Screenwriter John August describes the sequence of events that led up to, shall we say, the death of Captain Marvel the movie:

I took them at their (written) word and delivered what they said they wanted: a much harder movie, with a lot more Black Adam. This wasn’t “Big, with super powers” anymore. It was Black Adam versus Captain Marvel, with a considerable push into dark territory and liminal badlands like Nanda Parbat. It wasn’t the action-comedy I’d signed on to write, but it was a movie I could envision getting made. The producer and director liked it, and turned it in to the studio while I was in France.

By the time I got back, the project was dead.

By “dead,” I mean that it won’t be happening. I don’t think it’s on the studio’s radar at all. It may come back in another incarnation, with another writer, but I can say with considerable certainty that it won’t be the version I developed.

Whether this is from the internal shake-ups at New Line, or residual inertia from the writers’ strike, or just Hollywood silliness, is hard to gauge.

Via Deadline Hollywood: Relativity Media, LLC has purchased Rogue Pictures from Universal Pictures and acquired Rogue’s entire library, its more than 30 projects in development and ownership of its producing deals, including the deal with Wes Craven.
 
The first picture set for release under this new deal is writer/director David S. Goyer’s (The Dark Knight) new horror film, The Unborn, produced by Michael Bay and his Platinum Dunes production company. The Unborn is a supernatural thriller that follows Casey (Odette Yustman) a young woman pulled into a world of nightmares when a demonic spirit haunts her and threatens everyone she loves. Plagued by merciless dreams and a tortured ghost that haunts her waking hours, Casey learns that the spirit may be the soul of her unborn twin brother and must turn to the only person who can make it stop– Rabbi Sendak (Gary Oldman). The Unborn opens Friday.

Blog@Newsarama checked in with Hack/Slash creator Tim Seeley, since the film version of that comic was in development at Rogue. "Seeley confirmed that his book is still in the Rogue pipeline.  He also indicated that there may be more information in the offing." Between that and Devil’s Due getting back up to speed, those are good signs.

French Milk
By Lucy Knisley
Touchstone, October 2008, $15.00

The first thing to know – and to keep in your head – is that Lucy Knisley is twenty-two years old. That’s fantastically young to be planning and executing a nearly two-hundred-page-long drawn book, and the mere fact that she did it is impressive. And so if I say that [[[French Milk]]] is a bit thin, a bit obvious, and clearly created by a very young woman – that’s only to be expected, and not a major criticism.

French Milk is a sketchbook diary, something like Craig Thompson’s [[[Carnet de Voyage]]] or Enrico Casarosa’s [[[The Venice Chronicles]]]. Knisley flew to Paris with her mother just after Christmas of 2006 – she was turning twenty-two, and her mother was turning fifty, which added up to a good enough excuse – and the two of them lived there in an apartment for just about a month. French Milk is the story of that month, and of a few days before and afterward – several pages are devoted to each day, with photos and drawings and narrative.

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