The Mix : What are people talking about today?

Teresa Palmer Wants to Be Bad

teresa-palmer-5374254Actress Teresa Palmer has received good notices for her role in Adam Sandler’s hit film Bedtime Stories but she longs to be a bad girl.

Specifically, she wants to play Talia al Ghul, daughter of Ra’s al Ghul, and one of the antagonists in George Miller’s aborted Justice League film.

Palmer told Australia’s Herald Sun of the film’s status, No idea. I hope it comes off. I was going to be playing a villain, which would be so exciting and totally different from anything I’ve done before. And with George Miller, an Aussie icon. Plus, I’m good friends with Megan [Gale], it would be so brilliant for her to be cast as Wonder Woman. Fingers crossed it will happen.”

Of course, she looks nothing like the comic incarnation, who has mixed ancestry including Middle Easstern blood,

Warner Home Video Finally Collects Superman Cartoons

Warner Home Video is finally releasing their own version of the Superman cartoons produced by Max & Dave Fleischer.  The seventeen classics have been in the public domain and collected repeatedly over the last 20 years.  Come April 7, though, the first authorized collection will be released.

In addition to the Paramount cartoons, released in 1941 and 1942, the two-disc set will include two extras: “The Man, The Myth, Superman” and “First Flight: The Fleischer Superman Series”. The set will retail for $26.99 and if you have never seen these cartoons, they are well worth it

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Matthew Sturges Pens Sequel to ‘Midwinter’

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Matthew Sturges has spoken much of his comics work, including his new miniseries Run! and being named last week as co-write of Justice Society of America in the wake of Geoff Johns’ departure. But his prose work has gone little mentioned.

Over at his blog, he reports, “Since it’s been announced elsewhere, I guess it’s safe for me to announce that I’ve sold a sequel to Midwinter, which is tentatively titled The Office of Shadow. I pitched it as ‘a spy thriller set in Faerie’ and I think that’s actually one of the most accurate elevator pitches I’ve ever come up with. It follows directly from the events of Midwinter, and will hopefully be released sometime around early 2010.”

 

Studio 407’s ‘Hybrid’ Gains a Director

Studio 407 has announced a deal for its Hybrid series to become a motion picture to be directed by Ernie Barbarash (Cube Zero). The four issue miniseries has garnered good reviews and a trade collection will be released from Bluewater Productions on February 25.

The deal is part of an earlier agreement granting Myriad Pictures (Jeepers Creepers II) a first-look partnership.  Production on the film, which has yet to be cast, is expected in 2009.

Written by Peter Kwong, the story focuses on four friends who rent a schooner then discover a derelict trawler. When they spot a little girl waving to them, they feel compelled to offer assistance but quickly discover she is not alone. The story has ecological themes in addition to thrills, blood, and mutant creatures.

Studio 407 is a small studio run by managing director and film producer Alex Leung (Around the World in 80 Days).

Leung told ShockTillYouDrop.com, “We came out of Asia as an intellectual property/multi-media company that was started in Bangkok. From there we opened a small office there with four people and when I came back to Los Angeles, we started an office here and we got started with Myriad with the idea to not only use our comic books but to also develop genre material with them because they were very successful with Jeepers Creepers 2. They wanted to find a way to do more of those kinds of films. It just made sense because it’s what the market demands right now. A lot of their films they put together through foreign sales and pre-sales, and obviously a genre that crosses over really well is horror. We wanted to do more of these and we could provide a lot of that material, but we could also produce those films because we have experience in that field as well.

“The movie, if we’re lucky, will be out by the end of 2009. It’s skewing towards a straight horror title with it very much in the vein of the classic Creepy and Eerie comics. It’s a modern day Creature from the Black Lagoon with elements of Jaws. It’s very a much an old school creature feature but updated with an environmental angle, very much like The Host was. It’s a very subtle thing that’s set up in the beginning, then touched on lightly throughout.”

He praised Kwong scriptwriting abilities, making him perfect to take their concept for Hybrid and turn it into a comic to interest Myriad. “But what we went out with was a first draft and it’s rare that you can hook a studio right away just on the first draft. To be honest we did not expect Hybrid to happen. Basically, we told our investors not to expect any films in the first two or three years. So, we’re very fortunate to have two films going. Hybrid, as a matter of fact, is our second film.”

Studio 407 and Myriad have previously collaborated on the film Hunter.
 

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Big Finish Offers ‘Doctor Who’ Subscription Deal

8th-2-1881177Big Finish, the United Kingdom’s audio drama producer, announced that the weekly dramas built around the Eighth Doctor and Lucie adventures are now available for pre-order.

This third series stars Paul McGann as the Doctor with Sheridan Smith as his companion Lucie Miller. It boasts a guest cast including Nigel Planer, Andrew Sachs, Miriam Margolyes, Colin Salmon, Samantha Bond, Stephen Moore, Phill Jupitus and dozens of other big names. The series also features the return of the Wirrn, the Krynoids and those eight-legged freaks from Metebelis 3.

The full series of eight two-part adventures are being offered now and for those who buy them online will automatically receive them as downloads as well.

The downloads begin on Saturday March 7 with Orbis: Part One, followed the next Saturday by Orbis: Part Two. Each two-part story is priced at £10.99 but you can get all eight adventures for just £60 if you subscribe to the whole season.

Subscribers will be given a personal RSS feed that will notify them when downloads are available.

McG Honors ‘Terminator’ Timeline

McG showed off some footage from May’s Terminator Salvation to a gaggle of reporters then discussed the project.

 “The easy thing for us is that our movie happens after the bombs go off, so it’s a totally new beginning,’ he said of the film’s relationship to the timeline of the first three in the franchise. “Every other picture has been before Judgment Day. We’re largely treating it as though the bombs have gone off, but I’m not going to share exactly what year they went off. The movie itself is set in 2018, and we try our best to honor the timeline that has already been put in place.

“If we do our job properly, this movie will be regarded as a statement of the time and the place and the where and the when and the why and the how (of the entire franchise). Some things are set in stone though – the T-800 only comes around in 2029, and we’re building towards that place.”

Having said that, he noted that his film and the weekly Sarah Connor Chronicles series on Fox will have no relationship to one another.

Calling Josh Friedman, showrunner for the series, a friend, McG added, “I had a meeting with Josh, and I told him I wanted to honor it at all times but this is this and that is that. I know about episodic television, and what it takes to generate stories hour in and hour out every week…. We just can’t keeping chasing their story threads.” In other words, the alternate timeline of the TV series will remain on its own path.
 

‘Watchmen’ Ruling Analysis

Jeff Jenson at Entertainment Weekly analyzes Judge Gary Allen Feess’ Christmas Eve ruling, clearly stating 20th-Century Fox has the copyright to The Watchmen film, granting them distribution rights.

"Fox owns a copyright interest consisting of, at the very least, the right to distribute the Watchmen motion picture," Judge Gary Allen Feess said according to Variety.

“In his ruling, Feess concludes that Gordon never properly presented Fox with the option to produce and distribute the version of Watchmen developed by director Zack Snyder,” Jensen wrote.

“He also makes it clear that neither Gordon nor Warner Bros. had bought out Fox’s interest before Warner Bros. went into production. Indeed, Feess’ ruling includes a rather sarcastic footnote blasting Gordon for his conduct in resolving this dispute. In section 3, Feess remarks that during Gordon’s deposition, the producer claimed he couldn’t properly recollect his contract with Fox.”

Jensen notes that the summary judgment, which had been requested by both studios on December 16, “should be seen as an important move that really benefits all of Hollywood, as it affirms copyright laws that protect all studios. Fox deserves a break on Watchmen; according to Feess, their beef with Warner Bros. has always been legit.”

The two studios no doubt will be seeing a lot of one another in the coming weeks prior to the January 20 trial date.  As of today, the March 6 release date remains in place.

Review: ‘The Complete Steve Canyon on TV Vol. 1’

When Milton Caniff broke away from [[[Terry and the Pirates]]] to create (and own) [[[Steve Canyon]]], he began an odyssey that lasted from January 13, 1947 until his death and the strip faded with him on June 4, 1988. Along the way, he populated the strip with friends, family and enemies, bringing a serialized melodrama to the newspapers while also supporting the armed forces.  Canyon was an ex-WW II pilot who re-enlisted when America entered the Korean conflict. He never left the service from that point, which allowed Caniff to send our hero around the world multiple times.

While the strip was popular with readers, and respected by fellow cartoonists, it didn’t spawn the usual assortment of merchandise.  Few today recall there was even a short-lived television series that aired on NBC from 1958-1959.  In all, there were 34 episodes which began with Canyon as a traveling nomad until halfway through the season when he became commanding officer at Big Thunder Air Force Base. At $48,000 per episode, it was the most expensive show from the three networks and its middling ratings didn’t justify renewal.  After rerunning on ABC in 1960, it vanished.

Fans of Caniff have worked with the estate to lovingly restore the series and has begun releasing the series on DVD.  Three volumes, collecting all 34 episodes, are expected with the first being released a few weeks back.

Dean Fredericks stars as Canyon and resembles his print counterpart, playing the role with a deadpan, serious demeanor.  As happened in the 1950s, our television stars are flawless role models who always know best.  None of the rich supporting cast made it to the series, which left the show all the poorer.  In fact, the show seriously lacked supporting characters to play off Canyon which also made the show feel thin.

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NBM Collects ‘Bringing up Father’

father-2-3267714In May 2009, NBM Publishing brings back one of the 20th century’s great comic strips. George McManus’ Bringing Up Father is the third and latest in NBM’s Forever Nuts series of classic screwball strips. In 1913, McManus started a comic strip about Jiggs and Maggie, a lower-class couple who came into money. “While the snobbish Maggie and beautiful daughter Nora (referred to various times as Katy and Mamie in the strip’s early days) constantly try to ‘bring up’ Father to his new social position,” comics expert Clark Holloway has said, “Jiggs can think of nothing finer than sitting down at Dinty Moore’s restaurant to finish off several dishes of corned beef and cabbage, followed by a night out with the boys from the old neighborhood. The clash of wills that ensued often resulted in flying rolling-pins, smashed crockery, and broken vases, all aimed in the general direction of Jiggs’s skull.“ McManus’ Bringing Up Father became the 20th century’s second longest running strip. It ran from January 12, 1913 until its end on May 28, 2000.

Now, Forever Nuts presents all the dailies of this classic comic strip’s first two years, many of which have not been reprinted since they first appeared nearly a century ago. Discover why McManus became known as one of the greats in the field.

George McManus’ Bringing Up Father will be a jacketed hardcover, 11” x 6” inches,with black-and-white interior art — the same handsome format as the previous FOREVER NUTS books, Mutt and Jeff and Happy Hooligan.

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Review: ‘Twilight Zone’ Graphic Novels

twilight-zone-walking-distance1-4166348Rod Serling’s [[[Twilight Zone]]] remains one of the brightest spots of television history.  The teleplays were inventive, occasionally funny, often thrilling and always thought-provoking.  In thirty minutes, he managed to tell a story with relatable characters and situations then twist things and entertain you through surprise.

Most attempts to revisit the zone have met with mixed results.  There was the prose magazine that was quite good but the 1980s revival, not so much.  And of course, there was the cursed feature film version which was all right, but not worth losing Vic Morrow for.

The latest people to visit are the students at the Savannah College of Art & Design.  The faculty there has licensed from the estate of famed TV writer Rod Serling the rights to adapt the original scripts.  The school then partnered with Walker & Co. to release eight graphic novels between now and 2009.  The first four are currently out,, adapted by Mark Kneece, who has written for DC Comics and elsewhere.  The art, lettering and coloring are handled by the student body, one team per book.

They wisely led off with “[[[Walking Distance]]]”, the most personal of Serling’s scripts, inspired by growing up in Binghamton, NY. A man mysteriously finds himself transported back to the days of his childhood and he seeks out his younger self to warn him of the perils of being an office drone.  Things happen and lessons are learned.

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