The Mix : What are people talking about today?

The Point Radio: Inside THE VAMPIRE DIARIES

The CW series VAMPIRE DIARIES might be the first break out hit of the new TV season, but with the subject matter, that’s no big surprise.  Meet the cast of the show and find out how they are riding the crest of the Vampire Craze and how the TV series will or won’t be following the best felling novels. Plus news on the best selling comic in the last 30 days, a new TRANSFORMERS series, a FAMILY CIRCUS collection (come on, you know you love it) and Spidey is in Imax but what about 3-D?

 


PRESS THE BUTTON
to Get The Point!

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Com or Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net.

CLICK HERE TO LISTEN LIVEFOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys



Candace Bushnell’s comments on men and comics

Candace Bushnell, the writer whose Sex And The City columns were the inspiration for the TV series and movie, has bounced back from last year’s cancellation of Lipstick Jungle on NBC and chosen the web for her new venture– a new series called The Broadroom, starring Jennie Garth and Jennifer Esposito. (Warning: if you click there, your cursor turns into lipstick. You wish I was kidding.)

Now, I watched the series when it was on HBO– okay, my wife watched it and I was in the room a lot– so I decided to give this one a try, see where the revenue stream is, and so on. And just shy of 2:40 into the first episode, entitled “Husband Hijinks” I’m treated to this monologue:

Ahh… men. I know nothing about them. I haven’t had a date in, like, ten months. All my girlfriends are, like, where are the guys like us? Responsible, ambitious, normal… they’re in their parents’ basements trying to start up their comic book company, or they’ve suddenly decided to become a screenwriter at the age of thirty-nine. It’s awesome.

My first thoughts on hearing this:

  1. Yes, I started a comic book company in my basement. Mine. My house. I own it.
  2. I don’t have the time to do screenwriting, although everyone knows that comics are the way to break into movies nowadays anyway.
  3. Someone’s feeling a bit prickly that her film wasn’t in the top ten grossing films of 2008, and was beaten out by Iron Man and The Dark Knight.

Feel free to take a look for yourself:

And people wonder why there’s some worry about Diane Nelson.

Review: ‘X-Men’ Animated DVDs Volumes 3-4

The [[[X-Men]]] animated episodes from the 1990s continue to be regarded as among the very best adaptation of comics to another medium. The ever-growing cast of mutants, menaces, and alternate timelines was certainly a rich source of material and much of it wound up making the transition from page to screen. Fox enjoyed terrific ratings and it helped push the X-Men from comic cult favorite to mainstream phenomenon. The five seasons were an important stepping stone in getting Marvel’s uncanny heroes from comics to the silver screen.

Buena Vista Home Entertainment this week released volumes three and four of the [[[X-Men – Marvel Comic Book Collection]]] offering up 29 more episodes. There remain enough left over for one more disc which has yet to be announced.

The first of these two-disc sets begins with the Savage Land two-parter and contains the four-part “[[[Dark Phoenix Saga]]]” while the second opens with the Proteus two-parter and also contains the “[[[Beyond Good and Evil]]]” four-part mess.

When the first two volumes were released earlier this year, I wrote, “The voice casting is atrocious and jarring on more than one occasion while the animation direction is lackluster. Too often the team arrives to fight someone and we see them move one at a time rather than in a coordinated team effort, leaving you to wonder what the rest were doing while each hero took a turn.”  Unfortunately, things did not improve with time and experience. Characters continue to stand pontificating while opponents politely waited for them to stop speaking before striking. The animators clearly couldn’t figure out how to integrate the dialogue and action smoothly so decided to take turns much to the stories’ detriment.

The collections contain the episodes in airdate order rather than the production order which results in some head scratching moments when the continuity doesn’t line-up. This is a real shame since BVHE had a chance to correct Fox’s error and give the fans a truly cool collection. Similarly, the discs come devoid of extras save trailers for other product.

The Dark Phoenix storyline deviates markedly from the comic so Jean’s corruption from the cosmic entity and Jason Wyngarde’s manipulation is far less subtle and rushed along. How the team reacts to her change and the ultimate resolution on the blue area of the Moon are closer to the comics but even so, Jean remains alive at the end and this doesn’t really work.

Nor does the “Beyond” storyline because like the comics of the day, it suffers from the everything-and-the-kitchen-sink approach, cramming in multiple timelines, multiple friends and foes and any shred of characterization is ignored in favor or running and blasting.

On the other hand, the episodes do get credit for attempting to keep the themes of alienation ever-present and tries to service each of the characters with personalities that were head and shoulders above the rest of animated fare from the era. It helps that so many of the storylines came from the comics so the efforts of Chris Claremont, Fabian Nicieza, Jim Lee, and others should be acknowledged. Nor did it hurt that Marvel’s EIC and former X-editor Bob Harras was a story consultant, which no doubt kept the scripts better than they could have been.

Still, I wish these were stronger efforts from character design to voice work to actual stories. They don’t hold up in the rewatching despite desperately hoping they’re as cool as viewers recall.

Review: Joel McHale and Chevy Chase in ‘Community’

Well, thus far the new teevee season has brought at least one pleasant surprise.

Generally speaking, I don’t care much for sitcoms. They’re predictable, they’re sophomoric even by my standards, and they’re usually are littered with obnoxious children. But I checked out the pilot to NBC’s [[[Community]]] because I really like Joel McHale and John Oliver, and I’ll admit to having some morbid curiosity about Chevy Chase.

The pilot wasn’t bad, with a few truly funny moments and
some great performances. McHale and Oliver didn’t disappoint me in the least.
But here’s what surprised me.

Chevy Chase turned in a first-rate performance, worthy of the reputation he gathered in the earliest days of SNL. He plays an aging businessman with the same sort of bewildering lack of reality he exhibited in Caddyshack. After a lot of redundant lame movies, this is classic Chevy Chase.

I think Community’s performers will hold the show together long enough to give the writing a chance to improve. Then again, it could go the way of most sit-coms and sink in the sea of predictable puerility. Community is worth checking out. Thursday, September 17, 9:30 PM EDT/PDT on NBC.

‘Sarah Jane’ Doubles Up!

According to Doctor Who Magazine, the third series of the BBC’s Doctor Who spin-off The Sarah Jane Adventures will start up on Thursday October 15th.

This year the show will run twice weekly, on Thursdays and Fridays, and therefore conclude its 12-episode commitment in six weeks. The series runs two-part adventures, so one full “story” will run each week.

More significant, the two episodes which co-star (note: not cameo, but co-star) David Tennant as the Doctor will be broadcast right before Tennant’s remaining three Doctor Who specials.

So this is as good a place as any for ComicMix to bury the final line of dialog of Tennant’s final episode of Doctor Who. Therefore…

SPOILER WARNING!


(more…)

Happy anniversary, ‘Monster Commute’ and ‘Alien Loves Predator’!

alien-loves-predator-300-2742426A quick tip of the hat to two Webcomics You Should Be Reading:

Monster Commute just celebrated a year and 267 strips online on September 15th, 2009. “While it’s not 10,000 pages or anything that grand, it is cool to have gone a year and and not missed any updates. It’s little, but it’s OUR little milestone” claimed artist/writer Daniel M. Davis. “I also invented the savory porcupine,” he said.

To mark this occasion, the LA band Puke and Spit has written and recorded the “Monster Commute theme song” which is being offered for free on www.monstercommute.com.

And speaking of monsters, Bernie Hou’s Alien Loves Predator has just hit a somewhat obvious milestone of its own.

Congratulations, gentlemen.

‘Spider-Man 4’ announces concurrent IMAX release

To the surprise of few, IMAX Corp. and Columbia Pictures announced that Spider-Man 4 will be released to IMAX theatres simultaneously with the film’s worldwide release on May 5, 2011. Spidey 4 reunites director Sam Raimi with stars Tobey Maguire and Kirsten Dunst, and will be the first Spidey film under the new regime.

Hence the image.

Quite seriously, if you thought the Spidey-Cam was tough to move around before, just imagine what it’s going to be like to move a Spidey-IMAX-Cam…

justice-league-logo1-9768267

The DCAU Justice League returns in ‘Crisis on Two Earths’: UPDATED

justice-league-logo1-3987348Ain’t It Cool News is reporting that the next direct-to-DVD DC Comics movie after the upcoming Superman/Batman: Public Enemies will be a new release titled Justice League: Crisis on Two Earths, tentatively coming Spring 2010.

As you can glean from the title, it takes place on two different planet Earths: one protected by the Justice League, and one ruled over by the evil Crime Syndicate. When a heroic version of Lex Luthor steps over from that parallel Earth to ask the Justice League for help, a superhero fight breaks out. That last part is merely conjecture, but we’d put good money on it.

What we do know for sure is that Dwayne McDuffie, who masterminded the original Justice League cartoon and its Unlimited followup, will be writing the script, and that it’ll feature an all-star voice cast, including Gina Torres (Firefly) as Wonder Woman’s doppelganger Super Woman and James Woods (Ghosts of Mississippi, those episodes of Family Guy) as Good Lex Luthor.

The AICN article has the press release and full details, so go check it out.

UPDATE 9/17: Andrew Laubacher writes in comments:

Based on the image in the AICN article, this is NOT the DCAU Justice
League. Hal Jordan is Green Lantern and Wonder Woman is wearing the
costume from Lauren Montgomery’s WONDER WOMAN animated movie. If you
have some evidence for your assertion, please, give it up.

Well, everybody’s officially locked down for comments while promoting the current release of Superman/Batman: Public Enemies. However, someone close to the production confirmed that this is not strict JLU continuity.

On the other hand, since this is dealing with alternate earths, things could be up for grabs– and in fifteen years or so, we’re going to need a “Crisis On Animated Earths” to reconcile this, New Frontier, Challenge of the Super Friends, Swamp Thing, WildC.A.T.S., Krypto the Superdog, and the Superman/Aquaman Hour.

Review: Tom Baker Returns As The Doctor

Author Thomas Wolfe told us you can’t go home again. That certainly hasn’t stopped a lot of folks from trying.

After an absence of nearly 30 years, Tom Baker finally returned to the role of the Doctor in the five-part, six-hour BBC full-cast [[[Doctor Who]]] audio play, Hornet’s Nest. The first part, [[[The Stuff of Nightmares]]], was released in Britain earlier this month
and is available from www.audible.com and www.emusic.com.

Of course, Doctor Who fans are so hard to please they make
Star Trek fans look like they’ve had a Vulcan neck pinch. So how does the most long-lived and long-scarfed Doctor hold up after such a long layoff?

First, I should point out that the story, like Baker himself, is witty, charming, horrific, and over-the-top. If you don’t like that, you probably don’t like Baker. Here’s the high concept: taxidermied animals are reanimated with the implanting of origami-like brains infested with
malevolent hornets. Actually, it’s quite an effective horror story.

The Doctor recruits his old UNIT friend Mike Yates, reprising Richard Franklin’s role, by planting an ad in the local paper that
reads “Wanted: retired army Captain for light household duties and fireside
companionship. Must tolerate mild eccentricity and strong scientific advice.
Knowledge of Giant Maggots, Super Intelligent Spiders and Prehistoric Monsters a positive boon.” Both the Doctor and Captain Yates are obviously a lot older than they were when last seen, and the story takes place in contemporary time – Baker even notes it’s the 21st century. That makes Yates a pensioner, and the Doctor, well, a time-traveler.

It takes a lot of fine writing and even better acting to
pull off such a concept, but that’s what Doctor Who does at its best and that’s what happens here. My wife and I listened to the CD while driving from Connecticut to JFK airport in New York City, which is generally interminable but, this time, entertaining.

It turns out Tom Baker can indeed go home again.