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First Look: ‘Lone Justice: Crash’

  • News
  • December 24, 2008

Robert Tinnell has spent the last half decade racking up credits as a graphic novelist with The Black Forest, The Wicked West, and Sight Unseen splashing blood across the comic book pages.  Now, Mark Wheatley and Robert Tinnell, the creative team behind last year’s Harvey-nominated webcomic/graphic novel EZ Street, follow up with Lone Justice: Crash.  LJ:C, like EZ Street, will run for free right here at ComicMix beginning Jnuary 12, but that’s not where the similaritites end.

In EZ Street, central characters Scott and Danny Fletcher set to work on a comic book project featuring their character, Lone Justice.  Lone Justice: Crash is in fact Wheatley and Tinnell’s take on what that book would be.  Featuring the art of Wheatley (Frankenstein Mobster, Mars) and co-scripted by Tinnell (Feast of the Seven Fishes), Lone Justice: Crash takes place during the Depression, but given this era’s economic troubles will most certainly resonate with the modern reader.

Lone Justice: Crash follows the exploits of the titular character, who was first introduced as the creation of Scott and Danny Fletcher, themselves characters in Tinnell and Wheatley’s EZ Street. Occupied for years successfully battling crime as Lone Justice, millionaire Octavius Brown has let his own finances slip to the point of ruin.  Now destitute, unable to even effectively re-arm his weaponry, Brown must live amongst the masses of homeless in the city. It is there that he learns the true face of evil, and from nothing is reborn as a true defender of the innocent.  Combining the thrills of two-fisted pulp action with a storyline that parallels much of our nation’s current socio-economic struggles, Lone Justice: Crash represents a sincere effort to deliver what comics can do at their best: an entertaining message.

Our friends over at FearNet posted this trailer:
 

3-D Films in 2009 Face Theater Shortage

  • News
  • December 24, 2008

Every director these days is either enamored with shooting films in 3-D or for IMAX or both. DreamWorks’ Jeffrey Katzenberg has become the 3-D Preacher, going around the country extolling its virtue.

The New York Times, this morning, noted that there’s just one problem: not every theater is equipped to show 3-D movies and its’ awfully expensive to gear up. “Like all studios experimenting with 3-D, Lionsgate is struggling with a shortage of theaters equipped to project the work. By the release date for My Bloody Valentine 3D, Lionsgate will have only 900 3-D screens available, so it will show a 2-D version of the movie on about 1,600 screens,” the Times reported.

The remake of My Bloody Valentine is the first horror film in the current revival of 3-D as a gimmick to make movie going once more a unique experience. “Advances in digital technology and more comfortable glasses — not to mention a young adult audience that doesn’t remember the 3-D horror movies of the past — have studios jumping back on the 3-D bandwagon. Family entertainment is leading the charge, with DreamWorks Animation and the Walt Disney Company set to unleash a blizzard of 3-D pictures over the next year. But the broader market is following fast,” they wrote.

The article noted horror films need something to keep the genre alive given the lackluster box office for the “torture” sub-genre exemplified by Saw and Hostel.

Joe Drake, the co-chief operating officer of Lionsgate and the president of the studio’s motion picture group, said,. “We see 3-D horror as financially lucrative and creatively exciting,” he said. “We want to break some new ground here in R-rated fare.”

“If there was ever a moment when horror needed to be reinvented, this is it,” said Jeanine Basinger, chairwoman of film studies at Wesleyan University. “You can only work one side of the horror street for so long before you have to cross to the other side and explore something new.”

The other option is to remake familiar films with new actors and directors with January 16’s release of Bloody Valentine as the tip of an iceberg. A month later comes the remake of Friday the 13th with A Nightmare on Elm Street, Halloween 2, and a parade of zombie releases to follow.

‘The Darkness’ Celebrates 75th Issue

  • News
  • December 24, 2008

Top Cow Productions, Inc. announced today that The Darkness will reach Legacy Issue #75 in February, and the publisher will commemorate the milestone event by inviting a list of all-star artists to contribute to the oversized, special issue.

(Fans and retailers confused by the renumbering should note The Darkness #75 is actually #11 of the current volume, but the Legacy Numbering will take effect as of this issue. The Legacy Number denotes the total number of issues of The Darkness ever published, regardless of volume. The subsequent issue will be labeled #76, and so forth.)

The list of artists includes: Michael Broussard (current series artist), Jorge Lucas (Pilot Season: Ripclaw), Dale Keown (Pitt), Joe Benitez (Justice League of America), Ryan Sook (Superman/Batman), Steve Firchow (Ultimatum), Frazer Irving (Silent War), Lee Carter (2000 AD), Stjepan Sejic (Witchblade) and Matt Timson (Impaler). The story, which will examine what a possible future would be like for current Darkness bearer Jackie Estacado, will be penned by current series writer Phil Hester.

“Working on The Darkness #75 was like visiting an old friend I haven’t seen in a while,” Joe Benitez, who hasn’t drawn for an issue of The Darkness since 1999, said in a release. “It’s always nice to see what they’re up to and how they’ve changed.”

  (more…)

Only 2 November Graphic Novels Exceed 10,000 Units

  • News
  • December 23, 2008

According to ICv2′s of Diamond’s numbers, the top selling graphic novel for November was Vertigo’s  Fables Vol. 11. The 12,800 units sold was good for first place but shows a dip from the previous volume. Second place went to Aspen’s Michael Turner Tribute Graphic Novel, “ the only other book with over 10,000 copies sold in by Diamond.”

In terms of revenue, the $99 Absolute Sandman Vol. 4 took the top spot with an estimated 3500 copies sold. The Watchmen hardcover edition was in second place.      

Marvel’s first appearance on the list was in 13th position with Hulk Vol. 1: Red Hulk while  Naruto Vol. 32 took 9th place for best manga.

Here’s a look at the top 25:

Rank         Index                 Title                                                                                         Price       Pub    Est.Qty

1                 12.4                 FABLES TP VOL 11 WAR & PIECES (MR)                        $17.99    DC         12,791
2                 9.74                 MICHAEL TURNER TRIBUTE GN                                      $8.99       ASP      10,047
3                 8.97                 BTVS SEASON 8 TP VOL 03 WOLVES AT THE GATE    $15.95    DAR        9,253
4                 8.95                 HEROES HC VOL 02                                                           $29.99    DC          9,232
5                 7.86                 WATCHMEN HC                                                                     $39.99   DC           8,108
6                 6.45                 JLA AVENGERS TP                                                                $19.99   DC           6,653
7                 5.61                 WATCHMEN TP                                                                     $19.99   DC           5,787
8                 5.34                 JOKER HC                                                                               $19.99   DC           5,508
9                 5.14                 NARUTO TP VOL 32                                                                $7.95    VIZ           5,302
10              4.38                 FRUITS BASKET GN VOL 21 (Of 23)                                     $9.99   TKP         4,518
11              4.3                   FREAKANGELS TP VOL 01 (MR)                                          $19.99   AVA         4,435
12              4.27                 BPRD TP VOL 09 1946                                                           $17.95   DAR       4,405
13              3.86                 HULK PREM HC VOL 01 RED HULK                                   $24.99   MAR       3,982
14              3.48                COUNTDOWN TO FINAL CRISIS TP VOL 04                      $19.99   DC          3,590
15              3.48                ULTIMATE X-MEN ULTIMATE COLLECTION TP VOL 02   $24.99   MAR       3,590
16              3.45                ABSOLUTE SANDMAN HC VOL 04 (MR)                              $99.00   DC         3,559
17              3.36                TWISTED TOYFARE THEATRE TP VOL 09                          $12.99    WIZ       3,466
18              3.35                 FABLES COVERS BY JAMES JEAN HC (MR)                      $39.99   DC         3,456
19              3.27                 BERSERK TP VOL 26                                                              $13.95   DAR       3,373
20              3.19                 WALKING DEAD HC VOL 04 (MR)                                         $29.99    IMA        3,291
21              3.18                 ULTIMATE HULK VS IRON MAN TP ULTIMATE HUMAN   $15.99    MAR      3,280
22              3.05                 STAR WARS REBELLION TP VOL 03 SMALL VICTORIES $12.95  DAR      3,146
23              3                       X-MEN POPTOPIA TP                                                               $15.95    MAR      3,095
24              2.92                 CHRONICLES O/CONAN TP VOL 16                                     $16.95   DAR      3,012
25              2.88                 BATMAN GOTHAM UNDERGROUND TP                              $19.99    DC       2,971

Sneak Peek: 2 From Dynamite

  • News
  • December 23, 2008

Dynamite Entertainment provided us with preview pages to two titles hitting shops tomorrow:

First up, just in time for the season, is the Asmy of Darkness: Ash’s Christmas Horror one-Shot. The story is from Elliot R. Serrano with art by Davie Simons and color from Ivan Nunes and Rael Sidharta. The 50-50 covers are from Simons and Nick Bradshaw.

The solicitation copy reads:

Everyone loves the holidays, right? Wrong! If you’ve ever worked S-Mart retail in December, you know it’s a special hell filled with something even worse than Deadites… dumbass holiday shoppers. And when the Necronomicon gets a hold of some classic holiday entertainment, it sends Ash through a voyage of twisted Christmas visions that beat him senseless and initiate something deeper in Ash. "It’s a blunderful life" for everyone’s favorite big chinned Chosen One and this year he’s going to face something tougher than the Deadite Santas and zombie elves. He’ll find a piece of his soul that was swallowed long ago…

Note: 40 pages (32 pages of story and art)

(more…)

notes-over-yonder1-5920530

Review: ‘Notes Over Yonder’ and ‘Tiger!Tiger!Tiger!’

  • Uncategorized
  • December 23, 2008

notes-over-yonder1-5920530

Scott Morse – and I say this with a laugh as well as wonderment – has had an awfully long, varied, and successful comics career for a guy who is essentially unknown to the vast majority of the comics-shop crowd. He’s done a long series of fantasy graphic novels ([[[Soulwind]]]), a number of books for kids or for all ages (like the [[[Magic Pickle]]] series), and a pile of other things, on top of being a story artist and designer at Pixar. Why, in just the last two months he published these two, quite different, graphic novels:

Notes Over Yonder
By Scott Morse
Red Window/AdHouse, November 2008, $12.95

This is a small-format book, about 4” x 6”, with a single painting – each loose and just a bit sketchy, like a storyboard that hasn’t been overworked – on each of its sixty-four pages. It’s also close to wordless, with a few written messages. And it flows subtly back and forth, evoking the rhythms of a jazzy torch song or a quiet blues melody.

There’s a man in a city and another man on a small island – each has a cat (maybe even the same cat), and each has recently lost his woman, in very different ways. Each man also plays the guitar – and, come to think of it, that might be the same guitar as well. (I wouldn’t be at all surprised.) One of the men finds a way to go on, and one of them finds a different way – but their stories aren’t told separately (as the subtitle, ‘A Story in Two Parts,’ might seem to imply), but intertwined. We start with one man and move on to the other before returning.

Again, this is all wordless, so Morse doesn’t tell us where any of this is. His bright white lines and energetic caricatures draw us into the story, and we fill in those details ourselves. If  [[[Notes Over Yonder]]] reads just a bit like the storyboards for a short animated film – probably one set entirely to a single instrumental song, mostly quiet and mournful – that’s only to be expect from a creator who thinks in moving pictures all day long. It’s a fine little story, and the art is particularly impressive.

(more…)

Liev Schreiber, Comic Book Fan

  • News
  • December 23, 2008

Liev Schreiber spoke with Moviehole about next May’s X-Men Origins : Wolverine, in which he plays Sabretooth.

"I’ve seen some footage, and I think it’s going to be really very good. I’m really looking forward to people seeing it," he said.

Playing the feral mutant opponent to Hugh Jackman’s Wolverine was a new kind of acting challenge. ”I found it to be really intense. The character I play is incredibly brutal and feral, has blood lust unlike any other character I’ve ever played, much, much more than Zus. Zus is basically a lover. This guy is a real killer.

”I love Hugh. I mean, Hugh is the reason I did it. We’d been friends for a long time and it’s just so much fun to work with him. To do fight scenes with Hugh was really terrific, because as a dancer, he has that kind of discipline and choreography. And I always studied to be a fight choreographer, and always wanted to be a dancer too, but didn’t quite have the feet for it. But we had some remarkable fight scenes together, and I’m looking forward to people seeing those.”

Schreiber admitted to having grown up a comic book fan and being in a movie based on his hobby was too good to pass up. ”I was a fan of the comic books. I just loved the character of Wolverine,” he admitted. “I always have. That sort of deeply ironic and very urban sensibility in a super-hero was something that I thought was really groundbreaking. And the style of writing was – particularly the very sort of editorial style. I just always loved it. And I think that we were able to capture some of that darkness in this movie, so I’m very proud of it.

”I hope I’m not blowing anyone’s cover here, but I don’t think men really mature intellectually and emotionally beyond 22. Your bodies evolve, but nothing else, really. And so why should I stop wanting to be in a comic book movie?”

Neil Patrick Harris Loves Being One of Joss Whedon’s Players

  • News
  • December 23, 2008

drhorribleneilharris-2-2399059"Oh, God, I wish I could say there was going to be a Dr. Horrible sequel, but I know there’s so many people involved in the creation of it that have a lot of other stuff going on right now," Neil Patrick Harris told Sci Fi Wire. "Mainly, Joss [is doing] Dollhouse, and he has another movie, Cabin in the Woods, that he’s doing at the same time. So I don’t know that anything would happen soon. But everyone has been super-enthusiastic about it, and I think that means that hopefully something will come."

Dr. Horrible just hit stores as a DVD after becoming one of the most talked about Internet sensations of the year, appearing on numerous Best Of lists. Harris, as the super-villain, recognizes that once you work with Whedon, you tend to get cast in his future projects.

After all, Dr. Horrible featured Firefly’s Nathan Fillion and Buffy the Vampire Slayer’s Felicia Day while Dollhouse was built around Buffy alum Eliza Dushku and now features Angel’s Amy Acker.

"Wow! Well, you know, I’m in CBS’ corner right now because of How I Met Your Mother, so I don’t know that I’d be able to, but I think [Dollhouse is] produced by 20th Century Fox, so, you know, they’re sort of cousins," he said. "That would be fun! All right. I’ll ask Joss! I like being a cousin in the Whedon family, so whatever he wants me to do. Except porn."

‘Spectacular Spider-Man Season 2’ Episode Descriptions

  • News
  • December 23, 2008

Marvel Animation has released episode descriptions for the second season of The Spectacular Spider-Man.

The second season kicks off will premiere on the Canadian network Teletoon at 10:30 a.m.  January 11, 2009. The American fans have to wait until March when the series moves from TheCW4Kids to Disney XD.

14 – Blueprints
It’s early December, and the first snow is falling. PETER PARKER has a long “To Do” list – leading off with talking to GWEN STACY about their surprise first kiss. But before he gets the chance, SPIDER-MAN has a run in with the sorcerer MYSTERIO.

15 – Destructive Testing
Both GWEN STACY and LIZ ALLAN like PETER PARKER. So whom should Pete pursue? Meanwhile, KRAVEN THE HUNTER has come to New York to make SPIDER-MAN his prey!

16 – Reinforcement
As Christmas approaches, the SINISTER SIX reconstitutes with SANDMAN, RHINO, VULTURE, ELECTRO and new members MYSTERIO and KRAVEN. All they want for Christmas is SPIDER-MAN – dead. Meanwhile, PETER PARKER finds his wandering eye prevents him from being with GWEN STACY. He’ll have to learn to focus if he wants to get the girl… and if he wants to stay alive. (more…)

Judge Dredd Returning to the Big Screen

  • News
  • December 23, 2008

Judge Dredd, England’s long-running weekly comic feature, is returning to the screen.   At 2000 AD’s website, they had the following short announcement:

“Rebellion and 2000 AD are proud to announce that Judge Dredd is coming to a cinema near you soon!

“Together with DNA Films, the movie production company behind such great sci-fi movies such as Sunshine and 28 Weeks Later, Judge Dredd will go into production in 2009.

“Jason Kingsley, CEO and Creative Director said, ‘We can’t give away too many details at this point, but we’re looking forward to working with DNA Films to bring Judge Dredd back to the big screen’.”

The British-based DNA Films was founded by Duncan Kenworthy and Andrew Macdonald (The Beach). The company has a production partnership with Fox Searchlight Pictures, which owns 50% of DNA Films in addition to backing from the UK Film Council.

Last seen in the ill-timed 1995 release, the Sylvester Stallone movie tanked both commercially and critically. The problem was that the inventive visual world of Mega City One, first seen in 1979, was partially co-opted for the look of Blade Runner and its knockoffs.  By the time this original made it to the screen, it looked redundant rather than trendsetting. That the story and performances were lackluster didn’t help either.
 

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