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Barrowman Warns ‘Torchwood’ Season 3 Softened for America

John Barrowman told the British press that season three of Torchwood, the five-part "Children of the Earth", was being slightly toned down out of concern for its American viewers.

"The next series is about Torchwood fighting the government rather than just aliens and is a lot darker,” Barrowman said. “Jack has to make a decision no parent – that’s a big hint — should have to make.

"We’re not swearing or doing anything close to the bone because it’s been a huge success in the US and the networks won’t accept it with all that stuff in it."

The actor, known for dropping trou at a moment’s notice, reassured listeners that "I’ll still be getting naked and it will still be saucy – but it’s done with taste. We’ll doing everything so it doesn’t have to be heavily edited for the US."

Barrowman added, "I love playing Captain Jack and if I could play him until I’m 90, I would. But I’d rather do a series of 10 or 13 episodes because it’s a lot of work for just five.”

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AFI Lists 2008’s Moments of Significance

tinafey-2-7979998The American Film Institute has been issuing a variety of year’s best lists and over the weekend, a new one came to our attention:

AFI Moments of Significance may include accomplishments of considerable merit; influences with either a positive or negative impression; trends, either new or re-emerging; anniversaries or memorials of special note; and/or movements in new technologies, education, preservation, government or other areas that impact the art film, television and digital media.

The AFI Moments of Significance selections are listed below:

Slumdog Millionaire
— A Celebration of the Global Film

Slumdog Millionaire
stands as a monument to the possibilities of cross-cultural storytelling. Danny Boyle’s masterwork is rooted in the worlds of Dickens and Dumas but captures their spirit with a visual and narrative splendor that serves as a cinematic passport to a vibrant, modern India. A love story at its core, the film is also a powerful reminder that our global obsession with money leaves many of the world’s children in need.

Also of significance, Slumdog Millionaire is a signpost in America’s search for greater authenticity in its stories. Subtitles — once an inconvenience to American audiences — are now expected and, in fact, demanded to confirm the universality of our daily, global experience.

Other films that reflect this cultural shift include Gran Torino, The Visitor, Australia and television’s Heroes.

Television and New Technologies Provide a Global Oracle for America’s Presidential Race

America’s historic presidential race between Barack Obama and John McCain mesmerized a global audience like a long-running television series. Television and Web coverage played to each other’s strengths, as every nuance of the long, arduous campaigns was accessible for public celebration and scrutiny.

During this process, Obama not only won the election, but also took his place among those statesmen—from FDR’s "Fireside Chats" on radio to JFK’s telegenic performances in debates and news conferences—whose mastery of a new medium captured the public imagination.

Obama harnessed the power of the Internet for both messaging and fundraising, communicating with e-mails, online videos and social networking. His campaign crescendoed with a 30-minute infomercial that was transmitted simultaneously over several broadcast networks and cable channels in the closing days of the campaign.

New technology also helped to engage American citizens at unprecedented levels, most notably with CNN’s "Magic Map," which brought a greater understanding of the electoral process to a new generation.

(more…)

FUNimation Signs Three More Series

FUNimation announced three more licensed anime properties, one new and two previously released domestically. Slayers Revolution is a 26-episode series following the three previous series (Slayers, Slayers Next and Slayers Try); FUNimation will release the complete series on DVD.  
 
FUNimation also acquired the rights to the 24-episode Gankutsuou:  The Count of Monte Cristo series from GDH. 

The 26-episode Gungrave joins the for previously announced Geneon titles Ergo Proxy, Hellsing Ultimate, and Black Lagoon.  
 

‘Farscape’ #1 Sells out in 5 Days

After garnering near unanimous critical acclaim, BOOM! Studios announced Monday that Farscape #1 is completely sold out.

Fans should keep in mind, while distributor Diamond Comics are completely sold out, Farscape #1 may still be found at direct market retailers across the country. BOOM! Studios is working closely with Diamond Comics Distributors and evaluating the demand for a second printing.

"We are tracking the unfilled re-orders carefully at the moment. But a second printing looks like it may just happen," said Marketing and Sales Director Chip Mosher.

Farscape #1 is written by television series creator Rockne O’Bannon with script by Keith R.A. DeCandido, interior art by Tommy Patterson and cover art by fan-favorites Dennis Calero and Joseph Corroney!

Picking up directly where the television miniseries Farscape: The Peacekeeper Wars left off, fans can look forward to show creator O’Bannon steering their favorite characters into new and original stories, keeping with the existing canon – and then extending it!

Debuting on the Sci-Fi Channel in 1998, Farscape follows the adventures of astronaut John Crichton, who has a freak accident during an experimental space mission that catapults him across a thousand galaxies to an alien battlefield. Suddenly, he’s trapped among alien creatures wielding deadly technology – a battle that 20th century sci-fi pop culture never prepared him for. Hunted by a merciless military race, Crichton begins his quest for home from a distant galaxy.
 
BOOM! Studios has a limited supply of Farscape #1 A, B & C available on their website on a first come, first serve basis.
 

Fox Wants to Delay ‘Watchmen’ Release

Warner Bros and 20th-Century Fox attorneys met with U.S. District Court Judge Gary Feess on Monday for a conference in the wake of the Christmas Eve ruling saying 20th had rights to The Watchmen after all.

Fox’s lawyer indicated that the studio would seek to delay the schedule March 6 release which has sent fans awaiting the Zack Snyder-directed feature into despair.

Warner’s attorney, Stephen A. Marenberg, made it clear they were ready to go to trial, as scheduled for January 20 and remain defiant of the ruling. "We respectfully but vigorously disagree with the court’s ruling and are exploring all of our appellate options. We continue to believe that Fox’s claims have no merit and that we will ultimately prevail, whether at trial or in the Court of Appeals. We have no plans to move the release date of the film," the studio said according to The Hollywood Reporter. "We continue to believe that Fox’s claims have no merit and that we will ultimately prevail, whether at trial or in the Court of Appeals."

When he steered the argument back to the core issues, Feess said, “I have spent more time than I think you can imagine working on your case at a time when I didn’t expect to be working on it.” As a result, he was looking for remedies not rehashing.

"We are gratified by the recognition of our rights in the Judge’s order, which speaks for itself," Fox said in a statement.

Fox’s contention has been that their agreement with producer Lawrence Gordon required him to offer them first dibs on the feature each time it was reconfigured.  They claim the Zack Snyder version, which was ultimately filmed, was never offered to them. Gordon, who has not been named in the lawsuit, did not testify during the hearings to date and Feess said Monday that his silence hurt Warners’ case. “The court takes a dim view of this conduct,” Feess wrote as a footnote to his December 24 ruling, according to The New York Times. “The court will not, during the remainder of this case, receive any evidence from Gordon that attempts to contradict any aspect of this court’s ruling on the copyright issues under discussion.”

Warner has said when they signed with Gordon, he never mentioned his obligation to Fox and if anyone owes the studio money, it should be the producer not Warner Bros.

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Review: ‘Metalocalypse: Season II’

metal-7371655I somehow missed the advent of Cartoon Network’s Adult Swim but recognize its contributions to pop culture.  As a result, as the DVD sets have been arriving for review, I’ve managed to play a bit of catch-up.  The random humor of [[[Aqua Teen Hunger Force]]] was lost upon me and I was excoriated for being too old to appreciate it.

Well, I certainly enjoyed the second season of [[[Metalocaplypse]]] a lot more. Largely, this had to do with the level of wit and creativity that is brought to each episode of the series, which aired from September 2007 through September 2008, with a six month break in between.  The cartoon is derived from the [[[This is Spinal Tap’s rock mockumentary]]] roots but works because there’s so much that can be parodied.

Deathlok is an unnaturally popular metal band and the performers are great when on stage and totally dysfunctional away from the crowds.  Each of the 19 episodes comprising [[[Metalocalypse Season II: Black Fire Upon Us]]], currently in stores,  has fun with some aspect of stardom and rock’n’roll.

The writing is sharper and the animation better, although still rather limited. Brendan Small and Tommy Blacha are to be commended for sustaining what could have been a one-note concept.  Having said that, the introduction of the Tribunal, the shadowy governmental force that works to tamp down their rising popularity feels like an ill fit, especially since the band triumphs over “The Man” each time so becomes flat and predictable.

Favorite episodes out of the bunch include “Dethfashion”, “Dethgov”, and “Dethweedding”.

While some shows work through a single sitting, this does not.  You find some of the gags and character bits repetitious atop the boring Tribunal crap. And if you’re not a metal head, the music can switch from entertaining to pounding real fast.  

There aren’t a lot of extras but they’re all hidden including five deleted scenes, music videos, and Klokateers: In Memoriam, and Nathan reading [[[Titus Andronicus]]].

Delays in ‘Arrested Development’ Feature Film

Mitch Hurwitz, creator and executive producer Arrested Development told Fancast that development on the big screen version of the film has been slowed by the reluctance of series stars Michael Cera and Will Arnett to appear in the film.

“I don’t want to talk about who is holding out right now because we might still work that out and I don’t want to pressure anyone through the press,” said Hurwitz. “Although I will say that Will Arnett is gung-ho, so there’s a big clue!”

He said until the cast is locked in lace, he will not begin work on a screenplay. “I think in some respect it would have to pick up where the show left off. Maybe the benefit of that would be, if nothing else, just to recap everything. There are a couple of ways to get into it. I was even thinking about a big animated sequence to start. Kind of like how the Blake Edwards movies used to start – to kind of catch everyone up.”

Will the movie allow audiences to finally see Michael Bluth’s wife?

“I don’t know,” he said. “There were a couple of areas where I always sort of held back, where I always felt like if I needed to deal with at some point, I could. One of them is definitely that story, and who those people are, and what effect that has on this kid. I don’t know if we’d necessarily see her.”
 

Teresa Palmer Wants to Be Bad

teresa-palmer-5374254Actress Teresa Palmer has received good notices for her role in Adam Sandler’s hit film Bedtime Stories but she longs to be a bad girl.

Specifically, she wants to play Talia al Ghul, daughter of Ra’s al Ghul, and one of the antagonists in George Miller’s aborted Justice League film.

Palmer told Australia’s Herald Sun of the film’s status, No idea. I hope it comes off. I was going to be playing a villain, which would be so exciting and totally different from anything I’ve done before. And with George Miller, an Aussie icon. Plus, I’m good friends with Megan [Gale], it would be so brilliant for her to be cast as Wonder Woman. Fingers crossed it will happen.”

Of course, she looks nothing like the comic incarnation, who has mixed ancestry including Middle Easstern blood,

Warner Home Video Finally Collects Superman Cartoons

Warner Home Video is finally releasing their own version of the Superman cartoons produced by Max & Dave Fleischer.  The seventeen classics have been in the public domain and collected repeatedly over the last 20 years.  Come April 7, though, the first authorized collection will be released.

In addition to the Paramount cartoons, released in 1941 and 1942, the two-disc set will include two extras: “The Man, The Myth, Superman” and “First Flight: The Fleischer Superman Series”. The set will retail for $26.99 and if you have never seen these cartoons, they are well worth it

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Matthew Sturges Pens Sequel to ‘Midwinter’

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Matthew Sturges has spoken much of his comics work, including his new miniseries Run! and being named last week as co-write of Justice Society of America in the wake of Geoff Johns’ departure. But his prose work has gone little mentioned.

Over at his blog, he reports, “Since it’s been announced elsewhere, I guess it’s safe for me to announce that I’ve sold a sequel to Midwinter, which is tentatively titled The Office of Shadow. I pitched it as ‘a spy thriller set in Faerie’ and I think that’s actually one of the most accurate elevator pitches I’ve ever come up with. It follows directly from the events of Midwinter, and will hopefully be released sometime around early 2010.”