Review: ‘Graphic Classics: Oscar Wilde’
Graphic Classics, Vol. 16: Oscar Wilde
Edited by Tom Pomplun
Eureka Productions, February 2009, $11.95
Graphic Classics has been adapting the work of famous dead authors – from H.P. Lovecraft to Rafael Sabatini – for at least five years, mostly focusing on the more popular (rather than literarily classy) writers. And that’s a good thing, since no one wants to see [[[Graphic Classics: Henry James]]]. (“The Face in the Carpet” is not nearly as exciting as the Lovecraft-style title might indicate.)
So this is the sixteenth volume in the series, which are all in the same vein: about 144 pages of comics adaptations of said dead writer’s work, usually with a few long adaptations and some shorter ones sprinkled in for spice. The creators involved are a mix of semi-familiar names and newer folks on their way up – this kind of project, obviously, doesn’t tend to attract top talent. (And is almost certainly better without the kind of compromises “top talent” requires.) Editor Tom Pomplun usually adapts at least one of the stories himself – and why shouldn’t he? It’s his series – and the adaptations sometimes tend to the talky, perhaps in an attempt to be slightly more educational.
(The series as a whole tries to walk the line between “good for you” and “good fun,” and individual stories fall on one side or the other of that divide, but I’ve found that the books as a whole generally are fun, if wordy. I’ve previously reviewed Bram Stoker, Mark Twain, and Fantasy Classics.)


The opening of


You know Hellblazer #63, the issue where John Constantine turns forty? Yesterday was like that for me, only with cheesecake. And today was definitely like that scene at the end.
