Waiting For Godot, the classic Samuel Beckett play of futility and alienation, is coming to Marvel Comics, courtesy of writer Brian Michael Bendis and artist Alex Maleev.

“It’s a natural,” says editor-in-chief Joe Quesada. “In all my years in the business, I have rarely seen a more natural fit of talent and material.”

Godot, for the edification of comics fans who haven’t heard of it, is the story of two men, Vladimir and Estragon, who wait at length for the arrival of a third, the unseen but much-discussed Godot. Their conversations are circular and repetitive, often ending with exchanges like, “We can’t leave.” “Why not?” “We’re waiting for Godot.” Godot never shows up, and we last see the two leads after they decide to leave, but remain standing in the same spot, doomed to remain there forever.

In an interview, Bendis wrote, “I am tremendously excited about this project. I learned all I know about dialogue and dramatic pacing from the play, and have long done whatever I could to bring its intensity and suspense to the superhero genre.”

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Matt Forbeck is a creative powerhouse. Over the past twenty years, he has created games of all sorts (including board games, roleplaying games, and computer games), has written novels and comics, and has won several awards – and has just been nominated for two Scribe Awards. But despite his decorated success, Matt is a very personable guy who is very devoted to his family. I recently had a chance to ask Matt some questions about his impressive career.

What first piqued your interest in gaming and comics?
I learned how to read with comics, especially the old Spidey series Marvel published with the Electric Company. They hooked me young and for life. Given that, I suppose it’s not surprising I became a voracious reader and got into fantastic fiction of all kinds. That set me up to fall hard for D&D. I first ran into the game when a friend’s mother bought it for him for Christmas on a Blue Light Special at K-Mart. Our mothers got us together to play, and we didn’t stop for months.

You are a very busy man. Do you still find time to game?
Not as often as I would like. I play lots of games with my kids now that they’re old enough to appreciate them. Like me, they’ll play just about anything, from Jenga or Blokus to Super Mario Smash Bros or Rock Band. Between my kids and wife and my work, though, I don’t have a whole lot of time for anything else.

When you do game, do you play your own games primarily, or do you check out things written by your industry colleagues?
I play other people’s games. I only play my own games when I’m working on them. Once they’re in print, I’m usually on to something else. I play them for game demos or when I’m thinking about an expansion for the game, but that’s about it.

I normally only play a game once or twice, and I’m rarely interested in who’s winning or losing. I’m there to pick it apart and see how it works, to learn what I can from it and figure out what the designer put into it. There are so many great games out there, it’s hard to dedicate myself to just a few.

Many people, including fans, look very closely at media tie-in work. Is there a lot of head-butting or other challenges that are not present with designing your own world?
Yes, although it’s not as bad as some might think. The toughest part is usually the outline stage. That’s when you’re trying to read the minds of your editor and your licensor’s approval stamper and figure out what they want. There’s often some miscommunication because the writer rarely has access to everything in the original creator’s head, so it’s like charging into a room blind. But if you can work it out in the outline stage, you save yourself lots of time and headaches down the road and make sure that everyone winds up happy.

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This just in from E Online:

Andy Hallett, who starred as Lorne ("the Host") on the TV series Angel, died of heart failure last night at age 33, according to his longtime agent and friend Pat Brady. The actor passed away at Cedars-Sinai Hospital in Los Angeles after a five-year battle with heart disease, with his father Dave Hallett by his side.

Hallett, from the Cape Cod village of Osterville, Mass., appeared on more than 70 episodes of the Buffy the Vampire Slayer spinoff, Angel, between 2000 and 2004. The accomplished actor was also a musician and sang two songs ("Lady Marmalade" and "It’s Not Easy Being Green") on the Angel: Live Fast, Die Never soundtrack, released in 2005.

The actor’s character on Angel was Krevlornswath of the Deathwok Clan, or Lorne for short. Hallett’s Lorne was a friendly demon, who, when not assisting Angel and his team in the investigation of various and sundry underworld mysteries, served as the host and headliner at a demon bar.

Back in 2001, Hallett told our own Jen Godwin that despite constant flirtation with David Boreanaz’ character Angel, and the occasional sly Elton John reference, "We don’t really know if he’s gay. I don’t really know. It’s funny, because sometimes he’s right in Angel’s face, and that’s when I feel it the most. And viewers would probably think, hmm, what’s going on here? This guy’s pretty curvy."

Hallett has spent his post-Angel years working on his music career, playing shows around the country. He had been admitted to the hospital three or four times in the past few years for his heart condition, according to Pat.

Another Angel castmember, Glenn Quinn, who played Doyle in season one, passed away in 2002.

A private funeral service will be held for family and close friends in Cape Cod, most likely over this weekend.

(Hat tip: Lisa Sullivan.)

Howdy folks! We’re back here today to take a step into the post-modern… a step into the existential… a step into a parallel dimension. No, not the twilight zone. Today’s ‘Webcomic You Should Be Reading” is an experiment utilizing one of America’s most cherished cartoon characters. Who you ask? Why, it’s Jon Arbuckle, the would-be owner of an obese and lazy cat, named Garfield. We’re quite familiar with the Garfield strip, aren’t we? Since 1978, the world has been privvy to the the misadventures of this lazy fat cat and his awkward geek of an owner. Years later, an Irishman (Dan Walsh) took an idea shared by many, and gave it birth in webcomic form. Mr. Walsh graced the interwebs with Garfield Minus Garfield.

In a nut shell, take Jim Davis’ acclaimed comic, and remove the titular main character… What do you end up with? As Dan Walsh puts it… you get “…[the] reveal [of] the existential angst of a certain young Mr. Arbuckle. It is a journey deep into the mind of an isolated young everyman as he fights a losing battle agianst loneliness and depression in a quiet American suburb.” I just say you get to take a cherished comic, and make it a post-modern laugh fest.

Now, obviously enjoyment of the material comes with the knowledge of the source material. When “G-G” works, it works well. Minus his kitty companion (or really any other elements in the strips) Jon is sad, pathetic, and possibly schitzophrenic. Successive reading of multiple strips in a row only makes the joke funnier. But, when the majority of the strip leaves bookended blank panels… this fan grows quickly bored. Why? Well, the joke itself of removing that darn cat can make for some funny asides by Jon. Dramatic pauses add to the humor of most of these situations, but, in these strips in particular… it leaves a little too much to the imagination. Given the decades worth of material though, Walsh has plenty to work with, and there are plenty of funny re-imagined strips to present to we, the surly and overly critical internet population.

So what, pray-tell, does Mr. Jim Davis think of this Frankensteining of his most famous creation?

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