LONE JUSTICE: CRASH! is the new graphic novel from the Harvey Award nominated team of Robert Tinnell and Mark Wheatley.  It will begin right here on ComicMix on Monday, January 12th.  And in the interest of making all things EZ, we present the top 6 essential things you should know before you start reading:

1) LONE JUSTICE: CRASH! is a two-fisted, pulp adventure set in the year 1930, just after the big Wall Street crash in 1929.  It is a time when there is great uncertainty in life, work and politics.  But it was also a time when pulp magazines were introducing vital new characters to the public that we would eventually come to call Super Heroes.  So, step aside, Doc Savage, the Shadow, and the Spider – and make way for Lone Justice!

2) LONE JUSTICE: CRASH! is the sideways sequel to the Harvey Award nominated EZ STREET graphic novel, also perpetrated by the Tinnell and Wheatley team. Why sideways? In EZ STREET, the central characters Scott and Danny Fletcher are attempting to create a graphic novel.  And LONE JUSTICE: CRASH! is the graphic novel they create.

3) Yes, that means Tinnell and Wheatley are taking credit for the work of two fictional characters.  They have no shame.

4) Maybe you don’t need to know that the core ideas behind Lone Justice’s tribulations in CRASH! can be found in the pages of EZ STREET – particularly in the character of the homeless man young Scott and Danny befriended.  But if you are aware it just might make the reading experience a little richer.  No, really – there are parallels to life events in EZ STREET all through LONE JUSTICE: CRASH!

5) You should probably be aware of just how devastating the Depression was on the United States and its residents.  It was much worse than what is going on today, so far.  Tent cities – known as Hoovervilles (after President Herbert Hoover) really existed.  Hopefully, there will not be any Bushvilles before LONE JUSTICE: CRASH! finishes running on ComicMix.

6) There were often official efforts to keep transient homeless folks out of cities and towns and even entire states.  These were people who were just trying to survive.  But California, for example, would try to keep people from pouring into the state – and they were prone to use force.

You can start reading LONE JUSTICE: CRASH! right here on ComicMix on Monday, January 12th.

We haven’t had a good, depressing, "the economy sucks and it’s even affecting my comics!" story in a while, but here’s a doozy: ICV2 reports that British company Entertainment Rights, which owns the video rights for Gumby, Casper the Friendly Ghost, Felix the Cat, She-Ra, Ghostbusters, The Lone Ranger, Lassie, Mr. Magoo, Rocky & Bullwinkle, Veggie Tales and a host of other characters, as well as the Filmation archives and the Turok video game, is running out of time to find new investment or an acquirer to avoid going out of business– and like everybody else, is scrambling. The company loaded up with debt when it bought Classic Media in 2006 and ran into loan trouble last year.

Among options being considered are hitting up existing stockholders for additional investment, a sale of the company, or new loans. It received an infusion of 13 million pounds from its main lender in December, which will carry the company through February. Expenses are also being cut, with a third of the company’s employees let go. Bad debt from the failure of British retailer Woolworths is also weighing on the company.

No word how this would affect the numerous movie deals in place with a number of their characters, including the Masters of the Universe film, or any other licensing deals in place.

Bottomless Belly Button
By Dash Shaw
Fantagraphics, June 2008, $29.99

Wrapped up inside [[[Bottomless Belly Button]]] is the realistically-depicted story of a family – aged parents, three grown children, and few others – coming all together for one last time as the parents divorce after forty years of marriage. But Dash Shaw is in no hurry to tell that story; he wraps the three sections of this graphic novel in metaphor and metafiction, graphically depicting the Looney family and their world in various forms – as water, as sand, as maps, as diagrams and lists. Shaw takes the time and space to tell his story slowly, to circle around it from all sides, and to focus on each member of the Looney family in turn.

David Looney is the patriarch: his word has always been law. We see the least of him in Bottomless Belly Button, but he’s clearly diminished from the authoritarian, demanding man we see in flashbacks – he’s no longer in charge. The divorce probably isn’t his idea.

Dennis Looney, the older son – the good son. Married, with a baby. Somewhere in his mid ‘30s. Dennis can’t accept the divorce – in the Looney’s view of the world, families always stick together, because families are the core building blocks of the world. Something must be wrong – something he can fix. So he gets angry inappropriately, takes long runs on the beach to think through things, roams restlessly through the house, looking for clues and reasons for something he can’t accept.

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