Review: Jim Butcher’s The Dresden Files: Storm Front, Vol. 1: The Gathering Storm

Jim Butcher’s The Dresden Files: Storm Front Vol. 1: The Gathering Storm
Adaptation by Mark Powers; Illustrated by Ardian Syaf
Del Rey, June 2009, $22.95
It’s never a good sign when anything gets named “[[[The Gathering Storm]]]” – that’s possibly the most generic title in a world filled with blandness and non-specificity. I suppose it’s more understandable when you’re adapting a novel named [[[Storm Front]]], and you have to call the separate volumes something, and then that phrase rises up out of the collective unconsciousness, and you can’t think of anything better…but, still, it’s a flabby, overused title that needs to be retired for two or three generations to have any hope of not being a laughingstock.
But [[[The Gathering Storm]]] is only the very end of an exceptionally long title, so exhaustion is a plausible excuse. This particular Gathering Storm is the first part of a comics adaptation of the novel Storm Front by Jim Butcher, which itself was the first volume in his bestselling (and now eleven volumes long) “[[[Dresden Files]]]” series. In the books, as in this comic, Harry Dresden is Chicago’s only consulting wizard – he’s a real wizard, doing real magic, and protecting people in his mushy post-Chandler pseudo-PI way from the various supernatural nasties that all really exist in this world.
Though this book adapts the beginning of the first “Dresden Files” novel, it’s actually the second “Dresden Files” graphic novel, since Butcher wrote a comics-only prequel about a year ago – subsequently collected as Jim Butcher’s The Dresden Files: Welcome to the Jungle, and reviewed here by yours truly – which was a pleasant enough monster-of-the-week story to introduce Harry and his world. Syaf was the artist on that first story, so he’s established the look of Dresden and his Chicago for this series. He’s a solid modern mainstream comics artist – his people look consistently the same across different pages and from any angle, and he can draw them in different clothes when necessary (unlike so many folks drawing steady paychecks). He’s good at facial expressions, which is very important for a book like this that’s as much about talking as it is fighting supernatural monsters.

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