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ComicMix Quick Picks – July 20, 2009

http://comicmix.com//wp-content/uploads/2011/09/jerseywarriors.jpgClosing down a lot of windows before the really crazy rush of SDCC coverage begins…

Superman Creator’s Secret S&M Story Heads to Film – ComicsAlliance.com

Miley Cyrus Grows Wings – ComingSoon.net

The 50 Greatest Film Trailers of All Time from IFC.com: What, no Superman Returns or the banned trailer for Spider-Man?

Tolkein Film Trilogy Rings False for His Heirs: You’d think a franchise that grossed over six billion dollars would
be making royalties, wouldn’t you? And you would be wrong. And because
New Line is playing cute with accounting (again), they’re threatening
the making of The Hobbit.

The return of the 90’s from SpaceBooger.com

Goldman Superheroes: Superheroes Rescue Plan “Out of this World!”

And the picture above is from ViewAskew, Clerks meets Warriors.

Anything else? Consider this an open thread.

The Point: Torchwood & A Flash Movie

TORCHWOOD Executive Producer JULIE GARDNER braces us for tonight’s premiere of CHILDREN OF THE EARTH (BBC America) and tells us when we can expect a visit from The Doctor, plus Geoff Johns to guide THE FLASH movie and HARRY POTTER bends the box office, but doesn’t break it.
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PROGRAMMING NOTE: There will be no POINT Podcast on Friday (7/24), but we will return for a special ComicCon Wrap-Up on Tuesday (7/28).  Meanwhile, we will post some updates from ComicCon here over the weekend. However, for your full access pass to ComicCon, check into our 24/7 coverage on THE POINT RADIO running from Wednesday through Sunday AND be sure to follow us on Twitter (“ThePointRadio”) for late breaking updates!

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Review: Goats: Infinite Typewriters by Jonathan Rosenberg

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Goats: Infinite Typewriters
Jonathan Rosenberg
Del Rey, June 2009, $14.00

It’s not true that every webcomic will eventually have a
book, even if it seems that way. There are some projects that even [[[Lulu]]] will
choke on; some things that are too short and obscure and just plain pointless
to be immortalized in cold print. But, with magazines and newspapers running
around like the proverbial head-chopped chickens – all the while conveniently
neglecting to mention the fact that newspapers had the most profitable two
decades of their existence right up to a handful of years ago, and collectively
blew those profits on buying each other out and paying off the families who
were smart enough to take huge wads of cash and toddle off to do something less
glamorous, like badger sexing – webcomics are beginning to look like the only
good game in town, so even staid book publishers – like Del Rey, the science
fiction imprint of Ballantine, which, despite being part of the massive,
serious, Bertelsmann/Random House empire, has made buckets and bushels of money
over the past thirty years from [[[Garfield]]] books and even less likely drawn items – are surfing heavily from work, calling
it research, and drafting up big-boy contracts for cartoonists whose work has
only previously appeared in shining phosphor dots.

(And, now that that
sentence has cleared the riffraff out, let me get down to specifics.)

The house most active in snapping up webcomickers is the
comics publisher Dark Horse; I don’t believe they intended it that way, but
they’ve taken a strong line in signing up nearly all of the webcomic creators
that I read and appreciate on a regular basis. What does that leave for other
publishers? Well, it’s a big web, and God knows – despite my occasional
pretense otherwise – I’m not the Czar of Online Comics (though that would be a great job to have – mental note: give BHO a
call later to see if it’s possible), so there are almost certainly dozens of
damn good comics online that I don’t already read.

Which is a really roundabout way of saying
that I wasn’t familiar with [[[Goats]]] – even though Rosenberg has been doing it since the end of April 1997,
and the entire archives (including the strips reprinted in this book) are all
available online, costing no more than a few cents for electricity and an
attention span unusual in any web-surfer. If you don’t believe me, have a link – that goes back to the very first
strip, which, in usual daily-comics fashion, bears very little resemblance to
the strips reprinted here.

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Review: ‘Watchmen Director’s Cut’ on Blu-ray

No one can fault Warner Bros. for not giving their best marketing effort to get people to come find out for themselves why the fans and the mass media have been falling over themselves to hail Alan Moore & Dave Gibbons’ Watchmen as the greatest graphic novel of all time. Last summer they hooked the geekerati at Comic-Con International and spent the fall and winter making certain the rest of the world knew the film adaptation was coming. When the press reviews began hitting, the mixed commentary all talked about the difficulty of translating the dense, layered narrative into a film regardless of length. Some found it faithful and well-done while others couldn’t follow the story and thought it was too somber for its own good.

While the diehards attended more than once to sop up every nuance, the rest of America seemed not to care anywhere near as much. For those of us familiar with the language of comic books and graphic novels, we easily followed the movie while those less versed found it off-putting despite the brilliant 12-minute opening that set the stage. As a result, the film earned just $107,509,799 domestically and with additional $75,225,483 from international screens, it stands as a commercial disappointment.

As I said in my review last March, the film was not at all a creative disappointment. There are sharp performances, especially Jackie Earl Haley and Jeffrey Dean Morgan, and while there are favorite characters missing or diminished, the movie does a solid job condensing the story. Still, it feels constrained and probably would have worked better as either two films or an extended premium cable miniseries (although that would have been prohibitively expensive to mount). Now we have additional footage in [[[Watchmen Director’s Cut]]] being released tomorrow by Warner Home Video. It’s available in standard and Blu-ray editions, each packed with extras. Here’s a sample:

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San Diego Comic-Con Tips, plus one or two extra

It’s that time of year again, the time when San Diego Comic-Con goers, grizzled veterans and fresh faced newbies alike, are reading Tom Spurgeon’s 100 tip list and seeing if they forgot anything. Tom’s list is long enough this year to qualify for a novella, but is either the most or second-most useful piece of reading for the con, right up there with the program schedule.

That said, Tom missed a few tips:

Keep your cell phone on vibrate. At all times. You may not be able to hear it ring on the main exhibit hall floor or any late night bars, and you will disrupt a panel if it rings there. Better: when possible, text a message instead of calling– again, because ambient sound levels where you are may be too high to hear anything or because they should be very low.

When asking a question at a panel, if it’s too long to put in a Twitter message, it may be too long to ask. Consider rephrasing.

And you have no excuse for not having a business card. No matter who you are. They’re cheap, easy and quick to get. You don’t have to go crazy on one, but you do have to have something. You never know when you’ll need one– buying a drink for a Playboy Playmate, for example. At worse, buy blank cards and prepare to write your name a lot– but write a few in advance, for speed’s sake.

Michael A. Burstein and wife welcome twin girls (UPDATED)

Mazel tov! Reprinting the SFScope announcement:

Award-winning science fiction writer (and SF Scope contributor)
Michael A. Burstein and wife Nomi Burstein welcomed two twin children,
their first, to their family today.

The twins are fraternal, and both are girls. The first baby was born at 9:20AM, weighed 5 pounds 8 ounces, and is 17″ long. The second baby was born at 9:21AM,
weighed 5 pounds 3 ounces, and is 19″ long. The twins were delivered by
C-section at Brigham & Women’s Hospital in Boston. The attending
physician was Dr. Rafik Mansour. The delivery was originally scheduled
for this Thursday, but was moved up for medical reasons.

As befits a science-fiction couple, the Bursteins are banking the babies’ cord blood for the blood’s stem cells.

Per Modern Orthodox Jewish custom, the babies will not be named
until the parents attend a Torah service at their synagogue,
Kadimah-Toras Moshe in Brighton, which is currently planned for
Saturday 25 July.

Mother and babies are recovering in the hospital.

Congratulations, Bursteins!

UPDATE: Now with pictures!

And yes, that’s a copy of Sci-Fi Baby Names: 500 Out-of-This-World Baby Names from Anakin to Zardoz
.

Review: ‘Pushing Daisies’ Season 2 on DVD

When Pushing Daisies debuted in the fall of 2007, I wrote
on my blog the show “is a delight. With its oversaturated color palette and
Jim Dale narration, this is a fairy tale with a set of off-kilter characters
that you immediately warm to. The leads and supporting cast are equally strong
so it’s up to the writers to make the most of them. I can see why ABC pushed
this so hard; it’s the most original series of the season.”

Somewhat retooled during the writers’ strike, ABC brought it
back this past fall and by Christmas it was gone with three episodes unaired.
Those finally got seen in June and now the entire second season is available as
a four disc box set, being released Tuesday from Warner Home Video.

The second season continued to have the feeling of a fairy
tale and maintained the basic tenants of the series from Jim Dale’s delightful
narration to the everything is slightly over-the-top but you buy it visuals.

Still, the cast probably had a few regulars and recurring
players too many and the storylines reflected that.  We have Olive hiding as a nun, taking away
from the core cast and concocting stories to bring the cast to her. Ned’s daddy
issues continued to flare up along with the improbable introduction of half-brothers
that only bloated the stories for a while. No sooner were they dispatched than
we turned to Chuck’s daddy issues complete with Daddy’s resurrection. The best
part of that was how he reacted and took advantage of the situation, causing fresh
problems for Ned and Chuck. Coupled with Chuck’s story was her aunts and the
arrival of Dwight, a recurring antagonist who got caught up with Vivian.

It felt messy and overdone, and for those trying to sample
the show, it was probably dense and off-putting. For those of us who watched it
regularly, we delighted in the bizarre cases, highlights including the
honey-based cosmetics murder, the death of Colonel Likkin and the case of the dead
window dresser.

Clearly, the writing was on the wall, allowing Bryan Fuller
to try and tidy things up in the final three episodes. The penultimate story,
which possibly had the best script of the season, allowed some closure to
Emerson Cod’s search for his daughter, allowing the finale to wrap up Chuck’s
issues with her Aunts, one of whom turned out to be her natural mother.

The core cast was nothing but superb from beginning to end. They
played everything straight in a wacky world and each appeared as fully-fleshed
out people with surprising quirks and hobbies (Emerson’s knitting for example).
The chemistry between Lee Pace and Anna Friel helped the romantic fairy tale
feel and they were more than ably supported by Kristen Chenoweth and Chi
McBride.  The guest cast was a nice blend
of the familiar and the less familiar but everyone played their parts larger
than life, adding to the unreal feel of the series.

The 13 episodes are complemented by four short featurettes:
The Master Pie Maker which was heavy on clips and not enough interview material
with the cast about the show overall; From Over to Table, which focused on
bringing the scripts to life that could have benefitted with a little more on
the props and set design; Secret Sweet Ingredients, a strong piece on the
wonderful music from composer Jim Dooley; and, Add a Little Magic, which was a
brief look at the visual effects. They, like the pie Ned served, were sweet
morsels leaving you wanting more.

Much like the series, this may be gone from television but
will live on as a maxiseries from WildStorm. For now, though, the second season
comes recommended.

Viper Comics wants you!

Not much to say about this one, folks, except that Viper Comics, of Middleman fame, is holding a talent search. What’s different about this one, you ask? Well, in addition to looking for artists, as most of these talent searches  do, they’re going to take writers off the street. What are they looking for in writing samples? Man, you’re just full of good questions today. From the horse’s mouth:

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p class=”bodyBold”>In order to have your writing accepted it must:

  • be a self-contain story that runs no more than 5 (FIVE) comic-pages.
  • be about an existing character in the comic book world.
  • be presented in something resembling a professional comic book script.
  • make sure you include ALL your contact information on your submission.

If you’re at San Diego Comic Con, they’ll accept samples and portfolios there. If you can’t make it out, they’ll accept a digital copy up until the convention ends, Sunday, July 27th at 5pm Pacific.
So what’re you writers and artists looking for? Get going!

The Point: Twilight, Trek & ComicCon

TWILIGHT is finally headed to comics and it will be manga, HARRY POTTER kicks DARK KNIGHT off the Box Office Record Chart and a 21st Century STAR TREK DVD is coming. Oh yeah, ComicCon is here in FIVE days!

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