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About the 2009 Eisner Award nominations…

Now that the 2009 Eisner Award nominations are out, we’d like to again congratulate all of the nominees– but we’d like to also take a moment of your time and explain why we aren’t among them.

It’s really simple– we didn’t submit anything for the Eisner nominations this year.

This probably comes as a surprise to a number of our fans, and certainly all of the talented folks that work for us and created award worthy pieces. No, we didn’t even submit EZ Street, even though it got a Harvey nomination for 2008 as Best Online Comic.

The reason is shown in the photo to the right of the Eisner judges. See the big guy with the glasses on the far right? That’s Andrew Wheeler. He does a lot of reviewing for us here at ComicMix, and we’ve paid him for them. Filthy lucre has changed hands.

We were as surprised as he was when he was selected for the judging panel– and we knew immediately that we were in a potential ethical bind. Could we submit work without putting Andrew in a bind? Heck, there’s a category for which Andrew is indirectly eligible, Best Comics-Related Periodical/Journalism. And yet, we couldn’t in good conscience ask Andrew to recuse himself; he’s a damn fine reviewer and that’s why we love him, and a look at the nominations makes you realize exactly how good he is. But if we were nominated in any category, it would call Andrew’s impartiality into question and taint the awards.

Ultimately, we just decided to give this year’s Eisners a pass, rather than let there be even a hint of impropriety. We’re sorry that this unfairly penalizes our creators, but we didn’t see a better way.

So once more, congratulations to all the nominess. And we’ll see you this year at the Harvey Awards… and watch out for us next year in San Diego!

The 2009 Will Eisner Comic Industry Award Nominees

The nominations for the best of the year are finalized. Ballots with this year’s nominees will be going out in mid-April to comics creators, editors, publishers, and retailers. A downloadable pdf of the ballot will also be available online, and a special website has been set up for online voting. The results in all categories will be announced in a gala awards ceremony on the evening of Friday, July 24 at Comic-Con International. More information about the Eisner Awards can be found by clicking here.

Congratulations to Simone & Ajax creator Andrew Pepoy on his nominations for Best Short Story and Best Continuing Series, and to all the other nominees!

Here’s the full list of nominees… (more…)

I-Con 28: ‘Under the Radar: Comics You’re Missing’

alien-loves-predator-3955576Among the exciting adventures at I-Con was a panel titled "Under the Radar: Comics You’re Missing." The panelists (Carl Fink, Bob Greenberger, Glenn Hauman, Andy Weir, Bernie Hou, and me) and attendees came up with the following list, which we promised we’d post for reference. You should check them out if you aren’t reading them already:

Webcomics:

Print Comics:

Of course, the real takeaway from the panel was that you should be getting your comics news and reviews from ComicMix.com!

Review: ‘The Day The Earth Stood Still’ DVD

The Day The Earth Stood Still was unique for a science fiction film when the original was released in 1951. It played everything with a documentary feel and treated the science fiction concepts as real and nothing to be mocked. It was understated and earnest and earned its place in the list of great science fiction films.

While a little preachy, at least Klaatu had the chance to address the greatest scientific minds and issue his warning that mankind had to deal with their nuclear arsenals and avoid self-annihilation or it would be done for them.

In the remake, out today on DVD, Klaatu never gets to make the address. This is one of the most glaring failings in the film which starts off well and then falls apart in the final third.  The nuclear issue was turned to an ecological one, which is perfectly valid, but after that, characterization is avoided in favor of a plodding story.

Keanu Reeves is fine as the unearthly visitor and his lack of chemistry with Jennifer Connelly is appropriate. Jaden Smith, as her step-son, swings between cute and petulant, perfectly appropriate for his age but, whereas the first film focused on the world through the boy’s eyes and gave Klaatu a reason for hope; the relationship depicted here is thin.  At no point, does Klaatu get to see the world for himself, relying entirely on a brief conversation with one of his kind who has been on Earth the past seven decades.

The internal logic for the way Klaatu’s alien powers works seems entirely lacking while the nanites that comprise Gort make far more sense. The stylishly updated Gort works far better than Klaatu or his energy globe of a vessel.

The supporting cast is filled with fine actor who are given little or nothing to do and their wasted talent is a shame. John Cleese and Jon Hamm have more to do than Kathy Bates and all three deserved more screen time.

The scant special features include three brief deleted scenes that add nothing to the experience. There’s a featurette on how the “reimaging” happened along with a focus on the special effects going into Gort.  The final two, [[[Watching The Skies:  In Search Of Extraterrestrial Life]]], and [[[The Day The Earth Was “Green”]]] are pleasant viewing experiences but are nothing extraordinary. There’s also a still gallery and production photos.

The DVD is available in a variety of formats starting with the two-disc special edition that includes the original film. The three disc version has a digital copy (which is almost de rigueur for big budget releases these days). The Blu-ray edition, not reviewed, also has the original film and two extra features.

ComicMix Quick Picks – April 6, 2009

A round-up of items from the last few days…

Anything else? Consider this an open thread.

Len Wein house fire

Harlan Ellison just posted the following on his website:

Monday, April 6 2009 11:55:36 EXTREMELY BAD NEWS

 Len Wein called this morning. More than half of his house burned down earlier today. Len and Chris Valada and Chris’s son, Michael, got out okay, but their beloved dog, Sheba, ran back inside and is gone. In addition to both bedrooms, the bathroom, and much of the office, what was burned first was the original art for the first Wolverine story, the cover of GIANT X-MEN #1 and other art pieces worth hundreds of thousands of dollars. Susan and I will be over there as soon as I pick up my car today, and as soon as I’ve met the dental appointment we have scheduled. This is a major catastrophe for one of my oldest and closest friends. Like your Host, Len is a lifetime freelancer and, even though he remains a star of the comics world, even though he created Wolverine and Storm–among other characters–he goes from day to day earning a freelancer’s living, as do I… and these are frightening economic times for those of us out there, to paraphrase Arthur Miller, “on a few words and a shoeshine.”

As bad as the news is, we’re relieved to hear that Len, Christine and Michael are okay. We’ll pass along whatever additional information that we can.

The Point – April 6th, 2009

Another familiar voice and the guy behind it – Meet Neil Kaplan, once Transformer’s Optimus Prime and now a comic creator in his own right. Plus Mike Gold regrets REBIRTH and The Big Two are where you might want to place your bucks in the comic store this week.

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Eight, no, NINE reasons not to download Wolverine

New York magazine shows us 8 Reasons Not to Download Wolverine, but they forgot a biggie– it could get you fired. At least, if you’re stupid enough to wite a review of it, and then post the review for FoxNews.com, sister company for 20th Century Fox, the company that’s putting out the movie that’s just been pilfered.

You ask, quite logically, who could be that dumb? Ladies and gentlemen, say hello– and good bye– to Roger Friedman. Since FoxNews.com has pulled the article, we rely on Nikki Finke for the play-by-play:

"Fox 411" freelance columnist Roger Friedman wrote what I’m told his bosses felt was a blatant promotion of piracy on his Fox News web outlet. Besides writing a review from watching the purloined print of Wolverine, Friedman posted, “I did find the whole top 10 [movies in theaters], plus TV shows, commercials, videos, everything, all streaming away. It took really less than seconds to start playing it all right onto my computer. I could have downloaded all of it but really, who has the time or the room? Later tonight I may finally catch up with Paul Rudd in I Love You, Man. It’s so much easier than going out in the rain!” I’m told that Fox News’ actions were swift and severe. First, Roger Ailes, who overseas Fox News, deleted the offending post after he was contacted by 20th Century Fox about it. And then Ailes fired Friedman as a freelance Fox News entertainment writer. I hear the move was done with the full support of News Corp. "He promoted piracy. He basically suggested that viewing a stolen film is OK, which is absolutely intolerable. So we fired him," a source told me Saturday. "Fox News acted promptly on all fronts."

 

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Review: Dean Koontz’s Frankenstein: Prodigal Son

dks-frankenstein1-9599100Dean Koontz’s Frankenstein: Prodigal Son, Volume One
Adaptation by Chuck Dixon; Illustrated by Brett Booth
Dell Rey, February 2009, $22.95

There comes a time in every best-selling writer’s life when he realizes that he’d like to make money even faster than he can write books. OK, maybe that realization comes to all of us – but the best-selling writer can actually do something about it. At that point, assuming that scruples aren’t a problem – and how on earth did he become a best-selling writer and keep his scruples, anyway? – the options are two: let someone else write a book under your name, or license something you’ve already written to another medium, and let Joe Hired-Hand do the heavy lifting in that format.

Or, if you’re Dean Koontz, you could do both.

Some years ago, he got Kevin J. Anderson to co-write a novel called [[[Dean Koontz’s Frankenstein: Prodigal Son]]], and then a couple of sequels. (There was also a TV deal at the time, though, sadly, it eventually fell through.) And now long-time comics writer Chuck Dixon has adapted that novel, which was at least half-written by Anderson in the first place, into a comics series…which, of course, still has “Dean Koontz” as the largest thing on the cover.

(I’m beginning to think that popular writers’ names have a nearly homeopathic power – no matter how much they’re diluted, the audience will keep clamoring for more.)

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