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Review: The Incredibles #1

My daughter and I recently sat down together to read BOOM! Kids’ new [[[Incredibles]]] comic. The concept behind these books, as we reported here back in July, was to present new stories set in the world of the film. My daughter was immediately excited to see characters she recognized on the cover (the first four collectible covers were done by Michael Avon Oeming with colors by Nick Filardi, and the fifth, limited edition cover was done by Mike Mignola). I figured that she would love the story no matter what happened since she already loves the film. It’s interesting what children notice that adults may not pick up on.

Since my daughter is a beginning reader, I read her everything, including the credits.  The credits page has a little introduction to each of the characters. My daughter and I both picked up on the fact that the ten-year-old boy, Dash, is listed in the credits above his older sister Violet. I considered this and figured that ten-year-old boys must be the target demographic for this comic. My little girl was highly displeased that a little brother would receive a higher billing than his big sister, and we had to delay reading the story for a few minutes while she vented about how little brothers are always stealing the limelight.

Then we began to read the story.  We begin with an evil robot villain from the 24th century named Futurion. I found it clever and artistic that all of Futurion’s speech bubbles looked like little computer readouts, with ones and zeroes replacing “i” and “o”. My daughter, however, found this to be highly confusing. Granted, she has only recently learned to read, but she was quite frustrated by the fact that letters had been replaced with numbers and felt that someone had made a mistake. I told her that it was kind of like a joke since zeroes and ones look similar to the letters. She said “This isn’t a very funny joke”.

Once I convinced my daughter that we didn’t need to send the writers to see her teacher about the difference between a zero and an “o”, we continued with the story. A large portion of this story, which was written by BOOM! EIC Mark Waid, takes place at the home of the Parr family (the secret identities of the Incredibles). Most specifically, there is a serious discussion between the parents while the children are in another room, and then some neighbors come over for a visit.

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Scribe nominees announced; DeCandido gets IAMTW GrandMaster

The International Association of Media Tie-In Writers is pleased to announce this year’s nominees for the 2009 Scribe Awards, which honor excellence in licensed tie-in writing—novels based on TV shows, movies, comics, and games. In addition, Keith R.A. DeCandido, whose Farscape series for BOOM! has just gone to third printings on the first two issues and a second printing on #3, will be awarded the IAMTW Grandmaster Award at the awards ceremony at the San Diego Comic-Con– assuming he can get a hotel room.

The nominees for this year’s awards are:

Best General Fiction Original

Burn Notice: The Fix by Tod Goldberg
Criminal Minds: Finishing School by Max Allan Collins
CSI: Headhunter by Greg Cox

Best General Fiction Adapted

Death Defying Acts by Greg Cox
Indiana Jones And The Kingdom Of The Crystal Skull by James Rollins
The Tudors: King Takes Queen by Elizabeth Massie
The Wackness by Dale C. Phillips
X-Files: I Want To Believe by Max Allan Collins

Best Speculative Fiction Original

Ghost Whisperer: Revenge by Doranna Durgin
Ravenloft: The Covenant, Heaven’s Bones by Samantha Henderson
Stargate SG-1: Hydra by Holly Scott & Jamie Duncan
Star Trek: Terok Nor, Day Of The Vipers by James Swallow

Best Speculative Fiction Adapted

Hellboy II: The Golden Army by Bob Greenberger
The Mutant Chronicles by Matt Forbeck
Star Wars – The Clone Wars: Wild Space by Karen Miller
Underworld: Rise Of The Lycans by Greg Cox

Best Young Adult Original

Dr. Who: The Eyeless by Lance Parkin
Primeval: Shadow Of The Jaguar by Steven Savile
Disney Club Penguin: Stowaway! Adventures At Sea by Tracey West

Best Young Adult Adapted

Iron Man: The Junior Novel by Stephen D. Sullivan
The Dark Knight: The Junior Novel by Stacia Deutsch and Rhody Cohen
Journey To The Center Of The Earth 3D by Tracey West

The Point – March 30th, 2009

pt033009-9765541From Martian Manhunter to Mission Impossible, Phil Morris has action hero in his bloodline and an equally deep love for comics. Can you guess his all time favorite single issue? Plus Mike Gold reveals his cartoon mentor, DC reveals a plan for Sunday comics and Spider-Man gets checked out of the library for good.

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Webcomics You Should Be Reading: “Garfield Minus Garfield”!

fsymsogxo67tah5sjho5agrf_500-3210951Howdy folks! We’re back here today to take a step into the post-modern… a step into the existential… a step into a parallel dimension. No, not the twilight zone. Today’s ‘Webcomic You Should Be Reading” is an experiment utilizing one of America’s most cherished cartoon characters. Who you ask? Why, it’s Jon Arbuckle, the would-be owner of an obese and lazy cat, named Garfield. We’re quite familiar with the Garfield strip, aren’t we? Since 1978, the world has been privvy to the the misadventures of this lazy fat cat and his awkward geek of an owner. Years later, an Irishman (Dan Walsh) took an idea shared by many, and gave it birth in webcomic form. Mr. Walsh graced the interwebs with Garfield Minus Garfield.

In a nut shell, take Jim Davis’ acclaimed comic, and remove the titular main character… What do you end up with? As Dan Walsh puts it… you get “…[the] reveal [of] the existential angst of a certain young Mr. Arbuckle. It is a journey deep into the mind of an isolated young everyman as he fights a losing battle agianst loneliness and depression in a quiet American suburb.” I just say you get to take a cherished comic, and make it a post-modern laugh fest.

Now, obviously enjoyment of the material comes with the knowledge of the source material. When “G-G” works, it works well. Minus his kitty companion (or really any other elements in the strips) Jon is sad, pathetic, and possibly schitzophrenic. Successive reading of multiple strips in a row only makes the joke funnier. But, when the majority of the strip leaves bookended blank panels… this fan grows quickly bored. Why? Well, the joke itself of removing that darn cat can make for some funny asides by Jon. Dramatic pauses add to the humor of most of these situations, but, in these strips in particular… it leaves a little too much to the imagination. Given the decades worth of material though, Walsh has plenty to work with, and there are plenty of funny re-imagined strips to present to we, the surly and overly critical internet population.

So what, pray-tell, does Mr. Jim Davis think of this Frankensteining of his most famous creation?

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Nebraska elementary school library lends Spider-Man graphic novel to six-year old

Yeah, you better look over your shoulder, Spidey.

KETV, an Omaha, Nebraska TV station, recently aired a story about the mother of a 6-year-old boy who brought home a copy of a Spider-Man graphic novel from his elementary school in Millard Nebraska.  The book is J. Michael Straczynski’s Amazing Spider-Man Vol. 2: Revelations, which was rated “PG, Ages 12+” by Marvel.  The report showed panels featuring John Romita Jr.’s art depicting Mary Jane in a bikini and a short skirt from Amazing Spider-Man #39, the "Nuff Said" issue.

Physha Svendsen, the mother of the boy at the center of this dispute, contends that the book is not age appropriate for elementary school students and wants it removed from the school library.  Donna Helvering, the school district’s head librarian, said that the school will form a committee to evaluate the complaint within 30 days and the committee will decide whether to keep the book on the school’s library shelves or not.

You can see the report for yourself at the KETV web site.

ComicMix Quick Picks – what day is it? March 32nd?

What it’s been like here recently…

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Just way too much stuff to go through, and we’ve been very busy with the print announcement and rushing to get things ready for the Previews catalog, and I have dozens of tabs open to blog about and consolidate. Wheeee!

So this will be more of a high-speed link dump from the last few days. Onward:

  • The cast and crew of Battlestar Galactica at the United Nations – "We are all Cylons. We are all Colonials." Alex Epstein’s take on the last episode of BSG: Seriously? That’s What You Got? My favorite comment on the finale, from Sabrina: "There can be no more spoilers for BSG, because they spoiled it themselves."
     
  • Don’t forget tonight’s Family Guy/Star Trek The Next Generation crossover.
     
  • Non-comics link of the day: John Mellencamp on The State of the Music Business:
    Over the last few years, we have all witnessed the decline of the music business, highlighted by finger-pointing and blame directed against record companies, artists, internet file sharing and any other theories for which a case could be made. We’ve read and heard about the "good old days" and how things used to be. People remember when music existed as an art that motivated social movements. Artists and their music flourished in back alleys, taverns and barns until, in some cases, a popular groundswell propelled it far and wide. These days, that possibility no longer seems to exist. After 35 years as an artist in the recording business, I feel somehow compelled, not inspired, to stand up for our fellow artists and tell that side of the story as I perceive it. Had the industry not been decimated by a lack of vision caused by corporate bean counters obsessed with the bottom line, musicians would have been able to stick with creating music rather than trying to market it as well.

    Hmm– maybe it is a comics link after all.

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  • ‘The Phantom’ will be on SciFi or SyFy or whatever they’re calling it. Impress me: get Billy Zane to do cameos.
     
  • Speaking of SciFi’s name change: SciFi Founder Hates Syfy, Issac Asimov would have hated it, and yo9 for the win.


  • Dharma wants you… since the 70’s apparently.
     

Anything else? Consider this an open thread. (Cartoon by Dave Walker. Find more cartoons you can freely re-use on your blog at We Blog Cartoons.)

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Review: ‘Slumdog Millionaire’ on DVD

slumdog-1254985Pop culture is influenced by so many different factors and timing determines what will catch on and endure while other things, quality be damned, wither and die.  A perfect example is the Award-Winning darling of 2008, Slumdog Millionaire.

Based on the 2005 novel by Q & A by Indian author and diplomat Vikas Swarup, it was optioned for film by British production companies Celador Films and Film4 Productions who hired Simon Beaufoy to adapt it. By the time director Danny Boyle read the script and accepted the assignment, it was 2006. The budget was set at $15 million, meaning the producers needed a partner – enter Warner Independent which gambled $5 million for the right. Shooting began in November 2007 and it spent much of 2008 being screened at festivals starting with Telluride and the Toronto International.  But, a Warner Bros. exec saw the finished product and felt that once you added in prints and marketing, it was not likely to recoup its costs.

A different exec at 20th Century-Fox saw it but saw something different and bought the film from Warners and scheduled it for late in the year. By the time it opened on November 12, the economy tanked and people were in a mixed state of financial panic and political euphoria.  People wanted something to latch on to, something to make them forget the scary real world, at least for two hours.

[[[Slumdog Millionaire]]] was the perfect antidote for what was ailing our psyche. As a result, it has earned, through this past weekend, worldwide revenues of $268,103,477 making it hugely profitable and turning the stars Dev Patel and Freida Pinto into celebrities. Pretty heady stuff.

The movie, coming out on DVD Tuesday, is incredibly moving, exciting, funny, poignant and very predictable. While it was the Feel Good Movie of the Year and therefore swayed voters into giving it many prizes, it is not the greatest film of the year.  In addition to the enjoyable story, it also shined a documentary-style eye on India’s slum life and we watched in gaping fascination. This was not Bollywood or some idealized view of life, but the actual way the majority of the people lived in the heavily populated country. This, more than the story, may be one reason it was so well-received around the world.

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‘Famous Monsters’ trademark goes to Phil Kim

A long-simmering trademark dispute over who owns Famous Monsters of Filmland ended on Wednesday when a federal court in California issued a summary judgment temporary Injunction against Ray Ferry, who had lost the trademark during a bankruptcy filing. The mark was purchased for $25,000 by Phil Kim who has been trying to resurrect the brand, beginning with an FM website last May.

Famous Monsters of Filmland, in many ways, shaped the movies we are watching today.  The likes of Steven Spielberg, John Landis, Peter Jackson and George Lucas were all fans of the magazines in the days before there were even books on the subject of movie monsters and filmmaking. The magazine’s influence was celebrated in the documentary film Fan Boys.

The 12-page document from Judge Gary Allen Feess of the U.S. District Court for the Central District of California (who you may remember from the litigation between Fox and Warner Bros. over the Watchmen movie) read in part, “Defendants are hereby ENJOINED from operating the famousmonsters.com, famousmonsters.biz, and filmlandclassics.com websites, and from marketing, selling, or offering to sell any goods or services that contain, or are confusingly similar to, the ‘Famous Monsters of Filmland’ trademark or any derivatives thereof, including ‘Famous Monsters,’ until the present litigation has been fully resolved.

“Defendants failure to comply with this Order may be grounds for contempt sanctions, including possible imprisonment. In addition, Defendants are cautioned that they are not to impose upon this Court any further baseless or frivolous arguments that are directly contradicted or undermined by the evidence in the record, including those that the Court has expressly rejected in this Order.”

James Warren published the magazine beginning in 1958 and its success allowed him to launch Creepy, Eerie and Vampirella until he folded operations in the early 1980s. He then licensed FM to Ray Ferry who continued the magazine and at first had Warren’s editor, Forrest J Ackerman, on board.  The two had a falling out leading to a law suit which Ackerman won although he never saw any of the $500,000 judgment.

Ferry continued to publish the magazine sporadically despite losing the trademark. When Kim obtained it, there were two competing websites and Judge Frees ordered Ferry to cease using the related URLs.

Kim said in an email on Friday morning: “This is the first step in making Ferry a bad memory. Ferry’s reign of terror is over. His website will be no more. My only regret is that Forrest J Ackerman is not here to witness this. Forry may not have believed in the afterlife but I do, and I hope Forry is looking down on this and smiling…I know I am.”

“For what Ferry & Connie have cost me and how relentless they are, I have every intention of recovering my damages from them and those who are found guilty of aiding them in their illegal enterprise. This is just the beginning.”

Ferry’s aide Connie Bean told the Classic Horror Film Board, “Right now we have no comment until we read it. Also, I caution you all to realize that we will have our day in court. We don’t have to react to anything until we are served with it, so that is what we will do. I am assuming according to what I do know, that we move ahead with Shock and Freaky and go from there.

“Ray and I never run with our tails between our legs and will keep going no matter what, maybe not with FM but we will keep going anyway. We have to. It’s the right thing to do. All I know is that everyone will get what they paid us for at one time or another and we won’t leave fans hanging.”

While Kim now controls the trademark and can continue with his plans, the copyrights to the original 1982 issues of the magazine remain in Warren’s control. Creepy and Eerie, now licensed to Dark Horse Comics, are enjoying a resurgence of interest. Harris Publishing currently owns Vampirella.

UPDATE 5/14/09: The ruling was a temporary injunction, not a summary judgment. We regret the error.