Warner Home Video will take over distribution for Viz Media’s home video output, according to ICv2. The deal is effective April 1 beginning with Naruto Uncut Box Set 13 and Hunter vs. Hunter Box Set, Vol.2, which have a street date of April 7. 

WHV will take over distribution of Viz’s backlist, which also includes Pokémon, Bleach, Death Note and Inuyasha.
 
Viz joins the impressive lineup of brands managed by WHV, including the BBC, National Geographic, Peanuts, Dr. Seuss, Cartoon Network, Popeye, American Girl, the NFL, the NBA, and the NHL.
 
Hidemi Fukuhara, the President and CEO of Viz Media, said in a statement,” We look forward to joining forces with Warner Home Video and are confident that in working with their strength in sales and distribution, we will continue to grow the anime category even more effectively than we have over the last several years.” 
 

Marvel Comics kicks off their 70th Anniversary celebration with [[[Marvel Chronicle]]], a wonderful hardcover book, published by DK Publishing. The coffee table book comes in a hard box complete with color and black and white reproductions of Jim Cheung’s frenetic cover. (The diecut M for the front cover is a nice touch.) As is sadly too often the case these days Stan Lee’s introduction is full of bombast and enthusiasm but tells us nothing new.

The book is a year by year account of the company from its humble beginnings as an offshoot of Martin Goodman’s pulp magazine line to its place atop the comic book heap in 2008. The book nicely spans from 1939 through June 2008 (following cover date convention).  Each decade has been handled by one of four writers – Tom DeFalco, Peter Sanderson, Tom Brevoort, and Matthew K. Manning – and provides month by month highlights with copious illustrations.

The chapters on the 1940s (Sanderson) and the 1950s (Brevoort) are the most interesting in how they show the company’s breadth, lack of depth, and ability to flood the market with titles on whatever is popular at the moment.  While it’s fascinating to see the seldom seen funny animals and teen humor characters slowly replace the super-heroes, it’s also interesting to note that after [[[Captain America]]], Sub-Mariner, and the Human Torch, the company failed to score another major hit character for decades.  The write ups also nicely tell us which characters, creators or innovations get revived in the future.

Marvel, of course, finally came into its own with [[[Fantastic Four #1]]] and the set-up is wonderfully handled by Brevoort, who notes that when the company was forced to cut its output to eight titles a month, Stan Lee took the opportunity to get better as a writer, and use only his best artists – Jack Kirby, Steve Ditko, and Don Heck for the most part.

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The eagerly awaited trial pitting 20th Century Fox against Warner Bros. over The Watchmen has been delayed from January 6 to January 20, according to Variety. On Monday, Judge Gary Allen Feess declined to “issue a ruling on whether Fox or Warner Bros. controls the rights to the project.”

The delay is a result of the judge having a criminal matter also scheduled for the 6th, which takes precedence over Hollywood behemoths. He declined both sides’ request for summary judgment regarding the rights, saying, “the contracts between Fox and Watchmen producer Larry Gordon are so open to interpretation that a trial is required.”

Warner insists the movie will still open, as scheduled, on March 6.

Watchmen has had a complicated history from when the rights were first sold to Fox in 1986.  The rights have been with Warners once before, when Joel Silver and Terry Gilliam were attached to produce and direct, respectively.  Universal had the rights for what seem like 15 minutes where they had David Hayter write a draft of the script.  Creator Alan Moore praised this draft saying it was, “as close as I could imagine anyone getting to Watchmen.”  The Hayter draft was the basis for the version that was eventually filmed.  After Universal the project went to Paramount, who dropped the project because of budget issues as management changed from Sherry Lansing to Brad Grey.  Paramount has received the international distribution rights in exchange for their turnaround rights.

The issue of contention comes from an agreement between Fox and producer Lawrence Gordon.  Gordon has been attached to the project since it’s inception and when his company, Largo International, dissolved he purchased the rights from Fox and moved it around until the film found it’s final home with Warner, parent company to DC Comics which published the maxiseries in the first place.  Fox contends that their deal with Gordon required him to resubmit the film to Fox every time there was a changed element.  In this context "element" can mean anything from a new subplot to a new starring actor.  Fox says that Gordon’s failure to do this when the project moved to Warner and acquired director Zack Snyder means that they retain some of the rights to make this film.

Fox said they spent in excess of $1 million in developing the film before giving up and Gordon has said he has paid nearly $400,000 to Fox to settle that debt.

Warner contends that they have settled all the rights issues through their settlement with Paramount, the previous rights holder.  They dispute that Fox has any claim on the property at all.

Fox’s suit, filed in February, contends that it retains distribution rights to the graphic novel penned by Alan Moore and illustrated by Dave Gibbons. It asserts that Gordon’s option to acquire Fox’s remaining interest in "Watchmen" was never exercised, thereby leaving Fox with its rights under a 1994 turnaround agreement.