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ComicMix Quick Picks – March 24, 2009

Man, we are so behind… busy busy busy here. Some items from the past few days to tide you over:

  • The "comics on handhelds" panel at SXSW, covered by ComicMix contributor Chris Ullrich for one of the thirteen other blogs he writes for.
  • And speaking of ComicMix contributors past and present, Rick Marshall made it up to the Webcomics Weekend and covered it heavily.
  • Quote of the day, from John Rogers:
    There are two novels that can change a bookish fourteen-year old’s life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs.
  • Take the above with a grain of salt– Rogers drinks. Heavily. Quotes On Comics. This will probably save Dirk Deppey five minutes a day or so when he does ¡Journalista!
  • Papercutz is going to publish Geronimo Stilton graphic novels beginning in August.  The first graphic novel titles under the deal are The Discovery of America and The Secret of the Sphinx.  Scholastic Inc publishes the Geronimo Stilton book series in the US.

Anything else? Consider this an open thread.

Review: The Rabbi’s Cat

In my misspent youth I took French lessons and am able to get through Paris without causing International Incidents. My reading skills in French are better than my ability to speak it, and that’s okay: I like to think you get into less trouble with an open book than an open mouth. Little Did I Know.

So I’ve got this friend, brilliant fellow-writer Nalo Hopkinson, and one day she asked me if I could read French. Why yes; yes, I can, I replied. And I was thereupon treated to that rare phenomenon, the ability to hear via e-mail someone rubbing their hands together in fiendish glee and chortling “Mwahaha!” Soon after that, the mail brought to my innocent hands a French graphic novel called [[[Le Chat Du Rabin]]], aka The Rabbi’s Cat. It was written by marvelously prolific French writer-artist Joan Sfar, and let’s get one thing out of the way now, FWIW: Joan is a man. It happens.

The Rabbi’s Cat is set in 1930s French North Africa. I’m being typically lazy as I write this, which is why I’m fudging on exactly where in French North Africa. Morocco, I think. (Mmmmm, fudge!) The protagonist is—see if you can guess. . .YES! Right in one!—the rabbi’s cat. He looks to be related to the Sphinx breed and he dwells with the rabbi and the rabbi’s beautiful daughter.

There is also a parrot. It is a very loud and talkative parrot. It is an obnoxious parrot. It is a highly inconvenient parrot and so, cat’s being cats, soon it is an EX-parrot! (Oh, how I’ve wanted to say that!)

And under the enchanting rules of Sfar’s fiction, in a miraculous moment, because he has eaten a talking parrot, the rabbi’s cat can now talk!

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2009 Hugo Nominations — including the first Hugo Awards for graphic novels

First the New York Times makes a graphic novel bestseller list… now the Hugos are getting int the act.

The nominees have been announced for the 2009 Hugo Awards, recognizing the best in science fiction and fantasy writing– and, for the first time, an award will be given out in the newly created Best Graphic Story (or graphic novel) category. ComicMix’s Andrew Pepoy, creator of The Adventures of Simone and Ajax, was nominated for his work in Fables: War and Pieces along with Bill Willingham, Mark Buckingham, Steve Leialoha and Andrew Pepoy, Lee Loughridge, and Todd Klein. No strangers to comics themselves, Neil Gaiman was nominated for Best Novel for The Graveyard Book, and Cory Doctorow was nominated for Little Brother; while comics properties The Dark Knight, Hellboy II: The Golden Army, and Iron Man were nominated for Best Dramatic Presentation, Long Form.

The Hugo Awards celebrate the best in the field of science fiction and fantasy.  Hugos are presented each year at the World Science Fiction Convention, a.k.a. WorldCon, by the World Science Fiction Society, and are voted on by attendees of this year’s WorldCon in Montreal, Anticipation. The Hugos awarded at Anticipation will be for works released in 2008.

More information is on the official Hugo Award web site. If you’d like to vote on them, here’s how.

Nominations

Best Graphic Story
(212 Ballots / Bulletins)

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The Point – March 23rd, 2009

BATTLESTAR may be over, but the online reviews rage on and the ratings are big. Meanwhile, we talk more with the writer, director and star of SUPER CAPERS while STAR TREK gets hit with an old school lawsuit and THE SIMS invade…ONE TREE HILL?

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Review: ‘Quantum of Solace’ on DVD

Having grown up on James Bond movies, I have been conditioned to expect certain lines, images and sounds. As a result, I was curious to see what would survive when the franchise was rebooted with Casino Royale. They played with the martini line but maintained the title theme and gave us a fresh start (although I still think Daniel Craig is too old for Bond at this stage in his career).

The movie was pretty terrific although I noted at the time that the pacing was odd and the entire final third felt like a separate film. So, going into Quantum of Solace, which is released on DVD tomorrow., I wanted to see what they would do next especially since this is the first film that was a direct sequel.

The events from [[[Casino]]] provide Bond’s motivations and colors everything he does in this film. Here’s the first problem with the new film: it does a piss poor job of reminding you what happened in the previous installment. When Mathis is reintroduced, I had forgotten who he was and what his involvement with Bond and Vesper were. Similarly, when Bond says M was wrong about Vesper, I have no recollection what she said in the previous film.

While Bond films are known for their action sequences, this one felt by rote. We had fist fights, a car chase, a boat chase and a plane chase. Ho hum. They were uninvolving thanks to what I call “in your face” editing so things flash by so quickly, you have no real sense of what’s going on. You get impressions based on the glimpses you have in your field of vision. Storytelling is tossed out the window for style but leaves you either confused or frustrated.

The movie is praised for being a taut two hours but I would have dearly enjoyed ten more minutes if characters actually spoke to one another as characters not plot exposition and surface characterization. Also, the movie utterly ignores time. You have no idea how much time has passed from the first scene to the last. We have no idea how Bond changes his clothes so often, when he sleeps, eats and so on. After having no access to money or passports, we next see him in a boat heading to see Mathis. How?

It wasn’t all disappointing.

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‘The Sorcerer’s Apprentice’ from… Jerry Bruckheimer? With Nicholas Cage?

You have to wonder if the April’s Fools stories are coming out early… but apparently not. According to Variety, Disney will release producer Jerry Bruckheimer’s family-targeted live-action movie The Sorcerer’s Apprentice on July 16, 2010. The Sorcerer’s Apprentice joins two other Disney kid/family-centric pictures set for that summer: Prince of Persia: The Sands of Time, set for May 28, and Pixar’s Toy Story 3, which opens July 18.

The movie, starring Nicolas Cage and Jay Baruchel, is based on "The Sorcerer’s Apprentice" section of Disney’s animated feature Fantasia.  The movie begins production this month under the direction of Jon Turteltaub, who has worked with both Cage and Bruckheimer before on the National Treasure films.

No word yet if Cage will wear the mouse ears.

Now, before you all cry "Blasphemy!" bear in mind that you never thought Pirates of the Caribbean would work… and it probably can’t be any worse than this version:

Review: ‘Tales of the Black Freighter’

One of the key differences between watching [[[Watchmen]]] and reading the complete book is the rich variety of extras in print.  In addition to the story, there was the secondary story, [[[Tales of the Black Freighter]]], in addition to newspaper clippings and excerpts from Hollis Mason’s [[[Under the Hood]]]. Initially, these extras were never considered but were instead added after DC’s management wisely decided the maxiseries should appear without advertising. Freed, Alan Moore and Dave Gibbons filled the pages with rich context, inviting readers further into their imagined universe and making for a more fulfilling reading experience.

Watching Tales of the Black Freighter, available to buy or download on Tuesday, you feel like you’re getting supplemental material divorced from the main story as opposed to being fully integrated with the Zack Snyder-directed feature film.  One supposes we must all wait for the director’s cut where at least the Pirate tale will be once more edited in with the main story.

The animated version of the pirate comic book looks nothing like Gibbons’ art (or for that matter, the one page Joe Orlando contributed) but more generic.  Having said that, it uses Gerard Butler’s narration to great effect along with a muted color palette.  The actual animation is fine as is the music but it’s the haunting story of one man’s survival from the wreck of the [[[Black Freighter]]] (a named plucked from Berthold Brecht) and how this experience has changed him. In many ways, it’s Moore’s contribution to an issue of House of Mystery, but it also shows the kind of escapist literature read by the denizens of a world where Dr. Manhattan exists.  The animation runs about 26 minutes and does a nice job overall. You hear Nina Simone’s version of “[[[Pirate Jenny]]]”, also on the soundtrack disc, over the final credits, further tying the pirate to Brecht.

Also on the disc is a mockumentary that delves into how prime time would have featured Under the Hood’s release in 1975 with a retrospective look fro 1985.  Many of the Minutemen appear on camera in one way or another, from faux newsreel footage to on camera interviews, and this fleshes out the Watchmen’s world quite well.  The interviews, the probing questions, and television advertising of the era (along with some for Veidt-produced products) make for a nifty 38 minutes.

Will your appreciation for Snyder’s film change by watching this? Probably not, but it does help immerse you further into this world and you can appreciate the effort, be entertained, and find more context for the world.

“Story within a Story” is a nice look at these supplemental features as former DC president Jenette Kahn, current DC President & Publisher Paul Levitz, Senior VP Richard Bruning, and initial [[[Watchmen]]] editor Len Wein all talk about the evolution of the backup material and how it became integral to the story. Some of the cast and crew also discuss the movie’s fidelity to the source material and how much fun it was to make.

The disc comes with trailers for the Watchmen, its video game, [[[Terminator: Salvation]]], and the [[[Green Lantern]]] featurette also found on the [[[Wonder Woman]]] disc.  You can either get this now or hope it is all included in some mega set down the road.

If Kevin Smith could ever finish a series for Marvel on time…

…we might end up with this:

Y’know, suddenly I’m not in such a rush for Daredevil/Bullseye: The Target #2.

Oh, speaking of lateness, posting may be a bit light this weekend because of Lunacon. Come see the Mixologists there!

The Point – March 20th, 2009

pt032009-5919583It’s the first day of spring, the last day for BATTLESTAR and we give you our exclusive preview of SUPER CAPERS, opening in theaters today. Then there’s the reason WATCHMEN fizzled, more Erotic Comics and what the hell is “SyFy”?

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