The Big Skinny: How I Changed My Fattitude
By Carol Lay
Villard, January 2009, $18.00

In the wake of [[[Perseopolis]]] and similar works, graphic novels have become ever more popular for acquisition editors at the major trade publishing houses. But, just as the direct market twists products in the direction of its own obsessions – spandex, punches, and chivalry twisted through at least two axes, these days – those mainstream publishers have their own market trends and forces, and they’re looking for particular things themselves. To be blunt, all of the big-publisher GNs seem to be memoirs of one sort or another. Some of them are “here’s my life in numbing detail” books, like David Heatley’s [[[My Brain Is Hanging Upside Down]]], and some are small stories of particular moments and times, like Lucy Knisley’s [[[French Milk]]] – but they all are personal stories of one kind or another.

Carol Lay, surprisingly, hasn’t written a book-length illustrated work before; she’s had several collections published – mostly of her weekly [[[WayLay]]] strip – but [[[The Big Skinny]]] is the first time she created a graphic work purely for book publication. And, since it’s from Villard, one piece of the huge Random House book conglomerate, you’d be pretty safe betting that it’s a memoir of some kind. And it is. But The Big Skinny isn’t just a memoir – it’s some more unusual for comics, though it fits into a pretty common prose format.

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Nathan Fillion, star of Joss Whedon’s “Firefly” and “Serenity,” will do double duty this March as the voice of Steve Trevor in Wonder Woman, the next entry in the series of DC Universe animated original PG-13 movies due on March 3, 2009, with a preview showing at the New York Comic Con, and is also taking the title role in “Castle”, premiering on March 7th on ABC, which features Fillion as a hugely popular mystery/horror writer who helps police solve crimes– think "Murder She Wrote" with Stephen King, but nowhere near as stiff.

Fillion, a fan favorite as Captain Mal Reynolds, as well as Captain Hammer in “Dr. Horrible’s Sing-Along Blog,” found time away from the grasp of DC Voice Director Andrea Romano (right) and his unrelenting Halo addiction to chat.

QUESTION: Can you describe the challenges of bringing Steve Trevor to life?

NATHAN FILLION: The challenge I find is just trying to use my natural voice and trying not to put on too much of a voice.  I tried to just keep it nice and easy and relaxed. He’s a little bit wry, he’s a little bit dry. I can do that. And a couple of times I actually slipped in a little bit of a southern accent. 

Steve Trevor is not a complex guy.  He’s got a façade up, he’s got a defense up, but he drops it a little bit because he does care about Diana.  I like that he’s got a bit of an arc, he’s got something to learn.  I think that’s what makes a good character and a good story.

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Ghost World: the Special Edition
Graphic novel by Daniel Clowes; Screenplay by Daniel Clowes and Terry Zwigoff
Fantagraphics, October 2008, $39.99

Ten years after the first collection of [[[Ghost World]]] and seven after the movie version of the same story (and, not coincidentally, the screenplay book), Dan Clowes’s most famous and best-known story has gotten the big fat hardcover treatment – and I’m sure that the fact that his story of suburban ennui and aimlessness follows dozens of stories of spandex-clad punching bags into basically the same format and sales channel is an irony not lost on Clowes. (Though I should point out that this big fancy hardcover is not nearly as expensive and laded with gewgaws as most of those “absolute” and “essential” and “ultimate” books – all those books that name themselves, and lavish on themselves production designs, reminiscent of high end sex toys; shiny and sleek and oversized and, all too clichéd often, in jet-black. Clowes’s book has reasonable proportions, and a price quite reasonable for an art book of its size.)

This “Special Edition” collects the graphic novel [[[Ghost World]]], by Clowes, and the screenplay, by Clowes and Terry Zwigoff. It also adds in a forty-eight-page section of miscellany – box art from odd ancillary products, covers from old [[[Eightball]]] issues when Ghost World was being serialized, foreign covers, miscellaneous art related to the movie, and a few sketches and pages of original art. Up front is a new introduction by Clowes, and a two-page story that may, or may not, show a glimpse of Enid and Rebecca’s lives now. Those are pleasant, but the real core of Ghost World is the story, and this book gives both versions of it equal weight.

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