What about Jack? Kirby estate files notice of copyright reversion aainst Marvel, Disney, Sony, Universal, Paramount…
And now, the other shoe drops.
Jeff Trexler points to this New York Times piece saying that the Jack Kirby estate sent notice of copyright termination to Marvel, Disney, Sony
Pictures, Universal Pictures, 20th Century Fox, Paramount Pictures and
others who have been making films and other forms of entertainment
based on the characters Jack created or co-created for Marvel.
The Kirby estate lawyer is Marc Toberoff, the man representing the Siegel estate in the Superman copyright case, who has already done an excellent job of raking DC and Warner Brothers over the coals. Toberoff has an impressive winning tally; Nikki Finke reminds us that Toberoff has also won or settled lawsuits on Lassie, Get Smart, The Dukes of Hazzard, and The Wild Wild West.
Kirby battled Marvel for years over the return of the physical artwork to his comics,
and was asked to sign documents that would have irrevocable and
specifically signed away rights to the characters, something he refused
to do. This led to heavy coverage in the industry, including the ad at right from 1986.
Two immediate questions come to mind:
-
Does this potentially sour the Disney-Marvel deal? Disney said in a statement, “The notices involved are an attempt to
terminate rights seven to 10 years from now, and involve claims that
were fully considered in the acquisition.” Really? You think Disney shareholders are ready to spend four billion dollars on intellectual properties they’re prepared to lose in seven years? Related: there’s a $140 million dollar kill fee Marvel has to pay if the deal doesn’t go through. Does this mean that Marvel has an extra 140 million reasons to settle with Jack’s kids? -
If the copyright reversion is settled with Marvel and/or Disney, does this give them additional leverage in breaking existing contracts with other movie studios? In other words, does that “right to make X-Men movies in perpetuity” hold up if they don’t control the rights to the underlying characters?

One of the major successes of the Sci Fi Channel was the arrival of [[[Ghost Hunters]]], a series focusing on the explorations into the paranormal as conducted by Jason Hawes and Grant Wilson. The Roto Rooter plumbers turned their fascination with the otherworldly by creating TAPS, the Atlantic Paranormal Society, based in Rhode Island. Along with other trained investigators, they have since 2004 been racking up terrific ratings for the channel. Other paranormal shows arrived, such as [[[Destination Truth]]] and the GH spin-offs [[[Ghost Hunters International]]] and the forthcoming [[[Ghost Hunters Academy]]]. The investigators have become regulars on the convention circuit so you may have seen them.





Candace Bushnell, the writer whose Sex And The City columns were the inspiration for the TV series and movie, has bounced back from last year’s cancellation of Lipstick Jungle on NBC and chosen the web for her new venture– a new series called
The [[[X-Men]]] animated episodes from the 1990s continue to be regarded as among the very best adaptation of comics to another medium. The ever-growing cast of mutants, menaces, and alternate timelines was certainly a rich source of material and much of it wound up making the transition from page to screen. Fox enjoyed terrific ratings and it helped push the X-Men from comic cult favorite to mainstream phenomenon. The five seasons were an important stepping stone in getting Marvel’s uncanny heroes from comics to the silver screen.
The collections contain the episodes in airdate order rather than the production order which results in some head scratching moments when the continuity doesn’t line-up. This is a real shame since BVHE had a chance to correct Fox’s error and give the fans a truly cool collection. Similarly, the discs come devoid of extras save trailers for other product.

According to Doctor Who Magazine, the third series of the BBC’s Doctor Who spin-off The Sarah Jane Adventures will start up on Thursday October 15th.
