Kristen Bell may be about to learn how the extreme always seems to make an impression– by possibly starring in the musical adaptation of the darkly beloved 1988 cult classic Heathers, according to Eonline.
Kevin Murphy and Andy Fickman, part of the team behind the stage and teleplay edition of Reefer Madness is manning the film’s under-the-radar transition to the stage, with readings of the material taking place this week. Bell is taking the Winona Ryder-originated role of Veronica in the rehearsals, with her Reefer Madness co-star Christian Campbell playing Christian Slater’s role of J.D., according to the Hollywood Reporter.
While the actors aren’t locks to go with their characters when the show makes its Broadway debut, they are likely candidates to keep their gigs if they’re available.
And just to tie it back yet again to comics, did you know that Daniel Waters, the writer of Heathers, also wrote the screenplay for Batman Returns? Small world.
You may have waited as long as 25 years for a return to the greatness that was Ghostbusters, but that wait is almost over as the original cast reunites for the new game. We’ve got an exclusive preview, plus an invite to the Facebook ComicCon and Battlestar Meets CSI PRESS THE BUTTON to Get The Point!
Boy, is this week’s episode going to make Mike Gold happy…
In this week’s episode airing on Cartoon Network at 8:00 PM titled “Mystery in Space!”, Aquaman joins Batman in a thrilling space adventure on Adam Strange’s home planet of Rann. There our heroes join forces to battle Gordanian General Kreegaar and his reptilian horde. It’s the power of justice and a good old fashioned fight that resurrects Aquaman’s heroism as he leads the team to on a mission to destroy the Eye of Zared!
And this week’s teaser gives you a first look at the villainous Equinox and introduces the Question. Take a look…
I’m back, my gentle compatriots, with another webcomic for you to feast upon! I know what all of you are saying though, as you sit with arms folded in protest– ”But Marc, you’ve brought to us a rising list of the sick and macabre! Each new webcomic (be it still active, or dead, or with a glorious hard cover archive hitting shelves) has sunk to new depths of depravity. Have you found another gloriously funny webcomic, or are you simply reaching for the rafters in a pathetic attempt to appease us, your loyal and ravenous fanbase!?”
Worry not my friends, I bring to you a funny (if not so grotesque) webcomic to tickle your funny bones. I bring to you… Rogue Robot!
Rogue Robot was started in 2005 by Herron School of Art students Ben Roe and Amory Abbot. Ben initially wrote the strips and provided color, and Amory lent his pencils and inks to the strip. Over time, Ben has become a bit dormant, and Amory has gallantly picked up the slack on all chores, and has been putting out the strips ever since.
The comic had humble beginnings, but quickly gained speed, and found it’s voice. As it has progressed over the years, the strip has really tightened up it’s art, and acerbic wit. Akin to a ‘Penny Arcade’, the comic is essentially about 2 buddies (Amory and Ben) and a few other cast-mates with their own set of unique peculiarities. Humor ranges from straight-up slapstick violence, toilet humor, sex, with occasional epic (as in longer than 1 strip) stories. The comic hits the mark most of the time, and when it goes for broke, well, like so many other comics I’ve shared with you thus far– it’s laugh out loud funny (even though you’ll go to hell for laughing.). It’s also funny to note just how many comics end up dealing with not updating all the time.
Michael Netzer has taken it upon himself to organize the first comic convention on Facebook. The con has already started, and will run until Sunday– of course, being Facebook, it will never really go away. It currently has over 2500 members in the group, and will probably have many more by the end of the weekend.
Here’s the– what would you call this? Room assignments? Panel listings? Floor map? Anyway, here it is:
Finally, we can post a listing where someone can make money.
Warner Bros. Animation and Mochi Media, in partnership with DC Comics, are asking developers to submit ideas for a new Flash game (the programming language, not necessarily the character) based on the Cartoon Network series Batman: The Brave and the Bold, produced by Warner Bros. Animation. The game would be developed and produced for KidsWB.com, the premium, ad-supported destination from Warner Bros. Television Group. Game developers can submit their game design ideas, mockups and game portfolios now through March 27 for evaluation by professionals at Warner Bros. Animation, Mochi Media and DC Comics.
Ten finalists will be chosen and then allowed two months to further develop their Flash game concepts and the finished games will be featured on KidsWB.com this June. All ten finalists will be awarded cash prizes with the top developer receiving $9,000 and a contract for a second game valued at $15,000. Details and rules for the promotion can be found at www.braveandtheboldcastingcall.com .
Poor Princess Ruruna is stressed out. With the king and queen away, she has to manage the Kingdom of Kod’s humongous fruit-selling empire. Overseas departments, scads of inventory, conflicting prices, and so many customers! It’s all such a confusing mess. But a mysterious book and a helpful fairy promise to solve her organizational problems—with the practical magic of databases!
Yes, The Manga Guide To Databases. Personally, as long as Bill Gates doesn’t use that fairy like he did Einstein and Clippy, I’m cool with it. In fact, there are some people here I should beat over the head with it lend it to.
You’ve probably heard the schoolyard snap: "Yo’mama’s so dumb she failed a Rorschach test." I never thought I’d find a case where it’s actually true, but lo and behold, Arne Starr pointed me to one.
Perhaps you know the old joke: A man goes to a psychologist and says, "Doc, I got a real problem… I can’t stop thinking about sex."
The psychologist says, "Well let’s see what we can find out", and pulls out his ink blots. "What is this a picture of?"
The man looks the picture upside down then turns it around and states, "That’s a man and a woman on a bed making love."
"Uh-huh. And what is this a picture of?"
"Well, that’s a man and a woman on a bicycle making love."
The psychologist tries again with the third ink blot. "What is this a picture of?"
"Obviously, that’s a man and a woman in a volcano making love."
The psychologist states, "Well, yes, you do seem to be obsessed with sex."
"Me? Doctor, you’re the one who keeps showing me the dirty pictures!"
Which brings us to Debbie Schlussel. Debbie is a conservative activist and occassional movie critic and she thinks that if you see Watchmen, you’re "probably a moron and a vapid, indecent human being."
She spends the first half of her review saying that the movie isn’t for children (no "kidding", Debbie, that’s why it has an R rating) and bemoans the fact that "plenty of clueless parents brought their young kids and kept them there for the entire almost three hour "experience" at the screening I attended". Now, her article went up on March 4th, so the only way that she could have seen it would have been at some sort of industry screening or press event. I’ve been to a few of them in my day, and I never remember children being present at such events.
She also decries the amounts of sex, violence, brutality, bad language, and other things that make her feel icky.
But most amazingly, she claims to be a great conservative thinker, and yet somehow never connects with the core question of the film. And that core question is this:
How far will you go to save your world?
It’s really a simple question, but it has very complicated answers.
Would you kill a child molester who fed his victim to his dogs? Obvious sexual deviancy, right? What about killing lesbians, then?
Would you break into prison to release a criminal? What if you knew he wasn’t a criminal, but couldn’t prove it?
Would you shoot police officers who were getting in your way of saving the world? How about if they were just preventing you from beating up on crooks?
Would you lie to bring down a presidential candidate, perhaps by accusing him of being a Muslim (like that’s bad in and of itself) in order to save the country? In Debbie’s case, we already know her answer to that question, character assassination is okay— so how about assassinating the President outright? Is that cool? Or assassinating reporters who might bring government misdeeds to light?
Would you kill a person to protect the world? How about killing someone in self-defense?
How about more than one person? How about three? Thirty? Three thousand? Three hundred thousand? Three million people? How many people is it okay to kill in order to protect the world? Would you fly a plane into a building? Would you invade a country? Would you nuke a city?
Who appoints themselves to make these decisions? And who watches over them?
All of these are valid questions brought up, implicitly or explicitly, in Watchmen. And if Ms. Schlussel was a deep thinker, or had any self-awareness at all, some of those questions might occur to her.
Poor Hitler. If only he’d made Mein Kampf into a comic book instead of an actual written screed. Then, the ovens of Auschwitz and the human lampshades would be all the rage and cool of kitsch.
As it happens, I happen to have Hitler’s thoughts on the matter:
Baz Luhrman is a visual director. Couple him with fellow Aussies Nicole Kidman and Hugh Jackman; one would expect a strong story with terrific scenery and fine performances.
Instead, we got a faded postcard called Australia. The overly long film, now out on DVD, is actually two predictable stories melded into one feature. The first half is a remake of [[[The African Queen]]] repurposed as an American western set in the outback. The second half is a World War II adventure that sort of pits Jackman against the Japanese. Given its highly obvious story points, it’s hard to believe this is a product from the man who gave us [[[Moulin Rouge]]] and a fresh take on [[[Romeo and Juliet]]].
About the only thing unique about the story is the plight of the half-Caucasian/half-Aborigines children taken away by missionaries during this era to have the “savage” beaten out of them. As a result, the most interesting characters in the film are the “creamy” Nullah and his silent grandfather King George (played by the veteran David Gulpilil).
Jackman may never win an Oscar for his work, but he’s a versatile, entertaining actor who handles action and romance with equal aplomb. His Droper smolders throughout the movie and his understanding of the aboriginal people is sympathetic in contrast to just about every other Caucasian in the movie.
Kidman’s Lady Sarah goes from spoiled Englishwoman to gun-toting, hard drinking native without any in-between steps and feels unnatural. Instead of a nuanced performance, which she’s capable of, she feels like she did this to work from home and not that she had any real affinity for the role or story.
Luhrman also seems more interested in the landscape of his native land than the performances which are more two-dimension than we’re used to. The pacing is languid, even for the action sequences, and overall the movie just lays there. It did not perform well at the box office and 20th Century-Fox apparently lost faith in the film which resulted in a DVD that comes with barely any extras. There are trailers (and not one for [[[Wolverine]]]) and two deleted scenes, neither of which substantively changes the movie.
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