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Crazy Sexy Geeks: The Series – Relaunch Trailer!

Review: ‘Snow White’ on Blu-ray

Truth be told, I was never a big fan of Snow White and the Seven Dwarfs. A lot of that has to be ascribed to my dislike of Adriana Caselotti’s voice as the title character. The songs remain wonderful and the animation a delight. I do have to give Walt Disney a lot of credit for ignoring the nay-sayers who felt people would never sit through a feature-length animated film. Of course back then, people were still figuring out what audiences would or would not do. Back then, no doubt, some still regretted adding sound.

The basic children’s fairy tale was simplified for the 1937 film, starting with the excising of Snow’s mother in favor of just presenting the wicked stepmother. When the Queen tries to do away with Snow White, it took her three attempts which Walt cut down to just the poisoned apple. On the other hand, Walt’s idea of having the Prince’s kiss wake her up is superior to a piece of apple being dislodged from her throat. It would have been nice if the Queen was forced to watch her step-daughter happily marry the Prince, wearing red-hot iron shoes as her punishment.

Wisely, Walt simplified the story to fit it in the constraints of then-current film-making. Additionally, he played up the part of the Seven Dwarfs, giving each a distinctive personality that have become memorable. In the story, after she sought shelter in their home, they agreed to let her stay with them in exchange for her services as cook, maid, and, laundress.  Instead, Snow here takes it upon herself to do the cleaning first, ingratiating herself to the dwarfs before meeting them. Of course, that allows for the animators to let the forest creatures come to her aid set to song.

Still, it’s a charming story, simply told; an experiment that paid off handsomely, catapulting Walt’s studio ahead of all other animators.

Now, the studios’ crown jewel is coming to Blu-ray, going on sale tomorrow. The Blu-ray edition has two discs, one for the film and one for the copious extras. Also included is a standard DVD version so this combo pack is the one to buy for now and the future. While the standard disc contains extras, the supplemental Blu-ray disc has them and much more.

The original film has been meticulously restored and the lush color and design has never looked better. The sound is crisp and the imagery a wonder. Clearly, this is the best the film has ever looked.

Blu-ray owners will enjoy having the Magic Mirror act as the Disney Smart Navigation interface. The mirror guides you through both discs and has enough intelligence ot know if you’ve played this before and whether to resume where you left off. BD Live adds to his functionality and practical use such as time and weather information.  If you don’t like the letterbox bars, you can switch to Disney View which features new art extensions prepared by Toby Bluth, complete with some new information about their creation.

Extras include Backstage Disney: Hyperion Studios, an exhaustive look at the original home for Disney and his animation team complete with virtual tour of the first house that Walt built. A ton of archival material has been unearthed for presentation to diehard fans with every department well represented. Along the way you will watch two Silly Symphony cartoons from the early days and be treated to commentary and tours from current animators including Pixar’s Andrew Stanton. You learn much about how it all began through a series of short features but it requires effort to poke and prod through every doorway and department within the virtual studio.

Snow White gets its due in “The One That Started It All” that offers up some new information and insights.

One of the more interesting featurettes is Snow White Returns. Recently uncovered archival material indicates Walt may have been toying with a sequel and we spent nearly 9 minutes reviewing the data. Deleted scenes include the “Soup Eating Sequence” and the “Bed Building Sequence”.

Resurrected from previous editions are “Dopey’s Wild Mine Ride” game, “Heigh-Ho”, a karaoke sing-along and “Disney Through the Decades”, “Animation Voice Talent” (featuring Caselotti). Unfortunately, some of the 2001 edition features are absent.

This belongs in every videophile’s library and under the Christmas tree of children from coast to coast. The charm and whimsy endures as witnessed in this beautiful collection.

New York Anime Festival 2009 Wrap-up

Picture a world where people gather and interact in joy and
harmony, where groups of gaily-clad youths break into spontaneous song and
dance at regular intervals, where spontaneous conga lines of diverse peoples
stretch for blocks and wind through the market stalls, where merchants sell and
people buy with easy affability and business is brisk, where people debate the
topics of the day with great thoughtfulness and passion and the powers-that-be
listen to the people-at-large. The Twilight Zone? Are you some sort of philosopher,
or something? Well…no and yes. I just spent a weekend at my first New York
Anime Festival at the Javitz Center in Manhattan and I found myself
intermittently amused, bemused, overwhelmed, and overjoyed.

Think about it. Everyone has watched an animated something
in their lifetime, no matter how old. From Looney Tunes to Disney to
Hanna-Barbera to Pixar, we’ve experienced this media and it has been used for
everything from pure entertainment to social commentary. Much of what was seen
in America during the ‘60s and ‘70s was actually from Japan – Speed
Racer, Kimba the White Lion, Astro Boy, Gigantor, Tobor the 8th Man
– some of which are now known to a new generation only via CGI-heavy
feature films. Yet this is far from past-tense kiddie land. With the global
economy, the on-line connecting of the worlds, and all the ways we
cross-pollinate each other’s cultures, just as Americans seem to be everywhere,
so are the Japanese and the growing connections between East and West, from
McDonald’s to manga.

My professional friends, The Anime Chicks, brought me into
the anime fold only about three years ago with Rose of Versailles and The
Legend of Basara
, and a wise one passed along to me the original Full Metal Alchemist (also see subbed on
hulu and other sites the new Full Metal
Alchemist: Brotherhood
, now up to ep 26 in Japan, which follows the manga
more closely as anime and manga had diverged with the common delays between the
two medias), which is sometimes too great for words and, as I’ve happily
discovered, it’s consistently named in the top 5 anime ever in many fan and
professional polls. This encouraged me to explore more: Death Note, Trinity Blood
and, God help me, the never-ending Bleach,
all enabled by my colleagues, our very own Scooby Gang. This lead to Saturday all-nighters on Cartoon Network with Moribito, Ghost in the Shell: 2nd
Gig
, Code Geass: LeLouche of the
Rebellion
, Blood+, Big O (2nd season), and Cowboy BeBop. (more…)

The Point Radio: Robert Carlyle On Life At The STARGATE

There’s more on STARGATE UNIVERSE including Robert Carlyle explaining why he took a dive intp series television, and Ming Nah on playing one of the few openly gay characters in SF TV. Plus ZOMBIELAND jumps to the top of the Box Office, while STAR TREK and WOLVERINE slip off the chart.

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Superman’s powers explained and DiDio on Outsiders: ComicMix Quick Picks for 10/5/09

It’s been a slow few days in comicsylvania, so here’s a roundup of the last few days:

It can’t possibly have been that slow the last few days. What else did we miss?

Review: ‘Superman/Batman: Public Enemies’

For the last 25-30 years, writers and artists have been having a wonderful time contrasting the differences between Superman and Batman. Prior to that, they were both happy-go-lucky super-heroes, brothers-in-arms with nary a problem twixt them. The team of Jeph Loeb and Ed McGuinness really explored the dichotomy between the icons in[[[ Superman/Batman]]], the modern day version of [[[World’s Finest Comics]]]. Their opening story arc, “Public Enemies”, was a major turning point in the DCU, bringing down the curtain on one set of stories and kick starting threads that played out across the line for several years.

Any storyline that involved, could not possibly be well-adapted to an animated feature considering the lack of context most viewers would need to have. As a result, [[[Superman/Batman: Public Enemies]]] the direct-to-DVD release from Warner Premier, now on sale, had to make some modifications. Unfortunately, they were not all for the better.

On the plus side, there are some nice bits between [[[Superman]]] and Power Girl who is the only other character in the story to possess a personality. The story moves at a nice clip and showcases both heroes fairly well, It’s a true pleasure to have Tim Daly and Kevin Conroy voicing the major heroes with Clancy Brown back as the icy Lex Luthor. The animators also do a fine job taking McGuiness’ pumped up style and bringing it alive.

A major plus is that this continues a line of animated features based on today’s DC Comics, demonstrating that good characterization, good storytelling and mature themes can be presented in an entertaining manner for fans of all ages. Yes it’s violent and yes the attempts to destroy, kill and maim the Dark Knight and the Man of Steel aren’t positive themes, but good continues to triumph over evil, working up a sweat to do so.

WIth Luthor as president, it changes the playing field in the struggle between Lex and Superman. Suddenly, as Commander in Chief, he possesses even greater resources to call upon and even uses the Oval Office to sway public opinion. A kryptonite meteor coming to Earth? Must be affecting Superman so he can no longer be trusted. The changed dynamic means battling Luthor has to change, too, and that’s where the comic story works better than the film, which keeps things on the all-out-action level.

Loeb erred in many of the selections he made among the heroes and villains cobbled together to oppose the World’s Finest duo. For example, everyone knows Major Force is a murdering sociopath and the team should have rejected working alongside him. Starfire, an alien princess, and Katana are not American citizens and shouldn’t have answered President Luthor’s call. Similarly, when Captain Marvel shows up to duke it out, Superman brings up the wisdom of Solomon which should have counseled the good Captain to avoid this political mess. The animators also picked an overly broad collection of villains to arrive, controlled by Gorilla Grodd. They all got stopped way too easily, diminishing the threat any one of them possessed.

The movie feels big because of the cast and I wish there were more strong voices such as CCH Pounder’s Amanda Waller. It was probably a mistake for Alison Mack to be Power Girl because I kept thinking Chloe Sullivan.

The biggest oops was not having the Superman and Batman Families come to the heroes’ aid, demonstrating their contrasting styles. I’d have much preferred keeping it, ahem, all in the family, in lieu of the mindless slugfests at 1600 Pennsylvania Avenue.

Finally, there’s the notion that this genius Japanese kid was the only one on Earth able to construct a rocket able to stop the mammoth kryptonite meteor. Let’s see, there are various magicians, three [[[Green Lanterns]]], and so on. And in the film’s case, once the meteor is blown up, there’s nary a mention of what became of the now tiny chunks of kryptonite that were now hurtling towards Earth and other planets in the solar system. At least a line of dialogue should have covered that. At 67 minutes, there was definitely room to smooth over the story points.

Overall, though, this is a strong offering and fun to watch.

The extras on the Standard edition and the DVD include the usual assortment of trailers for other DCU videos, including the next one, [[[Justice League: Crisis on Two Earths]]], coming in 2010. The Blackest Night featurette also appears. “A Test of Minds: Superman and Batman” dos a nice job exploring the comic book relationship between the heroes while “Dinner with DC: With Special Guest Kevin Conroy” features the voice actor Voice Director Andrea Romano, Executive Producer Bruce Timm and DC’s overseer Gregory Noveck chatting the animation crew about adapting the film. Two Batman-featured episodes from Timm’s Superman: The Animated Series round out the disc. You have until September 30, 2010 to take advantage of the digital copy download, with no disc to aid you.

Review: ‘Star Trek: TOS’ Season 2 on Blu-ray

After a rocky first season that ended with the letter writing campaign to save [[[Star Trek]]] from cancellation, the second season opened in a horrible Friday night time slot but was a stronger series. Creator Gene Roddenberry continued to oversee everything as an Executive Producer but John Meredith Lucas took over as the line producer, aided by Roddenberry’s former secretary, D.C. Fontana becoming the script consultant. These changes made for a strong start as witnessed on [[[Star Trek: The Original Series Season 2]]], now out on Blu-ray from Paramount Home Video.

Things had started to gel for the series as the characters became more sharply defined and the writers began to tailor the by-play accordingly. The backstory grew stronger so it was clear what the United Federation of Planets was all about and that the starship Enterprise was truly exploring space and fought only when necessary.

The season opened with “Amok Time”, written by SF great Theodore Sturgeon and explored Vulcan and Spock’s place among his people. It’s a great opening but also one that acknowledged the rising popularity of the character and Leonard Nimoy, placing him ahead of star William Shatner.

Roddenberry and Lucas began exploring more of Spock’s backstory, starting with “Amok Time” but later in “Journey to Babel” which memorably introduced his parents. Fortunately, attention was paid to others, as well. Bowing to criticism from Pravda, the Russian navigator Pavel Chekov joined the crew, ending the rotating supernumerary opposite Helmsman Sulu. With George Takei’s work on [[[The Green Berets]] prolonged, Chekov got plenty of screen time, much to Takei’s regret and Walter Koenig’s delight.
(more…)

The Point Radio: STARGATE UNIVERSE Danger & Sex In Space

STARGATE UNIVERSE (SyFy Channel’s next step in the SG francise) debuts tonight with a new cast and a definite new direction. We begin our backstage access today as the cast explains just what they have to do to survive lost in the multi-verse (and it isn’t playing video games) – plus John Cho talks about his future on not only FLASH FORWARD, but maybe back on The Enterprise or even The White Castle.

PRESS THE BUTTON to Get The Point!

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Com or Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net.

CLICK HERE TO LISTEN LIVEFOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys



It’s No New Comics Week

Back in the days before direct sales and specialty shops overwhelmed comic book sales, you couldn’t find a new comic book on the newsstands to save your soul. The theory was, nobody buys magazines between Christmas and New Years Day, and even now “weekly” magazines like Time and Newsweek skip that week. The fact was, the newsstand distributors and shippers thought that would be a swell week to take off, so they did.

Well, those sing-along days are back. Diamond will not be shipping anything the week of December 30, 2009. Nada. Zippo. Nothing.

There’s a bit of a difference between modern times and those thrilling days of yesteryear. Maybe the old mom and pop stores could survive selling Brylcream and Ipana, or maybe they’d take the week off as well. But today’s comics shop owners can’t afford to close down that week – yes, comic book selling is that marginal a business – and they’ve still got to pay the rent.

Expect a lot of in-store post-Christmas sales, which might be lucrative for those retailers whose customers get cash as holiday presents.