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Review: ‘Peanuts 1970s Collection Vol. 1’ on DVD

1000109776dvdlef-8837614Charles Schulz always said he created his [[[Peanuts]]] strips adults but clearly, the comic strip struck a chord with readers of all ages so by the late 1960s, the franchise had become a pop culture hit with tons of merchandising. Notable among them were the television specials which continued for decades.

A key difference between the strips and the animated television fare is that the specials are clearly aimed at younger audiences whose demands on story logic are far lower. That could explain why several of offerings contained in [[[Peanuts 1970s Collection]]] cause you to wonder how things could be. The two-disc set, out on Tuesday from Warner Home Video (who kindly provided a review copy), contains the first six specials from the decade covering 1971-1974. Eight more are no doubt being saved for volume two.

As the 1970s arrived, Peanuts stopped being about the kids and their struggles with childhood and life itself. The existential suffering of Charlie Brown was slowly being replaced with the comical exploits of Snoopy, who had eclipsed his owner in popularity. At the dawn of the new decade, Schulz gave him a buddy, Woodstock the bird. More strip and screen time was taken from the kids and given to the pet buddies. For me, the strip suffered greatly and began its long slow decline in quality during this period.

In [[[There’s no Time for Love, Charlie Brown]]] and [[[A Charlie Brown Thanksgiving]]], the absence of adults weakens the overall story. The former story involves a field trip to a local museum where Charlie Brown needs to write a top-notch report to salvage his grades. Somehow, he and Peppermint Patty, whose school is also taking a trip, wind up in a supermarket and Charlie can’t seem to tell the difference. But, where are the teachers and parent chaperons? Similarly, the holiday episode has Patty, Marcy, and Franklin somehow manage to abandon their families, having invited themselves over to Charlie’s house for the traditional meal while Charlie is expected to travel with Sally and his parents to grandma’s house. At no point does it make sense these kids would be allowed to leave family traditions nor would Charlie’s parents actively allow him to prep a meal (albeit one consisting of toast, popcorn, jelly beans and pretzel sticks). There’s also something just plain wrong about watching Woodstock eat turkey during the end credits.

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The Point Radio: Edward James Olmos on ‘Battlestar: Galactica’ vs. ‘Blade Runner’ and the Big Apple Con!

In a few days, BATTLESTAR:GALACTICA fans are treated to the DVD release of THE PLAN – but did you know that there is a connection between BSG and Ridley Scott’s BLADE RUNNER? Commander Adama himself, EDWARD JAMES OLMOS, draws the connection for us in our exclusive interview.

Meanwhile, join THE POINT RADIO broadcasting LIVE all weekend long from the floor of THE BIG APPLE CON (Sponsored by Wizard Entertainment) in New York City. Check broadcast times & updates on our website.

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George Tuska, 1916 – 2009

Pioneer comic book and newspaper strip artist George Tuska
died yesterday at the age of 93.

It’s hard to imagine an artist with a greater pedigree.
Beginning in 1939, George worked on such features as The Avengers, Black
Terror, Buck Rogers, Captain America, Captain Marvel (both Fawcett and Marvel), Challengers of the Unknown,
Doc Savage, Green Lantern, The Hulk, Iron Man, Justice League of America
(a.k.a. “The World’s Greatest Superheroes” newspaper stip), Luke Cage, Planet
of the Apes, Scorchy Smith, Sub-Mariner, Superboy, Superman, T.H.U.N.D.E.R.
Agents, Teen Titans, Uncle Sam… and that merely scratches the surface.

George was a gentle man who once had taken the
extraordinary step of punching out well-known wiseass cartoonist Bob Powell
while working in the Eisner-Iger shop. Will Eisner said Powell, as brilliant an
artist as anybody in that hallowed shop, absolutely deserved it. The stuff of
legend.

On a personal note, George was drawing the Buck Rogers
newspaper strip during its final years, from 1959 to 1967. During that last
year, I was an unpaid intern at the National Newspaper Syndicate and was
allowed to contribute story concepts and ideas. As a 16 year-old, I was amazed
and thrilled to be working anywhere near
George Tuska.

Review: ‘Amulet Book Two: The Stonekeeper’s Castle’

Amulet Book Two: The Stonekeeper’s Castle

By Kazu Kibuishi
Scholastic/Graphix, 220 pages, $21.99 (hardcover) $9.99 (paperback)

Kazu Kibuishi is a talented animator and comic artist who has produced several graphic novel series, including [[[Flight, Daisy Kutter: The Last Train]]], and now [[[Amulet]]]. The first volume came out over a year ago and now Scholastic has released the second book in the run. This book could have benefitted from a previously page for new readers.

The story is familiar as Emily Hayes discovers a necklace and amulet with magical powers. In the first volume, she and her younger brother Navin have adjusted to living in their great-grandfather’s home with their recently widowed mother. The amulet speaks to her, warning of impending danger which immediately results in a ghastly creature swallowing their mother. The chase is on to rescue her and book one achieves that goal, but she is gravely ill.

Book two opens as evil forces conspire to hunt down the children and obtain the amulet, while they, in turn, seek a rare fruit to concoct a potion to save her life. Their journey brings them into close contact with many humans who have been slowly evolving into animal/human hybrids, part of a curse that threatens all humanity. As a result, no one blinks an eye when Leon Redbeard, a fox-like bounty hunter arrives in the nick of time. He proves to be not only plucky, but wise as he recognizes that Emily is The One who will save the planet from the creeping darkness.

The story moves quite well as we go from lush landscapes to foggy forests in search of enlightenment and safety. With a Japanese-tinged style and terrific use of color, Kibuishi invites us into a world that mixes magic with technology, where robots and talking mystic trees operate side-by-side. The story moves quickly and you find yourself turning the pages with increasing speed.

The problem, though, is that Kibuishi’s story is nowhere near as inventive as his artwork. He admits that he studied [[[The Empire Strikes Back]]] repeatedly while working on this second volume in a projected ten-volume series.  It certainly replicates the feel of a second chapter, complete with advancing the story, adding some new characters, and exploring the backstory. The characters and pacing feel familiar and just when things look their darkest, the expected rescue comes in a comforting manner but it also lack tension and surprise. Even the struggle between Emily and the seductive nature of the amulet resonates of Frodo and the One Ring.

Emily, Navin, Leon and even the evil Luger and Prince Trellis all show us nothing new and play their roles like stock players.

While Amulet is engaging and a fun read, it doesn’t surprise us at all or present any new looks at the relations between siblings, friends or even families. No doubt, even the 9-12 year olds this is aimed at will not necessarily feel compelled to read the next chapter.

Crazy Sexy Geeks: The Series – Remakes, Reboots & Sequels with Rob Zombie!

Emma Caufield, David Petersen, and David W. Mack on ‘Crazy Sexy Geeks: the series’!

Emma Caulfield (Buffy the Vampire Slayer and Robot Chicken), Mouse Guard creator David Petersen, comic
book artist/writer David W. Mack and others weigh in on comics with spandex. Ever wonder what
comics out there aren’t about super-heroes? Hosted by Alan Kistler and
Jose Ramos!

Crazy Sexy Geeks: The Series – Comics Without Spandex!

On sale today: ‘Jon Sable Freelance: Ashes of Eden’ #1 by Mike Grell

Jon Sable returns in his latest adventure, Ashes of Eden. Sable is hired to deliver a diamond
and a girl safely to New York; a simple enough job if the rock wasn’t
the size of a bomb and the girl wasn’t Bashira– who, of course, is as
unbelievably gorgeous as she is completely spoiled rotten. Mike Grell writes and does the art, with John Workman lettering and yours truly coloring, assisted by Shannon Weaver and Matt Webb.

Published by ComicMix and IDW and available at finer comic shops everywhere– with the really good ones having a variant pencil sketch cover available as well.

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Review: ‘Knights of the Lunch Table – The Dragon Players’

knights2-cover-2631535Knights of the Lunch Table: The Dragon Players

By Frank Cammuso
Scholastic/Graphix, 128 pages, $9.99

The pee wee population of Camelot Middle School is back in the second volume of the [[[Knights of the Lunch Table]]] from Frank Cammuso. The series, launched by Scholastic’s Graphix imprint last year, takes the broad strokes of the Arthurian legend and reimagines everything from a junior point of view. Our protagonist is Artie King and his two best friends are Percy and Wayne, all trying to survive the hostile environment that can be early adolescence.

While unrelated to Jolly R. Blackburn’s [[[Knights of the Dinner Table]]], Cammuso’s junior adventures are no less enjoyable. [[[The Dragon Players]]], now on sale, finds science teacher Mr. Merlyn easing Artie towards entering the robot dragon competition. While reluctant to participate, he agrees since Wayne owes Principal Dagger $300 for a new windshield and the competition’s prize just happens to be that exact amount.

With that as a launching point, we see a cleverly constructed plot that involves the students and the faculty. Along the way, the pitfalls of school life are clear with the boys being bullied by the enormous Joe and Artie struggles to survive in the house with his older sister Morgan.  The characters act their ages with their emotions ranging all over the place and in need of some wise counsel. Artie can get some tips from his magic locker, but it falls to Merlyn to gently point him in the direction of doing what is right, not what is easy.

Cammuso’s art and color make the main characters appear a little younger than they should be but he fills the pages with nice details and keeps things moving at a nice clip. The climax, at the competition, is a little rushed, but everything is neatly tidied up by the final page.

Scholastic recommends this for ages 7-10 and that sounds about right. The readers should find the characters fun and relatable while Cammuso’s story imparts some good lessons. These annual offerings are most welcome.

Ever wanted to collaborate with Neil Gaiman? Here’s your chance

MediaBistro reports that starting in less then an hour, Neil Gaiman and a thousand Twitter followers will write an audiobook script together on Twitter–an epic test to see if the Twittersphere can actually cooperate on a story.

The whole project starts on this Twitter page
at 12 noon EST. Gaiman will tweet the first line of a
story, and the Twittersphere will add the next sentences, continuing
the story in a round-robin style. To be included, your
addition to the story must be tagged #bbcawdio and be sent to the
correct Twitter page, like this:

<

p style=”text-align: center;”>@BBCAA Your Tweet Here #bbcawdio

Here’s more from BBC Audiobooks America:
“When roughly 1000 Tweets are logged, we’ll edit the contributions and
compile a script, then head into the studio to record and produce the
audiobook. The final audiobook will be downloadable free on our website
and also available as a digital download at iTunes and other audiobook
retailers.”

Doing the math, that should be about 130,000 characters, probably around 21,000 words, which is in the ballpark of an audiobook script.

Neil’s twitter feed, in case you don’t have it, is @neilhimself.