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‘Dora the Explorer Saves Three Kings Day’

  • Uncategorized
  • December 17, 2008

dora5-2-4798611While we’re inundated with good, classic and fairly crappy Christmas specials, we here at ComicMix take note of what we think may be the first holiday special surrounding Three Kings Day, a.k.a Little Christmas, of the day when the three kings arrive to see the newborn baby.

Nickelodeon will air its Dora Saves Three Kings Day, on Tuesday, January 6, at 8 p.m.  We’re not sure how Dora the Explorer will accomplish this miracle but Nick wants to make sure we’re all aware of the impending event with the following planned:

•    A two-minute sneak peek at the episode and clips from a song from the show, along with additional episodes, will stream on Nick Jr. Video from Monday, December 29.  The entire episode will be available on Nickjr.com from January 7.

•    The two-minute sneak peek, song and episode clips from the episode will be available on various wireless carriers also from December 29.

•    Nickelodeon on Demand will offer a sneak peek, shorts and song clips from the episode, as well as additional Dora episodes Throughout January.
 

‘Tron’ Sequel Gains New Cast

  • News
  • December 17, 2008

olivia-2-4661579Whatever Disney intends to formally call its sequel to Tron, the movie has added Olivia Wilde (House) and Beau Garrett (Fantastic Four: Rise of the Silver Surfer), joining returning star Jeff Bridges.

The 1982 film was among the earliest to use computer special effects and has a strong fan following.  The sequel was among the top five film searches performed at IMDB in 2008.

The trades refer to the sequel as Tron 2.0, and was written by Lost’s Adam Horowitz and Edward Kitsis, for director Joseph Kosinski, making his helming debut. Steven Lisberger, who directed the original and cowrote its script, will produce with Sean Bailey and Jeff Silver.

Wilde’s character will be ‘worker in the virtual world who tries to help fight Master Control Program, the villainous intelligence protocol that was the nemesis in the original film. Garrett will play a siren in the virtual world.”

The film’s tech look has been in development for a year with footage screened at Comic-Con International, igniting a fresh round of buzz for the film.  Actual production begins in the spring.
 

JJ Abrams Completes ‘Star Trek’ Edits

  • News
  • December 17, 2008

JJ Abrams spoke briefly with MTV News about Star Trek, allowing us a chance to show off the new banner released today by Paramount Pictures.

The film’s trailer has wowed crowds and Abrams has completed editing the movie, which doesn’t up until May 8, 2009.

He admitted not everything shot will make it into the final cut. “You make a movie, and I think you always find yourself losing things here and there, embellishing things. It’s sort of par for the course. They’ll probably end up as deleted scenes on the DVD.”

Abrams noted that the film is intended for the widest audience possible but there remain nods to the diehard fans who have stuck with the franchise though some very lean times. “I think what you’ll see is there are — both story-wise and performance-wise, visually and aurally — many connections to what is familiar and what has come before. Which for the new fans of Star Trek, the newcomers to the world, will be irrelevant. But for those people who are fans and who hope for or expect certain familiar nods, they will undoubtedly get those,” he said.

He also confirmed that Leonard Nimoy’s Spock will be more than just a mere token appearance. “He’s in the movie, and his role is critical. I always think "cameo" feels like a role that the movie could exist without. This is critical, emotional and also a story element.

When asked to compare his film with the previous Trek films, Abrams spoke about how they pick up from the television series where everyone has been introduced and the crew knows one another. His film, in contrast, takes things back to those very early days.

“But on a much more practical level, Star Trek has never had the opportunity, nor the resources, to be realized in this way,” he said. “Things like the ships and the battles and the planets and the chases and the action sequences … and do them in a way that felt thrilling and terrifying and entertaining in a way that the show and the prior movies simply couldn’t afford to do. I feel we were able to bring to life, in a way we’ve never seen before, what it is to be a member of Starfleet. And that’s kind of cool.”

Review: ‘The Dark Knight’ DVD

The Dark Knight stunned movie audiences by taking the mature themes and tone of its predecessor, [[[Batman Begins]]], and amping things up by a factor of 10. The movie was hailed by critics for around the world and theatres packed in the crowds to the tune of $1 billion in box office (or thereabouts).

In rewatching the film on DVD, now out from Warner Bros., the film remains very strong thanks to terrific lighting, set design, and riveting performances from Heath Ledger and Aaron Eckhart.  Yet, the story doesn’t hold together as well. 

First of all, Gotham looks and feels different from the first film from director Christopher Nolan. The city had been a character all on its own, with the architecture and monorail but now it just looks like, you know, Chicago. We don’t know how long its been since the first film, but since it ends with the Joker’s calling card, it can’t have been that long for a remake, and yet Batman’s legend is such that people are already out there being bat-masked vigilantes.

We know [[[Batman]]] is a presence, so much so that the criminal operations are suffering.  Enter, the Joker, a force of nature. The performance by Ledge is riveting because he makes you forget all about Cesar Romero and Jack Nicholson and creates something totally fresh. His desire to spread chaos in opposition to Batman’s sense of order becomes the film’s spine.

But, once you examine what happens next, things take an odd turn.

As the UK’s [[[Guardian]]] put it, when they named the film as having the most ridiculous plot of the year: “Wait, so the Joker really orchestrated that big truck chase just so that he could get caught and go to prison, then he could kidnap that guard and grab his phone to make the call to set off the bomb he’d previously sewn inside the henchman in the next cell? That would kill the guy who stole the mobsters’ money, thus enabling him to … er, what? Heath Ledger’s Joker may have been a psychopath, but he had a nerdish capacity for forward planning.”

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Universal Options ‘Bakugan Battle Brawlers’

  • News
  • December 17, 2008

Bakugan Battle Brawlers has been optioned by Universal Studios and Stuber Productions according to The Hollywood Reporter. The anime series currently is shown on Cartoon Network while toys and game come from Spin Master and Sega.

The series is based on a “strategic game that uses metal cards and magnetic, spring-loaded miniature figures that transform from marble-like balls into toy monsters.

“The show’s story line revolves around creatures called Bakugan and the young human battle brawlers who wield them. The creatures have such names as Pyrus Drago, Haos Tigrerra, Ventus Skyress, Subterra Gorem and Darkus Hydranoid that inform their character and power; they are involved in a battle in a parallel dimension called Vestroia that spills into ours.”

A total of 51 episodes were produced by TMS Entertainment and Japan Vistec and debuted in Japan last year. The English-language version has been handled by Nelvana which has produced 52 episodes.

Universal is currently seeking a writer for what they perceive to be a hot property that will translate well around the world.
 

ComicMix Radio: We Hit 300!

  • News
  • December 16, 2008

We celebrate our Big 300th Broadcast with another run through the comics and DVD Buy Me lists, and then some news on the future of ComicMix Radio , plus:

  • Peter David explains how to add Fallen Angel trades to your gift list
  • William Katt on just what to expect in this week’s Greatest American Hero #1
  • Mark Henke promises more Golden Age Men of Mystery from AC Comics

After all of that, we bring ComicMix Radio to a close for a final time, but before you get too choked up we unveil our plans for a new piece of audio goodness that you will get to sample even before the holidays. We’ll tell you about The Point and how you should watch ComicMix for the first broadcast in just a few days!

Meanwhile, one for time – just Press the Button!

L

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-6894769 or RSS!

 

‘Ultimatum’ #1 #1 in November

  • News
  • December 16, 2008

ultimatum1-2-3640885The November numbers are in and ICv2 notes that sales of the top 300 titles fell 11% compared with a year ago.  They note that with DC Comics and Marvel Comics skipping issues of Secret Invasion, Final Crisis, New Avengers, Mighty Avengers, Astonishing X-Men, and Justice League of America, there’s little wonder.

Only two titles — Marvel’s Ultimatum #1 and DC’s Batman #681 – cracked the 100,000 unit marks based on numbers provided by Diamond Comics Distributors, the fewest since March.

Marvel had 14 of the top 25 titles, DC 10, and Dark Horse one. 

Looking over the list, it’s interesting to note that beyond events and new titles, several mainline books continue to bring in readers because the content seems to be consistently entertaining month after month as exemplified by Amazing Spider-Man and Captain America being in the Top 10. The most popular creators do seem to translate to best sales making it all the more important for creative team consistency month to month.

Here are ICv2’s estimates of the sales by Diamond Comic Distributors to comic stores on the top 25 comic titles in November:

114,230           Ultimatum #1
103,151           Batman #681 (RIP)
  90,776           Hulk #8
  88,910           Wolverine #69
  77,773           Uncanny X-Men #504
  76,625           Amazing Spider-Man #577
  75,493           Captain America #44
  74,202           Buffy the Vampire Slayer #19
  72,862           JSA: Kingdom Come Special Superman #1
  71,355           Justice Society of America #20
  69,522           Batman: Cacophony #1
  68,956           Amazing Spider-Man #576
  66,564           Amazing Spider-Man #578
  64,196           Detective Comics #850 (RIP)
  63,512           X-Men Legacy #218
  61,331           Fantastic Four #561
  58,547           Action Comics #871
  58,279           Dark Tower: Treachery #3
  57,241           X-Force #9
  57,205           JSA: Kingdom Come Special Kingdom #1
  56,931           Final Crisis: Resist #1
  56,224           Avengers / Invaders #6
  55,560           JSA: Kingdom Come Special Magog #1

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‘Phantom Legacy’ Writer Says New Film a Reboot

  • Uncategorized
  • December 16, 2008

movie-phantom-5114134Garth Franklin at Dark Horizons chatted briefly with Tim Boyle, the man charged with writing the just announced The Phantom Legacy.

“First up this is a reboot ala Batman Begins and not a sequel to Simon Wincer’s 1996 feature film as has been previously reported,” Franklin wrote.

“There are two main villains in this – one from the comic, the other an original but as to which ones they can’t be disclosed for now. The Phantom himself and Diana Walker will be in it of course, ‘oh and their kids… he adds.”

"It will have some elements of the original comic, but we are making it work for the screen" Boyle said.

"Like Batman Begins, where he takes a high tech spelunking suit and turns it into the basis of his costume – we’re looking at making it a real world costume. Think of what Bryan Singer did with the blue and yellow Wolverine costume – that’s what we have to do. Make it accessible to the public without annoying the fans too much."
 

First ‘GI Joe’ One-Sheets Released

  • News
  • December 16, 2008

Following the pattern now employed by studios pushing ensemble films to geeks, Paramount Pictures has released the first four one-sheets for next August’s G.I. Joe: The Rise of Cobra.

The pictures seen here spotlight, running clockwise Ray Park as Snake Eyes, Marlon Wayans as Ripcord, Channing Tatum as Duke, and Sienna Miller as Baroness.

Directed by Stephen Sommers (The Mummy), it was written by Stuart Beattie and set a decade from today and is an origin story for the formation of Cobra and GI Joe’s response to the global threat.

The sprawling cast of good guys and bad guys includes:

G.I. Joe

Channing Tatum as First Sergeant Conrad S. Hauser / Duke
Dennis Quaid as General Clayton M. Abernathy / Hawk
Rachel Nichols as Shana M. O’Hara / Scarlett:
Ray Park as Snake-Eyes
Marlon Wayans as Wallace A. Weems / Ripcord
Adewale Akinnuoye-Agbaje as Lamont A. Morris / Heavy Duty
Saïd Taghmaoui as Alvin R. Kibbey / Breaker
Karolína Kurková as Courtney A. Kreiger / Cover Girl

Cobra

Christopher Eccleston as James McCullen Destro XXIV
Joseph Gordon-Levitt as Cobra Commander:
Sienna Miller as Baroness Anastasia DeCobray / The Baroness
Lee Byung-hun as Storm Shadow
Arnold Vosloo as Zartan

Cameos

Larry Hama
Kevin J. O’Connor
Brendan Fraser
 

Review: ‘An Anthology of Graphic Fiction, Cartoons and True Stories, Vol. 2’

  • Uncategorized
  • December 16, 2008

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An Anthology of Graphic Fiction, Cartoons and True Stories, Vol. 2
Edited by Ivan Brunetti
Yale University Press, October 2008, $28.00

Two years ago, we saw one of the biggest signs yet that comics had “made it” and were being taken seriously by the academic/literary community: the publication of a big, magisterial teaching anthology of comics, edited by Ivan Brunetti and published by the utterly respectable Yale University Press. That book was [[[An Anthology of Graphic Fiction, Cartoons, and True Stories]]], and even its unwieldy title seemed to underline just how serious and important it was – the Anthology was the kind of comics collection that could be assigned as reading in English 214: Readings in Contemporary Literature, or some other similarly dull university course.

Inside the Anthology, Brunetti staked out a position for comics much closer to the Art History department than to English, leading off with intensely formalist works and only settling down to things like “Graphic Fiction” and “True Stories” deep into the book. (A lot of the first Anthology – and a lot of this second book as well – must be called “Cartoons” as a default; they’re clearly sequential art, but they’re closer to poems or painting series than they are to any kind of written prose. Not that this is a bad thing; I’m sure Brunetti would argue that those works show the unique abilities of the comics form.) Most impressively, Brunetti produced a book that wasn’t obvious – it wasn’t the book anyone would have expected, or a book anyone else would have compiled. (Not that the obvious anthology of great comics wouldn’t have had a use, and possible been more useful for teaching than Brunetti’s book ended up being.)

But that was two years ago, and now Brunetti, and Yale, are back with a second volume, [[[An Anthology of Graphic Fiction, Cartoons, and True Stories, Vol. 2]]], to give it its entire ungainly due. (The “An” at the beginning particularly bounces oddly off the “Vol. 2” at the end.) It doesn’t so much take up where the first [[[Anthology]]] left off as replicate the pattern (and, almost exactly, the contributors list) of the first book; it could as easily be a second attempt at the same idea as an extension. It doesn’t stake out any different territory than the first Anthology did; it focuses on mostly the same creators, and the same type of comics, and is organized in a similar, vaguely thematic, free-form fashion.

(more…)

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