zombies in the face, or blowing their heads off with high powered weaponry. Find out how to surive the apocalypse below…

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‘Doctor Who’ meets ‘Sliders’ as Jerry O’Connell cast in David Tennant’s new pilot

The explorer of alternate universes is about to meet the last Time Lord.

Jerry O’Connell, best known to genre fans as Quinn Mallory in Sliders, will co-star opposite Doctor Who‘s David Tennant in the pilot of NBC’s dramedy Rex Is Not Your Lawyer, replacing Sendhil Ramamurthy just days after he was cast in the role. (Ramamurthy, who also stars on NBC’s Heroes, stepped aside because of scheduling conflicts.)

According to Cynopsis, O’Connell will play an ambitious though good-natured lawyer who was used to playing second fiddle to Rex (David Tennant) until Rex’s career changes. O’Connell’s character also falls in love with Rex’s fiance. The pilot has also cast Lindsey Kraft to play Rex’s assistant and Cleo King as a practical-minded private school bus driver.

And the fan-fiction crossovers are starting on LiveJournal right… now.

The Point Radio: Backstage At ‘The Cleveland Show’

Love it or hate it, fans of FAMILY GUY seem to be equally divided on Seth McFarlane’s spin off, THE CLEVELAND SHOW. This week, we go backstage of the show Fox has renewed for TWO seasons. Plus another classic weekend at the Box Office and can you imagine The Nutcracker as an action hero?

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Review: Three Collections of Classic Adaptations

raven-and-other-poems4-2625735

Comics don’t have to be bad for you, you know. They can be edifying and uplifting, partaking of the greatest glories of the finest books even written. At least, that’s what the purveyors of various adaptations of  “the great books” – curiously, nearly all of which were conveniently out of copyright and thus didn’t require any licensing fees – have claimed for the past fifty-some years. I have before me three very different books that all adapt mostly old and out of copyright works for a modern audience, so let’s take a look at what’s going on these days…

Classics Illustrated: The Raven & Other Poems
By Edgar Allan Poe; Illustrated by Gahan Wilson
NBM/Papercutz, May 2009, $9.95

Classics Illustrated is the longest-running brand-name in the adapting-old-books space, dating back to 1941 (when the line was launched as Classic Comics), and was the educational comic of choice for an entire generation of parents (and the crib-sheet for their generation of children) until it ended, for the first time, in 1971. There have been periodic attempts to re-ignite the brand since then – this particular book was originally published during one of those attempts, by First Comics around 1990 – but none have been as broadly successful as the main thirty-year sequence from the Gilberton Company.

This particular book, [[[The Raven and Other Poems]]], is an outlier in the Classics Illustrated series, since it doesn’t adapt and abridge a single long-form story (usually a novel, with some plays or other works) into comics, but instead reprints, in their entirety, nine Poe poems with illustrations by Wilson. So it’s not really a graphic novel at all, but the kind of illustrated collection that any publisher for younger readers might publish. (It’s also quite short, at only 48 pages of Poe-Wilson material.)

Aside from “The Raven,” these are primarily shorter Poe verses, mixing his best-known lines (“Annabel Lee,” “The Conqueror Worm”) with poems that only Poe devotees will recognize, like “Lines on Ale” and “The Sleeper.” It’s inherently a small, scattershot selection, but it does give a decent sense of what Poe was like as a poet – morbid, ostentatiously wordy, with that galumphingly even rhythm through his long lines – so that new readers can decide if they like him or not. (And – who knows? – there’s always a new generation of morbid goth/emo kids to glom onto Poe, so it’s not the forlorn hope it might seem.)

Wilson is the perfect choice to illustrate Poe; he’s spent his long illustrative career in the realms of the humorously macabre, and his lines can be just as grotesque – and as carefully, deliberately so – as Poe’s. This isn’t new Wilson work, of course, but it’s a strong collection of Wilson illustrations, and it’s great to have them back in print.

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How Superman REALLY helped America win World War Two

Today is December 7th, a day that will live in infamy as the anniversary of the attack on Pearl Harbor that ushered the United States into the second World War.

During the war, almost every comic shifted to a wartime footing, with covers of our heroes kicking the crap out of Nazis and fighting saboteurs in the pages within. But in at least one case, superheroes did a lot more.

See that cover to the right? That’s the cover of a special edition of Superman, based on issue #33 of the regular series that was produced for the U.S. Army.

The Army had a problem at the time — they were drafting thousands of men a year, but many of them had no education to speak of, with large swaths of them functionally illiterate, and they were expected to operate complex machinery pretty quickly. They had to learn how to read, and fast. The troops also needed cheap and portable entertainment, something that could be carried through the battlefields of Europe and Asia.

So with the cooperation of National Periodical Publications, the forerunner to DC Comics, this edition was produced by the War Department with simplified dialogue and word balloons. Hundreds of thousands of copies were distributed to GIs, and it helped them learn to read and to pass the time. And of course, copies of the comics were handed out to kids in faraway lands, as gestures of goodwill.

A total of 23 issues were produced in this manner and these rare variants are among the first examples of using comic books to teach, not just entertain.

So we weren’t surprised when a study came out last week showing that comics can be used to improve literacy. The United States government has known it for decades.