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Fox Cancels ‘Dollhouse’

dollhouse-cast-photo-whedon-2662106The mixed reviews and poor ratings have led Fox to formally cancel Joss Whedon’s Dollhouse.

The second season show, starring and co-produced by Eliza Dushku, is currently on a planned hiatus, keeping it from the harsh glare of the November Sweeps ratings period.

The announced plan has the final episodes broadcast on these dates: two episodes each will air December 4, 11 and 18, from 8 pm to 10 p.m. The last three episodes will air on January 8, 15 and 22 at 9 p.m.

Whedon has been given sufficient notice so the final episodes will wrap up the existing storylines. Summer Glau was recently added to the cast and will play a pivotal role with her knowledge of someone’s past life.

A second season DVD set is expected but no date has been announced.

This marks the second failed series Whedon has produced for Fox, after Firefly. He has yet to issue a formal statement but no doubt it will be heartfelt and entertaining. Meantime, Whedon is also prepping to direct at least one episode of the network’s hit series Glee.

Can you pass this supervillian test?

Came across this brainteaser on BoingBoing from [wu:riddles]

You’re a super-villain and you want to prepare a
transparency (the kind that goes on an overhead projector) with the key
points of your plan for world domination so you can present them to the
hero/superagent before you attempt to kill him in some ridiculously
novel way. You don’t want this information to fall into the wrong hands
before you’re ready. Smart villain that you are, you know you can share
the information across several slides so that if the enemy agents
capture any two of your slides, they won’t learn even the tiniest bit of
information about your plan. How?

Super-villain transparencies

Give us your answers in comments. Note that your plan should be strong enough to thwart the accursed Richards.

Happy 40th birthday, Sesame Street!

On this day in 1969, the National Educational Television network premiered a show from the Children’s Television Workshop, with songs, animation, Bob McGrath, Loretta Long, Caroll Spinney, Carol Burnett, and Muppets.

Forty years later, Sesame Street has become the longest running American children’s program, having helped educate generations of children worldwide. And Bob McGrath, Loretta Long (Susan) and Caroll Spinney (Big Bird and Oscar) are still there. (Think of it– 40 years as an 8 foot tall bird.)

The effect of the show is so powerful and widespread, this song made it up to #16 on the Billboard charts in 1970:

Make sure you catch the season premiere today, with special guest Michelle Obama. Check your local PBS station for times and listings– or (sign of the times) get the Sesame Street podcast on Sesame Street - Sesame Street Podcast - Sesame Street Podcast.

Wedding Announcements: Fishman – Keller

We are pleased as punch to celebrate the nuptials of

Marc Alan Fishman
and

Katherine Adelle Keller

this past Saturday in Indianapolis, IN.

We congratulate them and wish the happy couple many years of happiness.

(However, we are a bit confused by that thing in Kathy’s hand. Is that some sort of marital aid?)

The Point Radio: ‘The Prisoner’ Remade Or Ruined?

This week, AMC premieres their updated version of the classic sf/ fantasy series, THE PRISONER. We begin our backstage visit to the set by tackling the question of how to approach the story with a 2009 eye and yet still keep at least some of the 1968 charm. Producer Trevor Hopkins gives his frank answers, plus the cast of NBC tells us what they really think about the JAY LENO situation and Warren Ellis sells more stuff to the movies!

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Review: ‘Up’ on Blu-ray

Pixar’s command of digital animation has captivated an entire generation of viewers and with Up
, its tenth film, it has actually taken some interesting chances. First, they focused on a senior citizen, the very demographic totally abandoned by Hollywood despite the longevity now being enjoyed by many.

It also decided to take storytelling chances by stretching how many absurdities we can accept in a single film. Previously, we were asked to accept one major concept per film: toys that can talk, a world powered by children’s screams, and so on. Here, we’re being asked to accept an awful lot and frankly, sitting through the film, I think it asked for too much.

Up arrives on DVD tomorrow and comes in Walt Disney Home Video’s controversial multi-package format. The Blu-ray edition contains four discs: the film and extras, a second disc of extras, the film and some extras on standard DVD and a disc with a digital copy. On the one hand, it’s nice to have this package because eventually we’ll all be using Blu-ray so we avoid buying the movie twice. On the other, it’s pricey for people not willing to make the leap for years to come.

The film’s best sequence is the opening ten minutes known as “Married Life”, which details the meeting and evolving relationship between Carl and Ellie. It’s incredibly poignant and moving, aided tremendously by Michael Giacchino’s score. From there, we meet 78-year old, arthritic Carl, every bit the curmudgeon he appears. Wonderfully voiced by Ed Asner, he’s done with life and just wants the world to leave him alone. Sadly, the world wants to move ahead and is busily construction mammoth commercial buildings around his home.

Finally forced to move to an assisted living facility, Carl decides to escape to Paradise Falls, the one place he and Ellie wanted to visit and never found the time and/or money. Here’s where we’re asked for the big leap of faith: overnight, be fills 10,000 balloons with helium, rigs steering gear, and in the morning, launches his home into the air for the trip to South America.

OK, let’s accept that. Let’s also add in the Russell, the young Asian Wilderness Explorer trapped on the porch when the house broke free of its foundation. Their odd couple relationship will form the spine of film and that’s fine.  Now, the house miraculously makes it to Paradise Falls and there’s when things go off the rails. First, we have a pack of dogs each equipped with a collar that translates their growls to human speech, allowing communication. A wondrous piece of technology that would make its inventor world famous and fabulously wealthy. Instead, the inventor, 90 year old Charles Muntz, remains in self-imposed exile, seeking the rare bird whose capture will repair his reputation, spoiled decades earlier when scientists questioned the validity of the bones he brought back from one of his celebrated expeditions.

Once Carl and Russell meet Muntz, the film no longer feels like a Pixar classic, but instead a pale imitator as your credulity is stretched beyond belief time and again. The climax, a battle between geriatrics, is impossible to accept given the athleticism each displays despite their previously established infirmities.  Fortunately, the final scenes come back to familiar Pixar territory and ends on a satisfying note. As a result, Up the movie is a mixed bag and far from its best work.

The extras on the discs, though, show the level of attention that went into each and every aspect of the film from studying the way seniors moved to house architecture. There are several mini-documentaries adding up to over 40 minutes of nifty behind the scenes information. Best of the eight may well be the piece on Giacchino and the scoring for the movie. There’s also the film in Cine-Explore track as the directors, Bob Peterson and Pete Docter, discuss the making of the film, complete with designs, sculptures and other visual details popping up on screen. The main disc also offers up two shorts: Dug’s Special Mission and Partly Cloudy. Another short bit is a look at various ways Muntz’s story came to an end.

The second disc, in addition to the documentaries, offers up a nice piece on the development of “Married Life” and them shows a storyboarded alternative approach, equally effective. Finally, there’s the Global Guardian Badge Game, an interactive trivia game that earns you badges of increasing complexity. It uses the BD Live feature which is nice for those so inclined.

A somewhat good, somewhat flawed film is well packaged and offers up much for families and film enthusiasts to enjoy.

Tribute To A Master

When you think of the classic Marvel artists, you think of masters of the medium such as Jack Kirby, Steve Ditko, John Romita Sr, John Buscema, and Gene Colan. No wonder Marvel left all other American comics publishers in the dust.

This coming February, Marvel Entertainment will honor one of those gentlemen by releasing The Invincible Gene Colan, a visual tribute and biography of one of the most brilliant and influential comic artists in the genre’s history – and one of the nicest guys on the block. Edited by our pal Clifford Meth, the book includes observations from Stan Lee, Roy Thomas, Neil Gaiman, Walter Simonson, Marv Wolfman, Tom Palmer, John Romita Sr., and Tom Spurgeon, as well as tons of Gene’s beautiful art.

Aardwolf Publishing will have the exclusive signed-numbered copies as well as the extremely limited double-lettered remarqued, book-plated edition (each containing a unique sketch from the hand of Gene Colan).

Here’s the details:
• Signed/numbered: $60 plus $5 shipping
• Double-lettered remarqued edition (contains Colan sketch; only 52 will be created): $140 plus $5 shipping
• Special offer: With any order, add another $15 and receive The Uncanny Dave Cockrum hardcover numbered edition ($40 retail value).

Review: ‘Monsters, Inc.’ on Blu-ray

Pixar burst onto the scene with [[[Toy Story]]] and proved that they were the successor to Walt Disney Studios by providing heart-warming, funny family-friendly animation, using pixels instead of paintbrushes. They followed up with [[[A Bug’s Life]]], which was another success, and they came right back with [[[Toy Story 2]]] which was an expected smash.  The question was back then, how long could they sustain the hits and the level of quality. A lot was riding on their fourth release, Monsters, Inc.
, since it was to be their third original creation and a gauge of their long-term viability.

Well, we all know what happened. It and every subsequent film has been one hit after enough, proving Pixar was not only the real deal, but a successful font of new ideas. Disney clear had no choice but to advance their partnership by owning the company, which reinvigorated their own franchise characters.

Monsters, Inc.
is being released on Blu-ray this Tuesday clearly intended for holiday shopping, and comes in an assortment of flavors. The 4-disc set, sent for review, has the following elements: the film and extras on Blu-ray, a Blu-ray disc of even more extras, the movie on standard DVD and a digital copy. That’s a really impressive deal, if you own a Blu-ray player.

The fabulous movie looks and sounds even better on Blu-ray, the digital creations just as inventive and fun as always. The 91 minute story remains amusing with a lovable set of characters and full realized world of monsters, which required energy derived from children’s’ screams. Boo, the little girl accidentally in their world, could be a sickly-sweet character but instead looks and acts like a real 2-year-old, charming and frustrating all the way. The voice cast, headed by John Goodman and Billy Crystal, is top-notch and well picked for their parts.

But you know all that.

The movie disc comes with the previous DVD bonus material. The shorts For the Birds and Mike’s New Car; but new is a lengthy Filmmakers’ Round Table where four of the geniuses behind the movie, talk through their challenges and favorite parts. There’s also a preview of the Monstropolis exhibit at Tokyo Disneyland, the closest most of us will ever get to see the impressive looking ride.

The second Blu-ray has a few hours’ more fun starting with the interactive game, Roz’s 100-Door Challenge. By answering questions based on the film, it determines which job you are suited for. Don’t like the job, you try again.  There’s a nice tour of Pixar’s compound, dubbed the Fun Factory. Clearly, the imagery emphasizes the creative, goofy, and downright fun involved in the making any one film. On the other hand, the hard work and long hours brining the story and characters to life, is sadly underplayed. Everything on this disc is geared to demonstrating how Pixar works related to Monsters, Inc.  It’s a rich assortment of features for the fan.

The movie endures, a classic for families for generations to come and there’s no better way to preserve this than having this rich package of video material.

Review: ‘Justice League the Complete Series’

For those who only knew the Justice League of America as the Super Friends must have been in for a rude awakening when they sat to watch the Justice League
animated series with their kids. From 2001 through 2006, the Cartoon Network offered up what has since gone on to be recognized as the greatest comics adaptation of all time.

Super-heroes moving from the printed page to animated film have had a checkered path from Filmation’s 1966 [[[Superman]]] through Ruby-Spears’ 1988 effort with the Man of Steel. In between, there were some highlights such as 1968’s [[[Spider-Man]]] and some really low moments including the 1977 [[[Batman]]] show. The problem is that super-heroes need conflict in which to use their powers and abilities. With every passing year, parents fretted over the amount of violence their children were expose to, coupled with concerns over the kids imitating the exploits in real life and causing themselves harm.

Any super-hero in the 1970s and early 1980s found that they could no longer duke it out with villains and their powers were used instead to stop natural disasters or rescue the proverbial kitten stuck in a tree. Some shows rose above the restrictions and proved entertaining but largely they were weak and short-lived.

That all changed thanks to Tim Burton. His 1989 Batman feature film reminded audiences what was good about comic books and their heroes. It forced everyone to re-examine comic book adaptations and prompted Warner Bros. to try a new Batman animated series. In the hands of producers Bruce Timm and Paul Dini, they rewrote the rule book and produced an amazing series.

That in turn gave us Superman so it was logical to follow with the Justice League. Along with James Tucker, Dan Riba, Dwayne McDuffie and others, the JLA never looked better. Now, all 91 episodes are collected for the first time in a two volume tin boxed set and it’s a joy to behold.

Warner Home Video essentially took the season sets and repackaged them for Justice League: The Complete Series
, so the discs are broken down by season and disc number while the accompanying booklets count the discs from 1-14, so you have to carefully count discs to find a favorite episode. One nice aspect is that all the original extras are therefore included so there’s a rich amount of material to sift through. Unique to this set, on sale Tuesday, is a 15th disc containing “Unlimited Reserve: Exploring the Depths of the DC Universe”, a 16 minute chat with the producers discussing the joys of adapting the comics for a new generation of fans.

The nicest thing about the show, as either [[[Justice League]]] or [[[Justice League Unlimited]]], is the fidelity it paid to the source material. Yes, they altered a great many things, but nothing felt gratuitously done. The heroes and villains looked and acted appropriately plus the comic book conventions of sub-plots and continuity carried over nicely. There was a strong emphasis on characterization, for all the players. As a result, many JLAers had nice arcs, notably [[[Wonder Woman]]] who went from rookie hero to a true Amazon Princess. Hawkgirl’s seeming betrayal and subsequent redemption played well, too.

There far more hits than misses and no doubt everyone has a favorite story or arc. The eight-episode arc of the League versus Cadmus holds up very well and shows many sides to the issue of, ahem, “[[[Who Watches the Watchmen?]]]”  During this, the Question quickly becomes a major player and wonderfully used. Similarly, the League’s rejection of the Huntress or Captain Marvel’s resignation show that not everyone is cut out to be a hero or a team player. All the characters have distinct personalities, which was most welcome.

The show is crammed full of super-heroes drawn from throughout the entire DC Universe from Spy Smasher to Aztek. Just about everyone is superbly voiced from the familiar Kevin Conroy as Batman to Jeffrey Coombs as The Question. Guest voices are also welcome, with some sly winks from the producers such as Jodi Benson’s Aquagirl or The Wonder Years’ Fred Savage and Jason Hervey as Hawk and Dove.

This is most definitely worth owning or finding under your Christmas tree this season.