Review: ‘Speak of the Devil’ by Gilbert Hernandez
Speak of the Devil
By Gilbert Hernandez
Dark Horse, November 2008, $19.95
Most of Gilbert Hernandez’s comics have been set in the same world, featuring a huge cast of characters with many obvious and obscure links, reaching from the small Latin American town of Palomar to Southern California and covering the second half of the twentieth century right up to now. Even the few of his comics that aren’t obviously in that world often turn out to have links to the “[[[Palomar]]]” cast.
Last year, Hernandez put out the graphic novel [[[Chance in Hell]]]. That story didn’t itself take place in his usual world – but it was a comics version of a movie from that world, a movie that featured his character Fritz in a minor role. Hernandez is continuing that conceit; [[[Speak of the Devil]]] is another metafictional comic, the story of a movie that only exists within another world of fiction, and one that featured Fritz in a larger part. (Fritz had a short but eventful Hollywood career, so we might well get another half-dozen “movies” with her as an “actress.”)
Like Chance in Hell, Speak of the Devil is a noirish drama with a timeless feel – there are a few details like cellphones that place it in the modern day, but the atmosphere and touches like a beatnik tertiary character make it feel like a movie from the late ‘60s or early ‘70s – that is, if we take Hernandez’s bait and think of Speak of the Devil as a movie to begin with. Devil does have the feel of a movie sometimes; Hernandez often allows his panels to stretch all the way across the page for a widescreen effect before diving into an array of smaller panels to indicate quicker events.
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