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Review: ‘Aqua Teen Hunger Force’ 6

Growing up, my animation was largely the Saturday morning variety, the Hanna-Barbera output where kids never questioned a talking penguin and walrus on globe-trotting adventures, receiving wisdom from a human professor with a magical chalkboard. As I grew up and animation evolved, I realized the kinds of cartoons were splintering for the variable demographics, a change largely brought about my the advent of cable television.

Today, there is the most basic of animated fare for the wee tots all the way to sophisticated anime for adults.  And in between are the shows for teens and young adults, the very life blood of Cartoon Network’s Adult Swim block of shows. Among the most popular has been [[[Aqua Teen Hunger Force]]], a show I have managed to miss since its debut in 2000 before there even was an Adult Swim.

I finally had a chance to sample the series when Warner Home Video sent me Aqua Teen Hunger Force Vol. 6, containing nine episodes from the current season plus four unaired stories.

I don’t get it. 

Even the most absurd of concepts has some sort of logic to hold everything together.  This show is a series of random character types held together with atrociously limited animation.  Anything and everything happens in these stories with no internal logic per episode and a tremendous amount of poor humor.  Considering this spun off from [[[Space Ghost: Coast to Coast]]], which was “smart” in its inanity, ATHF just makes no sense.

Watching these stories was actually painful given the lack of story construction, characterization or anything rising above smutty humor.  The “[[[Sirens]]]” story, for example, featured three sirens, two sexy nymphs and former Philadelphia Phillie John Kruk.  Huh?

I prefer smart, literate humor but am not adverse to absurdist or slapstick humor.  A steady diet of this without any rhyme or reason leaves me cold.

If this is what passes for popular teen humor and animation, then I’m pretty pleased to be too old for this stuff.

The DVD comes complete with “I’m Pissed” Carol Sports Blogs; Outtakes from the Midway video game; “Terror Phone”, an original short; A behind-the-scenes featurette that doesn’t explain the humor any better; Commentary; and Promos.

Darren Aronofsky Wants to Re-Edit ‘Fountain’

Director Darren Aronofsky told MTV that he would like to find the time to re-edit his Fountain feature film. “It wouldn’t be a ‘director’s cut,’” he told the site — “more like an alternate story told with the addition of unused footage from the first go-round. This would be a complicated project on a couple of levels, though, and it’s at least a few years away.”

The movie had a tortured path from script to screen with a detour when an early version became the source for the Vertigo graphic novel. It starred Hugh Jackman and Rachel Weisz but fizzled at the box office.

Currently on the road promoting The Wrestler, Aronofsky is sharing print time with star Mickey Rourke who also told MTV that he’s game for a return visit to Frank Miller’s Sin City.  The promised sequel has been tied up a fight between co-director Robert Rodriguez and the Directors Guild of America.

“Once that kerfuffle’s cleared up, though, the sequel could get underway pretty quickly. “Frank’s ready,” said Rourke. “And I’m ready, too.”

‘Punisher: War Zone’ Fails to Hit the Target

While no one expected Punisher: War Zone to be Oscar material, Lionsgate certainly hoped it would open better than it did this weekend.  The film, which received fairly uniform negative reviews, took in a mere $4 million, good for ninth place.  It was, though, the best performance for a new film this weekend, beating Cadillac Records by $500,000 according to Box Office Mojo’s estimates.

The preceding eight spots belonged to returning fare with the romantic comedy, Four Christmases returned to the top spot with $18,180,000 and $70.84 million after two weeks. Second place went to the vampire romance Twilight which found another $13, 197,000 revenue from the tweens.  Younger kids continued to thrill at Bolt’s adventures which saw an additional $9,696,000 in ticket sales.

For adults, Hugh Jackman and Nicole Kidman defied the critics and lured people to see Australia to the tune of $7 million, good for $30, 869,00 after two weeks.  Daniel Craig’s second turn as James Bond didn’t fare as well, with Quantum of Solace taking fifth place but losing 65% of last week’s audience and bringing home just $6.6 million.

Punisher’s per screen average of $1595 was anemic compared with more than twice that of the top performers. 2004’s Punisher actually opened much better with $13,834,527 and given the growing appetite for super-hero movies, the sequel’s dismal performance is a black mark for Marvel.

Lionsgate will be praying for a Christmas miracle and a stronger opening for the more heavily hyped Spirit film from Frank Miller on Christmas Day.  Marvel’s next offering is next May’s X-Men Origins: Wolverine which should have a huge opening.

‘Akira’ Coming to Blu-ray

The acclaimed anime Akira will make its Blu-ray debut on February 24 according to Bandai Entertainment. Katsuhiro Otomo’s 1988 science fiction tale will receive the deluxe treatment.

The disc, coming from Bandai’s Honneamise label, will retail for $49.98 and include both Japanese and English subtitles along with the English dub track, but purists should really enjoy the Japanese track, which will be presented in state-of-the-art 192 kHz 24-bit Dolby TrueHD 5.1ch sound. 
 
The initial pressing of the Akira BD will include a slipcase and a 32-page booklet.  Extras on the disc include two teasers, two trailers, a TV commercial and Otomo’s complete storyboards for the film.
 

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Animation Casting Director Andrea Romano Talks ‘Wonder Woman’

ww-closeup-sad-2-8235527Andrea Romano, arguably the best known casting/dialogue director on the animation scene today, brings the voices of yet another DC Universe animated original film to life with Wonder Woman.  The original animated feature will be released by Warner Premiere on March 3, 2009.

Her voice cast this time includes Keri Russell, Nathan Fillion, Alfred Molina, Virginia Madsen, Oliver Platt and Rosario Dawson.

Romano began her career as an actress in New York before switching coasts and paths, accepting a position as a Hollywood voiceover agent’s assistant. Over five-plus years, she moved from a large talent agency to a smaller boutique agency, learning the business before shifting into casting for Hanna-Barbera in 1984.

She has been nominated for Emmy Awards a total of 18 times, and there are six Emmys standing tall in her home – well, proud as they can stand when attired in Barbie clothes. Romano enjoys dressing her statuettes.

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Review: ‘Lost Season 4’ on DVD

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Serialized television has seen a decline in ratings after becoming all the rage, ignited largely by the originality and quality of Lost.  Created by J.J. Abrams, Carlton Cuse and Damon Lindelof, the series had an intriguing premise, an intricate mythology and a sprawling cast, but they never took the focus off the characters.  We got to know them, one by one, and came to care what happened. As several regulars died off, we were repeatedly told, this is a dangerous situation and everyone was vulnerable. This season, more favorite characters are wiped away in dramatic fashion and helps inform those who survive.

Of course, the fun of the series is also seeing the dead come back to appear in flashbacks and hallucinations so no one stays away from the show for good.

The third season was accused of losing that tight focus and its audience began to dwindle.  In spring 2007, ABC and the producers agreed to an end date for the show, spring 2010, and that freed the producers to finish plotting out the series in broad strokes.  We go the first hint of that in the season finale which had the first flash forward, showing us a suicidal Jack insisting he and Kate have to return to the island.

As a result, we were eager for the fourth season, the six-disc DVD collection, which goes on sale Tuesday and were not disappointed.  The freighter that has arrived proves not to be from Desmond’s beloved Penny but on behalf of Charles Widmore, who seems to be out to control the island and its secrets.  From that point, we delve into sixteen episodes which furthered everyone’s character arcs while introducing new wrinkles and new cast.

As one would expect, Jack and Locke are at odds as Locke’s spiritual side says they have to remain on the island while Jack remains committed to getting everyone off.  The cast splits and we follow both sides with Locke’s crew taking over the compound used by The Others, who have fled.

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All-New Super Friends Hour – Season 1, Volume 2 Due in January

allnewsprfriendshr-s1v2-6275796Warner Home Video has announced a January 27 release for All-New Super Friends Hour – Season 1, Volume 2. The 32 adventures will appear on a two-disc set retailing for $26.99.

The All-New Super Friends Hour
immediately resonated with fans and became a huge ratings success for ABC. Using combined powers, cunning and wit, the Super Friends fight for truth and justice and save the day with the reminder that good will always triumph over evil. Each thrill-packed hour includes four exciting and suspenseful episodes as the Super Friends battle unthinkable dangers. Interactive segments with magic tricks, health and safety tips and puzzles, are just a few cool extras that this thrilling collection boasts!

DVD special features include:

"The Wonder Twins Phenomenon" – Over 20 minutes of bonus content with segments exploring Zan and Jayna’s impact on pop culture.

"The All-New Super Friends Hour – Season 1, Volume 2 is yet another electrifying installation to one of DC Comics’ most beloved series," said Amit Desai, WHV Vice President of Family, Animation & Sports Marketing. "Warner Home Video is thrilled to provide fans with 32 action-packed episodes of the Super Friends on their quest to save humanity."

 

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NYCC Names Living Legends Guests

The New York Comic Con has announced that it will honor artist Al Plastino, inker Joe Sinnott, and writer Marv Wolfman as “Living Legends” at the 4th annual New York Comic Con, which will take place from February 6-8 at the Jacob Javits Center in New York City.  All three Living Legends will participate in convention festivities and make limited appearances at select panel discussions and autograph sessions.
 
Al Plastino, who was born in New York City in 1921, began working in comics as an inker and penciller during the “Golden Age” of comics in the early 1940s.  In addition to inking Captain America and Sub-Mariner, he drew Green Lantern, Rocketman and Dynamic Man.  After WWII, Plastino joined DC Comics where he helped to develop Superman spin-offs such as Supergirl and the Legion of Super-Heroes with writer Otto Binder.  In the late 1960s he began work on a succession of syndicated comic strips including Batman, Nancy and Sluggo, and Peanuts.
 
Joe Sinnott has worked for Marvel Comics for 58 years.  He is perhaps best known as Jack Kirby’s inker on the Fantastic Four, but he has enlivened a host of Marvel characters over the years and currently inks the Spider-Man newspaper strip.
 
Marv Wolfman, who is at present working on the DC online MMORPG with Jim Lee, was born in Brooklyn in 1946.  He has written comics, movies, TV shows, animation, and children’s books, and won numerous awards for his works.  Among his most famous creations are Blade and the New Teen Titans.

A Qualified Positive Notice for ‘Dollhouse’

Time magazine’s television critic,  James Poniewozik, has posted the first review for Joss Whedon’s Dollhouse, which will not air until February 13.

He wrote, “It was both better and worse than I expected, in different ways. One of my concerns about it was that — given Joss Whedon’s talent for making absorbing serials — the case-of-the-week nature of the show would make it harder to grow attached to. (I’m assuming that anyone who cares at this point knows the premise already, but in case I’m wrong: Eliza Dushku plays Echo, an "Active," which is a person who has agreed to let a secretive organization erase his or her original memories and personality and implant new ones in them for "assignments" involving rich clients.)

“Yes, this is certainly Joss Whedon trying to do What People Think Works on Broadcast TV Today—the legendary serial-procedural hybrid. But the first episode—in which Echo is imprinted with a kidnapping-negotiator’s personality to secure the return of a rich man’s abducted daughter—is well enough written to be absorbing. Writing a crime hour doesn’t seem like Whedon’s thing, but the episode is tight, suspenseful, with intriguing psychological twists and flashes of Whedonesque humor.”

He is concerned that the show “is less a series concept than an actress’ showcase, a sort of extreme version of an Alias undercover premise.”

Still, he’s optimistic about the series and its future, concluding, “But for me, the main draw now is not seeing Dushku become a different person every week, but getting to see Joss Whedon become a different writer every week.”

NBC Trims “Knight Rider’

NBC wound up trailing the other networks by a day with their midseason announcements.  Among the details is the coveted post-Super Bowl slot going to an hour-long episode of The Office.

The following day, February 2, Chuck will air it’s 3-D episode and Heroes kicks off its new volume.

According to The Hollywood Reporter, NBC has reconsidered its commitment to the underperforming Knight Rider.  Early encouraging ratings prompted the peacock network to give the show a full season pick up.  Ratings flattened once people realized the show wasn’t very good.  The producers trashed half the cast but ratings tumbled before the revamped episodes could air and now the order has been cut back from 22 to 17 with the season and likely series finale set for February 25.

After 15 years, ER closes its doors to new cases on March 12 with a two-hour finale that is said to be filled with flashbacks throughout the years to acknowledge the ever-changing cast. The following week, Kings from Michael Green, will debut with a two-hour opening installment.