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Review: ‘Richard Stark’s Parker: The Hunter’ by Darwyn Cooke

the-hunter1-6670019Richard Stark’s Parker, Book One: The Hunter
Darwyn Cooke
IDW, July 2009, $24.99

Richard Stark’s Parker novels come out of a particular
period in literary history: the heyday of the disposable paperback for men.
Paperbacks had appeared in their modern form just before WWII, and servicemen
got used to carrying small paperbound books in whatever pockets they could jam
a book into. The boom continued through the postwar years, with a flood of
short thrillers, detective stories, and soft-core porn – all to stave off
boredom for a man waiting for dinner time on a business trip in some hick town,
or hanging out at the PX on his army base, or riding the streetcar home at
night.

[[[The Hunter]]] was
published in 1962, at the height of that boom – a good decade before the ‘70s
taught publishers that women were even more dependable consumers of paperbacks,
and the long shift to romances and their ilk began. At first glance, Stark’s
hero is right out of the mold of the great hardboiled Mikes (Hammer &
Shayne) – tough, violent, single-minded, implacable. But Parker was less
emotional than the usual hardboiled hero – cold where they were hot,
calculating where they were impetuous. Parker could kill when he had to – and he
did it quite a bit – but he never killed for fun, or just because he could. As
the Parker novels went on he avoided killing as much as he could, simply
because deaths attract more attention than he wanted.

Hardboiled heroes came from both sides of the
law – Mike Shayne and Mike Hammer were detectives, but there were plenty of
law-breakers before Parker, from writers like David Goodis and Jim Thompson.
They usually weren’t series characters, though: Parker’s amoralism went beyond
his own actions to his world, and his stories told how a master criminal could get away with it – if he was smart and tough
enough.

(more…)

‘Dollhouse’ provides employment for Whedon regulars Glau and Denisof

In a recession, you do a mitzvah find work for your friends and people you’ve worked with before. No one follows that maxim more nowadays than Joss Whedon.

According to The Hollywood Reporter, Whedon’s Dollhouse added five new cast members: Summer Glau (Terminator: The Sarah Connor Chronicles and Firefly/Serenity) as Bennett, a Dollhouse employee who shares a past with character Echo (Eliza Dushku); and Alexis Denisof (Angel) is a US Senator heading a witch hunt to track the hidden organization. Also joining up are Battlestar Galatica veterans Jamie Bamber, who will play a charming businessman and husband to Echo; and Michael Hogan joins the cast hoping to stop a killing rampage.

We also understand that Keith Carradine (Dexter) becomes an arch rival of Dollhouse leader Adelle, but we can’t figure out what role he played on Buffy the Vampire Slaye— oh! He must have been one of the Gentlemen from “Hush”.

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GOP Looking For ‘Great White Hope… to beat ‘The Original Johnson’?

The Topeka Capitol-Journal reports that freshman Congresswoman Lynn Jenkins (R-KS) told a town hall meeting
a week ago that the GOP still had to find a “great white
hope” capable of thwarting the political agenda endorsed by Democrats
who control Congress and President Barack Obama.

“Republicans are struggling right now to find the great white hope,”
Jenkins said to the crowd. “I suggest to any of you who are concerned
about that, who are Republican, there are some great young Republican
minds in Washington.” And yes, there’s videotape.

The phrase “great white hope” is frequently tied to racist attitudes when Jack Johnson became the first black heavyweight champion of the world. Reaction to the first black man to
reign as champion was intense enough to build support for a campaign to
find a white fighter capable of reclaiming the title from Johnson.

If you’d like to read more about Johnson’s life, we highly recommend The Original Johnson here on ComicMix.

Swipe file: Musical furries

Above: Zoorasian Brass, from Yokohama, Japan, with musicians in animal suits.

Now compare to the right: Mark Evanier and Dan Spiegle’s Whodunnit? comic, with Noah Zark, a rock band on the cover– musicians in animal suits. Came out in 1986 from Eclipse.

Dear heavens– that’s so long ago I think this means Mark Evanier invented furries. Burn him at the stake for this figurative and literal crime against humanity.

‘So Much For So Little’: Academy Award winning short from Chuck Jones

Here’s one I bet you didn’t know about and probably haven’t seen: So Much For So Little, a short cartoon that Chuck Jones did back in 1949, made for the Federal Security Agency in much the same way that he did Private Snafu flicks during World War II for the War Department. It won an Academy Award in 1950 for Documentary Short Subject.

“2,621,392. A nice even figure. That’s the number of babies who’ll be
born next year in the United States. Of these babies, 118,481 will die
before reaching their first birthday.”

The irony, of course, is now that so many John E. Jones have reached their golden years, they’re convinced that they shouldn’t help the next generation…

Come Join Us In THE FORTRESS OF AWESOME!

media-images-job-pictures-interior-designer-needed-for-the-fortress-of-solitude-24ca908579482962da5b968d0f0bcd35-rg-png-2007998If you are looking for a place to hang out where you can ask your most inner-geek questions and pick up some cool comic trivia as well, then here’s your invite to hit THE FORTRESS OF AWESOME!

Noted comic historian ALAN “Sizzler” KISTLER is your host and on tonite’s premiere show he covers everything from why Chris Claremont’s X-Men Forever is a fun read, to the real reason why Stan Lee created Sgt. Fury And His Howling Commandoes. Plus there are details on how you can win some cool prices by playing “Stump Sizzler”!

You can hear the debut of THE FORTRESS OF AWESOME tonight at 8pm (Eastern Time) or catch encore shows Thursday (8/27) at 1pm, Friday (8/28) at 11pm, Saturday (8/29) at 3pm, Sunday (8/30) at 1pm and Monday (8/31) at 4pm (all times Eastern) – Just click below!

CLICK HERE TO LISTEN LIVEFOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys



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‘Starve a Vampire. Donate Blood.’

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This, literally, doesn’t suck.

The CW Network, Alloy Media + Marketing and the American Red Cross are teaming to host blood drives in over 230 high schools and college campuses nationwide to help save lives as well as to promote the series premiere of The Vampire Diaries.

The “Starve a Vampire. Donate Blood” campaign began this week and will carry on for five weeks. At each school blood drive, specially branded The Vampire Diaries materials will be one hand as well as themed refreshment stands and footage from the show playing on TV monitors. Every student participating will receive branded promotional items.

The Vampire Diaries premieres on The CW September 10 at 8p.

And even if you like vampires– donate anyway.

Let’s gossip about gossip in the comics industry

It’s hot out there, and we just had a weekend or two without a major convention, so we’ve all been talking amongst ourselves. And as a result, we’ve been talking about… talking.

The major flare-up has been on Heidi MacDonald’s blog, chroncling a heated discussion between Gail Simone and Rich Johnston…

Sometime in the night, the marvelous Gail Simone went on Twitter and spoke thusly: Do We Need Tabloid And Gossip Comics Journalism?
which Rich Johnston picked up at the above link. Simone is no stranger
to the message board, so the debate continues in the link and its very
own Twitter topic.

…with comment thread cameos from Mark Waid, Mark Engblom, Kurt Busiek, and Dwayne McDuffie, and since the comment thread has closed down over there, I’m reopening it over here.

Let me throw in an example, and try to give some of an idea as to what we’re trying for here at ComicMix.

Very late last night, someone IM’d me that an editor had been laid off. Reasonably impeccable source, and I know the editor. Should I post it on ComicMix?

Well, no. If it’s true, I don’t think that person would appreciate personal employment issues being broadcast to the world. If it’s false, it’s even more damaging to their career and possibly the freelancers that editor employs. So there’s a good reason to hold back on it, until confirmation.

But wait! If that editor is truly gone, then that means that an entire line of publications goes down as well! Does that make it newsworthy then?

The scales tip a bit here. Because now you’re beginning to impact a number of other professionals (who I also know) who may suddenly find themselves out of work, and a number of businesses who will suddenly have their stock (and backstock) affected because books may be canceled.

Then it’s a puzzlement. In that case, there’s a case to be made for private gossip– check with the affected pros privately to give them a heads up, mayhaps. But it’s fluid. We make our choices day by day, and yes, we have our
own sacred cows and things we don’t like to talk about. We don’t want
to tick off publishers– we’re publishers. We don’t want to tick off
retailers, we publish print editions– but then, we also do electronic
versions of our books. We could pick on some websites when they go down, but then we look like idiots when we have technical problems.

My only personal take on it the matter? Always punch up. Picking on an editor who’s doing the bidding of a large company is fair game. Picking on an editor fired by a large company? No. Or, if you prefer, comforting the afflicted and afflicting the comfortable.

Or, simply enough– what would crusading columnist Oliver Queen do?

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Superman supports health care and welfare!

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From back in the day when Superman used his moral force to say we should do this because it’s the right thing to do for our neighbors, never mind if it cost us some tax dollars.

Of course, today he’d be attacked for his position because, after all, he’s an illegal immigrant.

And like so many other illegals, we just want him to clean up our messes and do the jobs we can’t do for ourselves for non-existent pay, but that doesn’t mean we have to acknowledge when he might have a point.

But I could be mistaken. Is there someone out there who can explain why Superman is wrong?

(Hat tip to Kevin H and Wesley Osam.)