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Review: ‘The Complete Steve Canyon on TV’ Vol. 2

The second volume of [[[The Complete Steve Canyon on TV]]] is just out and there are 12 more episodes from the one season series based on Milton Caniff’s wonderful comic strip.  As with volume one, no one other than Canyon appears from the strip and there’s precious little in recurring characters on the show.

This is a perfect example of 1950s television when the star was role model perfect and merely there to propel stories along. We learn nothing about Canyon, who has a wide network of friends and acquaintances from coast to coast. While based at Big Thunder, his adventures take him far and wide as he helps those in need or is caught up in problems that just happen to occur.

Clearly, the highlight of the two-disc set is the Christmas episode written by Ray Bradbury. On the one hand, it’s a typical holiday television story and on the other, it has a spiritual and emotional depth missing from so many seasonal tales. Not only that, unlike so many Canyon episodes it tugs at your emotions as Canyon ferries a group of Hungarian refugee children to a German base where local families will host them for the holiday. Canyon has to figure out why one girl finds no joy in the holiday and his solution is a nice, universal one.

On the other hand, some of the histrionics in other episodes stagger those of us raised on more nuanced acting. “[[[The Search]]]” has a hammy Jeanette Nolan as a panicked wife begging Canyon and the Air Force to locate her missing, well-connected husband. She chews the scenery, wailing beyond human reason for most of the 30 minutes.

The remaining stories range from illness overseas to a damaged landing wheel. The final episode, “[[[Strike Force]]]” starts off well with a tension missing from most of the other stories but then becomes tedious as Canyon commands a three-part strike team on a Cold War exercise over the Atlantic. We’re told how difficult the coordination will be and how tough it is on the pilots for flying 10-12 hours each to be precisely in position on time but everything goes perfectly with no twists, surprises or reason to worry. The episode did make great use of archival footage.

Another pleasure in watching these shows is to see guest stars we know from their later works. Leonard Nimoy has a fairly thankless role in one while Gavin McLeod and Jack Weston get the have some fun with more substantive roles in a different story. The final episode, “Strike Force” has a blink-and-you-miss appearance by [[[Mary Tyler Moore]]].

The episodes are crisply restored, most complete with commercials from the era with audio commentary from some o the guest performers and historians. This is definitely worth a look for those who love the character or old-time television.

Manga Friday: Reading It Forwards

Just when you think you’ve gotten the hang of Asian comics – you can read right-to-left without blinking, speak of shojo and shonen with ease and have even been known to bring up seinen in casual conversation – you get caught up short with the realization that Japan is not the entirety of Asia. There are other countries with their own comics traditions, and you (well, me) suddenly realize that you (no, it’s still me) don’t know all that much about them. But there will always be more books you haven’t read than those you have, so the only thing to do is dive right in….

Mijeong
By Byun Byung-Jun
NBM ComicsLit, July 2009, $19.99

If Bret Easton Ellis was a Korean cartoonist – and about twenty years younger – he might have produced a short-story collection like Mijeong; Byung-Jun’s characters are mostly urban young people, disaffected more often than not. There are seven stories here, in a wide variety of art styles – some painted, some drawn, and all absolutely stunning in their virtuosity – but they’re all quite bleak.

Byung-Jun’s stories traffic in rape and abduction, murder and suicide, but his viewpoint is distanced and quiet, as if to say that this is just life, and none of it can be helped. Some of the stories end on a relatively upbeat note and some the other way, but it doesn’t really matter – they all have that quiet, detached tone.

Byung-Jun’s art is amazing in its textures and environment, though his people, deliberately, have mask-like faces that show little emotion most of the time. It’s harder to judge his writing – there are passages like “For weary lovers, love seems distant. But they’ll endure it all. Overwhelmed, they endure. But, in the end, they’ll manage.” that clunk around like a tire with a bald spot, but it’s impossible to say if that was clunky in the original Korean, or if the translation (by Joe Johnson) is responsible. In either case, the writing aims towards sublimity but doesn’t always make it.

Mijeong is an Asian comic for people who usually like European comics – it’s nuanced and subtle, quiet and vaguely depressive, with gorgeous art and a deeply jaundiced view of the world. Perhaps the fact that it reads left-to-right – since it’s Korean, and that’s the way their books run – will help it find that audience. (more…)

The Point Transformers Imax Bonus

It makes sense – the history of comics told in…comics! Plus Michael Bey promises a treat for Imax moviegoers, and if you ever wondered how your favorite TV program ended we can show you!

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Eisner Awards voting deadline reminder

Via Jackie Estrada:

Just a reminder that the deadline to vote in the Eisner Awards is Monday, June 15.

The following working comics industry professionals are eligible to vote in the Eisner Awards:

  • Comic book/graphic novel/webcomic creators (writers, artists, cartoonists, pencillers, inkers, letterers, colorists)
  • All nominees in any category
  • Comic book/graphic novel publishers and editors
  • Owners and managers of comic book specialty retail stores

The ballot can be found at http://www.eisnervote.com/

ComicMix Six: Sucktastic Super Powers!

So, you want to be a superhero? Not a problem. Oh… you’re not a billionaire orphan with years to dedicate to the martial arts? Don’t fret! I’m sure you can play in a lake of toxic ooze, or get bit by a genetically unstable super-wombat, right? Well… even if you don’t have powers, don’t feel bad. Cause there are some folks out there in comic-book-land that would have been better off as bartenders or stock-boys than crime-fighters or super-heroes. Don’t believe me? Well kind citizen, scope this list of lameoids out, and see sometimes it’s no so bad being normal after all*.

Night Man – Johnny Domino was just your run-of-the-mill jazz musician with those totally hip round sunglasses (Superboy anyone?) and that always fashionable accessory… the dangely cross earring in one ear! Too cool for school you say? Well, without warning, an alien bolt of lightening hit a cable car, which in turn hit Johnny’s convertible, and a piece of shrapnel wound up in his head. Talk about a crappy Monday! Well, lucky for Domino, the shrapnel caused him to gain super human abilities! These powers combined with a kevlar vest and a grappling gun allowed Domino to take to the night and don a name shared by his underpaid jelly doughnut eating brothers-in-arms! Johnny Domino is the man who need not sleep… He is the man who can sorta hear your dirty thoughts… He’s the man who doesn’t need night vision goggles to see in the night. Johnny Domino is Night Man!

Mr. Brownstone – That’s right kiddos… Not everyone gets a superpower and decides to become a hero. Sometimes they decide to become a minor villain! Garrison Klum was born one of those despicable mutants you’ve heard of. When puberty hit, did Klum gain eye lasers capable of destroying mountains? No. Did he gain a flexible metallic shell allowing him to become invulnerable and superhumanly strong? Nuh-uh. Did he gain the power to teleport? Yes! But… not himself mind you. Garrison only gained the mutant ability to teleport small amounts of liquid! Now, give the guy some credit… he renamed himself after a slang term for heroin, and teleported a few ounces of the good stuff right into Spider-man’s heart! Sure he ended dying from his own teleporting brother literally teleporting inside him and exploding out of him (ew.)… But give him credit. The world gave him a lemon of a power, and hey, he made lemonade.
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Hot Chicks with Stormtroopers – you can find anything on the Internet

Maybe those guys in the 501st Legion know something we don’t.

Or maybe domain name registration is getting so cheap that it’s not a big deal to register hotchickswithstormtroopers.com. Either way, the site promises to deliever just what the name says.

And isn’t it nice that people can find what they’re looking for– and in this case, do it without violating Godwin’s Law?

Review: ‘Bayou’ Volume One

One of the first questions posed regarding digital comics is just how you make any money from a strip available for free. The usual answer is that the strip, if it’s any good, will find an audience who will then happily pay for a print compilation. That seems to be the model for DC Comics’ Zuda Comics as they released Bayou
, the first book collecting Jeremy Love’s charming southern serial.

Zuda has been a nice place to find some new talent or see familiar talent try new things. The interface is fairly dreadful but the content is a nice mixed bag, veering just a little too much on the traditional genres of science fiction, horror, and fantasy. Few, though, use the genre as a jumping off point with the same affection and craft as Love’s feature. He called it “a southern fried odyssey”, set in 1933 Mississippi when the races were segregated. Two little girls, one white and one black, play as equals despite their parents’ views. When the white girl goes missing, Lee’s father is arrested for the crime and so begins the girl’s adventure.

Working with 1-4 panels per page (or screen), Love leisurely introduces us to the world of the Deep South and its players. Wisely, they are products of their time but not stereotypes or clichés. His simple art and lush color are wonders I these days of scritchy line art and oversaturated pages. Love knows how to tell a story from pacing to dialogue to art and color. No wonder the strip was lauded last month at the Glyph Comics Awards taking home five awards, including Best Writer, Best Artist and Story of the Year, Best Comic Strip, and his lead character, Lee Wagstaff, was declared Best Female Character.

The problem with the collection, though, is that at 160 pages we get only part of the story. Nothing is resolved and everything is left dangling, forcing you to wait for a second volume or more before we find out who these creatures living in the Bayou are and will Lee be fast enough to save her daddy from a lynching he does not deserve.

The book also lacks any sort of introductory material about the strip, Zuda or Love. All we get are a few sketches at the back to show the development, but even those pages are lacking context.

[[[Bayou]]] in print is a wonder to behold and comes recommended but be careful. Love’s work and the world he created are addictive and you will be left wanting much more.

Ask Chris Claremont about ‘X-Men Forever’ #1

While we’re still transcribing the rest of the first massive interview with Chris Claremont, he’s graciously agreed to answer questions about X-Men Forever going forward. So here’s what we’re going to do:

We’re going to collect questions from you from now until Sunday at midnight. Then we’re going to present the best questions to Chris, along with a few of our own. We’ll run the answers on Wednesday.

With X-Men Forever running bi-weekly, this will give you a fix to tide you over between issues. And we may work with Marvel to add some of these questions and answers to trade collections of the book.

Oh, and yes, SPOILERS ARE ALLOWED IN THE COMMENTS THREAD. If you haven’t read the issue yet, don’t blame us for any spoiled surprises.

Review: Jim Butcher’s The Dresden Files: Storm Front, Vol. 1: The Gathering Storm

Jim Butcher’s The Dresden Files: Storm Front Vol. 1: The Gathering Storm
Adaptation by Mark Powers; Illustrated by Ardian Syaf
Del Rey, June 2009, $22.95

It’s never a good sign when anything gets named “[[[The Gathering Storm]]]” – that’s possibly the most generic title in a world filled with blandness and non-specificity. I suppose it’s more understandable when you’re adapting a novel named [[[Storm Front]]], and you have to call the separate volumes something, and then that phrase rises up out of the collective unconsciousness, and you can’t think of anything better…but, still, it’s a flabby, overused title that needs to be retired for two or three generations to have any hope of not being a laughingstock.

But [[[The Gathering Storm]]] is only the very end of an exceptionally long title, so exhaustion is a plausible excuse. This particular Gathering Storm is the first part of a comics adaptation of the novel Storm Front by Jim Butcher, which itself was the first volume in his bestselling (and now eleven volumes long) “[[[Dresden Files]]]” series. In the books, as in this comic, Harry Dresden is Chicago’s only consulting wizard – he’s a real wizard, doing real magic, and protecting people in his mushy post-Chandler pseudo-PI way from the various supernatural nasties that all really exist in this world.

Though this book adapts the beginning of the first “Dresden Files” novel, it’s actually the second “Dresden Files” graphic novel, since Butcher wrote a comics-only prequel about a year ago – subsequently collected as Jim Butcher’s The Dresden Files: Welcome to the Jungle, and reviewed here by yours truly – which was a pleasant enough monster-of-the-week story to introduce Harry and his world. Syaf was the artist on that first story, so he’s established the look of Dresden and his Chicago for this series. He’s a solid modern mainstream comics artist – his people look consistently the same across different pages and from any angle, and he can draw them in different clothes when necessary (unlike so many folks drawing steady paychecks). He’s good at facial expressions, which is very important for a book like this that’s as much about talking as it is fighting supernatural monsters.

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Futurama comes back from the future

Matt Raub at the Flickcast confirmed it for us:

Comedy Central has picked up the rights to renew 20th Century Fox Television’s Futurama for 26 new episodes, six years after getting initially canceled by the Fox network. In a recent EW interview with a 20th Century Fox spokesman, they say the DVD sales and reruns have had a “blockbuster” performance: “When we brought back Family Guy
several years ago, everyone said that it was a once in a lifetime thing
— that canceled series stay canceled and cannot be revived,” 20th
Century Fox TV Chairmen Gary Newman and Dana Walden said in a joint
statement. “But Futurama was another series that fans simply
demanded we bring back, and we couldn’t have been happier when Matt and
David agreed that there were many more stories yet to tell.” Both creators David X Cohen and Matt Groening were of course ecstatic about the news, Groening adds “We’re thrilled Futurama is coming back. We now have only 25,766 episodes to make before we catch up with Bender and Fry in the year 3000.”

But as far as Matt’s hope that if Family Guy and Futurama can return from the grave, then Greg The Bunny could come back too– probably not. Dan Milano, the man behind (and under and inside, for that matter) Greg The Bunny was just signed to write the remake of Short Circuit, so he’s going to be busy for a bit.