The Mix : What are people talking about today?

And the next Doctor Who really is…

…Matt Smith?

Yes, apparently. Putting an end to all the rampant speculation, the 26 year old will be taking over the role of the Doctor in 2010.

A relative newcome to the scene, Smith already has experience working opposite companions to the Doctor, having played opposite Billie Piper (Rose Tyler) in TV adaptations of Philip Pullman’s Sally Lockhart novels The Ruby in the Smoke and The Shadow of the North as Jim Taylor, and again in Secret Diary of a Call Girl.

Now let the ritualized mocking of Rich Johnston commence.

And the next Doctor Who is…

…going to be revealed in exactly 12 hours from now as part of a special edition of Doctor Who Confidential to be aired on BBC ONE today at 17:35 Greenwich mean time, 12:35 PM Eastern standard time.

Following the announcement in October that David Tennant would be stepping down from his role as the Doctor at the end of 2009*, speculation has been mounting as to who would take over from him for the fifth series of this iconic BBC drama that will air in 2010.

Who do we think will get the job? Well, there’s a reason William Petersen is leaving CSI

Check back in half a day on ComicMix and see if we’re right.

Happy 80th birthday, Don Heck!

Don Heck. Today would have been his 80th birthday.

I first met Don twenty-seven years ago at his house in Centereach. He and my dad frequented the same bar, the Emerald Pub. My dad knew I was a fan of his on The Flash, and thought I should meet him, and finagled an invite.

It was the first time I’d ever seen a comic artist’s studio– and to this day, the best analogy is the scene in the movie where the young boy visits the wizard’s cave and sees the dimly-lit wonders, or the hacker’s technical sanctum and all the neat knick-knacks, you know the scene.

It was magic.

And like any good magician, he gave a gift to the audience– the page to the right, from The Flash #292, was one of them.

Don still hasn’t gotten the appreciation he deserves– for creating Iron Man, Hawkeye, and the Black Widow; for his runs on Avengers, Wonder Woman, Batgirl, and Justice League of America; for hundreds of stories without a single costume in them– but there are those of us who still remember.

Thanks for the magic, Don. Happy birthday.

‘Wonder Woman’ Writer Michael Jelenic Talks Animation

Writer Michael Jelenic makes the leap from animated television to feature-length films with his script for Wonder Woman, the next entry in the popular series of DC Universe animated original PG-13 films. Warner Premiere, DC Comics and Warner Bros. Animation are set to release the all-new film on March 3, 2009, distributed by Warner Home Video. The film will also be available OnDemand and Pay-Per-View as well as available for download day and date, March 3, 2009.

Jelenic has crafted a script that offers complementary balances of action and comedy, contemporary society and Greek mythology, and the social pratfalls of both men and women. It is an origin story and a stand-alone adventure, resulting in an entertaining approach to the first-ever Wonder Woman full-length film. Jelenic and renowned comics writer Gail Simone have "story by" credits on the movie.

Jelenic is well-known for his work at Warner Bros. Animation, providing the clever words to series like The Batman, Legion of Super Heroes and the newest Dark Knight animated series, Batman: The Brave and the Bold.

Jelenic stepped away from his laptop to be both brave and bold in answering a few questions about the thoughts behind the words and story of Wonder Woman, the challenges of pleasing every fan, and the un-coolness of working in the comics realm. (more…)

Welcome to the blogosphere, Mark Waid — hope you survive the experience!*

Somehow I forgot to note that Mark Waid, writer extraordinaire and editor in chief of BOOM! Studios, started blogging a month ago over at Kung Fu Monkey while John Rogers takes the break afforded him from Blue Beetle to exec producing Leverage over at TNT, which is a hoot and a half. He’s been talking about the writing process for comics, and how it differs from novels and screenplays, and it’s well worth your time.

However, I have to point out something he wrote in his first post:

Remember, though, I’m new at this form of communication, so be gentle with m–

Ow.

Goddamn it, somebody already threw something.

And John refuses to let me put up the chicken wire.

and then this week:

I worry that I’ve apparently not yet said much worth arguing over. How does anyone post two thousand words about anything on the internet and not get flamed by someone?

Mark obviously is new to blogtopia (yes! Skippy coined that phrase!) and hence is not aware of all internet traditions, but one does not welcome someone to blogging with flames and brickbats. No, we welcome them by finding embarassing items from past jobs and posting them– like this piece from the DC Comics office bulletin board of twenty years ago:

Of course, you have to be careful with sort of thing, because Mark could still have a copy of my Thunderbolt proposal from back then. (I’ve seen his collection. The man saves everything.) So we’ll keep the escalation low. But if anybody has copies of Kits 1 and 2, let me know.

  • Yes, I know I owe Chris Claremont a nickel for the headline. Good thing ah’m invulnerable when ah’m blasting.

MyToons.com Collaborates with Google for Launch of MyToons Live

MyToons.com, the first and only online animation community to offer HD animation, announced on December 18 the launch of MyToons Live; MyToons.com’s latest collaboration with Google, utilizing the power of Google Earth technology. MyToons.com has built its reputation on connecting animators and fans around the world, and MyToons Live graphically represents their activity on a real-time global map.

“MyToons.com thrives on connecting animators, creatives, and fans – the global animation population – bringing them all together under one virtual roof to share ideas, information, and knowledge,” says Paul Ford, president and co-founder of MyToons.com. “MyToons Live serves as a visual representation of this global collaboration, inspiring artists everywhere and emphasizing their possibilities and the breadth of their worldwide networking capabilities.”

MyToons Live is a free download available on the MyToons.com homepage. Visitors are invited to download Google Earth and install the MyToons Live application, enabling them to gain a worldview of active animators and animation fans currently connected to MyToons.com.

For further information on viewing the global animation population, please visit MyToons.com.

About MyToons.com

MyToons.com is the world’s premier online animation and art community. Launched in spring of 2007, MyToons.com provides global content creators with a free platform to share their original animations, artwork, and games with animators, enthusiasts and fans worldwide.

Combining high-quality standard and high definition (HD) video file streaming with best-in-class social networking for animators, MyToons.com showcases the greatest variety of independent and studio animation anywhere. Dedicated to "everything animated,” MyToons.com allows artists to share their techniques, discuss their thoughts and ideas, and explore their commonalities in a robust visual environment. The website can be explored at MyToons.com.

Donald E. Westlake, 1933-2008

We’ve just received word that Donald E. Westlake passed away yesterday.

Donald is probably best known to comics fans as the author (under the psuedonym Richard Stark) of the Parker novels that Darwyn Cooke is adapting and bringing to IDW Publishing later this year. But that’s the barest fraction of his output. Over a career that lasted decades, he was a four-time Edgar Award winner in four different categories. In 1993, the Mystery Writers of America named Westlake a Grand Master, their highest honor.

His novels were turned into twenty-one different movies, including Payback and The Hot Rock (featuring his famous character John Dortmunder) and wrote screenplays on his own, most notably for The Grifters, where he was nominated for an Academy Award, The Stepfather, and a treatment for the James Bond film Tomorrow Never Dies.

He will be missed.

Here’s a promo image from the upcoming Cooke series:

Popeye gets discharged in Europe

Mark Evanier reminds us that Popeye falls into the public domain today in Europe under an EU law that restricts the rights of authors to 70 years after their death. Elzie "E. C." Segar, the Illinois artist who created Popeye, Olive Oyl, brother Castor Oyl and Bluto, died in 1938. So if you’re in Old Blighty and feel the urge to print t-shirts or write that story of Popeye the Sailor Man and his lusty sea life with Bluto, rum, sodomy, and the lash– now’s your chance.

Just don’t let us know about it here in America, as King Features Syndicate still holds the copyright and trademark here and plan on vigorously enforcing it.

Review: ‘Frisky Dingo Season Two’

Reviewing the Adult Swim DVDs has been educational and occasionally entertaining.  I find the third series, [[[Frisky Dingo Season Two]]], the most enjoyable because it takes absurd situations and characters and uses smart humor to get its point across.  The series, about Killface, an alien super-villain come to Earth and his struggles against the heroic Awesome X, pokes fun at the conventions of animation, super-heroics and action flicks.  They ratchet things up in season two, collected here, as Killface finds himself accidentally solving Global Warming and running for president.

Now the humor sharpens as creators Adam Reed and Matt Thompson skewer politics and does so while serializing the campaign across most of the twelve episode season, which ran on Cartoon Network from August – October 2007 and March 2008.  The escapades build as Killface’s newfound popularity has him begin ton contend with the political machine and rivals begin to figure out how to campaign against him.  You see everyone pander to one base after another; especially hilarious was when Killface discovers the Bible in “The Miracle”. Another fun running gag is the confusion between Fred Hunter and Fred Dryer, who starred in the NBC series [[[Hunter]]], with the notion that either is Vice Presidential material pretty offbeat.

Killface learning about life on Earth makes for some pointed commentary on society

The animation is as simple as Metalocaplypse but better designed with terrific, rich backgrounds plus varied looks to the people.  The dialogue and voice work is rather good which matches the quality of the writing.  Reed voices both hero and villain which is a nifty feat and he brings individual personality to both as he plays off himself, which is not easy.

The single disc DVD, on sales January 6, comes with a skit featuring the Xtacles, which is spinning off from the show.  They are dim-witted armored forces normally controlled by Awesome X, but with him currently off planet, they are without guidance leading to humor.  The series debuted two episodes in November and based on this skit, looks to be a little less clever than its host. The other extra is a political ad parody promoting the release of the DVD itself.

D.J. Caruso Continues to Talk ‘Y the Last Man’

Eagle Eye director D.J. Caruso, promoting the film’s DVD release, said of his next project, Y the Last Man,  “I think it’s one of those that the source material is fantastic stuff, it’s great, but it’s a tough one to lick into getting into a screenplay. I’ve tried to feel like it’s a trilogy of movies and I think everyone sort of agrees, but at the same time, just getting the first movie right and getting the right beats and knowing what to put in, it’s been really tough. You have great minds like David Goyer and you’ve got Carl Ellsworth and you’ve got Brian K. Vaughn, and I’m working with them to just kind of crack it and get it down. And we’re almost there. I know it’s a slow process, but I think eventually we’ll get it. We’re going to get it and we’ll get it right, but we had a pretty good breakthrough a couple weeks ago in the final act, and hopefully we’ll get there.”

On the concept that the ten volume series, which concluded earlier this year from Vertigo, being turned into a trilogy, he told Coming Soon, “I don’t think the movie so much will be left open-ended, it’s just a matter of, if you’re familiar with the source material, there’s so much great stuff and he meets so many great characters but it’s over the course of a long period of time. When you’re telling the story—yes, the fanboys and all the people who love it will go and see it—but if you’re just seeing the movie from a filmgoers’ perspective and you’re not familiar with the source material, you have to make sure you make the movie that they understand and they love, too. Like I said, it’s been more difficult than I thought but we’re getting close."

While he hopes to make this his next project, Caruso floated the notion that he may film something else if the screenplay gets delayed.